Theatre and Performance Studies Commons^™

The Importance Of C.S. Lewis To Faith-Based Theatre As Seen In The Silver Chair, Andrew J. Wilkinson

Senior Honors Theses

The paper contains an adaptation of the book The Silver Chair by C. S. Lewis and details the purpose for why this particular story is important for the faith-based theatre community. There are a number of Christian themes that are evident in the story that are examined as well as the elements of the story that make it apt for adapting to a play format.

A Midsummer Night's Dream Poster, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre

A Midsummer Night's Dream

By William Shakespeare

April 8-10 & 14-17

A Midsummer Night’S Dream Playbill, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

John Bowab Studio Theatre

A Midsummer Night’s Dream

By William Shakespeare

April 8-10 & 14-17

Directed by Mary G. Farrell

Scenic Design: Kathryn Kawecki

Sound Design: Chris Warren

Properties: Mary-Jo Hannigan

Costume Design: David Cabral

Lighting Design: G. Benjamin Swope

Vocal and Text Coach: Megan Chang

The Cast: THESEUS – Will Oser; HIPPOLYTA – Amanda Piechota; EGEUS – Jonathon Coppe; HERMIA – Jennifer Dorn; Lysander – Teddy Kiritsy; DEMETRIUS – Dan Carroll; HELENA – Veronica Murphy; QUINCE – Patrick Rogers; BOTTOM – Brian Kozak; SNOUT – Courteney Olenzak; STARVLING – Gabriella Sanchez; …

Midsummer Weekend Update Bowab Studio Theater April 8-10, Providence College

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Providence College Department of Theatre, Dance & Film

Midsummer weekend update Bowab Studio Theater April 8-10, 2016

The Effects Of Technical And Imagery-Based Instruction On Aspiring Performing Artists’ Acquisition Of Learning Newly Composed Pieces And Improvisation And On Listeners’ Perceived Expressivity, José Valentino Ruiz-Resto

USF Tampa Graduate Theses and Dissertations

The purpose of this study was to explore the union of technical and imagery-based instruction (hereinafter, T-I instruction) in two phases. Phase one: The researcher (1) explored T-I instruction’s influences on aspiring performing artists’ acquisition of learning and performing newly composed pieces and improvisation, and; (2) observed aspiring performing artists’ feelings of learning with T-I instruction versus technical instruction. Phase two: The researcher investigated (1) listeners’ perceived expressivity of aspiring performing artists’ performances that were either influenced by T-I instruction or technical instruction; (2) listeners’ perceived expressivity of aspiring performing artists’ performances of newly composed pieces versus improvisations; (3) whether …

Interoffice Memo From Amanda Talbot To Media Reviewers, Amanda Talbot

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Interoffice memo from Amanda Talbot to media reviewers regarding supporting media information for A Midsummer Night's Dream.

April 7, 2016

A Midsummer Night's Dream Box Office Sign Up Weekend 1 Sheet, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

A Midsummer Night's Dream box office sign up weekend 1 sheet

Thursday - Sunday, April 7-10, 2016

Third (2016), Wendy Wasserstein

Season 2015-2016

No abstract provided.

Fiddler On The Roof, Otterbein University Theatre And Dance Department

2015-2016 Season

At the beginning of the twentieth century, Jews and Orthodox Christians live in the little village of Anatevka in the pre-revolutionary Russia of the Czars. Among the traditions of the Jewish community, the matchmaker arranges the match and the father approves it. The milkman Reb Tevye is a poor man that has been married for twenty-five years with Golde and they have five daughters. When the local matchmaker Yente arranges the match between his older daughter Tzeitel and the old widow butcher Lazar Wolf, Tevye agrees with the wedding. However Tzeitel is in love with the poor tailor Motel Kamzoil …

Dancing At Lughnasa: A Project In Technical Direction, Gregory R. Rishoi

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The Johnny Carson School of Theatre and Film opened it′s 2015-2016 Main Stage season with a production of Dancing at Lughnasa by Brian Friel in the Studio Theatre on October 8, 2015. This thesis project encompasses the Technical Direction of Dancing at Lughnasa.

As Technical Director, my principle duties included costing, sourcing, and purchasing all materials required to construct the scenic elements, as designed by the scenic designer Kaitlyn Peterson, engineering and drafting all construction drawings needed to execute the design, developing a build calendar, and supervising scene shop labor to ensure safe and timely completion of all elements, …

A Midsummer Night's Dream Media Pix Sign Up Sheet, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

A Midsummer Night's Dream media pix sign up sheet

Tuesday, April 5, 2016, 7pm

A Thaddeus Stevens Musical: A 19th Century Hamilton?, Megan E. Mcnish

The Gettysburg Compiler: On the Front Lines of History

If you read my last post on the Broadway musical Hamilton, you’ve already read my waxing admiration of the show and might also remember that I listen to the soundtrack non-stop. The musical has shown the world the power that music has as a teaching tool. As someone interested in nineteenth century American history, I long for a Hamilton-esque musical regarding the Civil War era. One of the reasons Hamilton is so successful is its ability to draw connections between past and present issues, and that can be done easily for nineteenth century America. Women’s rights, slavery, immigration, …

Exploring Femme Fatale Through Lady Macbeth, Tori Hidalgo

Undergraduate Honors Thesis Projects

I performed the role of Lady Macbeth at a common hour presented to Otterbein University’s Department of Theatre and Dance students. The concept involved presenting a cut of Shakespeare’s Macbeth that highlighted the development of Macbeth and Lady Macbeth’s relationship. In scripting and performing this adaptation, I sought to fully incorporate my body into my acting style and to expand and apply my knowledge of the femme fatale archetype to a well known literary character: Lady Macbeth. Another goal of this project was to determine how and if the femme fatale fits into feminist ideologies.

