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Articles 961 - 990 of 1741

Full-Text Articles in Theatre and Performance Studies

Orpheus Descending Theatre Poster, Mary Moynihan Jan 2007

Orpheus Descending Theatre Poster, Mary Moynihan

Concert Programmes

Theatre poster for production of Orpheus Descending by Tennessee Williams, Mill Theatre, Dundrum, 2007, BA in Drama (Performance) Graduating Production, directed by Mary Moynihan


Angélica Liddell Y La Tragedia De La Indiferencia, Jesús Eguía Armenteros Jan 2007

Angélica Liddell Y La Tragedia De La Indiferencia, Jesús Eguía Armenteros

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Este trabajo tiene por objetivo analizar los diferentes motivos que han generado la obra teatral de Angélica Liddell y las estrategias de las que se ha servido para llevarla a cabo, tomando como obra paradigmática Monólogo necesario para la extinción de Nubila Walheim y Extinción. Este análisis se enmarca dentro de la Teoría de motivos y estrategias desarrollada por el Dr. Berenguer hasta el año 2006.

This essay aims to analyze the different motives that have generated Angélica Liddell's theatrical work and the strategies which she has used, taking as a paradigmatic work Monologue necessary for Nubila Walheims extinction …


2007-2008 Theatre Season Brochure, University Of Southern Maine Department Of Theatre Jan 2007

2007-2008 Theatre Season Brochure, University Of Southern Maine Department Of Theatre

Programs 2007-2008 Season

2007-2008 University of Southern Maine Theatre season brochure featuring:

  • Proof
  • The Tempest
  • Dance USM!
  • To Gillian on Her 37th Birthday
  • City of Angels


Michael Braz Papers, Zach S. Henderson Library Special Collections Jan 2007

Michael Braz Papers, Zach S. Henderson Library Special Collections

Finding Aids

This collection consists of materials documenting the career of contemporary American composer and Georgia Southern University Professor Emeritus Michael Braz. Materials span 2004 - 2007, and include professional files, photographs, costume designs, a three-dimensional set model, and articles primarily related to the 2007 production of A Scholar Under Siege. The opera concerns desegregation and racial politics in 1941 Georgia, focusing on the firing of Marvin Pittman, President of Georgia Teachers College, by Georgia governor Eugen Talmadge.

Find this collection in the University Libraries' catalog.


Primordial Prophecy: Mingling The Basic Traits Of Theater, Modern Dance, Ballet, And Folk Dance To Create A Diversified Performance, Luana Ely Jan 2007

Primordial Prophecy: Mingling The Basic Traits Of Theater, Modern Dance, Ballet, And Folk Dance To Create A Diversified Performance, Luana Ely

Theses

No abstract provided.


This Is The Past Speaking To You: Genre And The Use Of History And Verbatim Quotes To Create Theatre, Lee Patton Chiles Jan 2007

This Is The Past Speaking To You: Genre And The Use Of History And Verbatim Quotes To Create Theatre, Lee Patton Chiles

Theses

Unavailable.


The Roles Of Scientist, Narrator, Mother, Pandora, Nursemaid, Therapist, And Baucis In Mary Zimmerman's Metamorphoses: A Production Thesis In Acting, Anna Loft Richardson Jan 2007

The Roles Of Scientist, Narrator, Mother, Pandora, Nursemaid, Therapist, And Baucis In Mary Zimmerman's Metamorphoses: A Production Thesis In Acting, Anna Loft Richardson

LSU Master's Theses

ABSTRACT This thesis is about the evolution and development of the roles of Scientist, Narrator, Mother, Pandora, Nursemaid, Therapist, and Baucis in the Swine Palace show Metamorphoses by Mary Zimmerman. The rehearsal process is detailed here in journal format. Also included is pre-show research, character analyses, production run, and post show summary. This thesis will explore the creation of these characters, the obstacles during the process, and the experience of playing multiple roles.


A Life In Words, Thoughts, Ideas, Images And Movement, Randy Houston Mercer Jan 2007

A Life In Words, Thoughts, Ideas, Images And Movement, Randy Houston Mercer

Theses and Dissertations

I know it is my core, my purest nature to incessantly question myself and everything around me; as we pertain to the universe. As Robert Wilson suggests "I will always ask 'What is it?' before telling you what it is." My goal is to present you with some tools with which to approach your craft, your life, your uncertainties. And though I may not always be the best example, I still wish to encourage all that read this or spend time with me to see this craft/business and indeed your life as a great, happy adventure; guided by love. Because …


Aproximación A Las Estrategias Creativas En Así Que Pasen Cinco Años: Tiempo Absoluto Y Subconsciente, Mariam Budia Jan 2007

Aproximación A Las Estrategias Creativas En Así Que Pasen Cinco Años: Tiempo Absoluto Y Subconsciente, Mariam Budia

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

En este artículo la autora examina la obra de Federico García Lorca Así que pasen cinco años, desde unos presupuestos metodológicos basados en las estrategias creativas «tiempo absoluto» y «subconsciente» en relación con las ciencias imperantes en la época: la Teoría de la relatividad y el psicoanálisis

Abstract

In this article the author examines Federico García Lorca's work Así que pasen cinco años from a methodological approach based on creative strategies «absolute time» and «subconscious» in connection with the prevailing sciences in that time: Theory of Relativity and Psychoanalysis.


