Theatre and Performance Studies Commons^™

Center For Art & Theater News, Georgia Southern University

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• Ancient Greek Comedy “The Birds” Playing in Black Box Theatre

Still Will Be Heard, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2013-2014 Raise the Bar

Still Will Be Heard is a portrait of two lives intertwined. During her father’s last years suffering from Alzheimer’s Disease, singer/composer Liz Queler discovered a new and unexpected refuge in the words of poet Edna St. Vincent Millay.Elements of folk, bluegrass, country, rock, and jazz breathe new life into Millay’s timeless poetry. The songs, interspersed with spoken word culled from the writings of both women, take us on a journey by turns dark, playful, fierce and beautiful. An on-stage company of actors and musicians brings these songs and stories to life, while scenic elements interweave archival images and video montages, …

The Fantasticks, Otterbein University Theatre And Dance Department

2014 Summer Theatre

Whimsical, poignant, and romantic, The Fantasticks is an allegorical story that focuses on two young lovers, their meddling fathers, and the journey we all must take through adolescent thrills, the growing pains of hurt and betrayal, the highs of passion, the challenges of distance, and the agonies of heartbreak to discover how to truly love. The Fantasticks is a gem of the American musical theatre. Featuring timeless classics like “Try to Remember” and “Soon It’s Gonna Rain,” this simple and beautiful ensemble piece is as beloved and as timely as it was when it opened over 50 years ago. https://stageagent.com/shows/musical/1377/the-fantasticks

Cologne Carnival's "Alternative" Stunksitzung: Carnivalization? Meta-Carnival? Or Bakhtinian Restoration?, Erik Abbott

Dissertations, Theses, and Capstone Projects

In the 1820s, Carnival in Cologne, Germany, underwent a series of reforms, ostensibly to bring the festival back to the people. Among the traditions that developed was the Sitzung, a theatrical variety-show event, with music, comic speeches and sketches, dance troupes, and various additional Carnival-related entertainments. The shows, and Carnival itself were, and largely have been since that time, mostly overseen by a Festival Committee and the official Carnival Societies it recognizes.

In 1984, a group of mostly students decided to create their own version of a Sitzung, an alternative version, the Stunksitzung. From three inaugural performances, it has grown …

Analysis And Performance Suggestions For Witold Lutoslawski's Grave: Metamorphoses For Cello And Piano, Marta Reilly

Dissertations, Theses, and Capstone Projects

The dissertation gives an analysis and performance suggestions for Witold Lutoslawski's Grave: Metamorphoses for Cello and Piano. The analysis is grounded in set-class theory, while the performance suggestions are based on my own experience as a concert cellist. The introduction describes background, circumstances of the composition, editions, publications, performance, reception history, and summarizes other Lutos³awski compositions for cello. The analysis describes the melody, harmony, rhythm, dynamics, articulation, agogic, texture, and compositional techniques. Sketches of Grave are used for further analysis and comparison. The dissertation also explores connections with other compositions, such as Debussy's Pelleas et Melisande and Lutoslawski's Funeral Music.

Committing To The Waves: Emerson's Moving Assignments, Karinne Keithley Syers

Dissertations, Theses, and Capstone Projects

Committing to the Waves: Emerson's Moving Assignments reads Ralph Waldo Emerson as a writer of assignments for living and working whose senses can be taken up across a wide array of creative and exploratory fields. Shifting between an interdisciplinary array of contexts ranging from philosophy and poetics to dance, performance, and somatic movement experiments, I join the practical sense of creative inquiry embodied in these fields to the abstract images of Emerson's assignments. I argue that Emerson's descriptions of intelligence and power, and so his approaches to navigating skepticism and loss, as well as the non-possessive sense of what "self" …

Play From The Heart: On Crafting A Community Of Empathy In The Theatre, Kevin Kingston

The Theatre School MFA in Directing Theses

The power of story goes beyond mere escapist entertainment. Yes it should entertain, but that is not the ultimate goal. It may even offer a bit of escape, but again this is not the holy grail. When we experience a well-crafted narrative, we are called to cross a threshold. We pass through the door of our own life and enter into the experience of another. This is what we mean when we say we "got lost" in the story. We take on the experience of another as our own. When a group of people experience a narrative they cross this …

A Method To The Madness: My Quest For A New System Of Acting, Michael Osinski

The Theatre School MFA in Directing Theses

How does one get actors to embrace work and imbue it with the same truth they bring to realistic theatre and how does one prevent them from turning into robots performing meaningless gestures? How does one work in experimental ways while still giving actors something human to hang onto? This thesis will examine a new system of acting to embrace the demands of the work and explore how to articulate and collaborate with actors to create the work.

