Theatre and Performance Studies Commons^™

Performing Feminism: Boy Gets Girl During The #Metoo Movement, Amanda Dayton

Electronic Theses and Dissertations

Sexual misconduct is currently a very hot topic in the media. Not only has the #MeToo Movement encouraged many women to come out with their stories of sexual assault, but it has also given women of many different backgrounds an opportunity to band together in support. I will be exploring the role of Theresa Bedell in Boy Gets Girl, by Rebecca Gilman. I will use the given character relationships to build an honest portrayal of the struggles Theresa faces as a woman in the world. I will touch on the mindset behind as well as the effects of victim blaming, …

Performing Bernarda: Activating Power And Identity, Ana Martinez Medina

Electronic Theses and Dissertations

The musical Bernarda Alba tells the story of a woman who is confined within the heavily patriarchal and Catholic society that was 1930s Spain. Because of this, I thought it the perfect arena to explore power dynamics on stage. My thesis will explore status, hierarchies, relationships, and identity via the stolid matriarchal character Bernarda Alba. Through analyzing the playwright's words, fleshing out the character, and exploring the character's relationships with others in rehearsal, I have studied how to activate status on stage. There are many sociology theories and psychological studies that can be applied to theatre-making in order to create …

Gender Performance In Shakespeare's Twelfth Night, Amanda Lee

Electronic Theses and Dissertations

Cross-dressing is a recurrent theme in Shakespeare's comedies, and the theatrical trend of gender bending casting has added an extra layer of complexity to performing his work. How does the gender of the actor affect the performance of a role in Shakespeare? How does it affect the perception of the role, and how can an actor utilize that perception to connect more fully with the audience? How does the female perspective illuminate hitherto unexplored elements of Shakespeare's text and characters? I was inspired by Orlando Shakes' all male production of Twelfth Night to research gender theory in relation to classical …

To Be Thus Is Nothing, But To Be Safely Thus: Applying The Michael Chekhov Technique To The Character And Fight Direction Of "Macbeth", Scott Nicholas Russell

Graduate Theses and Dissertations

This thesis is an exploration of the Michael Chekhov technique as it was applied to the role of Macbeth, as well as the Fight Direction of the play. This production of Macbeth ran from February 1, 2019 to February 10, 2019 at the Global Campus Theatre at the University of Arkansas in downtown Fayetteville; this thesis includes documentation of the show. Additionally, this thesis includes documentation on my self-created one-person show, Forte and Foible, my headshot and resume, and link to my website.

An Intimate Portrayal Of Madame Armfeldt In A Little Night Music, Mollie Armour

Graduate Theses and Dissertations

This thesis contains documents supporting my thesis role, my personal statement of artistry, a script for my one person show, and materials used in my professional career.

Childhood Dreams And Adult Laughs Lighting Design Of Avenue Q, Eric Armstrong

Graduate Theses and Dissertations

This thesis will present and discuss the analysis, design process and execution of the lighting design for the University of Arkansas’s production of the musical Avenue Q. Special time will be taken to discuss the unique challenges faced by this production during early design meetings as well as during the execution of the design. This paper will document my process in illuminating the satirical themes in Avenue Q. Avenue Q looks at modern life through the lenses of a children’s learning program. Through my use of color and texture I worked to amplify the realism and create musical theatre moments.

Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo

Dissertations, Theses, and Capstone Projects

This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …

Torrente And Manjón: The Visionary-Producers Of The Latin Fire Follies, Olivia Hernando

UNLV Theses, Dissertations, Professional Papers, and Capstones

The Latin Fire Follies was a musical revue that presented Latin culture through the use of the showgirl spectacle, music, dance and costumes. The show ran from 1968 to 1976 at the Thunderbird Hotel in Las Vegas. Creators Manolo Torrente and Freddy Manjón, were artists of international caliber before being forced to leave Cuba when Castro closed the borders in 1959. In 1968, Torrente, a prominent singer and director, and Manjón, an intrepid dancer and choreographer, produced the show with the goal of spreading the joy of Latin culture. The show was a representation of the folklore within the countries …

