Open Access. Powered by Scholars. Published by Universities.®
Theatre and Performance Studies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Education (213)
- Feminist, Gender, and Sexuality Studies (195)
- Social and Behavioral Sciences (158)
- Film and Media Studies (132)
- Rhetoric and Composition (124)
-
- Comparative Literature (123)
- Other Film and Media Studies (123)
- American Studies (122)
- Reading and Language (122)
- Television (122)
- Other Arts and Humanities (121)
- European Languages and Societies (120)
- Acting (91)
- Dramatic Literature, Criticism and Theory (87)
- English Language and Literature (79)
- Dance (69)
- Literature in English, British Isles (67)
- Performance Studies (65)
- Educational Methods (63)
- Theatre History (36)
- Music (23)
- Other Theatre and Performance Studies (22)
- Playwriting (22)
- Spanish and Portuguese Language and Literature (19)
- Communication (14)
- Fine Arts (14)
- History (14)
- Sociology (14)
- Institution
-
- Purdue University (122)
- Brigham Young University (66)
- University of South Florida (63)
- Providence College (62)
- Connecticut College (17)
-
- Minnesota State University, Mankato (17)
- Montclair State University (16)
- University of Central Florida (16)
- Virginia Commonwealth University (16)
- Illinois Wesleyan University (14)
- Lindenwood University (12)
- Louisiana State University (12)
- University of Arkansas, Fayetteville (11)
- University of Richmond (11)
- University of South Carolina (11)
- Columbia College Chicago (9)
- Illinois State University (8)
- Liberty University (8)
- Loyola Marymount University and Loyola Law School (8)
- Otterbein University (8)
- Edith Cowan University (7)
- Linfield University (7)
- Oberlin (7)
- San Jose State University (7)
- City University of New York (CUNY) (6)
- Stephen F. Austin State University (6)
- University of Southern Maine (6)
- California Polytechnic State University, San Luis Obispo (5)
- East Tennessee State University (5)
- Gettysburg College (5)
- Keyword
-
- Theatre (55)
- Theater (40)
- Drama (20)
- Performance (20)
- Acting (13)
-
- Communication and the arts (13)
- Film (13)
- Gender (12)
- Comparative literature (10)
- Aphra Behn (9)
- Design (9)
- State of the profession (9)
- comparative literature (9)
- Augusto Boal (8)
- Pedagogy (8)
- Short film (8)
- Women (8)
- Dance therapy (7)
- Feminism (7)
- Filmmaking (7)
- Lindenwood University (7)
- Students (7)
- William Shakespeare (7)
- Women's poetry (7)
- Access (6)
- Dance (6)
- Education (6)
- Jane Austen (6)
- Movement therapy (6)
- Musical (6)
- Publication
-
- CLCWeb: Comparative Literature and Culture (121)
- ABO: Interactive Journal for Women in the Arts, 1640–1830 (63)
- Journal of Undergraduate Research (63)
- Playbill and Promotion (54)
- Theses and Dissertations (31)
-
- Electronic Theses and Dissertations (17)
- Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies (15)
- News and Events (Discontinued Series) (12)
- All Graduate Theses, Dissertations, and Other Capstone Projects (11)
- Graduate Theses and Dissertations (11)
- LSU Master's Theses (10)
- 2012-2013 Exceptions Rule: No Compromise (9)
- Creative Arts Therapies Theses (9)
- 2013-2014 Raise the Bar (7)
- Programs - Theatre, Dance, and Film (7)
- Promotional Materials (7)
- National Forensic Journal (6)
- SFA School of Theatre (6)
- University Libraries Faculty and Staff Publications (6)
- Faculty Publications (5)
- Independent Study Project (ISP) Collection (5)
- Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work (5)
- Masters Theses (5)
- Publications and Research (5)
- Student Theatre Programs (5)
- Taylor Theatre Playbills (5)
- Theses (5)
- Center for Art & Theater (Archived) (4)
- Concert Programmes (4)
- Graduate Student Projects (4)
- Publication Type
Articles 271 - 300 of 693
Full-Text Articles in Theatre and Performance Studies
Albert: A Documentary Film, Dustin Hulet, Tom Lefler
Albert: A Documentary Film, Dustin Hulet, Tom Lefler
Journal of Undergraduate Research
Two years ago, I came across an essay written by my great-grandfather, Albert Hulet. The short, two-page document, entitled “I Remember,” is a reflective piece written from a vantage point high in the Tetons. In the essay, Albert reflects as an old man, looking down the drainages surrounding him, describing the experiences he had in each canyon as a boy herding sheep in that area, and expounding on how those experiences shaped him into the man he became.