Introducción A Los Motivos De José María Rodríguez Méndez En Flor De Otoño, Jorge Herreros Jan 2007

Introducción A Los Motivos De José María Rodríguez Méndez En Flor De Otoño, Jorge Herreros

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

El presente artículo analiza la obra de José María Rodríguez Méndez, Flor de Otoño, desde unos presupuestos metodológicos basados en la Teoría de motivos y estrategias. El estudio expone los «motivos» que llevan a un autor, situado tradicionalmente dentro de la generación realista del teatro de los años sesenta, a plantearse en esta obra una «estrategia escénica» más cercana al teatro de ruptura y con un lenguaje escénico distante de los cánones

de la estética realista.

This article is an analysis ofJosé Maria Rodríguez Méndez's work Autumn Flower, from a methodological approach based on the Theory of …


Motivos Y Estrategias: Introducción A Una Teoría De Los Lenguajes Escénicos Contemporáneos, Ángel Berenguer Jan 2007

Motivos Y Estrategias: Introducción A Una Teoría De Los Lenguajes Escénicos Contemporáneos, Ángel Berenguer

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

En este artículo el autor se plantea la necesidad de avanzar en los estudios teatrales hacia un paradigma crítico que responda a cuestiones fundamentales partiendo de posiciones propias, aunque ligadas a las últimas posiciones de Lucien Goldmann en sus publicaciones póstumas. Para ello, se centra en el Teatro como expresión espectacular del YO (del autor, del director, del actor, etc.) en el mundo contemporáneo y lo pone en relación con las teorías socio-políticas de Karl Popper y los recientes descubrimientos de la neurociencia, especialmente de la neurobiología de Elkonon Goldberg.

Abstraet

In this article, the author raises the need of …


El Motivo De La Independencia En El Teatro Contemporáneo, Carlos Alba Jan 2007

El Motivo De La Independencia En El Teatro Contemporáneo, Carlos Alba

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Este artículo explora la fuerza de mediación que el concepto de «independencia» ha infundido en el teatro contemporáneo. Su autor revisa la génesis del concepto y recorre su evolución e implementación en la sociedad occidental. Con ello trata de observar cómo la independencia, como factor de mediación, se configura en uno de los principales «motivos» que alientan la obra creativa hasta generar el paradigma estético-social del Teatro Independiente.

This article looks into the force of mediation that the concept of «independence» has instilled into contemporary theatre. The author reviews the origen of the concept and goes through its evolution and …


Playing The Third Man (Midas' Servant, Ceyx, Morpheus As Ceyx, Orpheus, Apollo, A, Philemon) In Mary Zimmerman's Metamorphoses: A Production Thesis, Ronald Ludlow Reeder Jan 2007

Playing The Third Man (Midas' Servant, Ceyx, Morpheus As Ceyx, Orpheus, Apollo, A, Philemon) In Mary Zimmerman's Metamorphoses: A Production Thesis, Ronald Ludlow Reeder

LSU Master's Theses

The role of Third Man in Mary Zimmerman’s Metamorphoses was performed in the Fall of 2006 and elected as a thesis role at that time. This thesis is a written record of the actor’s interpretation of the character. This thesis includes background information on the production, reflections on acting in water, a character analysis, a five column score, reflections on performance issues, and photos.


Not Quite The Ingenue: The Development Of The Middle-Aged Female Character In Musical Theatre, Tara Snyder Jan 2007

Not Quite The Ingenue: The Development Of The Middle-Aged Female Character In Musical Theatre, Tara Snyder

Electronic Theses and Dissertations

Not Quite the Ingenue: The Development of the Middle-Aged Female Character in Musical Theatre is an exploration of the influences which have defined the function of middle-aged female characters within the musical theatre genre. This author was cast in the role of Arlene MacNalley, a forty-three year old woman, in the University of Central Florida's fall 2006 production of the musical Baby. Preparation for performance of this thesis role required identification of the traits and factors which would be vital for a realistic and relevant portrayal of Arlene. This document provides the reader with a working definition of middle age. …


Can A Methodology Be Developed For Musical Theatre Choreography?, Kathleen Kelly Jan 2007

