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Articles 31 - 43 of 43
Full-Text Articles in Acting
Caught In The Net--The Development And Production Of An Original Playscript, Prince Duren
Caught In The Net--The Development And Production Of An Original Playscript, Prince Duren
Graduate Theses and Dissertations
The Department of Drama at the University of Arkansas provides students with the opportunity to take part in classes, workshops, stage readings, and productions as part of its new play development process. The purpose of this thesis document is to clearly and concisely track the process of developing, rehearsing, and producing the world premiere of Caught in the Net, a play involving an African American woman whose life is forever changed when she enters into an online relationship. The document also includes research information, the play's most recent draft, and production photos. The play was presented by the University Theatre …
Fight Or Flight, Asher Griffith
Fight Or Flight, Asher Griffith
Graduate Theses and Dissertations
Fight or Flight is a one-act, science-fiction opera. Outwardly the story of an astronaut who is marooned on the Moon, this dark comedy is an allegorical tale of forced isolation and loss; and of the anxiety and sadness that inevitably result. Musically, this piece began as an experiment in the reverse-engineering of mostly improvisatory methods of musical spoken-word delivery such as rap or slam poetry; this compositional device being a means to the more important end of creating a live musical theatre lacking the flippant sparkle commonly associated with Broadway and the like, but also free of the "intellectual" or …
Performance Of The Role Of Stanley Kowalski In Tennessee Williams' A Streetcar Named Desire, William Justin Walker
Performance Of The Role Of Stanley Kowalski In Tennessee Williams' A Streetcar Named Desire, William Justin Walker
Graduate Theses and Dissertations
The truth in acting comes from living truthfully under imaginary circumstances. For partial fulfillment of my degree, I sought to bring this truth to the stage for the role of Stanley Kowalski in Tennessee Williams' A Streetcar Named Desire. In addition, I played the role of Reach in Lee Blessing's Down the Road.
Performance Of The Role Of Blanche Dubois In Tennessee Williams' "A Streetcar Named Desire", Shannon Leigh Webber
Performance Of The Role Of Blanche Dubois In Tennessee Williams' "A Streetcar Named Desire", Shannon Leigh Webber
Graduate Theses and Dissertations
This is a compilation of my work in both "A Streetcar Named Desire" and "Down the Road." In this thesis you will find a portfolio of my work in both shows containing my artistry statement, programs, photos, and a link to my actor's website.
Performance Of The Role Of Beethoven In Moises Kaufman's "33 Variations", Robert Flaherty Hart
Performance Of The Role Of Beethoven In Moises Kaufman's "33 Variations", Robert Flaherty Hart
Graduate Theses and Dissertations
My MFA thesis requirements dictated that I would play a thesis role in a main stage University of Arkansas production, and produce with my fellow third year MFA Acting students a production of our own, showcasing the skills we have learned in our three years in the program. My thesis role was as Ludwig van Beethoven in the Fall 2012 production of Moises Kaufman's "33 Variations" in the University Theatre. In Spring 2013, I played Dan Henniman in a Kimpel Hall Studio 404 production of Lee Blessing's "Down the Road," in fulfillment of the second part of my thesis performance …
Playing Ann In Arthur Miller's All My Sons: One Actress' Approach In Creating A Role, Abbey Jo Molyneux
Playing Ann In Arthur Miller's All My Sons: One Actress' Approach In Creating A Role, Abbey Jo Molyneux
Graduate Theses and Dissertations
The intent of this thesis, Playing Ann in Arthur Miller's All My Sons: One Actress' Approach in Creating a Role, is to document the research, analysis, and personal journey that informed the rehearsal and production processes in my portrayal as the character in the aforementioned title. This thesis includes the following five chapters: Script Analysis, Character Analysis, Created Materials, Reflections on the Audition, Rehearsal, and Production Processes, and A Summation of the Creative Process. All My Sonsby Arthur Miller was produced by the University of Arkansas in the University Theatre February 1-10, 2008, and directed by Michael Landman.
