Open Access. Powered by Scholars. Published by Universities.®

Acting Commons™

Open Access. Powered by Scholars. Published by Universities.®

2020

Discipline
Institution
Keyword
Publication
Publication Type
File Type

Articles 1 - 30 of 60

Full-Text Articles in Acting

The Launch 2020: A Senior Cabaret, Otterbein Theatre And Dance Department Dec 2020

The Launch 2020: A Senior Cabaret, Otterbein Theatre And Dance Department

2020-2021 Season

No abstract provided.


Theater, Trauma, And The Rehearsal To Recovery, Missy V. Maramara Dec 2020

Theater, Trauma, And The Rehearsal To Recovery, Missy V. Maramara

Magisterial Lectures

Using theoretical concepts, Missy talks about the ways that theater provides a platform for healing.

Speaker: Missy Maramara holds a Master of Fine Arts in Drama (Performance) from the University of Arkansas in Fayetteville through the International Fulbright Scholarship Program. She also trained at the L'École Internationale de Théâtre Jacques Lecoq in Paris and at Tectonic Theater Project in New York City. A Filipino actress with television and film credits, Missy is primarily a theater actress with local and international performances. She has worked with Tanghalang Pilipino, New Voice Company, Repertory Philippines, PETA and Dulaang UP. She performed her solo …


Renouncing Chance: A Comprehensive Analysis Of Brian Friel’S Faith Healer, Forest Clark, Forest C. Clark Mr. Dec 2020

Renouncing Chance: A Comprehensive Analysis Of Brian Friel’S Faith Healer, Forest Clark, Forest C. Clark Mr.

Honors College Theses

Faith Healer by Brian Friel is a play about trauma, addiction, co-dependency, and the inconsistencies of multiples perspectives upon the same narrative. This in-depth academic analysis attempts to examine the themes at play, as well as break-down the script and the characters who are a part of it.


In The Next Room, Or The Vibrator Play Nov 2020

In The Next Room, Or The Vibrator Play

Theatre Programs

No abstract provided.


Dance 2020: The Wild Within, Otterbein Theatre And Dance Department Nov 2020

Dance 2020: The Wild Within, Otterbein Theatre And Dance Department

2020-2021 Season

The Dance Concert, inspired by Maurice Sendak’s children’s classic, “Where the Wild Things Are,” will include a collection of solos, duets and trios which will illuminate the immense power of imagination and prove without a doubt that there’s a wild thing within us all.


Cast(E) Poster, Providence College Nov 2020

Cast(E) Poster, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

A Virtual Event

Premiering November 12, 2020 at 7:30pm

Cast(e)

A devised performance piece inspired by Black voices and responding to racial injustice

Directed by Erin Joy Schmidt

Please visit the link below for more information:

theatre.providence.edu/current-season



Cast(E) Playbill, Providence College Nov 2020

Cast(E) Playbill, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

A Virtual Event

Premiering November 12, 2020 at 7:30pm

Cast(e)

A devised performance piece inspired by Black voices and responding to racial injustice

CREATIVE & PRODUCTION

Erin Joy Schmidt............Director

Kelly Slader...................Stage Manager

David Costa-Cabral.........Costume Designer

Jimmy Calitri.................Managing Director of Theatre

Megan Chang.................Vocal Coach

Matt Corey.....................Producer/Musician

Trevor Elliott..................Technical Director, Visual Editor

Gabe Luxton...................Asst. Technical Director, Sound Editor

Talia Triangolo................Production Office Coordinator

ENSEMBLE

Sydney Cahill, Santiago Najarro Cano, Starling (Estarlyn Hiraldo), Abbie Joy, Halle Pratt, Kari Elisa Robles, Lucille Vasquez, Nana Akua Asante*, Acklynn Byamugisha*, Thalea Gauthier*, Marvin Tavares*

*PC Alumni

Please visit the …


An Enemy Of The People, Otterbein Theatre And Dance Department Oct 2020

An Enemy Of The People, Otterbein Theatre And Dance Department

2020-2021 Season

When a water contamination crisis puts their community in peril, siblings face off in a battle of political ambitions and moral integrity.


