Acting Commons^™

Evaluating The Impact Of Policy In Theatre: The Influence Of Public & Political Policy On The Theatrical World, John Q. Rhodes

Undergraduate Honors Theses

In the second half of the twentieth century, there is distinct evidence to exhibit a direct correlation between daily occurrences and matters of public policy. This paper serves to analyze the impact of U.S. public policy on theatrical practices. To provide a detailed and targeted analysis of the exponential impact public policy had upon the theatrical industry, this examination will look at theatre beginning in 1961 and will extend towards the current administration of President Donald Trump and is organized in ten-year segments. Each decade will be generalized for its direct or indirect changes that occurred within the period and …

Scare If You Dare: A Look Into Scare Acting, Hana Goss

Undergraduate Honors Theses

Scare acting has always been the unsung villains of the entertainment industry. For three months of the year, for about five minutes of a haunted house, they get attention. However, the work scare actors do to is way more than just a five second “boo.” Scare actors have been at the beginning of theatre and continue to influence modern entertainment. Even though the patrons may be the ones feeling the danger, scare actors may be even more in danger than them. Each scare actor is unique from their looks to their moves. It might be take a lot of nerve …

An Actor's Approach To Contemporary Theatre, Ethan Harbin

Undergraduate Honors Theses

This paper is a composite of research and reflection in regards to Comemedia dell'arte as well as contemporary theatre. It is a personal exploration of the life and legacy of Aurand Harris. My personal application of the research is documented in this thesis.

A Director's Take On The Curious Incident Of The Dog In The Night-Time, Billie Williams

Undergraduate Honors Theses

This paper examines what it is like to be an assistant director. The play, The Curious Incident of the Dog in the Night-Time was adapted from a book by Mark Hadden that is structured as if the main character was the writer. The stage production reworks that concept and turns it into a “play within a play”. The story is about a boy named Christopher, his broken family and his struggle with autism. When the director, Cara Harker first approached me about being an assistant director, I struggled with anxiety and not feeling like I had a real place in …

Who, What, Why: A Self-Reflection On The Creation And Practice Of Audition Technique In The Business Of Live Theatre, Kenneth Thomas

Undergraduate Honors Theses

This study is a breakdown of what auditioning is in the world of professional acting and how I (the subject) have developed my own technique through my undergraduate journey.

The Curious Incident Of The Dog In The Night-Time An Actor’S Reflection, Emily Austin

Undergraduate Honors Theses

This thesis delves into the creative process of creating characters for the play The Curious Incident of the Dog in the Night-Time. The characters that were created include: Mrs. Shears, Woman on Train, and Voice One. This thesis highlights the creative process through methods of research that dissect the authors, story, autism, and the actor’s experience throughout the rehearsal process. Sources such as interviews with autism consultants and family members of those with autism added useful information towards the creation of the characters. Research on the performance aspect was centered around the exploration of a character’s past through diagrams …

An Actor's Approach To The Role Of Trisha In Five Women Wearing The Same Dress Written By Alan Ball, Caroline Denning

Undergraduate Honors Theses

An Actor's Approach to the Role of Trisha in Five Women Wearing the Same Dress is an analysis of my personal process as an actor and how I applied such process to this given script. This analysis includes chapters of research, documentation, and reflection.

A Summer Experience As A Paid Actor: It’S Not All Broken Legs, Reagan James

Undergraduate Honors Theses

A Summer Experience as a Paid Actor: It’s Not All Broken Legs

Thesis Statement: Finding out that you are going to be paid to act sounds like a dream come true, but there is a lot more to it than just the glitz and glam of the final product.

The Art Of The Silent Story, Caitlin J. Walker

Undergraduate Honors Theses

I created a one minute 2D, hand-drawn, frame-by-frame animation with an original music score utilizing Toon Boom to demonstrate my ability to convey an interesting story without the use of any dialogue.I relied instead on pantomime, expressions, and context clues to communicate the story to the viewer.

An Actor’S Growth: From Student To Professional, Tackling Collegiate Theatre With Michael Lee, Michael B. Lee

Undergraduate Honors Theses

This thesis includes the journey of Michael Lee becoming a professional actor by performing several characters within two contrasting productions. The first, "The Trojan Women", by Euripides, Michael portrayed Poseidon, Talthybius, and The Guard in ETSU's very own Bud Frank Theatre. Michael's second production included the character of Charles in the modern drama "Race" by David Mamet, which was held in the newly renovated Studio 205. Michael documented his growth as an actor through daily journal entries and analyzing the final performances.

Becoming Joan: An Actress' Journey Into The Mind Of Joan Of Arc., Cailan C. Calloway

Undergraduate Honors Theses

The reader's theatre production of Kacy Tiller’s Personal Recollections of Joan of Arc on December 3, 2012 was the culmination of my process as an actress to portray Joan. Through character analysis, extensive research, and collaboration with fellow artists, I was able to discover and grow as an actress.

Martha, Martha, Martha: Searching For Truth In Imaginary Circumstances., Chelsea Kinser

Undergraduate Honors Theses

An exploration of personal and professional acting methods during the production of Beautiful Bodies by Laura Shaine Cunningham.