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Articles 91 - 120 of 525
Full-Text Articles in Theatre and Performance Studies
Refuge And Resistance: Theater With Kurds And Yezidi Survivors Of Isis, Ellen Kaplan
Refuge And Resistance: Theater With Kurds And Yezidi Survivors Of Isis, Ellen Kaplan
Theatre: Faculty Publications
This essay looks at ongoing efforts to revitalize arts and culture among the Yezidi and broader Iraqi Kurdish communities. The Yezidi are survivors of the 2014 genocide perpetrated by the Islamic State (ISIS, also known by its Arabic acronym Da’esh) which resulted in mass killing, captivity and expulsion from their ancestral homeland of Mt. Sinjar in northern Iraq. They are part of the Kurdish people, who have engaged in centuries of struggle to protect their cultural and political identity, establish autonomy and ensure their security in the broader Middle East. After a brief overview of the Yezidi genocide and its …
Fall Playfest (September 28-30, & October 1, 2022), Lindenwood University
Fall Playfest (September 28-30, & October 1, 2022), Lindenwood University
Student Theatre Programs
Program for Fall Playfest.
Plays included:
- Jack and Jill
- The Other Woman
- The Lesson
- Ten Minutes Left
- About What Matters
- Swagger
Primitivism, Performance Studies, And Modernist Time: Tracing An Alternative Genealogy Of Performance Studies Through Case Studies In Modernist Cultural Appropriation, Stephanie Vella
Dissertations, Theses, and Capstone Projects
This dissertation traces a genealogy of research methodologies for documenting, transmitting, and analyzing embodied, non-textual performance practices from the late-nineteenth through early-twentieth centuries. I uncover intersections between these methods and the conflations of race and temporality that are ubiquitously threaded through modernist cultural practices during this time in the form of primitivism. The researchers whose work I analyze all saw European modernity as fundamentally detached from physical culture, while viewing other cultures—especially those of the people most directly threatened by colonial and capitalist expansion during this time—as having access to a “lost” corporeal knowledge. I argue that primitivism is not …
Banarasipan As Revelation: Immanent Utopias In The Performance Of Everyday Life, Bhargav Rani
Banarasipan As Revelation: Immanent Utopias In The Performance Of Everyday Life, Bhargav Rani
Dissertations, Theses, and Capstone Projects
This dissertation locates itself at the intersection of performance theory, South Asian studies and philosophy of history to examine the history of an urban consciousness known as banarasipan (literally, "Banarasi-ness") as performed by the people of Banaras in northern India. Over the course of the twentieth century, banarasipan, as a distinct way of being in everyday life, has been characterized by its valorization of heroic laziness, seditious laughter, subversive obscenities, and by its egalitarian subjectivity that overrides sectarian and class differences. In the context of South Asian history, this dissertation interrogates the theoretical premises of both Marxist and postcolonial modes …
Women And Ventriloquism In Early Modern English Drama, Ja Young Jeon
Women And Ventriloquism In Early Modern English Drama, Ja Young Jeon
Dissertations, Theses, and Capstone Projects
Bringing together feminist and theater-centered readings, this dissertation examines the status of female vessels that foreign voices inhabit and animate in early modern drama, arguing that the Greek model of ventriloquism represented by the Pythia exerted a powerful influence on the period’s ideas about women’s speech. In feminist work on ventriloquism, despite highlighting theatrical performance’s dependence on citationality, ventriloquism has been largely understood as an analogue for exploring male poets’ authorial power to appropriate women’s voices. In these readings, the term ‘ventriloquist’ is mainly identified with the person who throws his voice into human or nonhuman objects, reminding us of …
Operation Lone Star: The Spectacle Of Immigration Federalism, Danielle Puretz
Operation Lone Star: The Spectacle Of Immigration Federalism, Danielle Puretz
Dissertations, Theses, and Capstone Projects
Texas Governor Greg Abbott launched Operation Lone Star in March 2021 to respond to the “crisis” at the United States/Mexico border. While in the US immigration is usually thought of as a federal responsibility, different states have worked to expand their capacity to welcome or exclude immigrants. Operation Lone Star is an example of how one state is working to restrict immigration to the US and build notoriety for its republican governor. Drawing on press releases, executive orders, news articles, opinion pieces, and other sources I highlight the performative politics within this initiative. Operation Lone Star is an example of …
Examining The Linguistic Ideology "Throaty Sounds Are Bad For Performers": The History Of Negative Attitudes Towards Glottal Stops And Laryngealization In English, Dayle M. Towarnicky
Examining The Linguistic Ideology "Throaty Sounds Are Bad For Performers": The History Of Negative Attitudes Towards Glottal Stops And Laryngealization In English, Dayle M. Towarnicky
Dissertations, Theses, and Capstone Projects
This thesis analyzes explicit metadiscourse (Johnstone et al 2006) on throaty sounds, primarily focused on glottal segments and non-modal constricted voice quality in English. Authors contributing to this metadiscourse are argued to be an offshoot of the speech chain network which valorized and circulated the English accent known as RP or Received Pronunciation, studied by Agha (2003). The evaluated texts center on English-speaking elocution, singing training, voice, speech, and voice care. The analysis shows glottal and guttural articulations are framed negatively and often discouraged by appeals to both health and aesthetics. Many authors in this performance speech chain network …
Judged By The Cover, Jay Froio
Judged By The Cover, Jay Froio
Honors Program Theses and Projects
No abstract provided.