La Méthode De L'Actors Studio : Genèse, Pratique Et Phénoménologie, Ivan Magrin-Chagnolleau Oct 2020

La Méthode De L'Actors Studio : Genèse, Pratique Et Phénoménologie, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

En tant que spécialiste de la méthode de l'Actors Studio, je voudrais détailler ici quelle a été sa genèse, puis en quoi elle consiste, et comment, en tant que praticien, un acteur la fait sienne et continue à la faire évoluer. Je voudrais aussi discuter, en partant de mon expérience et de celle des nombreuses personnes que j’ai dirigées, coachées, enseignées, de la façon dont un acteur fabrique sa propre méthode par la pratique et la réflexion, à partir des enseignements qu’il a reçus, et de sa pratique. Je considérerai notamment la dimension phénoménologique de ce processus, c’est-à-dire l’élaboration d’une …


The Theory Of Relativity, Otterbein Theatre And Dance Department Oct 2020

The Theory Of Relativity, Otterbein Theatre And Dance Department

2020-2021 Season

Whether you're allergic to cats, in love for the first or tenth time, a child of divorce, a germaphobe, or simply a unique individual, you’re sure to find yourself in this fresh new musical.


The Collaborators Draw The Circle, Gary K. Lengel Aug 2020

The Collaborators Draw The Circle, Gary K. Lengel

LSU New Orleans Theses and Dissertations

The mystical appeal of a circle reverberates throughout the practice of theatre: from the story circles of our ancestors echoing through the caves and across the ancient savannahs to the modern-day arena palaces that allow playwrights, directors, actors, producers, designers, craftspeople, and, ultimately audiences, to engage and embrace our retold truths, we face each other in circles. This writing references academic instruction and professional experiences in live theatre, documenting various appearances of the circle metaphor as the rehearsal core drives through the production process. It is an endorsement of the circle’s power to the initial table read and beyond: this …


Kinesthetic Language: A Dialect Of Kinesics, Terrill Suzanne Corletto Jun 2020

Kinesthetic Language: A Dialect Of Kinesics, Terrill Suzanne Corletto

Electronic Theses, Projects, and Dissertations

Human communication requires the disciplines regarding physical fitness, codified language, and the performing arts to overlap, and exist symbiotically. Within the realm of artistic performance, the three disciplines working together deliver a deliberate message in a way unique to performing artists. The general tendency to compartmentalize sports, communication, and the performing arts into their pigeonhole categories of Kinesiology, Linguistics, and Theatre Arts is impractical, particularly for performing artists simply because all of the disciplines are mutually dependent in the context of all kinesthetic communications.

The purpose of this paper is to define and discuss several concepts and the ways in …


Providing Useful Feedback, Carol Damgen, Carol L. Damgen May 2020

Providing Useful Feedback, Carol Damgen, Carol L. Damgen

Q2S Enhancing Pedagogy

This reflection is based on an educational assignment from my Oral Interpretation of Literature course at California State University, San Bernardino, April 2019.

Assessment is an essential part of education. However, assessment shouldn’t necessarily come from only one source-the teacher. I believe students benefit from receiving feedback from not only their instructor, but from their peers and lastly from themselves. This layered reflection allows one to learn from what others feel about their work. It is essential to have a second eye if we are to grow as learners.

This multi-perspective view allows the student to offer critical analysis to …


Planning An Effective Class Session, Carol Damgen, Carol L. Damgen May 2020

Planning An Effective Class Session, Carol Damgen, Carol L. Damgen

Q2S Enhancing Pedagogy

This reflection is based on an educational assignment from my Intro to Theatre course at California State University, San Bernardino, April 2019.

As an educator, I am always interested in combining new techniques with tried and true approaches. My hope is twofold- enhance my students learning and keep me inspired.

The concept of a beginning, middle and end in all classes, provides structure for your students and keeps the pedagogy focused.

