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Full-Text Articles in Dramatic Literature, Criticism and Theory
Performance, Theatricality, And Identity In Shakespeare’S The Taming Of The Shrew, Nina Masin-Moyer
Performance, Theatricality, And Identity In Shakespeare’S The Taming Of The Shrew, Nina Masin-Moyer
College Honors Program
William Shakespeare’s comedy The Taming of the Shrew is a curious and often controversial play due to its depiction of spousal abuse and female subordination. But despite that charged reputation, it continues to be produced on stages around the world, with creative choices that suggest an attempt to change a supposedly un-feminist play into a feminist one. My thesis argues that this play already features notable feminist elements at the level of the text itself, stemming in particular from its thematic and structural investment in performance and theatricality and in the roles that these elements play in constructing gender and …
"In Loving Virtue": Staging The Virgin Body In Early Modern Drama, Miranda Viederman
"In Loving Virtue": Staging The Virgin Body In Early Modern Drama, Miranda Viederman
Honors Projects
The aim of this Honors project is to investigate representations of female virginity in Renaissance English dramatic works. I view the period as one in which the womb became the site of a unique renewal of cultural anxieties surrounding the stability of the patriarchy and the inaccessibility of female sexual desire. I am most interested in virginity as a “bodily narrative” dependent on the construction and maintenance of performance. I analyze representations of virginity in female characters from four works of drama originating in the Jacobean period of the English Renaissance, during and after the end of the reign of …