Theatre and Performance Studies Commons^™

Why We Must Die So Young: The Story Of The White Rose Martyrs

Taylor Theatre Playbills

The playbill for Taylor University’s performance of Why We Must Die So Young: The Story of the White Rose Martyrs by William Gebby.

Performed February 23-25, 2018 at the Mitchell Theatre.

During the darkest days of WWII, a handful of German college students distributed thousands of anti-Nazi leaflets and worked toward unifying resistance across Germany. They called themselves the White Rose, and their faith drew them to engage in a fight that would cost them their lives. William Gebby’s brand new play celebrates the lives of these brave young people who would not and will not be silent. The TU …

Falling Box Office Sign Up Sheet, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Falling box office sign up sheet

Thursday - Sunday, February 16-18, 2018

"The Habits Of History": A Research-Based Play Script, Dorothy Morrissey

The Qualitative Report

In this article, derived from her doctoral dissertation, the author (a teacher educator in drama in Ireland) presents her students’ initial responses to her performance of a one-woman play, “Goldilocks’s Testimony.” The play, written by the author, concerns the marginalisation of women in workplaces. In the play, women’s “real” experiences of workplace marginalisation are transposed to Fairyland. In this article, the author represents her postgraduate student teachers’ responses to her performance in play script format. In this play script, “The Habits of History” (Olsen, 2003), the students’ responses are also transposed to Fairyland.

"Desdemona: A Play About A Handkerchief" And "The Tragedie Of Othello, The Moor Of Venice"

Theatre Programs

No abstract provided.

Diary Of Anne Frank, Otterbein University Department Of Theatre And Dance

2017-2018 Season

"I know what I want, I have a goal, an opinion, I have a religion and love. Let me be myself and then I am satisfied. I know that I'm a woman, a woman with inward strength and plenty of courage."

Anne Frank

The Moors Open Auditions Poster, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Bowab Studio Theatre, Smith Center for the Arts

The Moors open auditions

February 13, 2018, 7pm

The Moors Audition Pix Sign Up Sheet, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

The Moors audition pix sign up sheet

Tuesday, February 13, 2018, 6:30pm

The Cripple Of Inishmann (February 13-17, 2018), Martin Mcdonagh

Student Theatre Programs

Program for The Cripple of Inishmann (February 13-17, 2018).

To view the photos from this production of The Cripple of Inishmann, please click here.

Only You, Parkland College

Parkland Theatre

by Timothy Mason

Directed by Gennie Applebee
Assistant Director/Lighting Designer: Julia Norris*
Scenic Designer/Properties: Kylie Moubry*
Costume Designer: Remy Saymiknha*
Sound Designer: Solomon Robinson+
Stage Manager: Melissa Goldman*
Faculty Advisors: B.J. Gailey & Michael O'Brien

Presented in Parkland's Second Stage Theatre
February 8, 9, 10, 16, 17 at 7:30pm
February 18 at 3pm
Spring 2018

Only You is presented by special arrangement with Dramatists Play Service, Inc., New York.

To view images from this production, visit Only You (2018).

Projecting For Macbeth, Theatre Software, And A Thank You To Figure53, Drew Schmidt, Caroline M. Trewet

Northwestern Review

In 2015, Northwestern College’s Theatre Department staged William Shakespeare’s Macbeth. Theatre faculty Drew Schmidt and student Caroline M. Trewet designed and prepared floor projections for the production. In this hybrid piece for the Northwestern Review, Schmidt provides an introductory primer text and then Schmidt and Trewet provide a thank you video explaining to Figure53, a company that creates theatre software, and all viewers how they utilized the program and equipment.

Creative Writers Festival Media Release, Tami Hinesh

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Creative Writers Festival media release

February 2018

Ink, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2017-2018 Women Innovators in the Performing Arts

Award-winning choreographer and TED Fellow Camille A. Brown brings her company and its irresistible energy to Peak Performances. ink, the final installation of her dance trilogy about culture, race, and identity, celebrates the rituals, gestural vocabulary, and traditions of the African diaspora while examining the culture of Black life that is often appropriated, rewritten or silenced. Using the rhythms and sounds of traditional African music mixed with blues, hip-hop, jazz, and swing, ink travels through time from the abolitionist movement to the Civil Rights struggle, from the Black Power movement to the emergence of hip-hop. Through self-empowerment, Black love, brotherhood, …

Art Infested Water, February 2018, Nova Southeastern University Department Of Performing And Visual Arts

Department of Performing and Visual Arts Newsletters

No abstract provided.

