Theatre and Performance Studies Commons^™

Holding On/Letting Go: Situating Trauma And Memory In Theatrical Spaces, Caroline T. Graham

Theatre & Dance ETDs

In this essay, I review my development as a playwright in the MFA Dramatic Writing program and examine the shifting, overlapping goals of playwright-as-educator and playwright-as-entertainer. In Part One, I position my academic exploration of trauma in relation to ethics in journalism, embodied knowledge, and intersectional feminism and outline my creative experiments in staging trauma through the process of witnessing, retelling, and abstraction. In Part Two, I detail the artistic and personal roots of my dissertation play, The Great Maverick Adventure of 2007, and the structural and dramaturgical tools I employed to rebuild a sense of play and theatricality …

Jean Kerr And Carson Grey Sound Ideas Interview April 10, 2018, Laura Kennedy

Interviews for WGLT

WGLT Radio's Laura Kennedy speaking with Jean Kerr and Carson Grey about the IWU School of Theatre Arts production of the musical Xanadu. Kerr, Associate Professor of Theatre Arts, directed the production with IWU sophomore Grey serving as assistant director.

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

• BFSDoArt presents 'Portfolio Reveal' exhibit this April

The Importance Of Being Earnest Program [2018], University Of Southern Maine Department Of Theatre

Programs 2017-2018 Season

By Oscar Wilde

Directed by Andrew Harris

Re-Imagining The Theatre: Existence And Change, Andres Aguilar

Independent Study Project (ISP) Collection

With acknowledgement of Nicaraguan Theatre and its different dynamics, this research works to expose and create visibility of current Nicaraguan Theatre with relation to social change in Managua, Nicaragua. The microcosm of theatre is revolutionary in creating the necessary change to reach a state of consciousness that allows others to accept and understand society and others for what they are and what they can be. The theater is simply a tool. Intrinsically, all acts are political, therefore the theater is a political declaration. The theater is, and always will be, a political arena, when the aesthetics of the theater are …

The Picture Of Dorian Gray: An Immersive Experience, Natalie Love

Undergraduate Honors Thesis Projects

This project studied the effects of immersive theatre on an audience using a script adapted from The Picture of Dorian Gray by Oscar Wilde. This project explored how to best adapt a literary work into a performance piece, and rather than creating a traditional piece of theatre, creating an immersive work. The process included research in literature, new work creation, and theatre devising as well as the rehearsals and preparation necessary for the production. Using a small cast of Otterbein performance students, the piece was performed four times in one day with different audience groups in so that I could …

Introduction To "Rethinking The College Summer Intensive: A New Model For Collaboration, David Callaghan, Ann Shanahan

Department of Fine & Performing Arts: Faculty Publications and Other Works

No abstract provided.

A Tale Of Two Birds: Lighting Design And Implementation Of Anton Chekhov's The Seagull And Aaron Posner's Stupid Fucking Bird Running In Repertory At Swine Palace Theatre, Chelsea G. Touchet

LSU Master's Theses

The course of creation never did run smooth. Every act of creation is a process of creation. While theatrical creation and execution may follow the same basic steps each time, the process will always be evolving. One may take many paths to reach the same destination.

This project is a study of the process of creation and execution of a repertory theatrical lighting design for a professional company in an academic setting. In the spring of 2017, Swine Palace Theatre, the professional company associated with Louisiana State University’s (LSU) School of Theatre, produced Anton Chekhov’s The Seagull in full rotating …

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

• Annual juried exhibitions to showcase artwork of BFSDoArt students

A Man Of No Importance Program, University Of Southern Maine Department Of Theatre

Programs 2017-2018 Season

Music by Stephen Flaherty

Lyrics by Lynn Ahrens

Book by Terrence McNally

Directed by Cary Libkin

Musical Direction by Ed Reichert

Choreography by Vanessa Beyland

In Memoriam Minor R. Rootes

In Memoriam Walter Ray Stump

Rethinking Ionesco’S Absurd: The Bald Soprano In The Interlingual Context Of Vichy And Postwar France, Julia Elsky

