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Articles 361 - 390 of 519
Full-Text Articles in Theatre and Performance Studies
Concert Intime, Julianne O'Brien, Jessica Torres, Amanda Kay White
Concert Intime, Julianne O'Brien, Jessica Torres, Amanda Kay White
Dance Programs
No abstract provided.
Nationalist Allegories In The Post-Human Era, Siqi Zhang
Nationalist Allegories In The Post-Human Era, Siqi Zhang
CLCWeb: Comparative Literature and Culture
As China’s expansion of influence now takes up the spotlight of the world stage, Chinese science fiction, a relatively little known genre, reaches a global audience. In 2015, Liu Cixin received the Hugo Award for Best Novel for his trilogy The Three-Body Problem, as the first Asian science fiction writer to receive the Hugo Award. A year later, Hao Jingfang’s Folding Beijing was awarded the 2016 Hugo Award for Best Novelette. The recent world-wide recognition of Chinese science fiction begins with English translation, U.S. publication and promotion. The New York Times cited The Three-Body Problem as having helped popularize Chinese …
From Franz Kafka To Franz Kafka Award Winner, Yan Lianke: Biopolitics And The Human Dilemma Of Shenshizhuyi In Liven And Dream Of Ding Village, Melinda Pirazzoli
From Franz Kafka To Franz Kafka Award Winner, Yan Lianke: Biopolitics And The Human Dilemma Of Shenshizhuyi In Liven And Dream Of Ding Village, Melinda Pirazzoli
CLCWeb: Comparative Literature and Culture
To date, many studies have exhaustively explained how and why Yan Lianke deals with both the intimate relationship between disease and biopolitics and the relationship between utopia and dystopia. These are certainly the most important themes in Liven (2004) and Dream of Ding Village (2006). However, biopolitical discourses cannot fully account for the complexity, depth and humanity of these novels, which in addition to exploring the complex and protean meaning of life also represent shenshizhuyi, an expression coined by Yan Lianke to describe his human dilemma in representing the complex relationship between shen 神 (soul, spirit, mind and myths) …
Hanay Geiogamah’S Body Indian And Foghorn As “Plays With A Purpose”, Danica Čerče
Hanay Geiogamah’S Body Indian And Foghorn As “Plays With A Purpose”, Danica Čerče
CLCWeb: Comparative Literature and Culture
In her article, “Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose,’” written against the backdrop of critical whiteness studies, Danica Čerče discusses how Geiogamah’s theatrical rhetoric intervenes in the assumptions about whiteness as a static, privilege-granting category and system of dominance. By focusing on various techniques and strategies mobilized to define and affirm Native Americans’ authentic rather than imposed identities, the article shows that humor is one of the prime textual devices in Geiogamah’s plays to renegotiate what Walter Mignolo calls “the racist structure of power.”
State, Transnational Citizenship And The Transformative Power Of Art: The Nsk State In Time, Barbara Orel
State, Transnational Citizenship And The Transformative Power Of Art: The Nsk State In Time, Barbara Orel
CLCWeb: Comparative Literature and Culture
This article deals with one of the most intriguing art projects at the intersection of art and social experiment—The NSK State in Time. This is a paradigmatic transnational state that does not have a territory and whose citizenship can be obtained regardless of one’s nationality, citizenship, race, religion or political convictions. It was established in 1992 by the Slovenian art collective Neue Slowenische Kunst—the NSK, and has seen continuous manifestations in various sociopolitical contexts worldwide. The most prominent one in recent time took place in 2017, when the NSK State opened its own pavilion at the Venice Biennale—a …
The Female Fantastic Vs. The Feminist Fantastic: Gender And The Transgression Of The Real, David Roas
The Female Fantastic Vs. The Feminist Fantastic: Gender And The Transgression Of The Real, David Roas
CLCWeb: Comparative Literature and Culture
Since Ann Richter coined the term “fantastique féminin” in 1977, many works in different languages have postulated a “female” way of writing fantastic texts, depending on the selection of themes, language, characters, supernatural elements, and the portrayal of the uncanny and the monstrous. This claim on the existence of a "female fantastic" reflects central issues in Feminist Literary Theory: on the one hand, the will to identify an aesthetic mode opposed to the dominant patriarchal discourse (female writing, the use of specific themes, etc.); on the other hand, the argument that there are marginal genres, forms and styles voluntarily removed …
Introduction: New Perspectives On The Female Fantastic, David Roas, Patricia Garcia
Introduction: New Perspectives On The Female Fantastic, David Roas, Patricia Garcia
CLCWeb: Comparative Literature and Culture
No abstract provided.
