Open Access. Powered by Scholars. Published by Universities.®
Dramatic Literature, Criticism and Theory Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Publication Type
Articles 1 - 5 of 5
Full-Text Articles in Dramatic Literature, Criticism and Theory
Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, Catherine Tisdale
Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, Catherine Tisdale
Doctoral Dissertations
In periods of social and political upheaval like ours, it is more important than ever to interrogate constructions of identity and difference and to understand the histories of alterity that separate us from one another. Stranger Compass of the Stage: Difference and Desire in Early Modern City Drama reimagines the cultural and social effect of alien, foreign, and stranger characters on the early modern stage and re-envisions how these characters contribute to, alter, and imaginatively build new epistemologies for understanding difference in early modern London. Resisting the field’s current critical inclination toward English identity formation, this project works intersectionally to …
Playing Devil's Advocate: The Attractive Shakespearean Villain, Jonathan Montgomery Green
Playing Devil's Advocate: The Attractive Shakespearean Villain, Jonathan Montgomery Green
Graduate Theses and Dissertations
The characters of William Shakespeare have spawned countless words of critical interpretation inspired by the playwright's aptitude for fashioning intricate and conflicted figures. As a master character craftsman, Shakespeare is consistent in creating fascinatingly deep characters, and many of them have even gone so far as to generate entire literary archetypes. From the contemplative Prince Hamlet to the despicable yet charming John Falstaff, Shakespeare's characters remain eternal representatives of what any good character should be: interesting, provocative, and complicated.
However, among the playwright's most hypnotic figures are his villains, those characters whom audiences should by all counts detest but cannot …
"A Comely Presentation And The Habit To Admiration Reverend": Ecclesiastical Apparel On The Early Modern English Stage, Robert Lublin
"A Comely Presentation And The Habit To Admiration Reverend": Ecclesiastical Apparel On The Early Modern English Stage, Robert Lublin
Robert Lublin
“Whosoever Loves Not Picture, Is Injurious To Truth": Costumes And The Stuart Masque, Robert Lublin
“Whosoever Loves Not Picture, Is Injurious To Truth": Costumes And The Stuart Masque, Robert Lublin
Robert Lublin
No abstract provided.
“An Vnder Black Dubblett Signifying A Spanish Hart”: Costumes And Politics In Middleton’S A Game At Chess, Robert Lublin
“An Vnder Black Dubblett Signifying A Spanish Hart”: Costumes And Politics In Middleton’S A Game At Chess, Robert Lublin
Robert Lublin