Theatre and Performance Studies Commons^™

The Popular Voice In Sir David Lyndsay's Satire Of The Thrie Estaitis, Greg Walker

Studies in Scottish Literature

Analyzes the representation of the Scottish people in the 16th century Scottish drama A Satire of the Thrie Estaitis by Sir David Lyndsay [or Lindsay] (1490-1555), through the figure of the Pauper or Poor Man in the first version (the 1540 interlude performed at Linlithgow), and the character of John of the Commonwealth in the two fuller versions (at Cupar in 1552 and Edinburgh in 1554). Distinguishes Lyndsay's Pauper from equivalent figures in plays by John Bale and Nicholas Udall, and argues (by contrast with Tyrone Guthrie's famous 1948 Edinburgh festival production) that John of the Commonwealth is less a …

20141115: School Of Music, 1999-2005, School Of Music

Guides to University Archives

These items include materials from the School of Music at Marshall University from 1999-2005. Items were received in 2014 and include notable materials from or about chamber choir, Marshall University Symphonic Band, photographs from the School of Music, African Dance Ensemble and COFA Dance 1996. This is not an exhaustive list. Please download the finding aid for a full list of contents.

Tollerators And Con-Tollerators (1703) And Archibald Pitcairne: Text, Background And Authorship, John Macqueen

Studies in Scottish Literature

Discusses the historical background and theatrical characteristics of a short satirical play set in Edinburgh in 1703, giving the background to the Scottish Parliament's divisions over (and presbyterian hostility to) an act to give religious toleration to Episcopalian ministers; argues that the most probable author is the Jacobite poet and playwright Dr. Archibald Pitcairne (1652-1713); and presents the first modern annotated text of the play.

Fully Committed Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Bowab Studio Theatre

Fully Committed

November 14-16

Written by Becky Mode

Directed by Tanner Henry ‘15

Stage Manager: Abigail Henry ‘16

Set Designer: Tanner Henry ‘15

Costume Designer: Jennifer Dorn ‘18

Light Designer: A. Simone ‘16

Sound Designer: Den Williams ‘15

The Cast: Sam Peliczowski – Veronica Murphy ’17; Mrs. Vandervere, Mrs. Winslow, Midwestern Secretary, Carolann Rosenstein-Fishburn, Stephanie, Mrs. Watanabe, Jenny Miller, Mrs. Sebag, Judith Rush, Depressed Secretary, Sarah, Gloria Hathaway, Nancy, Mrs. Inoue, Dr. Ruth Westheimer – Sabrina Guilbeaut ’18; The Sheik’s Right Hand Man, Bryce, Oscar, Bob, Chef, Sam’s Dad, …

Fully Committed Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Bowab Studio Theatre

Independent Student Production

Fully Committed

November 14th & 15: 8pm

November 16th: 2pm

Written by Becky Mode

Directed by Tanner Henry

Around The World In Eighty Days, Parkland College

Parkland Theatre

By Laura Eason

Adapted from the novel by Jules Verne

Directed by Tom Mitchell
Scenic Design: Moon Jung Kim
Lighting Design: Sarah Aker
Costume Design: Malia Andrus

November 14, 15, 20, 21, 22 at 7:30pm
November 15 at 2pm
November 16 and 23 at 3pm

To view images from this production, visit Around the World in Eighty Days (2014).

Tartuffe

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2014 performance of Tartuffe by Molière.

Taylor University's Theatre department proudly presents, "Tartuffe", a pinnacle of classical comedy. Written by renowned French playwright Molière in 1664, "Tartuffe" follows a hypocrite's attempts to sabotage the domestic happiness of an unsuspecting family.

Decolonizing Shakespeare: Race, Gender, And Colonialism In Three Adaptations Of Three Plays By William Shakespeare, Angela Eward-Mangione

USF Tampa Graduate Theses and Dissertations

What role did identification play in the motives, processes, and products of select post-colonial authors who "wrote back" to William Shakespeare and colonialism? How did post-colonial counter-discursive metatheatre function to make select post-colonial adaptations creative and critical texts? In answer to these questions, this dissertation proposes that counter-discursive metatheatre resituates post-colonial plays as criticism of Shakespeare's plays. As particular post-colonial authors identify with marginalized Shakespearean characters and aim to amplify their conflicts from the perspective of a dominated culture, they interpret themes of race, gender, and colonialism in Othello (1604), Antony and Cleopatra (1608), and The Tempest (1611) as explicit …

Fully Committed Box Office Sign Up Sheet, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Fully Committed box office sign up sheet

Thursday, November 13, 2014

Appropriated Shakespeare: Sensation, Politicization, And De(Con)Struction, David George

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

It's Not Unusual: Glee And The Mainstream Acceptance Of Spontaneous Public Performance, Elizabeth M. Downey

UL Publications

When Glee debuted in 2009, the genre of the television musical series had a shaky history. Traditional episodic programs had previously aired musical episodes but these were seen as rare absurdities; the genre was an oddity to exploit on occasion, not something that could sustain an entire series (a belief proven when previous attempts had failed). The flash mob culture that emerged in the mid-2000s alongside the groundswell of social media changed this environment. The absurdity of people “bursting into song” in a public place was no longer a completely unrealistic scenario, and this reopened the door for the musical …

Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to a production of Fully Committed.