‘It’S All In The Timing’ – A Research Project That Explores The Complexities In The Relationship Of Actor To Audience, In Musical Theatre, Crispin Taylor
‘It’S All In The Timing’ – A Research Project That Explores The Complexities In The Relationship Of Actor To Audience, In Musical Theatre, Crispin Taylor
Theses: Doctorates and Masters
This research project is interested in the communicative transaction that occurs between actor and audience, in theatrical performance, and how this relationship can differ within nonmusical, and musical theatre. In non-musical theatre, for example, there can be a very intimate and immediate “dialogue” between actor and audience, that can alter each moment of a performance, making possible a unique co-creation between the two entities. In this way, no two performances are ever alike, the actor “reads” the audience and adjusts their performance according to specific responses from them. This communion allows a flexible elasticity in the outcome, and the actor, …
Applied Theatre In Children’S Ministry, Andrea Elliott
Applied Theatre In Children’S Ministry, Andrea Elliott
College of Arts and Cultural Studies
Supervisor: Professor Norah Swiney
Works In Progress, Robin Kish, Wilson Mendieta, Julianne O'Brien, Tomas Tamayo
Works In Progress, Robin Kish, Wilson Mendieta, Julianne O'Brien, Tomas Tamayo
Dance Programs
No abstract provided.
13 Musical Instruments In Early Drama: Tudor Plays, Mary Remnant
13 Musical Instruments In Early Drama: Tudor Plays, Mary Remnant
Early Drama, Art, and Music
A study of musical instruments in early Tudor plays that serves as a supplement to the author's "Musical Instruments in Early English Drama"; published in Material Culture and Medieval Drama (1999).
12 St. Martin's Clowns: The Miracle Of The Blind Man And The Cripple In Art And Drama, Martin W. Walsh
12 St. Martin's Clowns: The Miracle Of The Blind Man And The Cripple In Art And Drama, Martin W. Walsh
Early Drama, Art, and Music
A reprint, with revisions, of a study of the miracle of the healing of a pair of beggars by St. Martin, originally published in Early Drama, Art, and Music Review 17, no. 1 (Fall 1994).
14 Drama And Authority During The Reign Of Queen Mary, Peter Happé
14 Drama And Authority During The Reign Of Queen Mary, Peter Happé
Early Drama, Art, and Music
An otherwise unpublished study of drama and the English regime in the reign of Mary Tudor.
The Visual Research Task: A Faculty/Library Collaboration Combining Information Literacy With Artistic Assessment, Lofton L. Durham, Michael J. Duffy Iv
The Visual Research Task: A Faculty/Library Collaboration Combining Information Literacy With Artistic Assessment, Lofton L. Durham, Michael J. Duffy Iv
University Libraries Faculty & Staff Presentations
This session features a librarian and faculty member sharing their collaboration on the “Visual Research Task,” which is an assignment designed to provide information literacy instruction with an emphasis on visual resources to theatre majors in a course on collaborative theatre production. Students are given a scenario in which they act as the assistant to a theatrical designer, working with limited information, must assemble a curated portfolio of ten images to support the design or conceptualization for a theatrical design, with descriptions and citations. Each student is given a different topic from a wide range, including for example, “royal pageantry,” …
Winter Dance Concert (March 12-13, 2021), Lindenwood University
Winter Dance Concert (March 12-13, 2021), Lindenwood University
Student Dance Programs & Brochures
Program for the Winter Dance Concert (March 12-13, 2021).