Florence B. Price's Compositional Style To Song Settings Of Paul Laurence Dunbar's Dialect Poetry: A Performance Guide, Daniel Joseph Hunter Jr

UNLV Theses, Dissertations, Professional Papers, and Capstones

Florence B. Price (1887-1953) was an African-American composer from Little Rock, Arkansas. Ms. Price, who was a mixed-race female, was able to achieve unprecedented success during her lifetime. Price, a composer of instrumental, orchestral, and vocal music,

acknowledged the challenges of being a woman of color, trying to break into a world dominated by white men. Through her perseverance, she found success in 1933 when the Chicago Symphony Orchestra performed her Symphony in E Minor, making her the first African-American woman to have a work performed by a major orchestra in the United States. Marian Anderson, William Grant Still and …

Privileged Eyes: How A Look In The Mirror Informed The Creation Of Marilyn And Desiree, Halley Electra Mayo

Graduate Theses and Dissertations

This thesis is for the performance of Desiree in A Little Night Music, by Stephen Sondheim and Hugh Wheeler; the development, writing, and performance of the one-person-show Privileged Eyes; and development of a website and statement of artistry.

What It Means To Be A Man: A Character Study Of Macduff, Justin Alexander Mackey

Graduate Theses and Dissertations

In this thesis I will be discussing my process as an actor when approaching a role, specifically the role of Macduff in William Shakespeare’s, Macbeth. I will include a character/script/event analysis as well as a journal of my experiences during the rehearsal process. I will also include production photos, programs, a link to my website, and my headshot and resume at the end.

Costume Design For Shakespeare's "Macbeth", Melissa Rooney

Graduate Theses and Dissertations

The following thesis explains the process used to create the costume design for the production of Macbeth produced at the University of Arkansas Global Campus Theatre in the Spring of 2019. Throughout this thesis, I will explain the process by which the costumes went from initial research ideas to sketches and colored renderings and finally to fully realized three dimensional costumes. The design process included in this thesis includes an analysis of the play, inspirational collage, portrait gallery, research, renderings, production images, and an evaluation of the overall process.

Shakespeare After Prison, Lesley Currier, Dameion Brown

Community Engagement Theme

No abstract provided.

Strict Restraints: Abstinence's Gender Problems In Measure For Measure, Joseph Makuc

History Honors Papers

Shakespeare’s Measure for Measure poses questions about sexual coercion and governmental corruption that resonate today. Recent scholarship has examined sexual abstinence in Measure for Measure in terms of its historical economic and religious context regarding Isabella. However, Angelo and the Duke, the play's other central characters, also make claims about the value of abstinence. I put these characters’ claims into dialogue with Judith Butler’s theory of gender performativity and extensive scholarship on Shakespearean England. I argue that abstinence is the axis around which Measure’s main characters revolve, and that Measure locates these characters’ abstinences as competing performances of manhood and …

Spring Dance Concert 2019 Poster, Providence College, Catherine Garrett

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Spring Dance Concert 2019

Friday, April 26 - 7:30pm

Saturday, April 27 - 2:00pm

Spring Dance Concert 2019 Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Spring Dance Concert 2019

Directed by

Wendy Oliver

Choreographers

Samantha Oakley, Gillian Klein, Caroline Mallon, Natalie Phelps, Katherine Pineo, Catherine Garrett, Alanna Daley, Maria Fonts, Kirsten Coffey, Anna Sabo, Devon Guanci, Dierdre McMahon, Maya Young, Stephanie Cameron, Kaitlin McGovern

Lighting Designer

Thomas Edwards

Dancers

Alexandra Burch, Kellie Johnson, Caroline Mallon, Kaitlin McGovern, Sarah Travers, Stephanie Cameron, Maria Fonts, Catherine Garrett, Elizabeth Hawley, Deirdre McMahon, Katherine Pineo, Gabriella Riccardone, Maya Young, Kate Doner, Cameron McCauley, Sarah Travers, Alanna Daley, Kaitlin Novarro, Kirsten Coffey, Gillian Klein, Mollie Giancola, Natalie Phelps, Anna Sabo, Jaime Prodracky, …

The Mousetrap

Taylor Theatre Playbills

The playbill for Taylor University's performance of Agatha Christie's The Mousetrap.

