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Articles 331 - 360 of 588
Full-Text Articles in Theatre and Performance Studies
Light Shines Earnest, A Full Length Play By William James Burke And Divergent Drag Aesthetics — Interrogating The Reaches Of Gender And Gendered Imagery In Drag Performance, William James Burke 17
Light Shines Earnest, A Full Length Play By William James Burke And Divergent Drag Aesthetics — Interrogating The Reaches Of Gender And Gendered Imagery In Drag Performance, William James Burke 17
Honor Scholar Theses
No abstract provided.
Cross(Ing) The Line: Leadership In Devised Theatre, Monica Furman
Cross(Ing) The Line: Leadership In Devised Theatre, Monica Furman
Honors Papers and Posters
“Traditional" (Western) theatre focuses on the relationship between the playwright and the director. Devised theatre is a reaction to the dominant ideology; it is ensemble-created original work. A group of artists collaborate and create a play with no script and, sometimes, no initial theme or message. They use various different art forms as well as interviews and narratives to create a theatrical experience.
A Fuddy Thesis: Directing David Lindsay-Abaire’S Fuddy Meers, Dustin M. Mosko
A Fuddy Thesis: Directing David Lindsay-Abaire’S Fuddy Meers, Dustin M. Mosko
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This thesis contains the written documentation of the process of directing a theatrical production of Fuddy Meers by David Lindsay-Abaire, in partial fulfillment of the requirements for Master of Fine Arts in Directing for Stage and Screen at the University of Nebraska-Lincoln.
Topics addressed include play selection, script analysis, concept development, casting, production & rehearsal processes, director's reflection, and critical responses of the production.
Advisor: Virginia Smith
Be A ‘Do-Bee’: Take A Magic Mirror Journey Inside Romper Room, Brian J. Warren
Be A ‘Do-Bee’: Take A Magic Mirror Journey Inside Romper Room, Brian J. Warren
Theatre Faculty Publications
In the interest of adding to the general awareness and understanding of early educational television for children, this article explores a specific television program from the 1960s, Romper Room, chiefly via an interview with one of the show’s local hosts. This host – my mother Joyce Kramer – certainly had a magical job with new educational television, and it made her a celebrity in the town of Ottumwa, Iowa, in that time and for years afterward. I recall strangers calling to her from their passing vehicles if they spied her on a sidewalk, “Hi, Miss Joyce!” Impressive to my young …
Remapping Emotion And Desire: Same-Sex Romance In Ah Cheng's "The King Of Chess", Yanjie Wang
Remapping Emotion And Desire: Same-Sex Romance In Ah Cheng's "The King Of Chess", Yanjie Wang
Asian and Asian American Studies Faculty Works
This article examines the representation of emotion and desire in Ah Cheng's The King of Chess (Qi wang). The interpretation of The King of Chess has been oriented toward an allegorical reading that revolves around grand cultural concepts, such as aesthetics, Taoist tradition, cultural consciousness, and national identity. In this paradigm of reading, the literary text has largely become a footnote of the master narrative of China's cultural reconstruction of the 1980s. Following the recent interpretative turn of this story from cultural to existential and from allegorical to corporeal, the article extends to yet another domain, that of emotion, intimacy, …
Broadway As Global Brand, David Savran
Broadway As Global Brand, David Savran
Publications and Research
For people around the world, "Broadway'' means the Broadway musical, the epitome of singing and dancing, glamor and dazzle. Although the Broadway musical is customarily perceived as the most distinctively U.S. theatre form - whose national and municipal identity is embedded in its name - it has circumnavigated the globe countless times. As the globalized cultural economy increasingly facilitates the worldwide circulation of multinational theatrical productions, Broadway-style musicals are being manufactured from Hamburg to Shanghai. They are no longer a specifically U.S. form, but a global brand that freely crosses borders, genres, and styles.