The Lines Between The Lines: Stage Directions As Fluid, Affective Collaborations Between Theatre Texts And Theatre Makers, Sarah Bess Rowen

Dissertations, Theses, and Capstone Projects

This project contends that certain kinds of stage directions can affectively engage the bodies of actors, and the imaginations of directors and designers, resulting in a collaboratively created performance of a given theatre text. As opposed to more literary treatments of stage directions, this project contends that theories of embodiment, especially affect theory, is a useful lens through which to explore the range of potential performances present in various stage directions. By analyzing the ways in which stage directions allow for more agency than has traditionally been considered in theatre scholarship, I seek to encourage theatre makers and scholars alike …

The Musicality Of Salsa Dancers: An Ethnographic Study, Janice Mahinka

Dissertations, Theses, and Capstone Projects

This work analyzes the musical knowledge and aesthetics acquired by improvisatory social salsa dancers who hone close listening skills through corporeal means. The connections that these dancers construct between music, self, and partner make evident an engagement with musicality that can be seen through their demonstration of kinesthetic entrainment, structural feeling of hypermetric conventions, and enactment of expressive microtiming within beat and metric structures. I introduce the concept of timespace to explain how dancers manipulate this physiological experience to create different feelings in a dance, addressing issues that dancers raised in our feedback interviews such as feel, flow, and play. …

The Keepers: A Collaborative Constructive Narrative Podcast, Shay Carroll

Honors Projects

This is a fictional podcast series that presents a story that is completed through roleplaying. The structure follows that of a video game, with the main characters, or "players," interacting with a set plot while deciding their own course of action. I act as the narrator for the story, controlling the plot and setting as well as non-player characters, or "NPCs." For the purposes of consistency and making sure the characters do not do anything that would be considered too over-powered or unrealistic, I have chosen to use the rule guide and statistics modifier system presented by Wizards of the …

« L’Insulte (L’Affaire No. 23) » De Ziad Doueiri, Joseph Korkmaz

Regards

Comment un incident trivial – une dispute entre un Libanais chrétien et un ouvrier palestinien – peut-il devenir une affaire nationale à cause d’une simple insulte ? Le vrai sujet du film est le ressentiment que ressentent les chrétiens de Beyrouth-Est envers les Palestiniens, leurs anciens ennemis durant la guerre civile. La confrontation met en lumière l’évolution de la haine et l’impossibilité d’un pardon trente ans après la fin de la guerre. Le réalisateur fait ainsi preuve d’audace, traitant de front la question de l’amnésie/amnistie qui permit, de manière peut-être artificielle, la fin des combats.

« Tramontane (Rabih) » De Vatché Boulghourjian, Joseph Korkmaz

Regards

The story of a blind Lebanese musician confronting an unforgiving bureaucracy and the traumas of a violent past – the Lebanese Civil War – Vatché Boulghourjian’s Tramontane (Rabih) explores questions of memory and the lingering ghosts of war through the struggles of a war orphan seeking to obtain a passport. The article examines the trials he endures in his quest to uncover his identity, along with decades-old family and political secrets, adopting a historical perspective that draws parallels between the protagonist’s journey and society’s broader struggle to confront a troubled chapter in the nation’s history.

Résumé

L’histoire d’un …

Entretien Avec Vatché Boulghourjian, Joseph Korkmaz

Regards

Interview with Vatché Boulghourian, director of the movie Tramontane (Rabih), 2016, around the difficulties of representing the memory of civil war through the trials of a blind orphan.

Résumé

Entretien avec Vatché Boulghourian autour de son film Tramontane (Rabih), 2016, et des défis de traiter la mémoire de la guerre à travers les tracas bureaucratiques d'un orphelin aveugle.

الفنون المعاصرة من خلال أعمال ربيع مروة, Hana Kaaki

Regards

The article deals with the works of Rabih Mroué and its place in contemporary artistic practices in the Middle East region. The question of the study centers on the specificity of contemporary practices and the creative process of the artists in question, and the redefinition of Aesthetics – at least the traditional meaning of the concept – in light of the transformations of artistic thought and achievements.

Résumé

L’article traite des travaux de Rabih Mroué et de la place qu’il occupe dans les pratiques artistiques contemporaines au Moyen-Orient. Cette étude se concentre sur les spécificités du processus créatif de l’artiste, …

Entretien Avec Ziad Doueiri, Joseph Korkmaz

Regards

Entretien avec Ziad Doueiri, réalisateur du film L’Insulte (2017), sur les défis de la mise en scène et de la production d’un drame libanais à forte teneur politique.

