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Full-Text Articles in Dramatic Literature, Criticism and Theory
December 2004 - Volume Iv, Number 1, Theatre Arts Department
December 2004 - Volume Iv, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume IV Number 1 includes an article welcoming new faculty Allison Cameron, and a piece on the Liz Marfia and Phil Ash wedding on October 10, 2004, attending by 26 Theatre Arts alumni.
June 2004 - Volume Iii, Number 2, Theatre Arts Department
June 2004 - Volume Iii, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume III Number 2 includes a welcome to new faculty Chris Mitchell and a "Where Are They Now?" section.
The Politics Of Sleepwalking: American Lady Macbeths, Katherine Rowe
The Politics Of Sleepwalking: American Lady Macbeths, Katherine Rowe
Katherine Rowe
No abstract provided.
Oskar Blumenthal And The Lessing Theater In Berlin, 1888-1904, William Grange
Oskar Blumenthal And The Lessing Theater In Berlin, 1888-1904, William Grange
William Grange
OSKAR BLUMENTHAL (1852-1917) was Berlin’s most feared theatre critic in the early years of the new German Reich. He had the audacity of referring to Goethe as “an egghead” who had no understanding of what made plays effective for audiences, and in other critiques he ridiculed Kleist, Hebbel, and other “important” playwrights—prompting an adversary publicly to call him a “one-man lynch mob.” In the 1880s Blumenthal himself began writing plays, and he was so successful that many self-appointed cultural guardians accused him of damaging the German theatre beyond repair. His became the most frequently performed plays on any German stage …
Deliver Us From Evil: Essays On Symbolic Engagement In Early Drama, Clifford Davidson
Deliver Us From Evil: Essays On Symbolic Engagement In Early Drama, Clifford Davidson
Clifford Davidson
The focus of this book is on the reality of evil for medieval and Renaissance dramatists and their audiences. What propels the work beyond similar critiques is the author's insistence that evil is not an outmoded feature of past societies, but an active ingredient of contemporary life. Davidson fast forwards from distant times once described as "calamitous" to a century of far more violence and atrocity - our own twentieth and its overflow. While drawing on Kant to illuminate the kinds of evil portrayed in early drama through Marlowe and Shakespeare, Davidson refers to contemporary events that scream for an …
Feminist History, Theory, And Practice In The Shakespeare Classroom, Robert Lublin
Feminist History, Theory, And Practice In The Shakespeare Classroom, Robert Lublin
Robert Lublin
No abstract provided.