Dramatic Literature, Criticism and Theory | Open Access Articles

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk May 2022

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk

Electronic Theses and Dissertations

Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. …

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An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu May 2020

An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu

Electronic Theses and Dissertations

This thesis reflects my process assimilating into the role of Chelle in the production of Detroit '67 at the University of Louisville. Although there have been instances of actors crossing lines of gender, nationality, race, and even sexuality, to perform roles in contemporary theatre, discussion about generational differences is almost non-existent. Through historical research, first-hand interviews, and conventional acting methods, I explore the world of my role, searching for spirituality, authenticity, and identity. Additionally, I explain my use of The WAY Method ®, a process I began creating in 2014 to help actors be clear with who they are before …

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"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano Mar 2019

"La Llorona": Evolución, Ideología Y Uso En El Mundo Hispano, Raquel Sáenz-Llano

LSU Master's Theses

This thesis studies the evolution, ideology and use of the myth of La Llorona through time in the Hispanic World. Considering this myth as one of the most known traditional narratives of the American continent, I begin by providing visual, ethnohistorical and ethnographical insights of weeping in Mesoamerica and South America and the specific mention of a weeping woman in some Spanish chronicles to say how western values were stablished in “the new continent” through this legend. I suggest that during the postcolonialism the legend did not tell anymore about a mother that cries and search a place for their …

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"Why Can't The English" . . . Learn To Get Along?: Musical Reinforcement Of Negative Personal Characteristics In My Fair Lady, Gretchen Hundling Jan 1998

"Why Can't The English" . . . Learn To Get Along?: Musical Reinforcement Of Negative Personal Characteristics In My Fair Lady, Gretchen Hundling

Presidential Scholars Theses (1990 – 2006)

Although the matter of adaptation is a delicate one, a majority of Shaw's original work is retained in My Fair Lady--over half of the show is the original Pygmalion script (Lerner Street 23). With the exception of the altered ending, almost all of Shaw's poke at English society is intact. But in this case, the songs of the musical serve an even greater function than just relaying what is on the characters' minds when the orchestra starts to play. The characters of this show are sometimes lovable, yet often detestable, for a great deal of their negative issues and …

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The Function Of Music In The Elizabethan Drama And Theater, Genevra H. Dvorak Jan 1955