Humble Me: Increasing Awareness Of Ethnocentrism And Of The Need For Ethnorelativism Through A Spoken Word Performance Event, Corinne H. Sherman

Communication Studies

No abstract provided.

Multi-Timescale Dynamics Of Land Surface Temperature, Peng Fu

All-Inclusive List of Electronic Theses and Dissertations

Spatial and temporal patterns of land surface temperature (LST) have been used in studies of surface energy balance, landscape thermal patterns and water management. An effective way to investigate the landscape thermal dynamics is to utilize the Landsat legacy and consistent records of the thermal state of earth’s surface since 1982. However, only a small proportion of studies emphasize the importance of historical Landsat TIR data for investigating the relationship between the urbanization process and surface thermal properties. This occurred due to the lack of standardized LST product from Landsat and the unevenly distributed remote sensing datasets caused by poor …

Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe

CLCWeb: Comparative Literature and Culture

In his article "Literary Adaptations of James in Roth's, Ozick's, and Franzen's Work" John Carlos Rowe posits that Henry James continues to exert a powerful influence on contemporary writers. Given the dramatic social, economic, and political changes from modern to postmodern eras, his continuing influence requires explanation. Rowe considers three US-American novelists—Philip Roth, Cynthia Ozick, and Jonathan Franzen—who are influenced by James and presents an interpretation of James's continuing impact. Despite James's reputation as a cosmopolitan modern who influenced global literature in significant ways, US-American writers attempt to "Americanize" him. Their effort expresses the problem of contemporary US-American literary practice …

Roth's Graveyards, Narrative Desire, And "Professional Competition With Death", Debra Shostak

CLCWeb: Comparative Literature and Culture

In her article "Roth's Graveyards, Narrative Desire, and 'Professional Competition with Death'" Debra Shostak analyzes Philip Roth's 1954 short story "The Day It Snowed" and surveys a range of his books. Shostak offers a reading of Sabbath's Theater and Everyman to explore Roth's fictional forms and his conception of storytelling, elucidates how the traumatic knowledge of death at graveside initiates the psychoanalytic process of repression, repetition, remembering, and telling, and uncovers several motifs or formal strategies that appear when Roth deploys cemetery scenes: the linear plotting toward death is often embraced within circular narrative structures; the voice of the mother, …

Jewish History, Us-American Fictions, And "Soul-Battering" In Roth's "Conversion Of The Jews", Sandor Goodhart

CLCWeb: Comparative Literature and Culture

In his article "Jewish History, US-American Fictions, and 'Soul-Battering' in Roth's 'Conversion of the Jews'" Sandor Goodhart discusses Philip Roth's story in which an innocent question raised in a Hebrew school discussion in the early 1950s gets wildly out of control. It leads the student into a screaming fight with his Rabbi, which propels the child into a confrontation with his mother, which in turn leads to a second violent confrontation with the Rabbi (who ends up slapping the child), and the episode culminates in a rooftop exchange over the synagogue where the boy’s thought of escape is suddenly converted …

European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales

CLCWeb: Comparative Literature and Culture

in his article "European Literary Tradition in Roth's Kepesh Trilogy" Gustavo Sánchez-Canales discusses the significance of European literature in Philip Roth's novels. Sánchez-Canales analyses the influence of Nikolai Gogol's "The Nose" and Franz Kafka's "The Metamorphosis" on Roth's The Breast and in Roth's The Professor of Desire of Anton Chekhov's tales and Franz Kafka's "A Hunger Artist" and The Castle. Further, Sánchez-Canales elaborates on the impact of Thomas Mann's Death in Venice and W.B. Yeats's poem "Sailing to Byzantium" on Roth's The Dying Animal.

Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio

CLCWeb: Comparative Literature and Culture

In his article "Reverse Anti-Semitism in the Fiction of Bellow and Roth" Jay L. Halio discusses anti-Semitism in Philip Roth's fiction that what might be called reverse anti-Semitism: the active reaction by Jews who are subjected to anti-Semitism. This aspect of Roth's work is not often discussed: it is not the same as philo-Semitism, which takes a different form entirely. Since Roth was an admirer of Saul Bellow, Halio begins by considering reverse anti-Semitism in Bellow's early novel The Victim. In the novel the protagonist, Asa Leventhal, is accused by a character named Allbee of costing him his job …

Roth’S Humorous Art Of Ghost Writing, Paule Levy

CLCWeb: Comparative Literature and Culture

In her article "Roth's Humorous Art of Ghost Writing" Paule Lévy analyses Philip Roth's Exit Ghost, the last novel featuring Nathan Zuckerman, in which Roth reassesses his favorite alter ego's itinerary while exploring the troubled relation between writing and aging. Lévy considers Exit Ghost as an ironic sequel to The Ghost Writer and posits that in the light of Derrida's theories of writing and "hauntology" the central motifs of ghosts and "spectrality" in the novel are a means for Roth to reflect anew on the ambiguous relation between autobiography and fiction. Lévy asks whether Exit Ghost should be …

Bibliography For The Study Of Phillip Roth's Works, Gustavo Sánchez-Canales, Victoria Aarons

CLCWeb: Comparative Literature and Culture

No abstract provided.

Roth's Contribution To The Narrativization Of Illness, Miriam Jaffe-Foger

CLCWeb: Comparative Literature and Culture

In her article "Roth's Contribution to the Narrativization of Illness" Miriam Jaffe-Foger argues that Philipp Roth's fiction represents him as an empath, a writer who prescribes for modern medicine a dose of humanity in listening to the pain of others. Using Roth's The Anatomy Lesson, The Dying Animal, and Exit Ghost as primary source material in combination with theories from medical anthropology, Jaffe-Foger suggests that Roth is an inspiration for the field of narrative medicine. Jaffe-Foger examines the art in organizing narratives to tell these stories. Jaffe-Foger also argues against misogynist views of Roth as he represents woman's …

Roth's Fiction From Nemesis To Nemesis, Emily Budick

CLCWeb: Comparative Literature and Culture

In her article "Roth's Fiction from Nemesis to Nemesis" Emily Budick discusses Philip Roth's novel Nemesis as the culminating work of a career in which one nemesis or another has afflicted almost all of the author's protagonists. During the bulk of Roth's career, the hero's nemesis was generally, as in the ordinary, literary usage of the term, the protagonist's enemy, whether Judge Wapter in The Ghost Writer or the alter-Roth in The Counterlife. In Nemesis Roth restores the word nemesis to its classical meaning: Nemesis, as the goddess of revenge and cosmic balance. The nemesis in Roth's novel, therefore, …

On Technically Love: Discovering My Voice, Defining A World, Delving In, Nathan L. Eckstein

Lawrence University Honors Projects

This Honors Project is a two-part exploration of the playwriting process though application. The script itself, Technically Love; an Exploration of Love, Technology and Same-Sex Marriage, tells the story of Max and Danny, a same-sex couple living in Minnesota in 2013. The play follows their yearlong journey of posting YouTube videos about their wedding planning process that coincides with Minnesota’s fight for marriage equality. The second part of the project is my paper On Technically Love: Discovering my voice, defining a world, delving in. The paper explains the process that I went through to write the play and gives an …

Presentation Of Civic Identity In Online High School Social Studies Discussion Forums, Holly Mcbride

USF Tampa Graduate Theses and Dissertations

Twenty-first century high school students' learning experience in an online setting is no longer limited by a time-constrained schedule, lack of resources, teachers' formalities, and restrictions affecting learning progressions. The list of benefits to the virtual learning experience is vast, however, there are substantial pitfalls and ambiguities that must be resolved. One of the pitfalls for social studies educators is their ability to properly measure whether or not students are gaining prudent civic competences, skills, and dispositions. The mission of social studies education is the acquisition of civic knowledge, but more importantly, the overall development of a lifelong caring, active, …

Opening Remarks To Outing Lorraine At The Schomburg Center, Shawn(Ta) Smith-Cruz

Publications and Research

This article is an edit of the opening remarks for the event held on May 22nd, 2014 at the Schomburg Center for Research in Black Culture as part of the In The Life Series supplying Black LGBT programming coordinated by Steven Fullwood. Outing Lorraine included panelists: Alexis DeVeaux, Joi Gresham, and Steven Fullwood and was moderated by Shawn(ta) Smith-Cruz. Opening remarks provide a biographical description of Lorraine Hansberry's life, prepare the audience for a conversation on the implications for "outing" a black iconic figure, details the purpose for use of primary and secondary sources when, and provides a bibliography for …

