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Full-Text Articles in Dramatic Literature, Criticism and Theory
December 2009 - Volume Ix, Number 1, Theatre Arts Department
December 2009 - Volume Ix, Number 1, Theatre Arts Department
Sides (Newsletter)
This issue includes items about Theatre Alumni Reunions, Dedication of the Green Room at the Doudna Fine Art Center (named after Lucille and E. Glendon Gabbard), and December Graduates.
June 2009 - Volume Viii, Number 2, Theatre Arts Department
June 2009 - Volume Viii, Number 2, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VIII Number 2 includes pictures of the first year of operation of the Doudna Fine Arts Center.
Staging Through Rituals: Directorial Exploration Of The Imaginary Invalid, Dora A. Arreola
Staging Through Rituals: Directorial Exploration Of The Imaginary Invalid, Dora A. Arreola
Masters Theses 1911 - February 2014
This thesis describes how the experimental process of exploring ritual as a foundation for creating contemporary theater can be applied to staging a classical European play, in this case, Molière’s The Imaginary Invalid, adapted by Constance Congdon. Based on research into the influences of Commedia Dell’ Arte in Molière’s plays, the directorial concept of “Mask and Duplicity” influenced all the artistic areas of the production and design (costume, sound, lighting and set). The process described includes the development of a physical vocabulary with the actors, exploring animal movements based on “The Dance of the Deer” (a hunting ritual from the …
Introduction (Special Cluster On The Catalan Stage, Modern And Contemporary), Sharon G. Feldman
Introduction (Special Cluster On The Catalan Stage, Modern And Contemporary), Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
At an international symposium devoted to the contemporary Catalan stage, which was held at the Institut del Teatre de la Diputació de Barcelona in 2005, director Toni Casares observed how the Catalan theater scene in its post-Franco evolution had, already endured a decade aimed at clarifying its cultural politics. "És l'epoca del teatre institucionalitzat o en vies d'institucionalització," he declared, referring to the decade comprising the years 1985 to 1995. It seemed an almost ironic observation at the time, as any attempt at institutionalization was certainly not a new endeavor for the Catalan theater scene; yet, Casares was also quick …