Theatre and Performance Studies Commons^™

Thea 401: Advanced Acting—Acting For Camera—A Peer Review Of Teaching Project Benchmark Portoflio, Wesley Broulik

UNL Faculty Course Portfolios

In the pursuit of teaching the art of acting, and specifically acting for the camera, how do we measure growth? Additionally is there a correlation between high academic achievement and talent? In this portfolio we will examine how to evaluate acting, student growth, and examine test and paper results to see if the most “talented” performers are also the highest academic achievers.

Playing The Fool: Feste And Twelfth Night, Brooklyn D. Robinson

Scripps Senior Theses

Twelfth Night does not end with the acceptance and consummation of these “alternative couples.” Instead, the reveal of the twins has a clarifying effect and the characters are returned to the partner who is considered socially acceptable. The final relationships are heterosexual matches that do not stray from class or any other societal confines. Indeed, the story serves to reinforce common standards equating alternative love with madness and proper love with lucidity. Standing outside of the couplings are only bachelor men: Antonio, Sir Andrew, Feste and Orsino’s pages. In effect, these men are desexualized without romantic counterparts. While they are …

The Visual Staging Of Audio Plays, Alex P. Burkart

Theses and Dissertations

The Visual Staging of Audio Plays explores the directing practice of radio dramas that are staged for viewing purposes rather than their typical solo-auditory purposes. The thesis is comprised of three separate parts: a brief history of theatrical sound, an introduction to radio drama theory and practice, and application. The application portion is a detailed first-person account of my personal experience staging It’s a Wonderful Life: A Live Radio Play by Joe Landry for TheatreVCU’s Mainstage winter special event in 2015. It is also in this section where I integrate history, theory, and practice to formulate technique for directing the …

The Actor Behind The Camera, Zechariah H. Pierce

Theses and Dissertations

Through an accidental discovery of an interest in the film making process, I decided to explore the opportunities that would come through self-education in the field. Along the way, I found that the process of working behind the camera can, in fact, help the actor’s career in front of the camera and provide a chance to train in a nontraditional way. After directing two projects (one simple and one more complicated), I decided to propose a class in which students would be required to self- produce their own video projects online. The class was vastly popular, and the students’ responses …

An Actor's Method To Building The Character Of Hamlet In The Tragedy Of Hamlet, Prince Of Denmark, Samuel C. Malone Iii

LSU New Orleans Theses and Dissertations

This thesis will set out to examine the process needed in order to deliver the character of Hamlet as a fully dimensional, complex human being who transcends time periods and class distinctions to connect with any audience of any background. This text will include biographical information about the author, William Shakespeare, as well as historical information about the circumstances and atmosphere surrounding the birth of this play. It will also include information about other performances, which will serve as references for comparison in terms of character development. Included in the scored actor’s script are the Sanford Meisner Techniques of moment-to-moment …

Never Getting Back: Creating The Title Role In Rajiv Joseph's Bengal Tiger At The Baghdad Zoo, John H. Neisler

LSU New Orleans Theses and Dissertations

This thesis documents my rehearsal and performance of the role of Tiger in Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo, including research, character analysis, role development, rehearsal journal, and an evaluation of my performance. Bengal Tiger at the Baghdad Zoo was produced by the UNO Department of Film and Theatre, under the direction of David W. Hoover. The play was performed at the Robert E. Nims Theatre of the Performing Arts October 2 - 4, 9 - 11 at 7:30pm, and October 12, 2014 at 2:30pm. The play was performed at the Kennedy Center American College Theatre Festival …

Adapting To Eda : Embracing Change And Acting Accordingly., Tia Leshaun Davis 1989-

Electronic Theses and Dissertations

This thesis serves to argue the importance of being able to embrace, promote and adapt to change in the pursuit of becoming a well-rounded artist. This thesis will chronicle my beginnings as a performing artist and show how the physical, spiritual and personal education I received from specific theatrical companies and academic institutions prepared me for my thesis roles and various production responsibilities in the University of Louisville production of Eda by Obotunde Ijimere, translated by Ulli Beier and directed by Nefertiti Burton. My education and willingness to embrace, promote and adapt to change allowed me to successfully immerse myself …

Recreating The Green-Eyed Monster : Iago For Modern Audiences., Travis Stolp

Electronic Theses and Dissertations

This thesis is an examination of my approach to the role of Iago in William Shakespeare's Othello. The thesis explores my training as an actor and the struggles that have challenged me in the past. I then discuss my acting process for Iago in which specific imagery, sounds, and energies in Shakespeare's text influence my employment of Michael Chekhov's acting technique. By using this technique, I am able to make specific psychological and physical choices that authenticate my performance as a character who is not a racist villain, but a victim who suffers from multiple personality disorders. Through this approach, …

Living As Bathsheba Doran's Helena In "Kin", Stephanie Nicole Bignault

Graduate Theses and Dissertations

This thesis is an exploration and reflection of my growth and development as an actor after three years of studies at the University of Arkansas. It includes a statement of artistry, a copy of the program from my thesis performance, a link to my actor website, a current headshot and resume, and my group thesis project script, Tender Comrades.

