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Articles 1 - 3 of 3
Full-Text Articles in Dramatic Literature, Criticism and Theory
Resistencia Y Asimilación: El Espacio Liminal En El Teatro Cubanoamericano, Michael Mardoian
Resistencia Y Asimilación: El Espacio Liminal En El Teatro Cubanoamericano, Michael Mardoian
Senior Theses and Projects
The Cuban Revolution that took place in 1959 sparked a mass movement of Cubans to leave the island known as the Cuban Diaspora. To live in another place, a country and within a culture drastically different is a continual internal and external confrontation that many Cubans face living in the United States. Immigration and exile are central themes that emerge from Cuban literature and art. In the field of theater, many Cuban and Cuban-American playwrights such as Matías Montes Huidobro (1931), Alberto Pedro (1954-2005) and María Irene Fornés (1930), have illustrated the effects of immigration and exile on the displaced …
Love Kills: Exploring Young Women In Shakespeare, Malcolm X. Evans
Love Kills: Exploring Young Women In Shakespeare, Malcolm X. Evans
Senior Theses and Projects
Taking a look at how William Shakespeare writes young women (particularly in Romeo and Juliet and Hamlet), Evans puts forth the idea that "love kills." There are no young and strong characters that are powerful, entirely as women, in the works of Shakespeare. To further put forth the idea Evans comments on a production of his own design, by the same name, which brings together the Romeo and Juliet and Hamlet.
The Evocation Of The Physical, Metaphysical, And Sonic Landscapes In Samuel Beckett's Short Dramatic Works, Theresa A. Incampo
The Evocation Of The Physical, Metaphysical, And Sonic Landscapes In Samuel Beckett's Short Dramatic Works, Theresa A. Incampo
Senior Theses and Projects
A historical analysis of the playwright’s theatrical spaces including the concept of temporality, which is central to the subsequent elements within the physical, metaphysical and sonic landscapes. The choice to focus on the philosophy of phenomenology centers on the notion that these short dramatic works present the theatrical landscape as the conscious character perceives it to be. The perceptual experience is explained by Maurice Merleau-Ponty as the relationship between the body and the world and the way as to which the self-limited interior space of the mind interacts with the limitless exterior space that surrounds it.