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Full-Text Articles in Dramatic Literature, Criticism and Theory
“All The Daughters Of My Father's House, And All The Brothers Too”: Shakespeare’S Portrayal Of Gender Fluidity, Sebastian Lopez
“All The Daughters Of My Father's House, And All The Brothers Too”: Shakespeare’S Portrayal Of Gender Fluidity, Sebastian Lopez
Symposium of Student Scholars
This paper analyzes how Shakespeare's personal life influenced the relationship between Viola and Cesario in Twelfth Night through a feminist lens and an analysis of gender fluidity in the Elizabethan Era. It is a common misconception that conversations revolving around gender are a modern discussion. Shakespeare popularized the idea of gender fluidity in English literature in his play, Twelfth Night.
At the height of Shakespeare’s career, he wrote many comedies, yet few tragedies, however, a tonal shift occurred after the death of his son, Hamnet. Shakespeare was father to a pair of fraternal twins, Judith and Hamnet. However, the …
A Woman's War: The Global Feminist Impact Of The Reclamation And Emulation Of Lysistrata, Sierra Benning
A Woman's War: The Global Feminist Impact Of The Reclamation And Emulation Of Lysistrata, Sierra Benning
Symposium of Student Scholars
Sierra Benning Kennesaw State University sbennin1@students.kennesaw.edu
A Woman’s War: The Global Feminist Impact of the Reclamation and Emulation of Lysistrata
Can one consider literature, art, film, or theatre created by men, despite the presence of empowered and intelligent female characters, as truly and accurately feminist? This presentation seeks to answer this question through calling forth the concept proposed by Sue-Ellen Case in her book Feminism and Theatre of the “male-produced” woman, and the unrealistic image that product has created for women through time. This presentation explores the idea that when these male-written female characters are reclaimed by female audiences, they …
Authenticity And Humanity: Women In Ming Dynasty Theatre, Sarah Rogers
Authenticity And Humanity: Women In Ming Dynasty Theatre, Sarah Rogers
Symposium of Student Scholars
Since the dawn of theatrical performances, women had very limited opportunities for participation and presence in productions, often being portrayed onstage by male actors in untruthful, borderline degrading drag, which fortunately was not the case for the Ming Dynasty. My research investigates the societal roles and customs that women in the Ming Dynasty were initially assigned to and the shift they experienced in these roles; this shift empowered women to have more agency in every aspect of their everyday lives, especially in participating in performances. Methodologically, I consider the feminist/gender lens of Karl Marx’s Critical Theory and the opera The …