I incorporated the “I do, we do, you do” approach to support a well-balanced framework for the class period. This technique is a creative take on a beginning, middle …


Developing And Using Grading Guides, Checklists, And Rubrics, Carol Damgen, Carol L. Damgen May 2020

Developing And Using Grading Guides, Checklists, And Rubrics, Carol Damgen, Carol L. Damgen

Q2S Enhancing Pedagogy

This reflection is based on an educational assignment from my Intro to Theatre Arts course at California State University, San Bernardino, May 2019.

Providing students guidance when taking on a new assignment is essential. This direction may be achieved through a variety of sources: lectures, videos, examples of past students work, rubrics etc.

One approach, which may benefit the learner in the immediate and have a lasting impression, is teaching students to use the grading tool at hand (rubric/checklist) to improve assignments.

Following an example you have provided, the instructor will work with their students to use either a checklist …


Aligning Assessments With Course Outcomes, Carol Damgen, Carol L. Damgen May 2020

Aligning Assessments With Course Outcomes, Carol Damgen, Carol L. Damgen

Q2S Enhancing Pedagogy

This reflection is based on an educational assignment from my Oral Interpretation of Literature course at California State University, San Bernardino, May 2019.

A consistent focus and goal for me as an educator is to align assessments with course outcomes.

The learning outcome for this class session focused on the cognitive approach- “students will develop the skills to communicate an oral interpretation of literature to an audience with believability, dramatic action and honesty.”

The intention of this class period was for my students to clearly understand the difference between acting, reading and oral interpretation. Oral Interpretation is a type of …


Selections From & The Process Of Creating "My Blue Scarf: The Story Of Ruth, A New Play", Abigail Jane Ayulo May 2020

Selections From & The Process Of Creating "My Blue Scarf: The Story Of Ruth, A New Play", Abigail Jane Ayulo

Honors Projects

My Blue Scarf: The Story of Ruth, A New Play, provides an adaptation of the Hebrew Book of Ruth that is focused on minority and female voices and experiences. It employs Hebrew poetic verse forms to pay homage to the story’s origins. This style contributes to diversity of voices in English-speaking theatre outside of Western poetics. My Blue Scarf shares a well- known and multicultural story to contribute to the diversity of contemporary American theatre and promote conversation about cross-cultural relationships in a time of division and prejudice. This project consists of eight selected scenes from the larger play and …


Black Expressions Of Dillard University: How One Historically Black College Pioneered African American Arts, Makenzee Brown May 2020

Black Expressions Of Dillard University: How One Historically Black College Pioneered African American Arts, Makenzee Brown

LSU New Orleans Theses and Dissertations

The proposed public history project, Within These Walls (WTW), will be one component of a larger exhibit produced by Dillard University’s, Library Archives and Special Collections entitled The Star Burns Bright: History of Dillard’s Theatrical and Musical Arts, Faculty and Students. WTW will focus on Dillard’s historic African American faculty, students and alumni who became prominent painters, musicians, writers, actors and directors among them Adella Gautier, Randolph Edmonds, Ted Shine Frederick Hall, Theodore Gilliam, and Brenda Osbey. This exhibit will also highlight the many art programs, across genres, offered at the university between 1935 and 1970. This exhibit will demonstrate …


Theatre Crawl: A Series Of Community Engagement Projects, Anna Rich May 2020

Theatre Crawl: A Series Of Community Engagement Projects, Anna Rich

Expressive Therapies Capstone Theses

This thesis will focus on Theatre Crawl, a devised and immersive theatre experience grounded in the techniques of drama therapy. Beginning as a creative outlet for drama therapy graduate students at Lesley University, Theatre Crawl has provided performance opportunities for students to exercise the creative and theatrical skills which initially brought many of them to the field of drama therapy. From April 2018 to January 2020, four Theatre Crawl events have been facilitated. All events originated from the belief that providing opportunities for drama therapists to engage in personal art-making is an essential practice for the field of drama therapy …


