Open Access. Powered by Scholars. Published by Universities.®
Theatre and Performance Studies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Acting (53)
- Dance (26)
- Theatre History (23)
- Performance Studies (18)
- Other Theatre and Performance Studies (13)
-
- Dramatic Literature, Criticism and Theory (12)
- Playwriting (8)
- Social and Behavioral Sciences (7)
- Education (6)
- Creative Writing (5)
- Music (5)
- English Language and Literature (4)
- Aesthetics (3)
- Architecture (3)
- Art Education (3)
- Art and Design (3)
- History of Art, Architecture, and Archaeology (3)
- Philosophy (3)
- Anthropology (2)
- Feminist, Gender, and Sexuality Studies (2)
- International and Area Studies (2)
- Modern Literature (2)
- Photography (2)
- Religion (2)
- African History (1)
- African Languages and Societies (1)
- African Studies (1)
- Appalachian Studies (1)
- Institution
-
- Providence College (51)
- Louisiana State University (11)
- Marshall University (10)
- Central Washington University (7)
- Parkland College (6)
-
- Stephen F. Austin State University (6)
- University of Richmond (6)
- University of Southern Maine (6)
- Oberlin (5)
- Otterbein University (5)
- University of Central Florida (4)
- Columbia College Chicago (3)
- Rhode Island School of Design (3)
- Virginia Commonwealth University (3)
- Eastern Illinois University (2)
- Edith Cowan University (2)
- Illinois State University (2)
- Illinois Wesleyan University (2)
- Indiana State University (2)
- Lindenwood University (2)
- Rowan University (2)
- Sacred Heart University (2)
- Swarthmore College (2)
- University of Kentucky (2)
- University of Minnesota Morris Digital Well (2)
- University of Texas Rio Grande Valley (2)
- Winthrop University (2)
- Brigham Young University (1)
- Bucknell University (1)
- California State University, San Bernardino (1)
- Keyword
-
- Theatre (15)
- Theater (9)
- Action actor (8)
- Actor combatant (8)
- Artistic fencing (8)
-
- Certified teacher (8)
- Drama (8)
- Fight Master (8)
- Fight choreography (8)
- Fight coordination (8)
- Fight designer (8)
- Fight direction (8)
- Fight director (8)
- National Stage Combat Workshop (8)
- Prop weapon (8)
- Prop weapons (8)
- SAFD (8)
- Society of American Fight Directors (8)
- Stage action (8)
- Stage combat (8)
- Stage combatant (8)
- Stage fight (8)
- Stage swords (8)
- Stage violence (8)
- Stunt fighting (8)
- Sword master (8)
- Theatrical firearms (8)
- Theatrical gunplay (8)
- Theatrical swordplay (8)
- Theatrical violence (8)
- Publication
-
- Playbill and Promotion (43)
- LSU Master's Theses (8)
- Promotion Materials (7)
- Latin American, Latino and Iberian Studies Faculty Publications (6)
- Parkland Theatre (6)
-
- SFA School of Theatre (6)
- The Cutting Edge (6)
- Theses and Dissertations (6)
- Electronic Theses and Dissertations (4)
- Master of Theater Production Graduate Projects (4)
- 2004-2005 Season (3)
- All Student Newspapers (3)
- Graduate Student Projects (3)
- Posters 2004-2005 Season (3)
- Programs 2004-2005 Season (3)
- Season 2005-2006 (3)
- 2005-2006 Season (2)
- All-Inclusive List of Electronic Theses and Dissertations (2)
- College of Visual and Performing Arts Faculty Publications (2)
- Fight Master Magazine (2)
- LSU Doctoral Dissertations (2)
- Moulinet: An Action Quarterly (2)
- Season 2004-2005 (2)
- Season Ticket (2)
- Sides (Newsletter) (2)
- Theatre Programs (2)
- Theses and Dissertations - UTB/UTPA (2)
- 2005-2006 Celebrating the Creative Voice (1)
- Articles (1)
- Cave Run Storytelling Festival Posters (1)
- Publication Type
Articles 121 - 150 of 171
Full-Text Articles in Theatre and Performance Studies
Direction Of The Play: The Imaginary Invalid, Dawn Gordon Schoepflin
Direction Of The Play: The Imaginary Invalid, Dawn Gordon Schoepflin
Graduate Student Projects
This project entailed the selection, background research and documentation, casting, direction, and post-production analysis of Richland High School's production of Moliere's The Imaginary Invalid. Documentation includes research and analysis of the play, its music, and an evaluation of the play as a production vehicle for the department of Richland High School.
Direction Of The Play: Rumors, Taunya Lyn Page
Direction Of The Play: Rumors, Taunya Lyn Page
Graduate Student Projects
Rumors was selected for production and directed. The script was analyzed; background research was conducted; the costumes and set were designed and constructed; casting and auditions took place; rehearsals were scheduled and completed. Post-production elements were analyzed and supported the original concept statement. Documentation includes analysis of the script and the production at Mountain Home High School.
How'd They Do That? Tips For Playwrights On Scoring A Debut At Humana, David Wohl
How'd They Do That? Tips For Playwrights On Scoring A Debut At Humana, David Wohl
College of Visual and Performing Arts Faculty Publications
An analysis of the logistics that go into the Humana Festival of New American Plays, produced annually by Actors Theatre of Louisville. The article interviews staff at Actors Theatre as well as playwrights who had work produced during the 2005 Festival.
The Widows Of Ashur, Andrew Vorder Bruegge
The Widows Of Ashur, Andrew Vorder Bruegge
College of Visual and Performing Arts Faculty Publications
An original drama. A veteran arrives at the home of a fallen comrade to meet the family. The veteran takes revenge on the family for the fallen comrade's abuse of her and other soldiers.