Re-Enchanting The Spectacle, Shayna Cohn

Graduate School of Art Theses

“Re-Enchanting the Spectacle” explores guiding notions and central themes within the art practice of Shayna Cohn. Cohn’s installation spaces and sculptures within them, evoke a type of fabricated aura and melodramatic attitude of entertainment sites. By isolating the affect outside of the original environment, Cohn references the perceptual duality of entertainment sites within this “post-sacred” era. Entertainment venues become sites of potential transcendence, yet are also inextricably tied to their automated mechanization. Drawing on the Peter Brooks’ analysis of the historical and poetic relationship between melodrama and the sacred, Cohn argues that contemporary notions of melodrama can be found within …

Collapsing The Secret Self: Thackeray's The History Of Pendennis As A Performative Parody, Rachel Freire

Seton Hall University Dissertations and Theses (ETDs)

By collapsing the distinctions between private and public as he presents individual interiority as yet another performance, Thackeray’s The History of Pendennis undercuts disciplinary individualism, so that performances are not the product of social regulation but rather are as genuine as any presumed private thoughts or feelings. Pendennis actively performs the dissolution of interiority, as it thematically and stylistically enacts the awkwardness of genuine affectation as a routine and unavoidable reality of modern life. Reveling in the discomfort that accompanies the absence of secrecy, Thackeray parodies the privileging of secrecy and one’s interior self that pervades the Bildung genre he …

Make 'Em Laugh: Examining The Role Of Humor In Dance, Jordan Jones

Mahurin Honors College Capstone Experience/Thesis Projects

As a dancer, choreographer, and naturally sarcastic person, humor has always been a tool that I recognize and appreciate. I was specifically drawn to the role of humor in dance choreography and performance when I was responsible for creating my own dance works, and I realized the complexity behind making even the simplest joke in dance. This thesis explores humor, from its biological and psychological origins in our brains, to an evaluation of what constitutes “humor” (in past and present American society), to a discussion on how to create humor within dance using the traditionally defined elements of choreography. Contained …

How To Tame A Shrew (11 Things I Hate About Her) An Actor's Method To Characterizing Petruchio In The Taming Of The Shrew, Robert J. Facio

LSU New Orleans Theses and Dissertations

The Taming of the Shrew is an early comedy that exposes the oddities we take for granted: curious conventions, wild assumptions, gender roles, relationships, social status, fashion, and everything else we know so defectively. The given circumstances of the script and Petruchio are specific in choice, yet broad in interpretation. Petruchio, the catalyst behind Katherine’s character arc, needed to not only be believable in his ways, but likeable by the audience.

This thesis examines the process required to successfully develop and bring to life the character of Petruchio to our modern audience. It includes historical background information on William Shakespeare …

Paternity Test: Finding A Director’S Voice For Father, Jennifer L. Billot

LSU New Orleans Theses and Dissertations

The following thesis is a brief view of the production process of Theatre UNO’s Spring 2014 production of the Tennessee William’s New Orleans Literary Festival One-Act play competition 2013 winner, Father. This thesis will include analysis, production book, documentation from the production, and an evaluation of the process of putting this production on stage. The play was performed in New Orleans, Louisiana at the University of New Orleans, Performing Arts Center Robert E Nims Lab Theatre on February 11^th- 16^th, 2014.

The Choral Embodiment Of Oedipus: Sacramental Performance In Oedipus At Colonus And Gospel At Colonus, Thomas William Biegler

Arts & Sciences Graduate Student Theses and Dissertations

In researching the original performances of Sophocles’s Oedipus at Colonus, contemporary composer Lee Breuer concluded that Ancient Greek productions were “close to rock concerts” full with “responses from the audience like choral or choir responses in the church.” What Breuer recognized was that Sophoclean performances were lively and engaging to their audiences, inviting them to participate and help tell the story being dramatized on stage. What he also recognized was the sacramental power of performance in Ancient Greek tragedies, when a spirit is gifted from performer to viewer. This spirit is passed through the rhythm and meter of the language, …

School Of Theatre Arts Presents F2m, Danielle Kamp

News and Events (Discontinued Series)

No abstract provided.

Obituary: Warren Lamb - 1923-2014, Eden Davies

Journal of Movement Arts Literacy Archive (2013-2019)

Obituary of Warren Lamb, colleague of Rudlof Laban, developer of Movement Pattern Analysis.