Alabaster Sky: Writing For The Web, Graham Ward, Dr. Eric Samuelsen
Alabaster Sky: Writing For The Web, Graham Ward, Dr. Eric Samuelsen
Journal of Undergraduate Research
Writing the web series Alabaster Sky was a process of daily adaptation. From viewing every web series and documentary-style movie we could get our hands on, to inventing a method of structuring serial fiction that’s non-linear, this project tested us daily. The success of the production itself is yet to be determined, but the writing process can be considered successful in its attempt to test the limits of new media. The most significant area of work in the writing process was marrying the series’ documentary style with a non-linear structure.
Recreating The Past, An Historical Costume Reproduction: Marilla Lucretia Johnson Miller Daniels, Melissa Deguire, Mary Farahnakian
Recreating The Past, An Historical Costume Reproduction: Marilla Lucretia Johnson Miller Daniels, Melissa Deguire, Mary Farahnakian
Journal of Undergraduate Research
My project was to research and recreate a dress worn by Marilla Lucretia Johnson Miller Daniels. She helped her husband, William Miller, who is sometimes referred to as a “Bogus Brigham”1 and her father, Aaron Johnson, to found the city of Springville and get the education system in Provo started. Having been a teacher in Nauvoo and in the LDS Church (Primary for ten years and Sunday School for twenty), she supported the work of her first husband to establish education in Provo, and by 1857 there was a school in every district2. She also was an …
The Art Of Shibori: The History And Revival Of A Dying Art, Mario Ayala, Dr. Mary Farahnakian
The Art Of Shibori: The History And Revival Of A Dying Art, Mario Ayala, Dr. Mary Farahnakian
Journal of Undergraduate Research
This exhibit will present historical factors that led to the development of various shibori methods including: Kanoko, Miura, Kimo, Nui, Arashi, and Itajime.
Dramautism: How Drama Pedagogy Informs The Process Of Working With Those With Autism, Anna Hargadon, Julia Ashworth
Dramautism: How Drama Pedagogy Informs The Process Of Working With Those With Autism, Anna Hargadon, Julia Ashworth
Journal of Undergraduate Research
What started out as a research project turned into a delightful creative project. Because there weren’t any research professors on campus that specialized in the field of “Drama with People with Autism,” the research side of the project wasn’t able to move forward. My mentor professor was a theatre educator, but had no experience with research.
"Communicating Doors And The Actor's Product", Jessica Parsons
"Communicating Doors And The Actor's Product", Jessica Parsons
Honors Theses
No abstract available.
An Exploration In New Media And Social Marketing, David Jon Banks, Jeff Parkin
An Exploration In New Media And Social Marketing, David Jon Banks, Jeff Parkin
Journal of Undergraduate Research
This project set out to explore, identify, and harness strategy and implementation of social marketing for low-budget and student film online distribution. Taking from previous examples and small-scale testing, a lot has been learned. The biggest lesson learned? Just how much my student colleagues and I underestimated the vastness of social marketing. The growing world of social media has been constantly expanding, and the rules change every day. As such, our project has had to adapt, and deadlines were pushed back, to accommodate for all of the new information we have gathered.
“Music In The Blood”: Performance And Discourse Of Musicality In Cuban Ballet Aesthetics, Lester Tomé
“Music In The Blood”: Performance And Discourse Of Musicality In Cuban Ballet Aesthetics, Lester Tomé
Dance: Faculty Publications
Alicia Alonso contended that the musicality of Cuban ballet dancers contributed to a distinctive national style in their performance of European classics such as Giselle and Swan Lake. A highly developed sense of musicality distinguished Alonso's own dancing. For the ballerina, this was more than just an element of her individual style: it was an expression of the Cuban cultural environment and a common feature among ballet dancers from that island. In addition to elucidating the physical manifestations of musicality in Alonso's dancing, this article examines how the ballerina's frequent references to music in connection to both her individual identity …
Boeing Boeing, Otterbein University Theatre And Dance Department
Boeing Boeing, Otterbein University Theatre And Dance Department
2013 Summer Theatre
A hit comedy similar in vein to Shakespeare’s comedies of merry misadventures and mistaken identities, Boeing Boeing tells the exploits of French bachelor Bernard and his lovely female flight attendants. Three flight attendants, to be exact, from three different countries: and they all believe they’re engaged to Bernard! In the past, Bernard has been able to juggle these women due to his detailed timetable of his fiancés’ flight schedules. When the situation changes and all of the women end up at his apartment on the same day, Bernard (with help from his bewildered friend Robert) struggles to keep them from …
Wells, Joseph William, 1881-1974, Et Al. (Sc 2719), Manuscripts & Folklife Archives
Wells, Joseph William, 1881-1974, Et Al. (Sc 2719), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid only for Manuscripts Small Collection 2719. Script for a pageant titled “Mine Eyes Have Seen the Glory” presented at the Burkesville, Kentucky Sesqui-centennial celebration held on 13-20 August 1960. The play highlights the history of Burkesville and surrounding communities.