Food Insecurity In Perspective: Writing Food Access Into The Everyday, Colin James Lamusta
Food Insecurity In Perspective: Writing Food Access Into The Everyday, Colin James Lamusta
Honors Program Theses and Projects
The phrase ‘food insecurity’ has taken on a whole new meaning in the social consciousness. All around us the media and research have focused on the issue. In recent years the conditions of the pandemic, inflation, and unemployment have raised attention to the issue of food insecurity to a larger cross-section of American society. In consideration of this, I sought out the current research on food insecurity and the programs serving these food-insecure individuals to serve as a basis for a stage play. The research that proved most valuable in providing a base of inspiration for both the characters as …
Be The Light: Creating A Space For The Next Generation Of Lighting Designers, Destiny Hyman
Be The Light: Creating A Space For The Next Generation Of Lighting Designers, Destiny Hyman
Honors Program Theses and Projects
This presentation will highlight my departmental honors thesis. During the fall and spring semester I researched, programmed, and assisted in the installation of the light lab in the Theatre Design and Technology Studio. This presentation will go over the first stages where I researched different intelligent lighting fixtures to find their different properties and ways to install. This presentation then visits the process where I programed the lighting fixtures into a computer software for them to be used and assist in the system installation of the lighting fixtures in the space. This presentation will show examples of lighting paperwork made …
I Heard The Tree Scream And I Hated The Sound, Dakota Lopes
I Heard The Tree Scream And I Hated The Sound, Dakota Lopes
Honors Program Theses and Projects
This play is a series of monologues and short scenes, disconnected in their narrative but strung together with a common theme: the experience of being seen. Social media, for all of its effects on the human psyche is particularly peculiar to me in this way; it allows a person to be both the actor and the audience in their own life. Not only does one have to be cognizant of what they are doing but also how they look while they are doing it. It is not enough for one to buy a house or go out for dinner with …
1000 Ways A Black Woman Dies: Stories From The Waiting Room, An Original Play, Britney Lee-Anne Mallebranche
1000 Ways A Black Woman Dies: Stories From The Waiting Room, An Original Play, Britney Lee-Anne Mallebranche
Honors Program Theses and Projects
1000 Ways a Black Woman Dies: Stories from the Waiting Room is an original play written by Britney Lee-Anne Mallebranche. The story surrounds a group of women having an “AA” styled group therapy session. They are in some type of waiting room, waiting for final judgement after death. The women share the stories of their deaths as well as having many side conversations throughout. Mallebranche wrote this 45-minute piece as a apart of Bridgewater State University’s Adrian Tinsley Undergraduate Research Program.
Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay, Sourit Bhattacharya
Pallavi Rastogi, Postcolonial Disasters: Narrating Catastrophe In The Twenty-First Century (2020): Review Essay, Sourit Bhattacharya
CLCWeb: Comparative Literature and Culture
This review essay reads literary-critical works of what is broadly understood as ‘postcolonial disasters’. It outlines how literary critics in the last decades have drawn upon cultural-geographical and anthropological readings of disasters to develop critical frameworks around how literary writers have used style, form, and aesthetics to represent postcolonial catastrophes. It then offers a detailed review of Pallavi Rastogi’s 2020 monograph, Postcolonial Disasters: Narrating Catastrophe in the Twenty-First Century. Through an engaged and critical reading, the essay attends to Rastogi’s insightful theorizing of the topic of ‘Disaster Unconscious’ and her wide-ranging interrogation of fiction from South Asia and Southern …
Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures, Treasa De Loughry
Incendiary Devices: Imagining E-Waste Frontiers And Africa’S Digital Futures, Treasa De Loughry
CLCWeb: Comparative Literature and Culture
In her article, “Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures,” Treasa De Loughry focuses on different visual responses to e-waste in West Africa, from eco-documentary film and photography responses to the infamous Agbogbloshie e-waste yard in Ghana; to techno-utopian visions of e-waste bricoleurs, and e-waste as a signifier and artefact of the neocolonial nature of the capitalist world-ecology. The first half of this article focuses on Florian Weigensamer and Christian Krönes’ documentary film, Welcome to Sodom (2018), grounding it in critiques of the transmedial influence of the documentary form, while attending to the film’s pyrotechnical “optical regime” (Schoonover). …
Signs Of The Inhuman: Hauntings And Lost Futures In Verónica Gerber Bicecci’S La Compañía, Marcela Romero Rivera
Signs Of The Inhuman: Hauntings And Lost Futures In Verónica Gerber Bicecci’S La Compañía, Marcela Romero Rivera
CLCWeb: Comparative Literature and Culture
Current criticism of works of eco fiction maintains that one of the central contributions of this literary genre is a consciousness-raising effect that these works have on their readers by virtue of alluding, with varying degrees of specificity, to real-world environmental problems, implying that this is a central step towards remedying our current planetary climate crisis. This article suggests, conversely, that literary criticism of eco fiction necessitates a more rigorous material analysis—specifically one attentive to class and class antagonism—of these works and their conditions of production to understand their relation to power, as well as their affordances and limitations as …
Returning To The Past To Rethink Socio-Political Antagonisms: Mapping Today’S Situation In Regards To Popular Insurrections, Nicol A. Barria-Asenjo, Slavoj Žižek, Hernán Scholten, David Pavón-Cuellar, Gonzalo Salas, Oscar Ariel Cabeza, Jesús William Huanca Arohuanca, Sergio J. Aguilar Alcalá
Returning To The Past To Rethink Socio-Political Antagonisms: Mapping Today’S Situation In Regards To Popular Insurrections, Nicol A. Barria-Asenjo, Slavoj Žižek, Hernán Scholten, David Pavón-Cuellar, Gonzalo Salas, Oscar Ariel Cabeza, Jesús William Huanca Arohuanca, Sergio J. Aguilar Alcalá
CLCWeb: Comparative Literature and Culture
This article seeks to elaborate a map or cartogram based on a number of protests and social mobilizations that took place in different parts of the world -mainly in Latin America, but also in Europe and Asia. Beyond the data and figures available from various sources, which never speak for themselves, an interpretation is proposed here to reveal the meaning of these events. In other words, by displaying a map of these social movements, the authors propose not only the visualization of a collection of data, but also an illumination of these events in the light of history. From there, …
Necropolitics And Visuality: Remembering ‘Speculative Fictions’ In Hong Kong After Rancière And Mbembe, Anthony Siu
Necropolitics And Visuality: Remembering ‘Speculative Fictions’ In Hong Kong After Rancière And Mbembe, Anthony Siu
CLCWeb: Comparative Literature and Culture
In his article, “Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe,” Anthony Siu examines images from Defiance.Voices, a two-volume collection that gathers photography and art illustrations about the Hong Kong Protests. He studies how paintings from the second volume register politics and events, arguing that visual art can be viewed as a new form of “speculative fictions,” a material ontology that historicizes modes of sovereign violence in postcolony. The introduction situates the debate of aesthetics in Hong Kong, conjoining Rancière’s thinking on “the people” and Achille Mbembe’s philosophy on “necropolitics.” The first cluster of …
Fredric Jameson And Gayatri Chakravorty Spivak’S Periodizing The Black Internal Colony, Jeremy Matthew Glick
Fredric Jameson And Gayatri Chakravorty Spivak’S Periodizing The Black Internal Colony, Jeremy Matthew Glick
CLCWeb: Comparative Literature and Culture