November 6, 2014

Marie Antoinette Open Auditions Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Marie Antoinette open auditions

Joint audition, Monday, November 3, 2014, 7pm

*Coupled with What Dreams May Come: A Musical Revue

Blackfriars Dance Concert Media Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Dance Concert media release

November 2014

What Dreams May Come: A Musical Revue Rehearsal & Performance Schedule, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

What Dreams May Come: A Musical Revue rehearsal & performance schedule

November 2014-February 2015

Male Ballet Dancers And Their Performances Of Heteromasculinity, Trenton M. Haltom, Meredith G. F. Worthen

Department of Sociology: Faculty Publications

Although previous research has investigated men in feminized sports, we took a different approach in this study and examined men in ballet. Because ballet is one of the most highly gender-codified sports, male ballet dancers must negotiate their identities as men while performing a dance form that is highly stigmatized as effeminate. We investigated how five self-identified heterosexual male college dance majors perceive and perform heteromasculinity within male ballet culture using qualitative data gathered from structured interviews. Results provide three unique contributions to the literature. First, we found that these men develop and contextualize their heteromasculinity in the context of …

Upbeat, Nov. 2014, San Jose State University, School Of Music And Dance

Upbeat (School of Music and Dance)

No abstract provided.

The Imaginary Invalid Poster, Providence College, Tom Banwell

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Molière's The Imaginary Invalid

Adaptation by Miles Malleson

Original songs by Keith Munslow

October 31 - November 2

November 7-9

The Imaginary Invalid Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Molière's The Imaginary Invalid

Adaptation by Miles Malleson

Original songs by Keith Munslow

October 31 - November 2

November 7-9

Directed by Mary G. Farrell

SCENIC & VIDEO DESIGN: Kathryn Kawecki

COSTUME, WIG & MAKEUP DESIGN: David Costa-Cabral

LIGHTING DESIGN: Jen Rock

VOCAL COACH: Megan Chang

Cast: ARGAN - Brian Kozak; TOINETTE - Katcy Stephan; ANGELIQUE - Katrina Pavao; BÉLINE - Mary Reagan; MONSIEUR BONNEFOY - Jonathan Coppe; CLÉANTE - Thomas Aviles; DR. DIAFOIRUS - Ben Williams; THOMAS DIFOIRUS - Patrick Rogers; LOUISE - Joey Macari; MADAME BÉRALDE - …

The Imaginary Invalid Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

The Imaginary Invalid by Molière

October 31 - November 2 & 7-9, 2014

Oklahoma! (October 31-November 1, 2014), Oscar Hammerstein Ii

Student Theatre Programs

Program for Oklahoma! (October 31-November 1, 2014).

To view the photos from this production of Oklahoma! , please click here.

The Imaginary Invalid Box Office Sign Up Sheet, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

The Imaginary Invalid box office sign up sheet

Thursday, October 30, 2014

Great Britten, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2014-2015 Discover the Heartbeat of Creative Life

Richard Alston, dubbed by The Times of London “our most musical choreographer,” makes a triumphant return to Peak Performances after the enormous success of his last visit, when The New York Times named Richard Alston Dance Company’s Unfinished Business the year’s best dance performance. The 2014 engagement includes the American premieres of two glorious new works created for the Benjamin Britten centenary, Rejoice in the Lamb and Holderlin Fragments along with the reprise of Unfinished Business(Duet) and 1994’s Illuminations, set to Britten’s song cycle based on poems by Rimbaud. Live music for this special performance is provided by rising star …

From Mrs. Packard, Emily Mann

Ontario Review

Emily Mann is the Artistic Director and Resident Playwright of The McCarter Theatre in Princeton, New Jersey, where she has overseen over 100 productions. Her plays have been produced on and Off-Broadway and in major theaters around the country and abroad. Her plays include Annulla, Still Life, Execution of Justice, Having Our Say, Meshuga, Greensboro: A Requiem, and Mrs. Packard.

Providence College News: French Comedy, The Imaginary Invalid, To Be Presented Over Two Weekends, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Providence College News: French Comedy, The Imaginary Invalid, to Be Presented Over Two Weekends.

October 27, 2014

Printout from the Providence College website

Printout date: November 7, 2014

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

• 10 Minute Play Festival Call for Scripts

The Haunting Of Hannon Library Ii: The Last Voyage Of The Flying Dutchman Saturday Program

Promotional Materials

No abstract provided.

The Haunting Of Hannon Library Ii: The Last Voyage Of The Flying Dutchman Friday Program

Promotional Materials

No abstract provided.

The Haunting Of Hannon Library Ii: The Last Voyage Of The Flying Dutchman Poster

Promotional Materials

No abstract provided.

Lindenwood University Dance Artist Showcase, (October 24-25, 2014), Lindenwood University

Student Dance Programs & Brochures

Event program for Lindenwood University Dance Artist Showcase, (October 24-25, 2014).