Sibling Affection And Domestic Heterosexuality In Lodovick Carlell’S The Deserving Favorite, Mario Digangi
Sibling Affection And Domestic Heterosexuality In Lodovick Carlell’S The Deserving Favorite, Mario Digangi
Publications and Research
Lodowick Carlell’s play The Deserving Favorite (1629) deploys the ideological strategy of using erotic “likeness” to validate marital unions as consensual and erotically compatible. In an era before the normalization of heterosexuality, the play suggests that sexually passionate marital relations earn legitimacy to the degree that they emulate the affectionate relations between women and between siblings. Although eroticized female friendship approaches the ideal of a consensual and sensual partnership, intimate relations between women seem best to thrive in a separatist environment removed from courtly social and economic exchanges, including the marital negotiations crucial to cementing dynastic and political alliances. Brothers …
Letters To Mei Lanfang, Alexandra Dare Norman
Letters To Mei Lanfang, Alexandra Dare Norman
Mahurin Honors College Capstone Experience/Thesis Projects
As a male actor of female Dan characters, Mei Lanfang (1894-1961) is known throughout the world as the most representative performer of Chinese opera – particularly for his performance of Concubine Yu in the Peking opera Farewell My Concubine. A feminist analysis of his work in this opera reveals a series of assumptions about the definition of “Woman” in both theatre and life. This project is solo performance piece formatted in a series of open letters to Mei Lanfang, interspersed with personal stories investigating what it truly means to be a Woman – as an actor, a Christian, a feminist, …
2016-2017 Sanctuary Series - March 30, 2017, Lynn University, Mark Luttio, Harry Murphy, Karen Casey, Suhao Bai, Thomas Ferstle, Bailey-Michelle Collins, Zenas Jones, Ying Peng Wang, Xiaoxiao Wang, Roberta Rust, Jasmine Knowles
2016-2017 Sanctuary Series - March 30, 2017, Lynn University, Mark Luttio, Harry Murphy, Karen Casey, Suhao Bai, Thomas Ferstle, Bailey-Michelle Collins, Zenas Jones, Ying Peng Wang, Xiaoxiao Wang, Roberta Rust, Jasmine Knowles
Snyder Sanctuary Series
Watch video of the performance here.
Drama For Social Justice: Embodying Identity And Emotion In Elt, Riah Werner
Drama For Social Justice: Embodying Identity And Emotion In Elt, Riah Werner
MA TESOL Collection
In this thesis, the author makes the case that drama is a powerful tool for language acquisition because it develops and engages embodiment, emotion and identity, important aspects of learning and communication that are often neglected in traditional language classrooms. The thesis establishes a theoretical foundation for the use of drama in the social justice-oriented language classroom, reviews research on drama for language learning and describes common drama techniques. The author connects the theories of embodied cognition and multiliteracies to an intersectional model of identity and argues that drama helps students re-examine the way society positions them based on their …
Damn Yankees, Otterbein University Theatre And Dance Department
Damn Yankees, Otterbein University Theatre And Dance Department
2016-2017 Season
The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball. It is based on Wallop's novel The Year the Yankees Lost the Pennant.
Anton In Show Business (March 30-April 1, 6-8, 2017), Jane Martin
Anton In Show Business (March 30-April 1, 6-8, 2017), Jane Martin
Student Theatre Programs
Program for Anton in Show Business (March 30-April 1, 6-8, 2017).
To view the photos from this production of Anton in Show Business, please click here.
Center For Art & Theater News, Georgia Southern University
Center For Art & Theater News, Georgia Southern University
Center for Art & Theater (Archived)
- Juried 2017 awards and reception Friday, March 31
Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film
Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production of Into the Woods.