Modern Languages and Literatures: Faculty Publications and Other Works

Rereading Eugène Ionesco’s postwar play La cantatrice chauve (The Bald Soprano) in the light of the original, wartime Romanian version alongside archival materials concerning his political activity in Vichy France allows us to reconsider his role in the theater of the absurd. Instead of staging the emptiness of language in a conformist world, the Romanian play dramatizes how language and language exchange created meaning but also upheld state violence during the Second World War. Although the French version of the play adapts this theme to the postwar context, traces of state power over language remain. This new approach …

The Cripple Of Inishmann (February 13-17, 2018), Martin Mcdonagh

Student Theatre Programs

Program for The Cripple of Inishmann (February 13-17, 2018).

To view the photos from this production of The Cripple of Inishmann, please click here.

Projecting For Macbeth, Theatre Software, And A Thank You To Figure53, Drew Schmidt, Caroline M. Trewet

Northwestern Review

In 2015, Northwestern College’s Theatre Department staged William Shakespeare’s Macbeth. Theatre faculty Drew Schmidt and student Caroline M. Trewet designed and prepared floor projections for the production. In this hybrid piece for the Northwestern Review, Schmidt provides an introductory primer text and then Schmidt and Trewet provide a thank you video explaining to Figure53, a company that creates theatre software, and all viewers how they utilized the program and equipment.

The Lines Between The Lines: Stage Directions As Fluid, Affective Collaborations Between Theatre Texts And Theatre Makers, Sarah Bess Rowen

Dissertations, Theses, and Capstone Projects

This project contends that certain kinds of stage directions can affectively engage the bodies of actors, and the imaginations of directors and designers, resulting in a collaboratively created performance of a given theatre text. As opposed to more literary treatments of stage directions, this project contends that theories of embodiment, especially affect theory, is a useful lens through which to explore the range of potential performances present in various stage directions. By analyzing the ways in which stage directions allow for more agency than has traditionally been considered in theatre scholarship, I seek to encourage theatre makers and scholars alike …

Guide To The Theatre Department Records, Columbia College Chicago

Collection Guides / Finding Aids

This guide describes the organization and scope of the Theatre Department records, housed within the College Archives & Special Collections at Columbia College Chicago. The Theatre Department records house posters, production materials, audiovisual materials, publications, and cast photographs.

The Feldenkrais Method In The Voice And Speech Classroom: Intertwining Linklater Voice And The Feldenkrais Method, Janel Miley Knipple

Theses and Dissertations

Abstract

INTEGRATING THE FELDENKRAIS METHOD INTO THE VOICE AND SPEECH CLASSROOM: INTERTWINING LINKLATER VOICE AND THE FELDENKRAIS METHOD

By Janel R. Miley Knipple, MFA

A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University.

Virginia Commonwealth University, 2018.

Major Director: Karen Kopryanski, Head of Voice and Speech, Assistant Professor

Department of Theatre

Proprioception and kinesthetic awareness are important factors in actor training as performers strive to increase their physical and vocal prowess in order to respond to the demands of roles. The Feldenkrais Method, a somatic approach to …

Poster: Audition Notice For Musical 9-5, University Of North Florida

Musical Theatre Club and Swoop Troupe Theatre Corporation Performances

An audition notice for UNF's Musical Theater Club's presentation of 9 to 5

Technical Direction Of Little Women, The Musical, Matt Gilbertson

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a written account of the author Matthew A. Gilbertson's process in creating the technical direction of Minnesota State University, Mankato's production of Little Women, The Musical in the fall of 2017. This document details the process from pre-production to completion of the production. It includes a historical chapter discussing the history of moving scenery and the role it has played shaping modern theatre machines. It also contains a process journal and developmental analysis of the technical director. Appendices and works …

The Directing Of Melanie Marnich's These Shining Lives, Kristin Fox

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis is submitted in partial fulfillment of Master of the Fine Arts degree in theatre. It is a detailed account of author Kristin N. Fox's directorial process in directing the play These Shining Lives in the fall of 2017. This thesis chronicles the director's process from pre-production through performance in five chapters: a pre-production analysis, a historical and critical perspective, a rehearsal and performance journal, a post-production analysis and a process development analysis. Appendices and works cited are included.