Musical Ability And Accent Imitation, Maria Murljacic May 2020

Musical Ability And Accent Imitation, Maria Murljacic

Honors Scholar Theses

This study investigates the intersection of musical ability and accent imitation, more specifically defining what factors cause a relationship between the two. The study was run on 50 participants, who each completed an accent imitation ability assessment, a musical ability assessment, and an articulation ability assessment. The scores for the accent imitation portion were rated by anonymous online raters. Each participant filled out a questionnaire on prior musical experience and were either classified as a musician or non-musician. The analysis found that those in the musician group performed better on the musical ability, articulation, and accent ability assessment than non-musicians. …


Savoring The Moon: Japanese Prints Of The Floating World, Madison B. Dalton May 2020

Savoring The Moon: Japanese Prints Of The Floating World, Madison B. Dalton

Senior Honors Projects, 2020-current

Guided by the Director of the Madison Art Collection and Lisanby Museum, Virginia Soenksen,I served as the Curatorial Assistant for the Lisanby Museum’s forthcoming exhibition Savoring the Moon: Japanese Prints of the Floating World. The exhibition will highlight the Madison ArtCollection’s impressive Japanese woodblock prints in the ukiyo-e style. Ukiyo-e translates to“pictures of the floating world.” This style proliferated in Japan during the Edo period (1603 - 1868) and Meiji period (1868 - 1912), with visual themes that ranged from flora and fauna, Japanese ceremonies, kabuki actors, mythology, courtesans, and cultural pastimes. The estate of Charles Alvin Lisanby gifted over …


Touch As Bond: Exploring The Use Of Contact Improvisation In An Ensemble Process, J Travis Cooper May 2020

Touch As Bond: Exploring The Use Of Contact Improvisation In An Ensemble Process, J Travis Cooper

Senior Honors Projects, 2020-current

This document serves as a contextual and reflective essay detailing the work done on J Travis Cooper’s Honors Capstone Project, Touch as Bond: Exploring the use of Contact Improvisation in an ensemble process. It is a process focused creative project exploring the potential of Contact Improvisation [CI] as a tool for ensemble development and content creation in a theatrical production. Contact Improvisation is a dance practice created by Steve Paxton and other collaborators in the 1970s. The form demands dancers improvise movements while in contact with each other, creating spontaneous lifts and requiring the ability to adapt to a …


Exploring A Qualitative Approach To Arts Advocacy And Evaluation, Lycette C. Belisle May 2020

Exploring A Qualitative Approach To Arts Advocacy And Evaluation, Lycette C. Belisle

Undergraduate Theses

The quantitative impact of the arts has become an increasingly important factor in determining the overall value of a project, and is often used to determine acceptance of submissions, public recognition and funding disbursement. This project evaluates current understandings of how the arts function within society, popular methods for determining the value of the arts and explores how qualitative reasoning can be utilized to communicate the value of supporting artistic endeavors. While placing a numerical value on the arts based on data collection can be important, this project will aim to evaluate the implications of relying so heavily on facts …


Good Grief: An Analysis Of The Character Development Of Tonya In August Wilson’S King Hedley Ii Through The Lens Of “The Five Stages Of Grief”., Kala Ross May 2020

Good Grief: An Analysis Of The Character Development Of Tonya In August Wilson’S King Hedley Ii Through The Lens Of “The Five Stages Of Grief”., Kala Ross

Electronic Theses and Dissertations

An actor who is portraying a grieving character can also grieve simultaneously about the character’s given circumstances, which affects the character development and mental health of the actor. This thesis assesses how the character Tonya, in August Wilson’s King Hedley II, engages with grief as an African American woman and offers a process for the actor to engage and disengage with loss. “Good Grief” will unpack Constantin Stanislavski’s system of acting, focusing on the Magic “If” and the given circumstances, while also introducing the “Five Stages of Grief” coined by Elisabeth Kubler-Ross. Through the scholarship of theatre practitioners and psychologists …


Staying In The Moment: Acting Methods Through Video For The Novice And Veteran Actor, Cortland D. Ellis May 2020

Staying In The Moment: Acting Methods Through Video For The Novice And Veteran Actor, Cortland D. Ellis