Performed April 26-28 & May 3-5, 2019 at the Mitchell Theatre.

The Mousetrap is a classic murder mystery play by Agatha Christie. Set in the remote Monkswell Manor, the story begins as a group of strangers is stranded by a snowstorm. The guests include a newlywed couple, a retired army major, an architect, a mysterious foreigner, and a stern magistrate. Tensions rise when they learn that a murderer is among them, and a police sergeant arrives to investigate. As secrets are revealed and suspicions grow, the play builds …

Spring Dance Concert Box Office Sign Up Sheet, Box Office

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Spring Dance Concert box office sign up sheet

Thursday - Saturday, April 25-27, 2019

She Kills Monsters

Theatre Programs

No abstract provided.

Disney: Castles, Kingdoms And (No) Common Man, Anahita Dalmia

Journal of Themed Experience and Attractions Studies

Disney: A company with media and experiences that are studied over and over again, almost exhaustively. However, there is good reason that this company, recognized by its emblematic castle, is studied so intensely. No other company has prolifically created such successful experiences across platforms and settled so comfortably in audiences’ hearts, making so many of them feel special. This paper explores why and how Disney creates this impact through examining Disney’s transmedia world building techniques through the lens of the psychological schema theory. The theory explains the way humans process information, empathize and learn from experiences which are not their …

Between The Lines: Children’S Literature And The Disney Theme Parks, Michaela Karis

Journal of Themed Experience and Attractions Studies

Though the Disney theme parks are a common subject of academic analysis, relatively little research has approached the parks from a literary perspective. In this paper, I apply a theory of children’s literature to the Disney parks. By tracing the similarities between the parks and children’s texts, including their use of a “double” level of address, their focus on oppositional binaries, and their deliberate elision of “adult” elements, I demonstrate how the parks legitimize themselves as both childlike and child-appropriate spaces.

Evaluating Perspectives Of Virtual And Mixed Reality For The Performing Arts In The U.S. And Canada, Collin Huse

Journal of Themed Experience and Attractions Studies

What are the current trends of virtual and mixed reality in the performing arts? In this study, semi-structured interviews were conducted with a convenience sample of academics and professionals in the performing arts who are using virtual and mixed reality. Grounded Theory was used to analyze the themes that emerged over the course of the interviews. This study found that this technology is already fitting into entertainment within both the performance aspect and the design process. Many challenges exist for innovators in AR/VR such as lack of common knowledge, lack of structure needed for innovation, and difficulty finding financial backing. …

Physical And Digital Architecture For Collection And Analysis Of Imparted Accelerations On Zip Line Attractions, Kai David Quizona, Shelly Sicat, Nicholas Holman, Madison Glozer, Alan Black, Alex Ferworn, Kathryn Woodcock

Journal of Themed Experience and Attractions Studies

The accelerations experienced by riders of Zip Line attractions is an underexplored area of public safety assurance. These amusement devices require complex processes to collect and analyze acceleration data. Highly versatile and effective rider-worn and ride-carried devices are necessary to collect acceleration and velocity data without affecting the integrity of the ride. This paper introduces the use of a sensor device for collecting Zip Line acceleration data in the form of a Trailing Trolley. This architecture extends the work of Sicat et. al.’s which proposed the use of a Sensor Vest and Headwear to collect linear and rotational accelerations of …