March 28, 2017
Opening April 7 At Pc: Into The Woods Promotional Email, Department Of Theatre, Dance & Film
Opening April 7 At Pc: Into The Woods Promotional Email, Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Opening April 7 at PC: Into the Woods promotional email
Monday, March 27, 2017
Lejos De Aquí De Roberto Cossa Y Mauricio Kartun: Familia, Absurdo Y Temporalidad En Una Re-Escritura Del Grotesco Criollo, Mariana Pensa
Lejos De Aquí De Roberto Cossa Y Mauricio Kartun: Familia, Absurdo Y Temporalidad En Una Re-Escritura Del Grotesco Criollo, Mariana Pensa
South East Coastal Conference on Languages & Literatures (SECCLL)
Lejos de aquí de Roberto Cossa y Mauricio Kartun: familia, absurdo y temporalidad en una re-escrituradel grotesco criollo
Mariana Pensa
UCLA Extension
En este trabajo realizamos un acercamiento a la obra teatral Lejos de aquí (1993) escrita en colaboración por los dramaturgos argentinos Roberto Cossa y Mauricio Kartun. A través de nuestro análisis observamoscomo los elementos de la tradición del “grotesco criollo” de principiosdel siglo XX se han ido desarrollando y re-formulando hacia finesdel mismo siglo en lo que se ha dado en llamar el “neo-grotesco criollo”. Principalmente nos referimos a los cambios y permanencias que se producen por el …
Good Game Well Played: An Esports Documentary, Gabriella Clare Devia-Allen
Good Game Well Played: An Esports Documentary, Gabriella Clare Devia-Allen
Theses and Dissertations
This film explores the operations and cultural practices of the esports community with an emphasis on Twitch as the dominant community platform. Explored sub-communities include Counter-Strike: Global Offensive, Duelyst, and League of Legends. A focus on Duelyst allows us to explore the characteristics of an accessible esports culture while also referencing League of Legends and Counter-Strike: Global Offensive offers an objective look at two of the industry’s most developed esports scenes. This documentary tracks the production of broadcast content, the lifestyles of professional players, and the narratives of the industry’s most involved employees. In doing so, the research draws conclusions …
Howl Quixote, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
Howl Quixote, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
2016-2017 Break the Mold
Quixote is an evening‐length, memorized, music-theatre-dance piece performed by the interdisciplinary ensemble, HOWL, that Kirsten and DeChiazza founded to continue the vein of collaborative theater-work they began together with Colombine's Paradise Theatre. HOWL features the four members of Sandbox Percussion Quartet, as well as vocal artists Lindsay Kesselman, Hai-Ting Chinn, and Kirsten Sollek. The work was developed through a collaborative process in a series of workshops spanning two years, giving Kirsten and DeChiazza an opportunity to sharpen, deepen, and extend their integrated expressive language. Quixote was commissioned, produced, and developed under the auspices of Peak Performances at Montclair State University …
Five Miles Outside Town: A Play With Music, Luke John Mcloughlin
Five Miles Outside Town: A Play With Music, Luke John Mcloughlin
Theses and Dissertations
Months ago, I wanted to write something like an opera or a musical for my thesis. This is not quite what happened. Instead, I have written a play with music; that is, there are four solo songs interspersed within the drama. While there are parts of it that I would like to change, the present work (the pages following this abstract, the title page, the copyright page, the committee page, the acknowledgments page, and the table of contents) represents what I was able to put together within the restrictions of the academic schedule.
The following are descriptions of various facets …
Creative Writer's Festival 2017 Playbill, Providence College
Creative Writer's Festival 2017 Playbill, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Smith Center for the Arts
Creative Writer's Festival 2017
Friday, March 17th
Saturday, March 18th 7 PM
THE IDEA OF YOU by Julia Zygiel
- Directed by Jonathan Coppe
- Man: Brian Kozak
- Woman: Sabrina Guilbeault
- Location: in front of Bowab Studio Theatre doors
RED SHEETS by Maggie Burke
- Directed by Sabrina Guilbeault
- Woman: Jennifer Dorn
- Location: Lower Lobby (near stairs)
STAY by Gabriella Sanchez
- Directed by Gabriella Sanchez
- Woman: Sabrina Guilbeault
- Location: Ground floor landing, near Music wing
WHOS LOOKING BACK [EXERPT] by Veronica Murphy
- Directed by Gaby DeParis
- Maggie: Veronica Murphy
- Reflection: …
Creative Writer's Festival 2017 Email Promotion, Providence College
Creative Writer's Festival 2017 Email Promotion, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Smith Center for the Arts
Creative Writer's Festival 2017
Friday, March 17th
Saturday, March 18th 7 PM
Sameena Mustafa Interview, Uyanga Chinzorig
Sameena Mustafa Interview, Uyanga Chinzorig
Asian American Art Oral History Project
Bio: Sameena Mustafa is a stand-up comedian, actor, and writer named in the Chicago Reader’s Best of Chicago 2016 issue. She has been featured in videos by The Onion and performed on world-famous stages like the Laugh Factory and Biograph Theater. A Northwestern University graduate, Sameena is a sought-after speaker and host, praised for founding Simmer Brown, a comedy showcase featured in the Chicago Sun-Times and Redeye Chicago.