Theses and Dissertations

High school is a great place to start acting and learn about theatre, but it can also be a place where actors develop substandard practices. Nevertheless, there are several acting methods that can be used to combat these habits. By delivering videos that focus on these techniques and are tailored to both young and seasoned actors, actors can obtain a better understanding of acting and can be more well-equipped as they approach their work. In order to create these videos, research into the different acting methods and their respective creators was conducted. The information gained from this inquiry was then …


Putting It Together: Musical Theatre As An Academic Discipline, Madison Finney May 2020

Putting It Together: Musical Theatre As An Academic Discipline, Madison Finney

Honors College Theses

Musical Theatre is an art form that integrates singing, acting, dancing, and production for the purposes of storytelling. It is an artistic field that is extremely interdisciplinary, and it draws upon many different areas of knowledge for performance and education. Additionally, Musical Theatre has evolved into a viable academic field of study. It incorporates artistry and academic analysis as a way to enhance performance and higher education. This paper will use Practice as Research theory, creativity theory, and disciplinary discourse theory to explore the ways Musical Theatre successfully functions as an art form and an academic discipline.


Peter And The Starcatcher: Creating The Character Of Peter Pan Via Rehearsal, Script Analysis, And Personal Journals, Delaney Jackson May 2020

Peter And The Starcatcher: Creating The Character Of Peter Pan Via Rehearsal, Script Analysis, And Personal Journals, Delaney Jackson

Theses/Capstones/Creative Projects

Theatre, as an art, does an incredible job at making stage life look as organic as the lives we lead on a daily basis. That’s thanks in part to a methodical rehearsal process that the public rarely has a chance to see.

My goal with this creative project was to give the general public an opportunity to join myself and the rest of the cast of UNO’s Peter and the Starcatcher on a journey through our rehearsal process via journal keeping and character analysis before presenting the show on April 15, 2020.

Unfortunately, we had to give a painful goodbye …


An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu May 2020

An Actor's Process In Bridging The Gap Between First-Generation And Multi-Generational African-American Identities., Mutiyat Ade-Salu

Electronic Theses and Dissertations

This thesis reflects my process assimilating into the role of Chelle in the production of Detroit '67 at the University of Louisville. Although there have been instances of actors crossing lines of gender, nationality, race, and even sexuality, to perform roles in contemporary theatre, discussion about generational differences is almost non-existent. Through historical research, first-hand interviews, and conventional acting methods, I explore the world of my role, searching for spirituality, authenticity, and identity. Additionally, I explain my use of The WAY Method ®, a process I began creating in 2014 to help actors be clear with who they are before …


Managing Cosplay Performance: The Forms And Expectations Of Convention Roleplay, Isaac V. Price May 2020

Managing Cosplay Performance: The Forms And Expectations Of Convention Roleplay, Isaac V. Price

Electronic Theses and Dissertations

Costume play (i.e. cosplay) is a performance of fandom rife with rituals and communication practices. Cosplay roleplaying performances are cultural practices that reveal how cosplayers interact with one another and among non-cosplaying members of their fandoms. This study examines the expectations that cosplayers hold for roleplay, the forms of roleplay, and the ways in which roleplay can become an instigator of harassment. Through the lens of Face-Negotiation Theory, the author discusses how roleplay functions to maintain or threaten the public images of cosplayers and their audiences, and what strategies cosplayers implement to avoid the loss of face.


Flaws In My Father | Better Engaging With Trauma, Grief, Loss, And Pain Through Storytelling., Neil Fontano Apr 2020

Flaws In My Father | Better Engaging With Trauma, Grief, Loss, And Pain Through Storytelling., Neil Fontano

Theatre & Dance ETDs

In this essay, I will review my playwriting methodology and growth as an artist during my time as a Dramatic Writing Candidate at the University of New Mexico. I will begin by examining my personal narrative and the initial impulse to apply for and accept a position in the Dramatic Writing Program. I will continue by dissecting my own writing methodology and its numerous influences: a sense of place, character, and time. Further, I will give an explanation of and demonstrate my own methods developed during my second year work on “Thelonius | My Brother’s Keeper.” In addition to academic …