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Articles 391 - 420 of 525
Full-Text Articles in Theatre and Performance Studies
The Raw Material Of Beauty: A Qualitative Study Of Actors' Perceptions Of Creativity And Mental Health, Alexander J. Seife
The Raw Material Of Beauty: A Qualitative Study Of Actors' Perceptions Of Creativity And Mental Health, Alexander J. Seife
Selected Full Text Dissertations, 2011-
The following qualitative study aims to further the literature's understanding of actors' attitudes regarding the connection between mental health and creativity. Generally, there has been a one-way relationship between the field of psychology and acting, in that actors have utilized the field of psychology to inform character development, while scare psychological research has been completed with actors as a sample. For this study, 12 professional New York-based actors, ages 22-56, participated in individual interviews with the principal investigator via on-line video conferencing. Interviews were conducted in order to: (a) better understand actors' beliefs about the relationship between creativity and mental …
J. Scheidegger Center For The Arts, Spring 2022 Season Program, Lindenwood University
J. Scheidegger Center For The Arts, Spring 2022 Season Program, Lindenwood University
J. Scheidegger Center for the Arts
J. Scheidegger Center for the Arts, Spring 2022 Season Program
2022 Lesson Plan | The Play Is The Thing, Christian Watts, Samantha Drake, Bridgett Rayburn, Allison Carroll, Megan Brightwell, Ellie Boozer
2022 Lesson Plan | The Play Is The Thing, Christian Watts, Samantha Drake, Bridgett Rayburn, Allison Carroll, Megan Brightwell, Ellie Boozer
The Shakespeare Project
The most important part of studying Shakespeare is infusing meaning into the text. These activities will help you get Shakespeare on its feet and remove Shakes"fear" from your students.
Fluchtpunkt Magdeburg: Dokumentation Eines Integrationsorientierten Theaterprojekts Aus Theaterpädagogischer Und Sprachdidaktischer Perspektive, Mona Eikel-Pohen, Sarah Dolbier
Fluchtpunkt Magdeburg: Dokumentation Eines Integrationsorientierten Theaterprojekts Aus Theaterpädagogischer Und Sprachdidaktischer Perspektive, Mona Eikel-Pohen, Sarah Dolbier
Languages, Literatures, and Linguistics - All Scholarship
Macht, Prozess und Poetik/Sprache das theaterpädagogische Modellprojekt Fluchtpunkt Magdeburg 2015 bis2019, an dem dort lebende Jugendliche mit und ohne Fluchterfahrungen unter tanz- und theaterpädagogischer Leitung drei Theaterstücke und einen Film entwickelten mit dem prononcierten Ziel, soziale und sprachliche Integration zu fördern. Ziel dieser Dokumentation ist es, das Projekt systematisch zu beschreiben und gelungene Elemente herauszuarbeiten, die zukünftige Projekte nachhaltig und langfristig plan- und durchführbar gestalten
Edgerton Center 2022/23 Season, Edgerton Center For The Performing Arts
Edgerton Center 2022/23 Season, Edgerton Center For The Performing Arts
Edgerton Center Programs
Program for the 2022/2023 season of the Edgerton Center for the Performing Arts.
This Effeminate Stranger: Dionysus' Gender In Translation And Performance, August Guszkowski
This Effeminate Stranger: Dionysus' Gender In Translation And Performance, August Guszkowski
Independent Student Projects and Publications
This Effeminate Stranger: Dionysus’ Gender in Translation and Performance explores the possible interpretation of the character of Dionysus in Euripides’ Bacchae as genderqueer, specifically nonbinary. The project consists of a translation of the Bacchae from Ancient Greek into English which pays special attention to instances where Dionysus’ character is treated as somewhere between or outside of the traditional male-female gender binary, including placing emphasis on the god’s “effeminate” appearance and ability to influence other people to act across gendered lines. The groundbreaking translation refers to Dionysus with they/them pronouns rather than the traditional he/him and embraces this surprisingly well-evidenced reading …
College Of The Arts 22/23 Season, Department Of Theatre And Dance, John J. Cali School Of Music
College Of The Arts 22/23 Season, Department Of Theatre And Dance, John J. Cali School Of Music
2022-2023
No abstract provided.