Telethon, Jen Kennedy, Liz Linden
Telethon, Jen Kennedy, Liz Linden
Published Works by SJSU Honorees
Inspired by experimental performances of the 1960s, Jen Kennedy and Liz Linden's TELETHON is a participatory performance staged in front of a live audience. The sounds of phone calls to random numbers—dial tones, ringing, voicemail, asking about feminism, surprised responses, clicks—are projected toward the audience to create a cacophonous illustration of contemporary feminism and connection. This event took place at the Hammer Museum in Los Angeles on March 4, 2017.
Melancholy Play (2017), Sarah Ruhl
Art Infested Water, March 2017, Nova Southeastern University Department Of Visual And Performing Arts
Art Infested Water, March 2017, Nova Southeastern University Department Of Visual And Performing Arts
Department of Performing and Visual Arts Newsletters
No abstract provided.
The Dramatization Of Cultural Hybridity And The "In-Between" Turkey In Fazıl's Künye, Önder Çakırtaş
The Dramatization Of Cultural Hybridity And The "In-Between" Turkey In Fazıl's Künye, Önder Çakırtaş
CLCWeb: Comparative Literature and Culture
In his article "The Dramatization of Cultural Hybridity and the "In-Between" Turkey in Fazıl's Künye" Önder Çakırtaş addresses Turkey's historical context and exposes how political, social and cultural changes were expressed in Turkey's public sphere. Using Niyazi Berkes's theory of secularism as proceeding of modernism Çakırtaş discusses different examples of stylistic strategies of cultural hybridity in the playwright's historical-based play, Künye. He investigates how political changes in pre-Turkey times signify Turkey's national striving, and how the Ottoman-conservative past metamorphoses into Turkic-secular. The study juxtaposes the perceptions of 'introduction to Westernization' and 'departure from Islamic past' in a period …
Anarcho-Feminist Melodrama And The Manic Pixie Dream Girl, Claire T. Solomon
Anarcho-Feminist Melodrama And The Manic Pixie Dream Girl, Claire T. Solomon
CLCWeb: Comparative Literature and Culture
In her article "Anarcho-Feminist Melodrama and the Manic Pixie Dream Girl (1929-2016)" Claire Solomon analyzes the Manic Pixie Dream Girl trope as an apparatus of capture (Deleuze and Guattari, A Thousand). More precisely, her article models how such tropes imply modes of reading anachronistically and metafictionally that decontextualize gestures of resistance and conflate female writers, performers, and characters across time and place. Solomon offers a situated formalist reading of Argentine playwright Salvadora Medina Onrubia's 1929 drama, Las descentradas, revealing an avant-garde counterpoint of melodrama and metafiction as an ambiguous alternative to capture.
Approaching The Value And The Future Of The Novel: A Book Review Article On Boxall's Scholarship, Yili Tang
Approaching The Value And The Future Of The Novel: A Book Review Article On Boxall's Scholarship, Yili Tang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Ite, Poly, University: 3 Levels, 1 Play, 4 Casts, Margaret Chan
Ite, Poly, University: 3 Levels, 1 Play, 4 Casts, Margaret Chan
Research Collection School of Social Sciences
A report on a first time educational project across three levels of Singapore educational institutions. The ITE-Republic Polytechnic-Singapore Management University theatre collaboration to stage Chong Tze Chien's "Charged" (2017) at ITE Central on 31 March to 1 April 2017.
Review Of: Gavin Hollis, The Absence Of America: The London Stage, 1576-1642, Emily Soon
Review Of: Gavin Hollis, The Absence Of America: The London Stage, 1576-1642, Emily Soon
Research Collection School of Social Sciences
Given the premium often placed on the ‘special relationship’ between Britain and the United States in today’s public discourse, it is hard to imagine a time when transatlantic affairs were deemed peripheral to London’s interests. And yet, as Gavin Hollis, Associate Professor at Hunter College, City University of New York, reminds us, in the decades surrounding the 1607 founding of Jamestown, the New World was only of ‘marginal’ interest to those living in the Old (10). From the opening of the first permanent playhouse in 1576 to the closure of the theatres in 1642, a mere three English plays are …