Dark Rides And The Evolution Of Immersive Media, Joel Zika

Journal of Themed Experience and Attractions Studies

The dark ride is a format of immersive media that originated in the amusement parks of the USA in the early 20th century. Whilst their numbers have decreased, classic rides from the 1930s to the 70s, such as the Ghost Train and Haunted House experiences have been referenced is films, games and novels of the digital era. Although the format is well known, it is not well defined. There are no dedicated publications on the topic and its links to other media discourses are sparsely documented. Today, entertainment media is utilising technology extensively to create immersive experiences for audiences, transporting …

Disability And Participation In Amusement Attractions, Kathryn Woodcock

Journal of Themed Experience and Attractions Studies

Eligibility to participate on an amusement attraction may be limited for patrons with certain characteristics, including size, age, disability, and health conditions. Human rights and equal access laws increasingly mandate the inclusion of people with disabilities in as many activities as possible, although safety is an accepted basis for exemption. This paper reports on practices and evidence pertaining to eligibility and safety of patrons with disabilities, including a content analysis of status quo criteria from 100 amusement ride manufacturers’ manuals and prevalence of references to disability in reports of serious and fatal injury. The analysis found that restrictive criteria exclude …

Leveraging Neo-Localism For Experience Innovation: A Case Study Of An Urban Park And Entertainment Venue, Lori J. Sipe

Journal of Themed Experience and Attractions Studies

In the past decade, spending on experiences relative to other types of consumer spending has increased dramatically. Companies with an experience economy mindset focus on differentiation as opposed to standardization and rely on innovation activities for growth. This design research project examined how an urban park and entertainment venue leveraged its unique brand and core experience to design and innovate memorable guest experiences. The Quartyard study integrated key concepts of experience economy logic and memorable tourism experiences with principles of human centered design. Interviews were conducted with key stakeholders to include the architects, general manager, members of the local business …

Roller Coaster Dynamics At Purdue University, Jeffrey F. Rhoads, Charles M. Krousgrill

Journal of Themed Experience and Attractions Studies

Inspired by a handful of passionate students, in the fall of 2009, the School of Mechanical Engineering at Purdue University offered a new course entitled Roller Coaster Dynamics. Little did the instructors of the course (the co- authors of this paper) know, but that course and the many variants that followed would have a marked impact on students and instructors alike, prepping scores of civil and mechanical engineering students for careers in the themed entertainment and amusement attraction industry and opening up new avenues for technical exploration in the areas of nonlinear and multi-body dynamics. This paper adopts a balanced …

Soft Skills With Teeth: Creating Authentic Learning Environments With Charismatic Mega-Projects, J .E. Johnson, Karen Maness

Journal of Themed Experience and Attractions Studies

In every industry, effective teams depend upon a collection of non-technical competencies often described as soft skills: leadership, verbal and written communication, collaboration, analytical thinking, creativity, decision-making, problem-solving, and flexibility. Though the importance of soft skills is widely acknowledged, soft skills curricula are either non-existent or underdeveloped in most universities. This soft skills training gap leaves students under- prepared and often over-confident as they enter the workforce. In response to this gap in our department at The University of Texas at Austin, we defined and implemented an emergent, project-based pedagogical framework to recruit an interdisciplinary roster of students and deliver …

Coggan, Forrest Winston, 1926-2018 (Fa 1282), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1282. Correspondence between Forrest Coggan and Sarah Gertrude Knott as well as other board members, sponsors, teachers, and business partners who conducted work with the National Folk Festival Association. .

An Act Of God: A Technical Direction Analysis, Daniel D'Egnuff

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The Nebraska Repertory Theatre in partnership with the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln selected An Act of God to open its 50^th Season during the 2018-2019 school year. Artistic Director Andy Park chose 2^nd year graduate student Jill Hibbard as the production’s scenic designer. The show opened in the Johnny Carson Studio Theatre which is located in the Lied Center on September 26, 2018 and closed on October 14 after 14 performances. Graduate faculty named me technical director for this production, to fulfil the duties commonly associated with this position. The …