The Mission Of A Theatre Artist, Laura Shatkus

Graduate Theses and Dissertations

This thesis consists of materials documenting my thesis performance as well as a statement of artistry, a copy of my current headshot, and resume and a link to my website.

An Actor's Freedom, James Taylor Odom

Graduate Theses and Dissertations

This thesis is an exploration and reflection on the discovery of an actor's freedom following an intense, three year study of the craft. It contains my statement of artistry, documentation of my thesis project and performance, as well as my future professional development materials.

An Exploration On The Michael Chekhov Technique In Rehearsal, Performance And The Classroom, James P. Stover

Theses and Dissertations

• The Michael Chekhov Technique is a unique approach to acting that has been successfully used by professional actors for many years. This thesis explores finding a strong understanding of the technique as well as discovering ways to incorporate it into an undergraduate actor training program. The examination aims to further my aesthetic both as theatre teacher and practitioner. It includes training with master teachers in the technique, incorporating Chekhov exercises into undergraduate acting and movement classes and use of the technique on a production of Pride & Prejudice.

A Jew From Nebraska: An Actors Attempt At Stand-Up Comedy, Jeffrey Nathan

Electronic Theses and Dissertations

Stand-up comedy has been a major influence on American culture and has given the "Everyman" the ability to laugh at ourselves. Stand-up comedians have been performing in nightclubs, bars, clubs, and, most importantly, theatres for the past 60 years. Stand-up comedy can take many forms: a monologue of entertaining incidents that form a story, or a string of one-liners, or a succession of jokes. This performance project and thesis is an examination and an attempt at the art form that we call stand-up comedy. It will answer the question of what is the best approach to writing comedy for an …

Lost In Austen: An Immersive Approach To Pride & Prejudice, Erica Hughes

Theses and Dissertations

This paper is an account of the Theatre VCU mainstage production of Pride & Prejudice, in which I played the roles of Mrs. Bennet and of the vocal coach. In order to address the various skill levels of the cast, I planned to coach the production in a manner inspired by immersion language learning programs, with the cast speaking in dialect throughout the rehearsal process so as to learn the necessary vocal skills and to grow together as a theatrical ensemble. When the director of Pride & Prejudice was not receptive to this plan, I had to compromise and adapt …

Cognitive Neurosciene And Its Applications To Contemporary Acting Theory, Ryan Stiffelman

Student Scholar Symposium Abstracts and Posters

I personally believe that anyone can be a performer so long as they have the determination, dedication, and refuse to take no for an answer. There are all kinds of training out there designed to help turn hopeful wannabes into the “stars” that we know them as, however, not every “star” we see has had this kind of training. We often hear of young actors like Jennifer Lawrence hailed for their “natural talent”. Does this mean there’s some kind of birth-right, a specific natural inclination or ability that makes someone a potentially great actor from the start? I will refer …

An Actor's Statement Of Artistry, Debbie Merary Banos

Graduate Theses and Dissertations

This thesis consists of my statement of artistry, and documentation of my thesis performance.

The Healing Process : Finding Oneself Through Character., Jody-Ann Peta-Gay Henry

Electronic Theses and Dissertations

This thesis examines my journey as an artist. It chronicles my beginning as an actor and the development of my skills and gift as a performer and educator. It also represents how theatre has been a major part of my self-discovery and continues to foster my growth and development. I describe how I fell in love with theatre, and what inspired me to pursue a career as an actor. I highlight my life changing experience at the University of Louisville, where I was challenged not only as an actor, but also as an individual. I discuss my most challenging experience …

The Development Of An Actor, Kieran Peter Cronin

Graduate Theses and Dissertations

This thesis is an exploration and reflection of my growth and development as an actor after three years of studies at the University of Arkansas. It includes a statement of artistry, a copy of the program from my thesis performance, a link to my actor website, and a current headshot and resume.

Play From The Heart: On Crafting A Community Of Empathy In The Theatre, Kevin Kingston

The Theatre School MFA in Directing Theses

The power of story goes beyond mere escapist entertainment. Yes it should entertain, but that is not the ultimate goal. It may even offer a bit of escape, but again this is not the holy grail. When we experience a well-crafted narrative, we are called to cross a threshold. We pass through the door of our own life and enter into the experience of another. This is what we mean when we say we "got lost" in the story. We take on the experience of another as our own. When a group of people experience a narrative they cross this …

A Method To The Madness: My Quest For A New System Of Acting, Michael Osinski

The Theatre School MFA in Directing Theses

How does one get actors to embrace work and imbue it with the same truth they bring to realistic theatre and how does one prevent them from turning into robots performing meaningless gestures? How does one work in experimental ways while still giving actors something human to hang onto? This thesis will examine a new system of acting to embrace the demands of the work and explore how to articulate and collaborate with actors to create the work.