Acting Out The Old Sport, Leah Kind
Acting Out The Old Sport, Leah Kind
The Great Gatsby Unit
The purpose of this exercise is twofold: one, to have students make text-based interpretations in their discussion, planning, and eventual performance of scenes from The Great Gatsby; two, to have students see the crucial (albeit sometimes frustrating) role of Nick Carraway as the narrator of the novel. In their performance groups, one student will fill the role of “performing” (verbally) Carraway’s interior monologue as conceived by the group, so it will be necessary for students to make informed decisions on his mental commentary. In being tasked with bringing Fitzgerald’s text to life for their peers, students will also gain …
2012-2013 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
2012-2013 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
2012-2013 Exceptions Rule: No Compromise
No abstract provided.
She’S Forever Present, Marina Abramović: An Artist, An Innovator, And The Grandmother Of Performance Art, Jessica Volmer
She’S Forever Present, Marina Abramović: An Artist, An Innovator, And The Grandmother Of Performance Art, Jessica Volmer
Communication Studies
No abstract provided.
Ironic Appropriation Of Hemingway's For Whom The Bell Tolls In Bulosan's The Cry And The Dedication, Robert Brown
Ironic Appropriation Of Hemingway's For Whom The Bell Tolls In Bulosan's The Cry And The Dedication, Robert Brown
CLCWeb: Comparative Literature and Culture
In his article "Ironic Appropriation of Hemingway's For Whom the Bell Tolls in Bulosan's The Cry and the Dedication" Robert Brown discusses Carlos Bulosan's The Cry and the Dedication and Ernest Hemingway's For Whom the Bell Tolls. Brown claims that Bulosan's appropriation of For Whom borders on plagiarism and that this in part defines The Cry as a postcolonial text. Brown maintains that E. San Juan Jr.'s otherwise comprehensive introduction to The Cry ignores Hemingway's text in favor of a Filipino author, Luis Taruc, with an implicit argument that Bulosan used Taruc to make his novel a more …
The Myth Of Nothing In Classics And Asian Indigenous Films, Sheng-Mei Ma
The Myth Of Nothing In Classics And Asian Indigenous Films, Sheng-Mei Ma
CLCWeb: Comparative Literature and Culture
In his article "The Myth of Nothing in Classics and Asian Indigenous Films" Sheng-mei Ma discusses how the desert and the permafrost region are terra incognita, except nomads and Indigenous peoples. Given the extreme conditions of these forbidding places, Western modernity sees its own shadow cast on such black holes on earth. Since the 1960s, classic Hollywood or art house films by David Lean, Akira Kurosawa, Hiroshi Teshigahara, Anthony Minghella, and Sergei Bodrov romanticize and/or mythologize what is perceived as modernity's mirror image. Indie films in recent decades, particularly by Asian Indigenous filmmakers Byambasuren Davaa, Zacharias Kunuk, and Khyentse …
Us-American Protestant Missionaries And Translation In China 1894-1911, Mingyu Lu
Us-American Protestant Missionaries And Translation In China 1894-1911, Mingyu Lu
CLCWeb: Comparative Literature and Culture
In her article "US-American Protestant Missionaries and Translation in China 1894-1911" Mingyu Lu discusses impact of and surrounding atmosphere between Protestant missionaries and Chinese intellectuals in translating Western texts. During the national crisis in 1894-1911, Protestant missionaries and Chinese intellectuals co-translated a large number of Western texts and adjusted their translations with regard to content and objectives. While the missionaries and their Chinese co-translators held different views towards the mapping of learning specifically towards Western learning, Chinese learning, and Christian messages, the translations were of significant impact in the period discussed. Lu argues that under the appeal of national renewal, …
Shimoda's Program For Japanese And Chinese Women's Education, Mamiko Suzuki
Shimoda's Program For Japanese And Chinese Women's Education, Mamiko Suzuki
CLCWeb: Comparative Literature and Culture
In her article "Shimoda Program for Japanese and Chinese Women's Education" Mamiko Suzuki discusses Western developments as a facet of educational curricula in Japan in the early twentieth century. When in the early 1900s a number of elite Chinese women traveled to Tokyo — for most, their first time abroad — to receive a modern education, it was at Jissen Women's Academy, which was the first to enroll female Chinese students in Tokyo and thus a crucial site for the development of a modern pan-Asian female identity. A central figure in the popularization of women's education and household and hygiene …
Rethinking Theatrical Images Of The New Woman In China's Republican Era, Li Guo
Rethinking Theatrical Images Of The New Woman In China's Republican Era, Li Guo
CLCWeb: Comparative Literature and Culture
In her article "Rethinking Theatrical Images of the New Woman in China's Republican Era" Li Guo analyses the multivalent representations of the New Woman and posits that they encompass a broad array of blended feminine identities following the introduction of Western literary and cultural trends into Chinese culture. The tensions between ideological discourses about nation, gender, and politics as revealed in the plays of the republican period reveal the many underlying cultural paradigms and the processes in which dramatists Sinicized foreign models of the New Woman to appeal to their domestic audiences. Guo explores how the playwrights' gendered viewpoints contribute …
Introduction To Asian Culture(S) And Globalization, I-Chun Wang, Li Guo
Introduction To Asian Culture(S) And Globalization, I-Chun Wang, Li Guo
CLCWeb: Comparative Literature and Culture
No abstract provided.
