Dramatic Literature, Criticism and Theory Commons^™

Phaedra: The Influence And History Of A Dramaturgical Mystery, Kierstan K. Conway

The Downtown Review

Many have debated the possible performance of Seneca's plays. Theatre Historians have polarizing opinions on whether Seneca wrote them intending to perform for Roman Audiences. A comparative study of Euripides' Hippolyte, Seneca's Phaedra, and Sara Kane's Phaedra's Love demonstrates the flexibility of this story and its translation to different historical audiences. This further historical analysis illuminates clues within Seneca's text and proves the possibility of staging, offering a new take on plays previously thought of as "closet dramas."

Myrrha Now: Reimagining Classic Myth And Mary Zimmerman's Metamorphoses In The #Metoo Era, Claire A. Pukszta

Scripps Senior Theses

This paper represents the final culmination of a theater senior project. The project consisted of an analytical research paper, performance in a mainstage department production, and supporting process documentation. I portrayed Myrrha, Hunger, Zeus, and others in a production of the play Metamorphoses.

Through research on Mary Zimmerman’s 1998 play Metamorphoses, adapted from the works of Roman poet Ovid, this thesis grapples with the historical meaning of the myth of Myrrha. A polarizing figure, Myrrha was cursed to fall in lust with her father. By exploring of portrayals sexual assault onstage, I tackle themes of audience relationships to …