A Marriage Of Realism And Expressionism: Preparing And Performing The Role Of Mrs. Zero In Elmer Rice's The Adding Machine, Rebecca Rivas
A Marriage Of Realism And Expressionism: Preparing And Performing The Role Of Mrs. Zero In Elmer Rice's The Adding Machine, Rebecca Rivas
Graduate Theses and Dissertations
In Elmer Rice's expressionistic play,The Adding Machine, the character of Mrs. Zero is written to forego authenticity and highlight a husband's absurd perception of his wife. The elements of expressionism in the play paint Mrs. Zero as a caricature rather than a person. In order to effectively portray this caricature, role-preparation must be rooted in realism. It is by connecting organically with Mrs. Zero's underlying truth that the portrayal of this absurd character can be made effective. Here, I attempt to find a balance between realistic role-preparation and expressionistic style of performance. My efforts are documented through journal …
A Broken Butterfly: Playing The Role Of Daisy In Elmer Rice's The Adding Machine, Brandi Lynn Hoofnagle
A Broken Butterfly: Playing The Role Of Daisy In Elmer Rice's The Adding Machine, Brandi Lynn Hoofnagle
Graduate Theses and Dissertations
This thesis will examine the process of acting the role of Daisy in Elmer Rice's The Adding Machine. Rehearsals for this production began September 21 continued through November 20, 2011. The production was directed by third year M F A candidate Esteban Arevalo Ibanez and produced at the Kernodle Theatre by the University of Arkansas. The body of this thesis is constructed with a text and character analysis integrated into daily rehearsal journals, documenting the process of this production from auditions to the final performance. Through reflection and description of process, I hope to show the creation the actor goes …
"I Can't Stop Thinking": The Process Of Creating The Role Of Mr. Zero, Maurice Reed
"I Can't Stop Thinking": The Process Of Creating The Role Of Mr. Zero, Maurice Reed
Graduate Theses and Dissertations
This thesis contains an account of the characterization process of Mr. Zero from The Adding Machine, by Elmer Rice. The character and script analysis is revealed through journal entries and will be discussed as the analysis was put into use in the rehearsal process. The production of The Adding Machine opened Nov 11, 2011 and ran until Nov 20, 2011. The rehearsal process began on Sep 21, 2011. This thesis will document the struggles and success of creating the role of Mr. Zero.
"If I Didn't Ever Have To Come Down, I Wouldn't": My Process In Preparing And Playing Walter Griffin In Bridget Carpenter's Up, Jared Taylor Hanlin
"If I Didn't Ever Have To Come Down, I Wouldn't": My Process In Preparing And Playing Walter Griffin In Bridget Carpenter's Up, Jared Taylor Hanlin
Graduate Theses and Dissertations
This thesis is an examination of my actor's process for creating and performing the lead role of Walter Griffin in Bridget Carpenter's contemporary drama Up. It is composed entirely of journal entries detailing my preparation and observations from the beginning of the audition process (August 22, 2011) through the closing of the show (October 9, 2011) and ending with reflective evaluations after closing. Up was produced by the University of Arkansas Department of Drama at the University Theatre and directed by Amy Herzberg.
Portraying The Role Of Ezra Chater In Tom Stoppard's Arcadia, Joshua David Kellman
Portraying The Role Of Ezra Chater In Tom Stoppard's Arcadia, Joshua David Kellman
Graduate Theses and Dissertations
In January of 2011 I began working on the role of Ezra Chater
in Tom Stoppard's 1993 masterpiece
Arcadia . The production was under the
direction of Mavourneen Dwyer. After a month and a half of
rehearsal we opened on February 25th, 2011, and began a run of
performances that lasted until March 6th. Ezra Chater appears twice
over the course of the play, first in Act 1 scene 1, then in Act 1 Scene
III, and his character is integral to the mystery that connects the past
and present scenes together. In this paper I will be detailing the …
Into The Fire: My Journey Into The Life Of John Proctor, William Dale Grayson
Into The Fire: My Journey Into The Life Of John Proctor, William Dale Grayson
Graduate Theses and Dissertations
The following is the record of my time working on the character of John Proctor in Arthur Miller's, The Crucible. I will discuss my approach in creating the role as well as my experience in the rehearsal room. The end of the paper contains a retrospective journal where I cover rehearsals and performance.
Forgiven: Creating The Role Of Elizabeth Proctor, Laura Kay Harrell
Forgiven: Creating The Role Of Elizabeth Proctor, Laura Kay Harrell
Graduate Theses and Dissertations
The following documents my process of creating the role of Elizabeth Proctor in Arthur Miller's The Crucible. It follows the audition process, table work sessions and my own personal and detailed journal entries I kept in rehearsals while creating this role.