Sinologism, The Western World View, And The Chinese Perspective, Ming Dong Gu
Sinologism, The Western World View, And The Chinese Perspective, Ming Dong Gu
CLCWeb: Comparative Literature and Culture
In his article "Sinologism, the Western World View, and the Chinese Perspective" Ming Dong Gu discusses how the West formulated its ways of observing China and how the rest of the world and the Chinese themselves view Chinese culture through the Western lens. Gu discusses the thought of selected scholars in Western history who have contributed to the formation of Sinologism and explores the motivation, logic, rationale, epistemology, methodology, and characteristics of the West's long-term endeavor to incorporate China into the Western-centered world system.
Shen And Cinema In 1930s Shanghai, Ling Zhang
Shen And Cinema In 1930s Shanghai, Ling Zhang
CLCWeb: Comparative Literature and Culture
In her article "Shen and Cinema in 1930s Shanghai" Ling Zhang analyzes the film十字街頭 (1937) (Crossroads) in relation to the influence from foreign film practice and concepts from Hollywood and Soviet cinema in 1930s Shanghai. By an analysis of the film's cinematic style, Zhang explores the transcultural and transmedial possibilities and potentials in the context of film and film culture in the 1930s and the unruly energy and unique aesthetic characteristics embedded in the process of creative mimesis and transplantation. While in the 1930s Chinese cinema had an ambivalent and paradoxical attitude to US-American and Soviet films, Chinese filmmaker …
Transnational Socialist Imaginary And The Proletarian Woman In China, Anup Grewal
Transnational Socialist Imaginary And The Proletarian Woman In China, Anup Grewal
CLCWeb: Comparative Literature and Culture
In her article "Transnational Socialist Imaginary and the Proletarian Woman in China" Anup Grewal discusses 1930s Shanghai and representations of the proletarian woman in relation to the intellectual New Woman and the fashionable Modern Girl. Grewal considers the concept of the proletarian woman in socialist culture first within the context of a local and global field of contending modernist visions of femininity, class, and the city. Next, Grewal analyses how the figure of the Chinese proletarian woman activates a socialist transnationality through shared formal and narrative innovations of translational leftist literature and cinema. Through her analysis, Grewal suggests how the …
Singapore, State Nationalism, And The Production Of Diaspora, Cheryl Narumi Naruse
Singapore, State Nationalism, And The Production Of Diaspora, Cheryl Narumi Naruse
CLCWeb: Comparative Literature and Culture
In her article "Singapore, State Nationalism, and the Production of Diaspora" Cheryl Narumi Naruse examines The Straits Times series "Singaporean Abroad" and analyzes how conceptions of national time, space, and community are restructured by state concerns of economic survival within the era of globalization. In "Singaporean Abroad," readers find a curious amalgamation of feature writing, travel writing, and advertising about cosmopolitan, transnationally connected citizens of Singapore. Naruse shows how positive representations of overseas Singaporeans as "national heroes" reflected in the content of the series evidences efforts by the Government of Singapore to refashion cultural values and to advance beyond national …
Bibliography For The Study Of Asian Culture(S) And Globalization, Chien-Hang Liu, Li Guo, I-Chun Wang
Bibliography For The Study Of Asian Culture(S) And Globalization, Chien-Hang Liu, Li Guo, I-Chun Wang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Reinterpreting History And Gujin's (古今) Cultural Practices, Chao Liu
Reinterpreting History And Gujin's (古今) Cultural Practices, Chao Liu
CLCWeb: Comparative Literature and Culture
In his article "Reinterpreting History and Gujin's (古今) Cultural Practices," Chao Liu analyzes the moral norms established by Gujin 古今 (Past and Present), a literary journal that emerged in occupied Shanghai in the 1940s, through the lens of historical narratives and the strategies Gujin intellectuals employed to subvert fundamentalist nationalism. Liu argues that Gujin created a cultural space between resistance and collaboration which challenged nationalistic imperatives and justified the subsistence of Chinese people under the Japanese occupation by presenting its own principles of social morals and erecting a pantheon of historical figures. Further, Liu posits …
