Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in Dramatic Literature, Criticism and Theory

An Historical Analysis Of The Relationship Between Organized Religion And Dramatic Theory, Emily Bubeck Mar 2018

An Historical Analysis Of The Relationship Between Organized Religion And Dramatic Theory, Emily Bubeck

Undergraduate Distinction Papers

Theatre artists and organized religion both use the same tactics and strategies in order to connect to their audiences. This isn’t a coincidence: Over the course of human history organized religion and performance traditions developed, grew and evolved together. Performance practices grew out of religious traditions and often incorporated elements of spiritual celebration and religious ritual into their practices. In ancient Greece dramatic practices developed as a celebration of the god Dionysus, Sanskrit theatre of Ancient India evolved as a means of communicating Hindu myths to the masses and Noh theatre of ancient Japan started as shamanistic dance traditions. During …


Is He Dead?, Otterbein University Department Of Theatre And Dance Feb 2016

Is He Dead?, Otterbein University Department Of Theatre And Dance

2015-2016 Season

This play was written by Mark Twain in 1898 and first published in print in 2003. The play focuses on a fictional version of the great French painter, Jean-François Millet, as an impoverished artist in Barbizon, France who, with the help of his colleagues, stages his death in order to increase the value of his paintings, and afterwards dresses as a woman to keep his secret safe. Combining elements of burlesque, farce, and social satire, the comedy relies on such devices as cross-dressing, mistaken identities, and romantic deceptions to tell its story, which raises …


The Miser, Otterbein University Theatre And Dance Department Jan 1998

The Miser, Otterbein University Theatre And Dance Department

1997-1998 Season

The plot concerns the classic conflict of love and money. The miser Harpagon wishes his daughter Elise to marry a wealthy old man, Anselme, who will accept her without a dowry, but she loves the penniless Valère. www.britannica.com