An Embodied Analysis Of Humankind's Development And History As Viewed Through Our Art And Theatre, Mikayla Burr

Undergraduate Distinction Papers

Our theatre practices are just as diverse and rich as everything else in our history and often are products of the climate in which they are created. Medieval European churches utilized the stage to convey their truths to peasants and church services can be described as nothing less than a spectacle. Complete with flying set and prop pieces and grand entrances with echoing chants made for quite a sight. In this way theatre was a teaching tool. In Native American ritual practices, the dances and chanting were often meant to bring upon a literal climate change, asking the spirits to …

Full Cast And Crew Of The Musical 9 To 5, University Of North Florida

Musical Theatre Club and Swoop Troupe Theatre Corporation Performances

The full cast and crew of UNF's Musical Theater Club's production of 9 to 5 post for a picture on the stage.

Maureen Mccluskey And Cast Of 9 To 5, University Of North Florida

Musical Theatre Club and Swoop Troupe Theatre Corporation Performances

Adviser Maureen McCluskey with the three leads in UNF's Musical Theater Club's production of 9 to 5

Musical: 9 To 5 Closing Show Bows, University Of North Florida

Musical Theatre Club and Swoop Troupe Theatre Corporation Performances

UNF's Musical Theater Club's production of 9-5 closing show.

The Direction Of Why Torture Is Wrong, And The People Who Love Them, Donald Hart

All Graduate Theses, Dissertations, and Other Capstone Projects

Hart, Donald C., M.F.A. Thesis. The Direction of Why Torture is Wrong, and the People Who Love Them. Mankato: Minnesota State University, Mankato, 2018.

This is a thesis submitted in partial fulfillment for the Master of Fine Arts degree in theatre. It is a detailed account of Donald C. Hart's artistic process in directing Why Torture is Wrong, and the People Who Love Them in the fall of 2017 for Minnesota State University, Mankato's department of Theatre and Dance. The paper chronicles the director's artistic process from pre-production through performance in five chapters: a pre-production analysis, a historical and critical …

Theatres Across America, Sophia Holter

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Not available.

Paul Ibell: Tennessee Williams, Verna Foster

Department of Fine & Performing Arts: Faculty Publications and Other Works

A review of Paul Ibell's Tennessee Williams, written by Verna Foster.

The Dissemination Of Responsibility: Exploring The Audience As Bystander In Theatre, Helen Rooker

Senior Independent Study Theses

This study focuses on finding how theatrical technique and process changes when the audience is reframed as bystanders. I hoped to find ways that theatre artists could fight against the bystander effect in life by bringing it into our theatres. The study was written in conjunction with a production of Nine by Jane Shepard. Nine is a piece about two women who are imprisoned. The audience does not know where they are, how long they have been there, or who has taken them—just that they are regularly raped and tortured. The play is treated as a focal point for my …

Poster: Information Meeting For 9 To 5 Musical, University Of North Florida

Musical Theatre Club and Swoop Troupe Theatre Corporation Performances

UNF MTC Information Meeting for 9 to 5 the Musical on Thursday 9/14. Tech--6:30pm. Performance-7:30pm. Building 14D Room 1700

More Than The Moon: Building The World Of Into The Woods, Katherine Field

Theses and Dissertations

This thesis details the evolution of my scenic design for VCU’s 2018 production of Into The Woods. The document explains key factors for my design concept featuring a unit set instead of implementing traditional staging methods for James Lapine and Stephen Sondheim’s classic musical, based on the fairytales of the Brothers Grimm.

A Cape As Red As Blood And A Slipper As Pure As Gold: Vision And Visuality In The Costume Design Of Into The Woods, Hannah E. Chalman

Theses and Dissertations

This thesis explores the costume design for Theatre VCU’s 2018 production of Into the Woods. It outlines my concept for the design focusing on the origins of these archetypes. This concept is further expanded on by discussing Cinderella and the Witch characters and analyzing the choices within their costumes. This thesis also includes renderings, swatches, and photos.