The Mozart Conversation Or The Aria Of Nannerl Mozart: Drama In Three Acts And Two Tableaux, Emmanuel M. Dubois
The Mozart Conversation Or The Aria Of Nannerl Mozart: Drama In Three Acts And Two Tableaux, Emmanuel M. Dubois
Emmanuel Dubois Compositions
1 play (v + 66 pages) ; includes Synopsis, Cast of characters, Setting, Costumes, Props
The full-length historic drama examines the impact of emerging feminism in the Mozart family during the Enlightenment era.
As social changes cause the rejection of sexism, Nannerl, Mozart's sister disrupts male ordained traditions as she affirms her genius as a musician. The new social trends disrupt the affectionate relationship with her brother Wolfgang, who is psychologically exhausted by the stress to perform. The parents, Leopold and Anna Maria, invoke the respect of old traditions to exploit financially the genius of their son and to minimize …
Lights, Camera, Confidence: The Effects Of Theatre On Self-Esteem, Morgan Savatgy
Lights, Camera, Confidence: The Effects Of Theatre On Self-Esteem, Morgan Savatgy
[Archive] Belmont University Research Symposium (BURS)
Theatre serves as a creative outlet and an escape for designers, actors, and directors. It is also often a cathartic experience for audience members to be fully immersed in, and escape into, a theatrical production. Knowing that theatre can have such a great impact on an individual's state of mind, how exactly does theatre affect self-esteem? According to my research, the presence of theatre and the dramatic arts positively affects the lives of participants in many groups. One of these is elementary school students, who are taught theatre in order to create a space within which to learn foundational skills, …
El Laboratorio Cinegráfico De Pedro Pietri, Rojo Robles Mejias
El Laboratorio Cinegráfico De Pedro Pietri, Rojo Robles Mejias
Publications and Research
En su relato “Lost in the Museum of Natural History” Pedro Pietri se inserta en la narración como personaje y como fuente de historias inspiradas en la violencia de los géneros del western, los biker films y los melodramas. Esta aproximación a la experimentación literaria, la alteración sensorial y fílmica escenifica una crisis en la enunciación y la representación que hecha luces sobre las relaciones entre las desigualdades sociales, la violencia y la subjetividad.
British Literature I, Justin Shaw
British Literature I, Justin Shaw
Syllabus Share
What does it mean to belong? What does it mean to have an identity? This course serves as an entry point to the study of early British literature and its historical contexts. We examine texts written from the 7th to the 17th Centuries that comprise a portion of what we call British literature. This survey engages poetry, prose, and drama that reimagine the complexities of intersectional identity, render the nation as part of a global stage, and challenge conventions of sexuality and gender. It traces early texts written by and about people on the margins of “Britishness” and "Englishness" such …
Challenging Oppressive Expectations In American Theatre From Within: A Comparative Analysis Of Whitney White And Elizabeth Lecompte, Jessica Yates
Challenging Oppressive Expectations In American Theatre From Within: A Comparative Analysis Of Whitney White And Elizabeth Lecompte, Jessica Yates
Theatre and Dance Honors Projects
What does it mean to be a theater director with identities and social positions that do not align with those of 19th century, Western European directors? Inspired by the incredible lack of qualitative information on most female directors and directors of color, the scholarly component of this Honors project consists of an analysis of the directing processes of Elizabeth LeCompte and Whitney White, in particular LeCompte’s Hamlet and White’s An Iliad.