In “Fredric Jameson and Gayatri Chakravorty Spivak’s Periodizing the Black Internal Colony,” Jeremy Matthew Glick reads these authors’ coupling of Black radical struggle with wars of decolonization as engaging against a twenty-first century war on revolutionary memory. This essay examines Jameson’s brief “Maoist Digression” in “Periodizing the Sixties” and discussion of Cuban Revolutionary Foco-theory as “neither in […] nor of it” and Spivak’s planetary turn’s link to Black internal colonialism analysis as a way to talk about the intersections of revolutionary politics and literary form. It concludes with a brief meditation on Amiri Baraka on the centrality of space for …
Beyond ‘Rising Tides’ And ‘Lying Flat’: Emergent Cultural Practices Among Youth In Urban China, Diego Gullotta, Lili Lin
Beyond ‘Rising Tides’ And ‘Lying Flat’: Emergent Cultural Practices Among Youth In Urban China, Diego Gullotta, Lili Lin
CLCWeb: Comparative Literature and Culture
In their article, “Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China”, Diego Gullotta and Lili Lin examine how Chinese youth are positioned within the dominant culture, how young people appropriate space in their emergent cultural practices, and how they negotiate meaning-making. The article first analyses the rising tides (houlang) video, sponsored jointly by the state and the private sector, and argues that it reduces youth to a homogenous subject inscribed into the discourse of “China’s rise” (zhongguo jueqi) via emotional mobilization. The “lying flat” phenomenon represents young people’s negative response to …
Breadtube Rising: How Modern Creators Use Cultural Formats To Spread Countercultural Ideology, Jj Sylvia Iv, Kyle Moody
Breadtube Rising: How Modern Creators Use Cultural Formats To Spread Countercultural Ideology, Jj Sylvia Iv, Kyle Moody
CLCWeb: Comparative Literature and Culture
In their article, “BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology,” J.J. Sylvia IV and Kyle Moody analyze the rise of BreadTube. Scholars have argued that YouTube’s algorithms lead to greater radicalization (Ribeiro et al.) and bad actors have weaponized algorithms to draw users into conspiracies (boyd, What Hath We Wrought?). This article adds to this by linking these practices to the commodification of social media that spread misinformation as adaptations of socially and rhetorically mediated technologies. It analyzes how the economics of YouTube and other platforms demand that user-generated content fit within paradigms of …
Periodizing The Residuality Of A Composite Protest Art Form: The Case Of Telangana Dhoom Dham, Vamshi Vemireddy, Sasi Kiran R. Mallam
Periodizing The Residuality Of A Composite Protest Art Form: The Case Of Telangana Dhoom Dham, Vamshi Vemireddy, Sasi Kiran R. Mallam
CLCWeb: Comparative Literature and Culture
The article will document the emergence of the composite art form of “Dhoom Dham” in the state of Telangana, a southern state from India. A mixture of folk song-and-dance routines interspersed with political speeches, Dhoom Dham emerged as a potent form of political protest during the Telangana statehood movement and dominated the cultural imaginary of the movement. It has the characteristics of a residual cultural form as conceptualized by Raymond Williams. Dhoom Dham masterfully combined the elements of folk and repurposed the left protest music traditions to help the cause of the formation of separate state of Telangana. …
Sounding The State Of The World: Interview With Karim Rafi, Summer 2021, Matthew Brauer
Sounding The State Of The World: Interview With Karim Rafi, Summer 2021, Matthew Brauer
CLCWeb: Comparative Literature and Culture
Matthew Brauer interviews Moroccan contemporary artist Karim Rafi about postcolonial creation in the 2020s in "Sounding the State of the World.” Beginning with Rafi’s shift to remote performances during the COVID-19 pandemic, the discussion approaches confinement as just the latest in a series of crises in North Africa and the world. The repeated experience of crisis opens a conversation about the contemporary experience of time, broached in relation to modern Moroccan art history, which emerged from and against the conservative institutions of the French Protectorate (1912-1956). The interview touches on a range of distinctive concerns in Rafi’s art practice, from …
A Case Of Pandemic Narrative And The End Of Post-Cold War, Yongbing Jin, Penghan Zhang
A Case Of Pandemic Narrative And The End Of Post-Cold War, Yongbing Jin, Penghan Zhang
CLCWeb: Comparative Literature and Culture
The topical book Wuhan Diary, authored by the Chinese writer Fang Fang during the COVID-19 lockdown of Wuhan, is not so much a diary as a “becoming-diary,” given its performative practices. Wuhan Diary’s emphasis on the individual or private nature of its writing activity is attributable to its characteristic realistic conception of authenticity, which resulted historically from the humanist trend within Chinese literature in the 1980s as a significant element of post-socialist realism. Insofar as Wuhan Diary claims an overarching authorship that does not cohere with—or is, indeed, utterly subverted by—its textual complexities, it can be interpreted as …
Biopolitics In The Twenty-First Century: India And The Pandemic, _ Swatie, Rashee Mehra