Crossed Boundaries In Musical Culture Between Asia And The West, Kheng K. Koay, Mikel Ledee
Crossed Boundaries In Musical Culture Between Asia And The West, Kheng K. Koay, Mikel Ledee
CLCWeb: Comparative Literature and Culture
In their article "Crossed Boundaries in Musical Culture between Asia and the West" Kheng K. Koay and Mikel LeDee examine Tony Prabowo's Pasar Loak (Flea Market) for soprano and percussions and Chinary Ung's Grand Alap (A Window in the Sky). Composers Prabowo and Ung adopt modernist techniques from Western and traditional Asian music cultures in their compositions. Koay and LeDee explore aspects which broaden the presentation of sound in the two selected compositions and the background influences of Western and Asian music on the two composers. Prabowo and Ung absorb new experiences and embrace music that excites them and Prabowo, …
Eng And The Entertainment Film In The People's Republic Of China, Munib Rezaie
Eng And The Entertainment Film In The People's Republic Of China, Munib Rezaie
CLCWeb: Comparative Literature and Culture
In his article "Eng and the Entertainment Film in the People's Republic of China" Munib Rezaie discusses the rise of film as entertainment in the People's Republic of China with a focus on the accomplishments director Dayyan Eng, known in China as Shixian Wu. Rezaie briefly reviews the changing definitions and views towards film as entertainment in the PRC as well as some relevant changes in regulation and policy within the industry itself that largely stem from the ongoing process of globalization and China's accession to the World Trade Organization. Within this new cinematic landscape, Rezaie argues that Eng should …
Globalization And Theater Spectacles In Asia, I-Chun Wang
Globalization And Theater Spectacles In Asia, I-Chun Wang
CLCWeb: Comparative Literature and Culture
In her article "Globalization and Theater Spectacles in Asia" I-Chun Wang discusses how performance is an integral part of cultural discourse: in industrially advanced Asian nations governments started to examine the relationship between cultural discourse and popular culture, cultural identity and tourist attractions and artists have become prominent participants in this development in particular with regard to theater performance, an activity with old traditions in Asian cultures. With the uptake of technology and in some cases Western innovation, Asian theater performance not only became an important part of social and cultural discourse, it rejuvenated itself. Wang posits that Asian theater …
Hollywood And Shanghai Cinema In The 1930s, Adrian Song Xiang
Hollywood And Shanghai Cinema In The 1930s, Adrian Song Xiang
CLCWeb: Comparative Literature and Culture
I In his article "Hollywood and Shanghai Cinema in the 1930s" Adrian Song Xiang argues that Hollywood films provided a repertoire of images Chinese filmmakers of the 1930s adapted to their films. Xiang analyses Yu Sun's (孙瑜) 1932 film 野玫瑰 (Wild Rose), whose leading female character Xiaofeng was adapted from Hollywood actress Mary Pickford's iconic rambunctious teenager screen persona, particularly from the 1922 film Tess of the Storm Country. The modernist connotations of Tess' teenage girl character were changed in the process to meet Chinese cultural and political needs. Xiang's analysis suggests an adjustment in the history of early …
Projection Based Design: A Collection Of Acquired Knowledge, Max Brown
Projection Based Design: A Collection Of Acquired Knowledge, Max Brown
Liberal Arts and Engineering Studies
The application of new technology in a classic medium, such as theatre, can be a strong force in creating a unique experience for both the audience and the designer. At first, introducing new media techniques may seem like a novelty and easily dismissed as a gimmick. The fact is the modern audience is more familiar with information displayed in video format and will find projected video elements implemented into the scenic design as another way to access the story the performers on stage are trying to convey. It is our duty as designers to utilize every tool at our disposal …