For that, I draw from documentation on LeCompte’s and White’s filmed materials of their work, hours of recorded interviews about their processes, and articles about their productions. Both directors …
Internalized Misogyny As Displayed By Aunt March In Little Women, Sydney Lofton
Internalized Misogyny As Displayed By Aunt March In Little Women, Sydney Lofton
[Archive] Belmont University Research Symposium (BURS)
It seems that more women fight against each other than for one another. Women have developed a reputation for gossiping to disparage the reputation of each other, leveraging terms like “floozie,” “bimbo,” and “slut” against one another. While women will rage against men who support the patriarchy, women are often some of the strictest enforcers of its standards. In Kate Hamill’s playscript Little Women, an adaptation of Louisa May Alcott’s 1868 novel, it is Aunt March, not a man, who places pressure on Jo to assimilate to society’s expectation of women. This push of conformity may reflect Aunt March’s own …
What Is Normal In Mental Health?: A Script Analysis Of Next To Normal, Caitlyn Campbell
What Is Normal In Mental Health?: A Script Analysis Of Next To Normal, Caitlyn Campbell
[Archive] Belmont University Research Symposium (BURS)
Next To Normal, the Broadway musical by Tom Kitt and Brian Yorkey, follows a dysfunctional family whose matriarch struggles with a multitude of mental health issues. Delving into hard topics, such as mental health and family relationships, the musical challenges what we consider to be normal family dynamics and mental states. These important themes are mainly demonstrated through Diana, a mother and wife who struggles with severe mental health diagnosis. Through this analysis, these difficult questions are unveiled while looking closely at the musical’s plot structure, characters, ideas, and dialogue.
“Subverting” The Neoclassic Constraints: The Presence Of Magic In Early Commedia Dell’Arte, Yangzhou Bian
“Subverting” The Neoclassic Constraints: The Presence Of Magic In Early Commedia Dell’Arte, Yangzhou Bian
Theatre Student Scholarship
The project is an initiating discussion about the dramatic function and social-ideological implication of magic and magical elements in the surviving corpus of the Italian improvisational theater commedia dell’arte scenarios from the early seventeenth century. The essay begins with a cursory exploration of the position of commedia dell'arte amongst other notable theatrical forms blossoming across the European continent in the late renaissance. The study then focuses on eight plays selected from the 1611 Scala Collection to further examine the use of magic by commedia performers, followed by individual analysis of plot construct and dramaturgical theories. Finally, observations and connections made …
Mei Lan-Fang: The Masculinist Idealization Of Femininity, Yangzhou Bian
Mei Lan-Fang: The Masculinist Idealization Of Femininity, Yangzhou Bian
Theatre Student Scholarship
Mei Lan-fang was the most well-known Beijing Opera practitioner specializing in the impersonation of historical and mythological female characters. His captivating performance style is known as “The School of Mei”. It balances the external stage presence and internal precision and attends to the minutiae. His performances were drawn predominantly from the classic repertoire, and they have won him the position that “no other Chinese actor attained and retained” (Scott ii). Despite the general perception of Mei’s contribution to the emancipation of women through his work and his self-assertion of sympathy towards their suffering, the underlying motivation may not be as …
00 Notes And Instructions To Accompany Vectorworks Tutorials, Jonathan Taylor
00 Notes And Instructions To Accompany Vectorworks Tutorials, Jonathan Taylor
Theatre Drawing & Rendering Techniques and Scenic Design Videos
No abstract provided.