Can A Methodology Be Developed For Musical Theatre Choreography?, Kathleen Kelly

Electronic Theses and Dissertations

Limited training exists for young, aspiring choreographers who wish to work in the realm of musical theatre. University programs turn you away if your focus is not on concert dance and few good books can be found on library shelves to gain knowledge. Most books that do exist are very outdated and lack the practical knowledge and information necessary to become a successful musical theatre choreographer today. This research will help to determine whether a methodology can be developed for training musical theatre choreographers. The research data collected stems from the creative minds of choreographers and performers. A select group …


The Belle Of Amherst: Developing A Solo Performance, Janet Sue Raskin Jan 2007

The Belle Of Amherst: Developing A Solo Performance, Janet Sue Raskin

Electronic Theses and Dissertations

This thesis will document the process of rehearsing and performing a one-woman show based on the life of the poet Emily Dickinson. The script is a cutting of the full-length play, The Belle of Amherst, written in 1976 by William Luce. This self-directed project will document the process that all actors use when developing a role. The first part of developing a role includes historical research, character analysis, and script analysis. The second phase is the rehearsal process. This includes developing the physical and vocal qualities of the character and staging the action of the play. Because this performance is …


Sweat: The Exodus From Physical And Mental Enslavement To Emotional And Spiritual Liberation, Aqueelah Roberson Jan 2007

Sweat: The Exodus From Physical And Mental Enslavement To Emotional And Spiritual Liberation, Aqueelah Roberson

Electronic Theses and Dissertations

The purpose of this thesis is to showcase the importance of God-inspired Theatre and to manifest the transformative effects of living in accordance to the Word of God. In order to share my vision for theatre such as this, I will examine the biblical elements in Zora Neale Hurston's short story Sweat (1926). I will write a stage adaptation of the story, while placing emphasis on the biblical lessons that can be used for God-inspired Theatre. When viewing the stage adaptation based on Sweat, the audience members will understand how God-inspired Theatre aims to help members of society utilize their …


What Is Theatre's Role As A Worship Tool In A Messianic Synagogue?, Jennifer Pedraza Jan 2007

What Is Theatre's Role As A Worship Tool In A Messianic Synagogue?, Jennifer Pedraza

Electronic Theses and Dissertations

In this study, I worked with an ensemble of teenagers from Ayts Chayim Messianic Synagogue in Boca Raton, Florida to develop an original Purim play to be presented for the congregation and the public. I specifically explored "What is theatre's role as a worship tool in a Messianic Jewish Synagogue?" My ultimate goal in this process was to honor God through the creative arts, and I used the process of creating the play to discover the specific ways that theatre can be used as a worship tool, from script development to theatrical presentation. I hypothesized that theatre could be used …


Defining A Character Through Voice Quality: An Analysis Of The Character "George" In Sondheim And Lapine's Sunday In The Park With George Using The Estill Voice Model, Michael Swickard Jan 2007

Defining A Character Through Voice Quality: An Analysis Of The Character "George" In Sondheim And Lapine's Sunday In The Park With George Using The Estill Voice Model, Michael Swickard

Electronic Theses and Dissertations

This thesis explores the use of the Estill Voice Model, in particular six voice qualities (Speech, Twang, Falsetto, Cry/Sob, Belt and Opera) and their permutations, to define character, character traits and emotions. Traits and emotions that specific voice qualities can influence are, but are not limited to, location, age, background, socioeconomic status, genre, intelligence, nationality, class, culture, gender, promiscuity, disposition, pain and revelations. In particular, this thesis explores the use of voice qualities to show specific human qualities of the character "George" from Sondheim and Lapine's "Sunday in the Park with George" and the people he imitates in his painting …


Revitalizing "The Rocky Horror Show" Through Gospel Music, Kip Taisey Jan 2007

Revitalizing "The Rocky Horror Show" Through Gospel Music, Kip Taisey

Electronic Theses and Dissertations

In Spring 2007, the University of Central Florida (UCF) Department of Theatre mounted a production of "The Rocky Horror Show." This thesis focuses on the author's process of using the gospel music style to revitalize "The Rocky Horror Show," a cult musical. The author uses defining characteristics of the cult film genre to establish a set of guidelines. "The Rocky Horror Picture Show" is the movie version of the stage musical and is responsible for the show's inevitable cult status. He discusses the history and journey of "The Rocky Horror Show" and how audience participation was integral in establishing this …


Design: Feel It, See It, Speak It, Do It..., Sarah Yates Jan 2007

Design: Feel It, See It, Speak It, Do It..., Sarah Yates

Electronic Theses and Dissertations

Description of Project: This project explores the design process for Tales of a Fourth Grade Nothing by Judy Blume (adapted for the stage by Bruce Mason) as performed at Orlando Repertory Theatre in Orlando, Florida. In this exploration, I approach the topics of the design process from conceptual discussions with the design team through closing night. I document this process with a lighting design journal (including thoughts about the design approach, renderings, sketches, research images, rough plots and paperwork.) The project concludes with a self evaluation, completed plots and paperwork, and finished production photos.


