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Dramatic Literature, Criticism and Theory Commons™
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Articles 1 - 5 of 5
Full-Text Articles in Dramatic Literature, Criticism and Theory
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided for the introduction.
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke
CLCWeb: Comparative Literature and Culture
No abstract provided.
Literary And Theatrical Circulations In The Democratic Republic Of Congo, Rwanda And Burundi, From The Belgian Colonial Empire To The Africa Of The Great Lakes., Maëline Le Lay
Artl@s Bulletin
This article on literary and theatrical circulations in Africa’s Great Lakes region begins by retracing the history of these practices, taking several examples from the colonial period. It then analyzes contemporary modalities of the circulation of texts (via procedures such as reprising narrative patterns and adaptation), and cultural actors, in the different transnational arts networks that are more or less closely tied to the humanitarian sector, or to international cooperation. Finally, it proposes a critical questioning of the concept of artistic circulation.
La Dame Aux Camelias’ Effect On Society’S View Of The “Fallen Woman”, Christiana Johnson
La Dame Aux Camelias’ Effect On Society’S View Of The “Fallen Woman”, Christiana Johnson
The Kabod
Alexandre Dumas’ play, La Dame aux Camelias presents Marguerite Gautier, a “fallen woman,” as having redeemable qualities which challenged both society’s condemnation of the “fallen woman” and led to a more realistic portrayal of life on the stage and in literature as a whole.
A Translation And Analysis Of Spring's Bride By Mohammed Dib: Creating A Space For Indigenous North African Drama, Jordan Talbot
A Translation And Analysis Of Spring's Bride By Mohammed Dib: Creating A Space For Indigenous North African Drama, Jordan Talbot
All Master's Theses
The Ubu Repertory Theatre Script Collection, which is located in the archives at New York University, contains numerous manuscripts in the French language from dramatists all over the world. One of those manuscripts, La fiancée du printemps by Mohammed Dib, is my own translation of the text from French into English, now titled Spring’s Bride. The text operates as a plea for postcolonial solidarity in the face of an increasingly fragmented community. The characters of the play must confront their deeply held beliefs and their possible destructive power. The translation of this text presents the postcolonial perspective to an …