Aerial Arial : A Lesson In Strength And Stamina., Ashley Elizabeth Smith

Electronic Theses and Dissertations

This thesis serves to argue the importance of skills related to strength and stamina in the field of theatre performance, particularly in regards to engaging young audiences by applying physical spectacle to classical theatre works. This thesis explores the physical theatre theories of Tadashi Suzuki, Mary Overlie, Rudolf Laban, and the theatrical style of Commedia dell’Arte as applied to my role as Ariel in The Tempest. It also reflects on the use of aerial silks in the same Shakespearean production, serving to prove that the skills required for such a strenuous physical activity are useful for actors as they attempt …

The Tempest Defending Prospera : The Ideation Of Spiritual Lineage And Practice In Performance For An Afro-Haitian American Actor., Iva-Kristi Maria Papailler

Electronic Theses and Dissertations

Imagine: William Shakespeare’s final hero, Prospero and all of his beautiful and majestic White, Italian maleness played by an Afro-Haitian American actress. Something changes. No longer does the audience see a traditional view of the character onstage. The audience sees a woman of African descent delivering lines written for a man of European descent. They may or may not question what they are seeing: certainly, I the actor, must. My Blackness brings an ancestral line to the production that makes a variety of traditional African religions part of Prospera’s spiritual lineage. My Blackness and gender also imbue Prospera with a …

Walking To My Death : An Actor's Journey., David Elliot Galloway 1987-

Electronic Theses and Dissertations

In the fall of 2011, I began a course of graduate theatrical training at the University of Louisville. Over my three years of study, I have developed a process for the creation of a well-rounded and emotionally interesting character. I call my process three-dimensional acting. This process is composed of: a keen and in-depth study of and adherence to the text, careful and thorough voice work, and well-rehearsed and executed physicality. This study shows, through its application to the character of Matthew Poncelet, in Dead Man Walking, that my process is succeeds in creating a character of emotional complexity that …

Digesting Modern Acting Theory For Young Performers, Brandon Yagel

Electronic Theses and Dissertations

An actor seeking to improve his craft can find numerous sources containing countless tips and techniques on the art of acting. However, the majority of these books target the adult actor often leaving young performers struggling to understand complex acting theory. With the goals of creating a nurturing learning environment and quality performance work within a compact rehearsal schedule, this thesis project created and evaluated a new synthesis of modern acting theory for directors to use when working with young performers. This technique adapted and coalesced several perspectives on foundational acting theory-specifically looking at the use of a character's wants …

Reese Witherspoon: A True Role Model, Vanessa Hemmen

Faculty Curated Undergraduate Works

A profile of Reese Witherspoon.

Guys And Dolls: The Process Of Becoming Sky Masterson, Peter Colombatto

Theses

In order to satisfy the requirements for a Master of Fine Arts in Theatre from Lindenwood University, I was required to perform a leading role in a production. In addition to the rehearsal and performance process, I am required to submit a thesis paper to supplement my experience. My proposal to perform the role of Sky Masterson in Guys and Dolls was accepted and the process began in the fall of 2012. Contrary to popular belief, Sky is a complex character that is more than just a typical leading male. Throughout the rehearsal process I was able to explore new …

Performance Of The Role Of Stanley Kowalski In Tennessee Williams' A Streetcar Named Desire, William Justin Walker

Graduate Theses and Dissertations

The truth in acting comes from living truthfully under imaginary circumstances. For partial fulfillment of my degree, I sought to bring this truth to the stage for the role of Stanley Kowalski in Tennessee Williams' A Streetcar Named Desire. In addition, I played the role of Reach in Lee Blessing's Down the Road.

Decoding Acting Vocabulary, Daniel Granke

Theses and Dissertations

This paper compares seemingly similar words from a variety of acting teachers, and shows how it is impossible to draw clear comparisons between words that are often used as synonyms. The paper is a reflection of the journey from believing in translation to recognizing its impossibility. In Chapter 1 we focus on one of the most common elements in actor training, Attention/focus/concentration, and analyze the shades of meaning in those words and the difficulty of talking about them in isolation. In Chapter 2 we look at the way in which semiotic analysis can explain the words resistance to equivalence. In …

Shimmers Of Truth In The Art Of Theatre, Natasha M. Goetz

Senior Honors Theses

Many Christians have noted Romans 1:20’s statement that God is reflected in His creation. As a theater student, I have found this to be true even in how theatrical artists actually execute their craft. Thus, for my senior honors thesis I have decided to further study this connection between the Lord and theater, for which I expect to find more of what I have already found in parallels between the Christian walk and theater arts. For the completion of this thesis, research for theatrical content will include acting and design, and research for biblical content will include the Bible and …

Theatre Triad: An Approach To Devising Collaborative Ensemble Theatre, Keith G. Fitzgerald

Theses and Dissertations

Theatre Triad is a new approach to devising collaborative ensemble theatre starting with the three main components of Performance: Voice, Movement, and Text. These components were deconstructed and reconstructed in pairs as the basis for the devising process. The performance process begins with creating an ensemble followed by four steps: exploring the theatrical genres affiliated with the pairings of Voice and Movement, Movement and Text, Voice and Text, and completed with reintegrating all three components. Through this process many things occur, a new play is created, ensemble members focus on exploring the elements of acting and performance, and a strong …