Transgender Issues In Film, Eulalah R. Prater Mx

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

The question of gender inequality in film has been widely debated, both within the industry as well as within gender studies, with scholars such as Dr. Stacy L. Smith, Marc Choueiti, Elizabeth Scofeils, Dr. Katherine Pieper and Melissa Rigney arguing about gender inequality in modern popular films. However, these critics ignore the issue of trans-inclusive representation. My paper addresses the issue of trans* representation in modern film through comparative analysis with Greek theatre and early American film. I argue that in order to better understand lack of non-cis-gendered representation, it is instructive to connect this phenomenon to blackface in early …

Did The Shrew Tame You: An Exploration Of Sexual Politics In Shakespeare's The Taming Of The Shrew, Marisa Stickel

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

This paper explores the sexual politics present in Shakespeare's The Taming of the Shrew, examining the gender roles that influence the relationship between Katherine and Petruccio. By analyzing Petruccio’s attempts at taming Katherine, in comparison to the ending of the play where she is supposedly tamed, I will emphasize Katherine's abilities to manipulate a patriarchal society’s rule over women. While she seems to demonstrate acquiescing full sovereignty to her husband, my argument will pose that Katherine assumes the role of a proper wife to trick Petruccio, allowing her access to marital dominance. By examining the patriarchal society of the time …

Take A Bow - 04/2016, Department Of Theatre

Theatre Newsletter

WMU Theatre News

Who's Afraid Of Virginia Woolf? Program [2016], University Of Southern Maine Department Of Theatre

Programs 2015-2016 Season

A play by Edward Albee

Directed by William Steele

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Antitheatricality And Irrationality: An Alternative View, Kent Lehnhof

English Faculty Articles and Research

"Over the last three decades, antitheatrical authors like Stephen Gosson, Phillip Stubbes, and William Prynne have become increasingly visible in the literary and cultural studies of the early modern period. Even so, the tendency has been to treat these authors as ideological extremists: reactionary hacks whose opposition to stage plays originates in outrageous ideas of the self, impossible notions of right and wrong, and bizarre beliefs about humanity’s susceptibility to external suggestion. This characterization can be traced back to several of the pioneering studies in the field, including Jonas Barish’s The Antitheatrical Prejudice (1985) and Laura Levine’s Men in Women’s …

Pcdc Press Release, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

PCDC press release

Milk- Shakespeare Wednesday, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Milk- Shakespeare Wednesday planning and information document

Playhouse Creatures Updated House Speech, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Playhouse Creatures updated house speech

Pillowman Poster, Laura Rostowski

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Pillowman, written by Martin McDonagh

Costume Design, Katrina Pavao

Direction, Logan Serabian

Smith Center Box Office - Spring Semester 2016: January 11 To April 29, Box Office

Promotional Materials

Providence College Department of Theatre, Dance & Film

Smith Center Box Office - Spring Semester 2016: January 11 to April 29

Hoppy Easter! Love, The Production Office!! Poster, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

Happy Easter poster from the TDF production office.

Happy Valentine's Day From The Production Office! Poster, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

Happy Valentine's Day poster from the TDF production office.

Playhouse Creatures Audition Pix Sign Up Sheet, Providence College

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Providence College Department of Theatre, Dance & Film

Playhouse Creatures audition pix sign up sheet

Providence College Dance Company Spring Dance Concert Media Release, Amanda Talbot

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Providence College Dance Company Spring Dance Concert media release.

April 2016

Providence College Department Of Theatre, Dance & Film Spring 2016 Performance Schedule, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

Spring 2016 performance schedule

Reconciliation As A Form Of Cultural Catharsis: The Role Of Theater In Revitalizing Kosovo-Serbian Relations, Sarah Edwards

Independent Study Project (ISP) Collection

The current state of Kosovo-Serbian relations is one of frozen conflict; Serbia does not recognize Kosovo independence and relations between the two communities are relatively stagnant in spite of the ongoing EU mediated political dialogue in Brussels. Thus, this paper aims to re-imagine traditional processes of reconciliation and conflict transformation between the two entities by situating it within the cultural realm of society and viewing theater as a transformative practice. In doing this, I ask in what ways theater can effectively engage with and foster processes of reconciliation between Kosovo and Serbia, while specifically analyzing two joint productions between Prishtina …

Shakespeare's Blush, Or "The Animal" In Othello, Steven Swarbrick

Publications and Research

This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactual statement (“Were I the Moor, I would not by Iago”) that is most significant about his relation to Othello. From there I consider the overlap between the play’s representations of animality and black skin. Read in the context of Jacques Derrida’s reflections on animals, I consider the deconstructive value of linking …