Acting Commons^™

New Paradigms In Band Performance: An Analysis Of Three Prototypes, Scott Walker-Parker

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

This document seeks to propose new paradigms in band performance through inter-, multi-, and transdisciplinarity. Initial inspirations were drawn from performance innovations shaped by the new music theater which became popular in the 20^th century. Key concepts which were used throughout the creative, planning, logistic, rehearsal, and performance processes are analyzed in three recitals through prototypes of new paradigms in band performance. These concepts include accessibility and community, nonverbal/multimodal performance and instruction versus time, and nonverbal/multimodal communication.

The document has been organized in a manner which highlights successes and breakdowns of each process so future refinement can be made. …

Divination, Brannon Evans

Honors Program: Senior Projects (Public)

This document details my time developing a cross-discipline devised theatre experience. The piece explores the various ways we interact with technology. The start of the process was fueled by one simple question: “What can multi faceted collaboration look like (between peers– not just across disciplines, but through an equally shared devising process)?” Through this documentation, I will be able to reflect upon and learn from my experience as a facilitator, actor, and theatre maker.

This thesis will be broken into six different parts to outline the six stages I underwent while creating the piece: developing the team, source material exploration, …

Rapture. Redemption. Religion. Retail. Directing Samuel D. Hunter’S, A Bright New Boise, Chadwick R. Taylor

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis contains the written documentation of the process of directing a theatrical production of A Bright New Boise by Samuel D. Hunter, in partial fulfillment of the requirements for Masters of Fine Arts in Directing for Stage and Screen at the University of Nebraska-Lincoln.

Topics addressed include play selection, background of the play and author, script analysis, concept development, casting, production and rehearsal process, director’s reflection, and critical responses and self-evaluation.

Advisor: Ian Borden

Thea 401: Advanced Acting—Acting For Camera—A Peer Review Of Teaching Project Benchmark Portoflio, Wesley Broulik

UNL Faculty Course Portfolios

In the pursuit of teaching the art of acting, and specifically acting for the camera, how do we measure growth? Additionally is there a correlation between high academic achievement and talent? In this portfolio we will examine how to evaluate acting, student growth, and examine test and paper results to see if the most “talented” performers are also the highest academic achievers.

Gender Confusion, Genocide And The Apocalypse: Directing Moira Buffini's Silence, Dennis N. Henry

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis contains the written documentation of the process of directing a theatrical production of Silence by Moira Buffini, in partial fulfillment of the requirements for Master of Fine Arts in Directing for Stage and Screen at the University of Nebraska-Lincoln.

This documentation and analysis of the processes herein include: play selection, background research, concept development, casting, rehearsal process, development of design elements and evaluation based on critical response, audience reception and self-reflection.

Advisor: Virginia Smith

“Promise Me Nothing On Heroes’ Square: Marianne Hoppe’S Twentieth Century", William Grange Prof. Dr.

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

On the occasion of Marianne Hoppe=s death in Siegsdorf, Bavaria on October 23, 2002, obituaries in several German newspapers recalled her as one of the great stars of the Third Reich. Most recalled her rise under the Nazis, and some inferred that she attained stardom largely for the wrong reasons. Her marriage to Hermann Goering's favorite actor and director, Gustaf Gründgens (1899-1963), was a political cloud that hovered over her until her death. Her frank admission that she was aware of the regime=s persecution, terror, and concentration camps did little to dispel persistent misgivings about her, even as she continued …

Giving Myself Permission: An Account Of The Performance Of The Role Of Masha In Three Sisters By Anton Chekhov, Amy Rafa

Open Access Master's Theses (through 2010)

This thesis is a documentation of my rehearsal and performance process in the University of Nebraska’s 1999 production of Three Sisters by Anton Chekhov. The document is composed in six parts: introduction, research, rehearsal and performance, journal, responses, conclusion and appendix.The introduction gives a general overview of my thoughts on acting and how this project was chosen. The research portion focuses on how the life and times of Chekhov pertain to my vision of Masha.The journal focuses on my character progression as Masha.The response section offers outside feedback on my performance.The conclusion sums up my thoughts and feelings about the …

Rev. Of Moissi: Triest, Berlin, New York: Eine Schauspielerlegende By Rüdiger Schaper. A Biography Of The Legendary Actor Alexander Moissi., William Grange

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

Unlike most of the great German actors before him, Alexander Moissi was not a native German speaker. He was born in Albania and grew up speaking Greek and Italian--yet he had a forty-year career in German that earned him millions of dollars in performances all over the world. In none of those performances did Moissi lose the Mediterranean inflections in the language of Goethe and Schiller. But that did not diminish his stature; it enhanced it.

Rev. Of Wallensteins Tod By Friedrich Schiller, Staged At The Deutsches Theater Berlin (German Democratic Republic) 1979., William Grange

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

Friedo Solter's production of Wallenstein's Death by Friedrich Schiller, with Eberhard Esche in the title role.

Rev. Of Der Rote Hahn By Gerhart Hauptmann, Staged At The Schiller Theater In West Berlin In 1979., William Grange

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

Boleslaw Barlog's production of The Red Rooster by Gerhart Hauptmann, featuring well known actor Carl Raddatz.