Biopolitics In The Twenty-First Century: India And The Pandemic, _ Swatie, Rashee Mehra
CLCWeb: Comparative Literature and Culture
Swatie and Rashee Mehra discuss in their "Biopolitics in the Twenty-first Century: India and the Pandemic”, the rise of the biopolitical state in India in the 2020s. The article emphasizes the relevance of Michel Foucault’s work on biopolitics for the pandemic in India. The biopolitical governmentality of the Indian state operates at several levels to politicize ‘life itself’: racism (the notion that sections of the population are disposable), economics (the notion of privatization of care), and the logic of contagion (based on ideas of threat perception and risk). The article engages with biopolitics in the 21st century and looks at …
Confinement, Care, And Commodification In Mati Diop’S In My Room, Brittany Murray
Confinement, Care, And Commodification In Mati Diop’S In My Room, Brittany Murray
CLCWeb: Comparative Literature and Culture
In her article, “Confinement, Care, and the Commodification in Mati Diop’s In My Room,” Brittany Murray discusses a short film released in 2020 by the French and Senegalese director, Mati Diop. Shot in the artist’s studio in a Parisian banlieue during mandatory Covid-19 confinement, the film tackles the issues of grief, isolation, and care. The article shows how the film represents these issues, particularly urgent during the pandemic and yet belonging to longstanding concerns about care work and reproductive labor. To mediate between present crisis and a larger historical framework, the article demonstrates how the film’s formal attributes make a …
Reading The Global City: Crisis, Cognitive Mapping And The “Urban Sensorium” In Tom Mccarthy’S Satin Island And Ben Lerner’S 10:04, Marty Gilroy
CLCWeb: Comparative Literature and Culture
“What is the role played by the aesthetics and politics of space,” asks Kanishka Goonewardena, “in producing and reproducing the durable disjunction between the consciousness of our urban everyday life […] and the now global structure of social relations that is itself ultimately responsible for producing the spaces of our lived-experience?” (55). Goonewardena’s account of the “urban sensorium” describes the mediatory, ideological role played by space in this “gap,” informing his adaptation of Jameson’s “cognitive mapping” as a hermeneutics of urban experience vis-à-vis totality. This article considers the mediation of these insights as critical aesthetic strategies in two global city …
Literature And Economy In Portuguese-Speaking Southern Africa, Thomas Waller
Literature And Economy In Portuguese-Speaking Southern Africa, Thomas Waller
CLCWeb: Comparative Literature and Culture
In “Literature and Economy in Portuguese-speaking Southern Africa”, Thomas Waller offers a comparative reading of literary responses to neoliberalization in Portuguese-speaking southern Africa. Reading the proliferation of spectral effects in the Mozambican literature of the late 1980s alongside dystopian depictions of societal collapse in contemporary Angolan fiction, he suggests that writers in the two states have used distinctive aesthetic idioms to register the reintegration of southern Africa into the neoliberal world-system. In the fiction of Mozambican writers Aldino Muianga and Aníbal Aleluia, he shows how the legacy of colonial underdevelopment and its role in the transition to neoliberalism in Mozambique …
Conjunctures, Commodities, And Social State Marxism, Stephen Shapiro
Conjunctures, Commodities, And Social State Marxism, Stephen Shapiro
CLCWeb: Comparative Literature and Culture
In their article, “Conjunctures, Commodities, and Social State Marxism,” Stephen Shapiro discusses our current moment as the conjuncture of three temporalities: a secular trend of centrist liberalism, a Kress cycle of managerial capitalism, and three Kondratieff waves. These can be understood by the addition of implied terms in Marx’s advanced discussion of the commodity-form through an approach that Shapiro calls Social State Marxism.
Periodizing The Present: The 2020s, The Longue Durée, & Contemporary Culture, Treasa De Loughry, Brittany Murray
Periodizing The Present: The 2020s, The Longue Durée, & Contemporary Culture, Treasa De Loughry, Brittany Murray
CLCWeb: Comparative Literature and Culture
No abstract provided.
Rendering Documentary Portraiture: An Interrogation Of Archival Discourse Through A Critical Exploration Of Nineteenth Century Stage Actress Charlotte Cushman’S Material Memory, Skyler Sunday
Electronic Theses and Dissertations
Visual depictions of nineteenth century stage actress Charlotte Cushman, such as photographs, engravings, and painted portraits assist researchers in re-envisioning her both as an actress and as a person, but what do her remaining archival possessions further reveal to researchers about her memory? How do different objects operate as portraits that allow the researcher to tap into and remember specific moments and memory? How does the effort to preserve memory take different forms? This project argues that, when viewing the archive through its stored objects, our collective notion of portraiture can be expanded and used to interrogate existing methods of …