Dramatic Literature, Criticism and Theory Commons^™

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.

Theatres Of Reality, Fiction, And Temporality: Vegard Vinge And Ida Müller’S Ibsen-Saga (2006 - 2015), Andrew L. Friedman

Dissertations, Theses, and Capstone Projects

This dissertation examines the influence of modernist aesthetics and ideologies on contemporary, European and U.S. experimental theatre. I argue that modernist and contemporary experimental theatres offer competing notions of reality, fiction, and temporality, which I interrogate through Vegard Vinge and Ida Müller’s Ibsen-Saga. I illuminate this tension by reading current modes of performance against the Saga’s productions and work practices, as well as their aesthetic and ideological foundation in three modernist sources: the artificiality of Ibsen’s realism, the utopianism and totality of Richard Wagner’s Gesamtkunstwerk, and the temporal provocations of the historical avant-gardes. I contend that the …

Henrik Ibsen’S A Doll’S House: A Marriage Built To Fail, Alison Dees

Georgia State Undergraduate Research Conference

No abstract provided.

Disciplines, Institutions—And Desires, Will Stockton, Mario Digangi, Ruth Mazo Karras, Melissa E. Sanchez

Publications and Research

Will Stockton: I would like to begin by asking you to consider the chiasmus under which we gather: “Desiring History and Historicizing Desire.” The chiasmus focuses our attention on the crossing of two terms, each with noun and verb forms their grammatical flexibility indexed, perhaps, to the methodological flexibility of the fields in which most of us work: early modern (here both Renaissance and late-medieval) queer and/or sexuality studies. Talk a bit about the definitions of desir/e/ing and histor/y/icizing, and the relation of these terms to the periodization and thematization of your and our work. Is defining these words more …

Cat On A Hot Tin Roof: 60 Years Of American Dialogue On Sex, Gender, And The Nuclear Family, Amy Brooks

Masters Theses

This thesis is a two-part work. Its components, a written paper and a one-night symposium/film screening event entitled Tennessee Williams: Gender Play in 2015 and Beyond, have been closely coordinated with my dramaturgical research for the February 2015 University of Massachusetts Amherst Department of Theater production of Cat on a Hot Tin Roof. The written inquiry is structured around a chronological, selected American production history of Cat; this history, rendered in a series of three case studies, will (1) synthesize preexisting analyses of Cat’s dramaturgical profile, its impact on American theater, and its position in Williams’s oeuvre; …

Faustus’ England: Marlowe’S Representation Of Individualism And Spiritual Authority In Elizabethan England In The Tragical History Of Doctor Faustus, Andrea Holstein

2016 Undergraduate Awards

This paper explores Christopher Marlowe’s representation of individualism and his criticism of spiritual authority in Elizabethan England as presented in Doctor Faustus. Current Marlovian scholarship focuses on the question of how Marlowe’s consideration of the pressing doctrinal questions of his day were used to advance the narrative of Doctor Faustus. The goal of this paper, however, is to demonstrate that Doctor Faustus is first and foremost a subversive commentary on the religious climate of Marlowe’s day. This analysis of Marlowe’s attitude regarding the religious authorities—both doctrinal and institutional—of this period was accomplished by examining the representation of religious beliefs …

A Dramaturgical Analysis Of The Miracle Worker, Abby Butzer

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Arts degree in theatre. It is a dramaturgical analysis for William Gibson's play The Miracle Worker, providing a reference for directors and actors. The thesis explores the play's medical and pedagogical history in six chapters: the physiology and psychology of language acquisition as it pertains to sight and/or hearing impaired children, a pedagogical comparison of Samuel G. Howe and Annie Sullivan, a modern diagnosis of the fever that destroyed Helen Keller's vision and hearing, the 19th century pathology and treatment options for the disease of the eye …

From Pants To Pearls: Rodgers And Hammerstein’S Affect On Post Wwii Women, Alison Dees

DISCOVERY: Georgia State Honors College Undergraduate Research Journal

With the ending of World War II, the returning American veterans forced working women out of their war-time jobs and back to the home where they were to become views and mothers. During this time of transition, Richard Rodgers and Oscar Hammerstein formed a partnership through which they would create musicals that were very different from the typical Pre-1945 musicals which featured all male casts and songs dealing with what it was like to be in war.

The new musicals featured a heroic main character that always falls for the dainty girl next door. This girl next door would always …