Fun With Palamon And Arcite: Rationale And Strategies For Teaching The Two Noble Kinsmen As The Culmination Of The Shakespearean Canon, Joanne E. Gates
Fun With Palamon And Arcite: Rationale And Strategies For Teaching The Two Noble Kinsmen As The Culmination Of The Shakespearean Canon, Joanne E. Gates
Presentations, Proceedings & Performances
Hardly noticed in the reception of Harold Bloom's Shakespeare: The Invention of the Human several years ago was his hint that not The Tempest but The Two Noble Kinsmen makes an appropriate final accomplishment. On one level, the play is merely a stage adaptation of Chaucer's The Knight's Tale, with a rather crude couple of subplots thrown in, perhaps to please the commoners. In an undergraduate forum, I am less inclined to evaluate Fletcher's contribution as distinct from Shakespeare, but I do think the play important for how it is representative of many of the co-authored English Renaissance plays …
Shakespeare As Opera In English: Britten's Dream And Adès' The Tempest, Joanne E. Gates
Shakespeare As Opera In English: Britten's Dream And Adès' The Tempest, Joanne E. Gates
Presentations, Proceedings & Performances
I assert that we learn Shakespeare better when we study him against the adaptation. Some of the adaptation choices made by opera composers and librettists-- and especially by stage designers in recent productions-- provoke us to critique a production concept for its innovative staging, forcing us to learn more about Shakespeare's original. The recent Metropolitan's The Tempest conveys the 2004 Thomas Adès Tempest as if an 18th century impresario Prospero had conjured or appropriated the contents of the Milan opera house to his island. Meredith Oakes's libretto simplifies much of Shakespearean language to efficient rhyming couplets, yet this opera eloquently …
Autobiographical Elements In Elizabeth Robins' Review Of Sarah Bernhardt's Hamlet, Joanne E. Gates
Autobiographical Elements In Elizabeth Robins' Review Of Sarah Bernhardt's Hamlet, Joanne E. Gates
Presentations, Proceedings & Performances
This paper analyzes the review that the American actress in London, Elizabeth Robins, published in 1900 in response to seeing Bernhardt's Hamlet. I will demonstrate how the essay reveals significant information about Robins' career on the American stage, for she felt compelled to compare Bernhardt's performance with details from Edmund Booth's Hamlet, which Robins so very vividly remembered because she had such direct contact with his performances. Booth's Hamlet, as Robins reveals in an unpublished autobiographical novel, was the inspiration and salvation for the young Robins. When she first earned her way into the "bill-posters' seats," at the top of …
Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe
Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe
Honors Program Theses
Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …
Direction Of The Musical: Chicago (High School Edition), Sharon White
Direction Of The Musical: Chicago (High School Edition), Sharon White
All Graduate Projects
This project encompasses the selection, research, casting, production and post-production process of the musical, Chicago (High School Edition) for the all-school musical at Strasburg High School. Documentation includes analysis of the play as a production vehicle, research, script analysis, a record of the production period and a post-production evaluation.
Fidelity Afire: British Observations & Theatrical Interpretations Of Sati, 1650-1830, Abigail Fer
Fidelity Afire: British Observations & Theatrical Interpretations Of Sati, 1650-1830, Abigail Fer
All Graduate Theses, Dissertations, and Other Capstone Projects
What can the shifting British interpretations of sati in the period between 1650 and 1830 tell us about the changes in how the British saw themselves as colonizers? This is the central question that this thesis seeks to resolve. From 1650 to about 1750, British interests in the Indian subcontinent were similar to other Europeans traveling in the area, characterized by the establishment of trading posts and dependence on the governing Mughals. From the beginning of this time period, European travelers were grappling with making sense of the Hindu practice of widow immolation, or sati. Early accounts by French and …
A Dancer's Image, Sydney Baker
A Dancer's Image, Sydney Baker
Undergraduate Honors Theses
Dancers are amazingly dedicated athletes who train for hours a day to try and perfect their craft. In doing so, they can become hyper focused on the details, picking apart every aspect of themselves and their technique. With so much time spent training, it can be difficult to take a step back and analyze the role the mirror plays in a dancer’s training and everyday life. There are many factors that can affect a dancer's body image, including the social environment between educators and peers, social standards and social media, dance clothing, and so much more. This report and creative …
Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell
Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell
Interdisciplinary Journal of Leadership Studies
The question of literature’s utility in relation to the “real world” has been asked since at least the time of Plato. This essay examines an extreme instance of this problem by investigating two works, Giovanni Boccaccio’s Decameron (1349-1353) and Emily St. John Mandel’s Station Eleven (2016), that argue for the value of art in the midst of catastrophe. Boccaccio’s collection of 100 tales, written in the context of the Black Plague, and Mandel’s post-apocalyptic novel about a world devastated by a killer flu, overlap and diverge in instructive ways in making their cases for the important role of literature in …
Scaling Up Video Digitization At The University Of Maryland Libraries: A Case Study, Elizabeth M. Caringola, Pamela A. Mcclanahan, Robin C. Pike
Scaling Up Video Digitization At The University Of Maryland Libraries: A Case Study, Elizabeth M. Caringola, Pamela A. Mcclanahan, Robin C. Pike
Provenance, Journal of the Society of Georgia Archivists
In 2015, a team at the University of Maryland Libraries collaborated on a pilot project to digitize 100 VHS tapes from the Liz Lerman Dance Exchange collection and, in doing so, established organizational workflows for video digitization and access. After completing the pilot phase of the project, staff who worked on the project published a case study in this journal that articulated a question echoed throughout that process: “Is this enough?” Enough descriptive metadata? Enough technical metadata? Enough storage space? This article will reflect on the pilot project, detail how the digitization specifications and workflows established during the pilot project …
Samuel Beckett's Theory Of Repetition, Kennedy Carpenter
Samuel Beckett's Theory Of Repetition, Kennedy Carpenter
Online Theses and Dissertations
The thesis explores playwright, Samuel Beckett, and his use of repetition within four of his plays. The way in which repetition is discussed and shown in his plays displays Beckett’s own theories about repetition such as the futility and meaningless of life that repetition brings about, how repetition causes stagnation, repetition is something people are both trapped in and willing go towards for comfort, and the only way to break out of repetition is by involving others in one’s life. After literary analysis of repetition in Beckett’s works, his theories are then applied to Beckett’s personal life as a director …
¡Controlamos La Narrativa!: Collaborative Dramaturgy As A Tool For Latine Representation In Secondary Theatre Education, Domenika N. Moncayo
¡Controlamos La Narrativa!: Collaborative Dramaturgy As A Tool For Latine Representation In Secondary Theatre Education, Domenika N. Moncayo
Honors Undergraduate Theses
Current secondary theatre education in America places a priority on Western ideals of theatre history and practices. Latine theatre history is hardly taught, and if it is, it is touched minimally. Latine culture places an emphasis on a collective, both in theoretical and practical work. Similarly, the practice of dramaturgy itself is rarely mentioned in curriculums, rather intertwined within lessons of acting, directing, and design. This creates an imbalance in practice versus theory in theatre education. I intend to introduce the concept of collaborative dramaturgy: a form of dramaturgy where students collaborate as dramaturgs to bring about discussions about identity. …
I’M Not A Tragedy: Speaking Up About Ableist Microaggressions, Kasandra Marguerite Colwell
I’M Not A Tragedy: Speaking Up About Ableist Microaggressions, Kasandra Marguerite Colwell
Communication Senior Capstones
Have you heard of ableist microaggressions? Let me tell you about them, as someone who has experienced them. I have a bi-lateral dislocating knee condition that I was born with. I can walk, but sometimes I need additional stability or reduction of pain while getting around, in which case I tend to use a cane. I have had many othering interactions while using a mobility aid in public, whether that be a knee brace, a cane, or crutches. While it often seemed the stranger didn’t mean any harm, the question is how many invasive questions and comments from strangers can …
The Heidi Chronicles, Otterbein Theatre And Dance Department
The Heidi Chronicles, Otterbein Theatre And Dance Department
2021-2022 Season Production
A feminist art historian and her friends, male and female, gay and straight, mature from the 1960s to the 1980s as they search for political, professional and personal fulfillment, in Wendy Wasserstein's Pulitzer Prize and Tony Award-winning play.