La « Mimèsis » Dans Le Théâtre Et La Peinture, Joanna Raad

Regards

Le terme mimésis vient du verbe mimisthai qui signifie imiter, ou plus précisément suivre un exemple ou faire une « représentation ». Ainsi, l’imitation, ou mimésis, est un principe académique qui impose un culte de la représentation fondé sur la reconnaissance. Cet article voudrait discuter la manière dont la mimésis et l’illusion au théâtre interagissent avec l’art, et plus particulièrement la peinture.

La Prédominance Des Techniques Audiovisuelles Et Numériques Au Théâtre, Marcel Ghosn

Regards

The evolution of technologies in the audiovisual and theatre fields has succeeded in breaking the separation between actors and digital bodies. What is an actor today? Is he still essential on stage or in film? And what about digital bodies and their ability to produce and convey emotions and performances in the same way as a human actor?

Résumé

L'évolution des technologies dans les domaines du théâtre et de l’audiovisuel a permis d’effacer la frontière entre le corps de l’acteur et les corps numériques. Cela nous amène à poser la question : qu’est-ce qu’un acteur aujourd’hui ? Est-il toujours central …

Entretien Avec Le Producteur Georges Schoucair, Joseph Korkmaz

Regards

Interview with Georges Schoucair, producer of the movie Tramontane (Rabih, 2016).

فسيفولد إيميلوفيتش مايرخولد العبقري المشاغب, Michel Jabre

Regards

Meyerhold, dubbed “the people’s artist” by the Soviet regime, led a tumultuous artistic life and carried out provocative experiments in unconventional theatre settings. After cofounding the Moscow Art Theatre with renowned colleagues such as Stanislavski and Danchenko, he left the company to regain his independence as an actor and stage director. He then developed his theoretical concept of “conditional theatre,” reinterpreting classical plays in innovative ways and reimagining them within a renewed contemporary theatrical context.

Résumé

Meyerhold, surnommé « l’artiste du peuple » par le régime soviétique, a eu une vie artistique tumultueuse et a mené des expérimentations provocantes dans …

Éditorial, Joseph Korkmaz

Regards

Le cinéma libanais s’illustre par son dynamisme manifeste dans le nombre de films tournés. Des comédies légères épinglent quelques caractéristiques et travers de la société et des mœurs libanaises. Des feuilletons télévisés engourdissent une frange importante de la population, avide de romantisme et d’aventures rocambolesques.
De ce lot de productions émergent des œuvres qui méritent considération et encouragement, surtout quand il s’agit de premiers films [...]

مسـرح شـوشـو للأطفال, Rana Azzaz

Regards

Theatre for children is grounded in imaginative creativity and forms an educational, intellectual, and aesthetic tradition that refines a child’s spirit while developing taste, a sense of beauty, and openness. In Lebanon, plays designed for children began appearing in professional theatre venues in the late 1960s. The “Chouchou Children’s Theatre” was among the earliest and most significant initiatives, drawing a strong response from young audiences. In this article, I examine this phenomenon – which emerged spontaneously and without a clear methodology – with particular attention to audience reception.

Résumé

Le théâtre pour enfants est une tradition éducative, intellectuelle et esthétique …

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

• Exhibition draws attention to gender stereotypes
• Graduate exhibition explores the strength of the human mind
• Exhibition shares artist’s connection to history, spirituality and family
• Ceramic exhibition examines the environmental impact of consumerism
• Graduate exhibition focuses on erasing taboo on mental illness, depression

Hamlet Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre

William Shakespeare’s HAMLET

January 26-28 & February 8-11, 2018

Directed by John Garrity

Hamlet Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre

William Shakespeare’s HAMLET

January 26-28 & February 8-11, 2018

Directed by John Garrity

Scenic & Lighting Design: TREVOR ELLIOTT

Costume Design: MAXINE WHEELOCK

Sound Design: PAUL PERRY

Stage Combat: JIM BEAUREGARD

Associate Sound Designer & Composer: HANNAH Y. GREENE

Voice & Text Coach: MEGAN CHANG

THE CAST

Hamlet - TIMOTHY BROWN, Claudius / Ghost - DANIEL CARROLL, Polonius - JOHNATHAN COPPE, Horatio - TEDDY KIRITSY, Laertes - AJ ROSKAM, Ophelia - JENNIFER DORN, Gertrude - MIREYA LOPEZ, Rosencrantz - EMILY CLARK, Guildenstern - DANIEL JAMESON, Leading Player / …