Reliability Of A Barre-Mounted Dynamometer-Stabilizing Device In Measuring Dance-Specific Muscle Performance, Melissa Strzelinksi, Lori Thein Brody, Jo Armour Smith, Shaw Bronner
Reliability Of A Barre-Mounted Dynamometer-Stabilizing Device In Measuring Dance-Specific Muscle Performance, Melissa Strzelinksi, Lori Thein Brody, Jo Armour Smith, Shaw Bronner
Physical Therapy Faculty Articles and Research
BACKGROUND: Hand-held dynamometry is considered an efficient, effective, and portable means of objectively measuring lower extremity strength; however, it has yet to be studied specific to dance-relevant muscle performance. Also, dynamometry is often criticized for variability in results based on tester strength and sex. Use of an external stabilizing device has been suggested to minimize differences in outcomes between male and female testers by reducing variability associated with tester strength limitations. Therefore, this study used a barre-mounted, portable dynamometer stabilizing device to improve consistency of results among different testers for assessing hip and lower extremity muscle performance in dance-relevant positions. …
The Island Heritage / El Patrimonio De La Isla, Susana Castillo-Rodriguez
The Island Heritage / El Patrimonio De La Isla, Susana Castillo-Rodriguez
Languages and Literatures
In 1926, Philip. J. Fisher published “The Island Heritage. Episodes from the Missionary History of Fernando Poo, West Africa. A Play for Young People”. This book has remained unknown until present. There is one copy at Archives and Special Collections, SOAS Library (London).
This play is of enormous interest not just for it has been mentioned above but also because:
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It is a vivid narration of the settlement of Protestant missionaries in Clarence, based on historical facts and personal experience collected first hand by Philip. J. Fisher as he interviewed some of the protagonists in the play.
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It is the …
Ataka, Anthony H. Chambers
On With The Show: Performing Arts In The Age Of Covid 19, University Marketing And Communications, Maricruz Menchero
On With The Show: Performing Arts In The Age Of Covid 19, University Marketing And Communications, Maricruz Menchero
DePaul Download
Last spring at the start of the pandemic, The Theatre School transitioned Shakespeare’s dark comedy, Measure for Measure, from a live in-studio play to a radio show. 2020 MFA graduate Maricruz Menchero talks about the experience, the radio show’s unexpected benefits and explains how her coursework introduced her to new skillsets for life after graduation.
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe
Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe
Mime Journal
No abstract provided.
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Mime Journal
No abstract provided.
Mochizuki: History And Context, Michael Watson
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
Mime Journal
Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197; Brandon, The Subscription List …
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Mime Journal
No abstract provided.
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
Stakeholder Experiences With Arts-Based University-Community Partnerships In General Education, Veronica Leone Matthews
Stakeholder Experiences With Arts-Based University-Community Partnerships In General Education, Veronica Leone Matthews
USF Tampa Graduate Theses and Dissertations
University-community partnerships (UCPs) have significant potential as a way for universities to connect with communities and provide students with High Impact Practices (HIPs). Despite over 20 years of literature calling for increased community engagement, institutions of higher education have been slow to integrate UCPs into the General Education curriculum. Certain components have been identified as necessary for the effectiveness and sustainability of UCPs. However, little is known about the experiences and perceptions of key stakeholders including students, faculty, and community partners who participate in arts-based UCPs. This study investigated these stakeholders’ perceptions regarding participating in arts-based UCPs as part of …
Join Us Virtually This Spring, Edgerton Center For The Performing Arts
Join Us Virtually This Spring, Edgerton Center For The Performing Arts
University Briefings & Virtual Events
Welcome to our Spring 2021 season. As we all do our part to reduce the spread of Coronavirus (COVID-19), the Edgerton Center, in conjunction with the Performing Arts, will not produce performances for attendance by the general public at this time. We are excited to share some beautiful and safely produced content made available to you via livestream or broadcast.
Dancescape Poster 2021, Winona State University, Emily Becker
Dancescape Poster 2021, Winona State University, Emily Becker
Dancescape Posters
A poster for the Winona State University Theatre and Dance Department's annual Dancescape. This is a poster for the Dancscape 2021: A Dance Film Festival.