Camping In The Classroom: Ridiculous Theatre As Serious Drama, John Kenneth Deboer Jan 2007

Camping In The Classroom: Ridiculous Theatre As Serious Drama, John Kenneth Deboer

Theses and Dissertations

My first semester pursuing my MFA in Voice and Speech Pedagogy I vocal-coached an openly gay student playing a straight character who would mask his sexual identity in such a manner that his performance became stiff and uninteresting. Rather than using his personal identity as an asset in the pursuit of a successful performance, his chosen vocal tactics removed any sense of theatricality from his performance. I confronted the student and suggested such extreme vocal suppression diminished the quality of his overall performance. He replied, "So you want me to get the gay out."His use of the phrase, "get the …


The Constant Wife Revisited: The Progression Of A Play From Conception To The Final Stage Production, Kimberly H. Parkin Jan 2007

The Constant Wife Revisited: The Progression Of A Play From Conception To The Final Stage Production, Kimberly H. Parkin

Theses and Dissertations

For my thesis, I recorded the progression of my show, The Constant Wife. I discuss the conception of my original scene design as well as the changes that occurred while working with the director and other designers. Throughout the thesis, I address the problems that arose during the pre-production, what I did to rectify those situations, and what I might have done differently if given the opportunity. I have divided the thesis into the following sections – Process of the Pre-Production, Execution of the Design and Evaluation of the Design. The final section of my thesis details what I learned …


Madrigal Holiday Feast (December 9-10, 2006), Lindenwood University Dec 2006

Madrigal Holiday Feast (December 9-10, 2006), Lindenwood University

Student Theatre Programs

Program for Madrigal Holiday Feast (December 9-10, 2006).


The Servant Of 2 Masters Program, University Of Southern Maine Department Of Theatre Nov 2006

The Servant Of 2 Masters Program, University Of Southern Maine Department Of Theatre

Programs 2006-2007 Season

Written by Carlo Goldoni

Directed by Wil Kilroy

This production was entered in the Kennedy Center American College Theater Festival (KCACTF) XXXIX.

From the program:

Pantalone of Venice arranged for his daughter Clarice to marry Federigo Rasponi of Turin, but hearing of his demise has now allowed Clarice to become betrothed to Silvio, son of his friend Madame Lombardi. Federigo Rasponi did not want his sister, Beatrice, to marry Florinda Aretusi and indeed was killed fighting him, causing Florinda to flee Turin and head to Venice. Meanwhile, Beatrice decides to find her lover Florinda, but feels she'll have better luck …


The Season Ticket, Fall 2006, Columbia College Chicago Oct 2006

The Season Ticket, Fall 2006, Columbia College Chicago

Season Ticket

Columbia College Chicago Theater Department newsletter. 8 pages. Faculty, articles, production, student news.


Dialogue, 2006, Columbia College Chicago Oct 2006

Dialogue, 2006, Columbia College Chicago

Dialogue

Second issue of the Theater department publication Dialogue. Articles include: "Gravity and the Voice"; "Hollywood Daze"; "Faux Glass"; "Precursor"; "Playing Hermione in 'The Winter's Tale'"; and "Transcendent Unity: Race, Creativity and Performance". 16 pages.


Equus Program, University Of Southern Maine Department Of Theatre Oct 2006

Equus Program, University Of Southern Maine Department Of Theatre

Programs 2006-2007 Season

Written by Peter Shaffer

Directed by Walter Stump

This production was entered in the Kennedy Center American College Theater Festival (KCACTF) XXXIX.


American Rosies (August 28-30, September 6-7, 2006), L. Patton Chilies Sep 2006

American Rosies (August 28-30, September 6-7, 2006), L. Patton Chilies

Student Theatre Programs

Program for American Rosies (August 28-30, September 6-7, 2006).


Speaking Out Of The Dust: Religious Reenactments With The Specific Iconic Identity Of Place, Heidi Diane Lewis Jul 2006

Speaking Out Of The Dust: Religious Reenactments With The Specific Iconic Identity Of Place, Heidi Diane Lewis

Theses and Dissertations

Sometimes, the place where a play is performed is as important as or more important than the play itself. The first known theatrical rituals were performed in spaces which came to hold deep religious significance. Many religious traditions regard certain places as sacred because of spiritually significant events which took place there, sometimes involving the presence of Deity. In an effort to build on that sacrality, sometimes religious cultures bring theatre to these spaces, which, in turn, tend to alter the nature of the theatrical event. This seems especially true in regards to theatre which presents a re-enactment of the …