2005-2006 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
2005-2006 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University
2005-2006 Celebrating the Creative Voice
No abstract provided.
Word Games Press Release, Susan Werner
Word Games Press Release, Susan Werner
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Word Games press release
January 2005
Welcome To The Monkey House Press Release, Susan Werner
Welcome To The Monkey House Press Release, Susan Werner
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Welcome to the Monkey House press release
January 2005
Edgerton Center 2005/06 Season, Edgerton Center For The Performing Arts
Edgerton Center 2005/06 Season, Edgerton Center For The Performing Arts
Edgerton Center Programs
Program brochure for the Edgerton Center for the Performing Arts 2005/06 season.
Blackfriars Dance Concert (Spring) 2005 Press Release, Susan Werner
Blackfriars Dance Concert (Spring) 2005 Press Release, Susan Werner
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Blackfriars Dance Concert (Spring) 2005 press release
January 2005
Moulinet: An Action Quarterly, Volume 6, Issue 1, Moulinet Staff
Moulinet: An Action Quarterly, Volume 6, Issue 1, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
Embodied Knowing And Effective Communication In The Development Of A Choreography Curriculum, Michele Lynn Jenkins
Embodied Knowing And Effective Communication In The Development Of A Choreography Curriculum, Michele Lynn Jenkins
Theses Digitization Project
Develops a choreography course curriculum to be implemented and evaluated for inclusion in the Chaffey College (a community college in San Bernardino County, California) dance program. Identifies and evaluates four core developmental areas of a well-designed choreography class: (1) communicative skill development through dance composition; (2) group problem-solving creative work; (3) integration of other arts with dance; and, (4) critical evaluation skills.
Vocation, The Arts, And The Christian Liberal Arts, Robert J. Hubbard
Vocation, The Arts, And The Christian Liberal Arts, Robert J. Hubbard
Faculty Tenure Papers
No abstract provided.
Out Of The Looking Glad, Into The Fire Press Release, Susan Werner
Out Of The Looking Glad, Into The Fire Press Release, Susan Werner
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Out of the Looking Glad, Into the Fire press release
January 2005
Oversight : Practice As Research In Australia, Lelia Green
Oversight : Practice As Research In Australia, Lelia Green
Practice as Research in Performance (PARIP) 29 June - 3 July 2005
No abstract provided.
Moulinet: An Action Quarterly, Volume 6, Issue 2, Moulinet Staff
Moulinet: An Action Quarterly, Volume 6, Issue 2, Moulinet Staff
Moulinet: An Action Quarterly
No abstract provided.
The Fight Master, Fall/Winter 2005, Vol. 28 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall/Winter 2005, Vol. 28 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Reviews: “Performance And Evolution In The Age Of Darwinism,” “Dancing At The Dawn Of Agriculture,” “Dance In Anthropology (2nd Edition),” “Dances Of The Tewa Pueblo Indians (2nd Edition)", Anthony Shay
Pomona Faculty Publications and Research
In order to create a contextual basis for a discussion of these four titles, I connect them through the authors’ uses of anthropological and archaeological methods and theories, and discuss how these have changed through time.
Building An Ethical Architecture: Habitat And The Shape Of Radical Humanism, Kim Solga
Building An Ethical Architecture: Habitat And The Shape Of Radical Humanism, Kim Solga
Department of English Publications
No abstract provided.
Direction Of The Play: A Midsummer Night's Dream, Robert George Hunt
Direction Of The Play: A Midsummer Night's Dream, Robert George Hunt
Master of Theater Production Graduate Projects
This project entailed the selection, background research and documentation, casting, direction, set design, and postproduction analysis of Natrona County High School's production of William Shakespeare's A Midsummer Night's Dream. Documentation includes research and analysis of the play and an evaluation of the play as a production vehicle for the theatre department of Natrona County High School. The analysis also includes a discussion as to the non-traditional directorial vision of this production.
Direction Of The Play: 1984, Jacob Dreiling
Direction Of The Play: 1984, Jacob Dreiling
Graduate Student Projects
This project includes the selection, background research and documentation, casting, direction, and post-production analysis of Rockdale County High School's production of 1984. Documentation included research of the original novel, characters, past productions, and the structure of the play. A discussion as to the directorial vision and analysis in accordance with the Graduate Theatre Arts Program at Central Washington University is also included.
Drama In The Docklands, Mary Moynihan
Drama In The Docklands, Mary Moynihan
Articles
An article by Mary Moynihan in IN2 Magazine, issue number seven, Winter 2005, on Drama in the Docklands, a project run by Smashing Times Theatre Company that promotes access to creativity in the docklands area of Dublin, bringing drama into two primary schools - St Joseph's Primary School, East Wall and City Quay Primary School, City Quay. The article documents the project and the year-end show by children at Samuel Beckett Centre, Trinity College, Dublin.
The Importance Of The Chorus In Blood Wedding, Myrna Julia Castro Rios
The Importance Of The Chorus In Blood Wedding, Myrna Julia Castro Rios
Theses
This Master in Fine Arts thesis, authored by Myrna Julia Castro Rios, explores the significance of the chorus in Federico García Lorca's Blood Wedding, focusing on its role within the play and its relationship to Greek drama traditions. The study delves into Lorca’s biography, his poetic style, and the symbolic imagery that infuses his work, particularly in the depiction of the chorus. Drawing parallels to the chorus of Greek tragedies, the thesis highlights how Lorca adapted its narrative and symbolic functions to create a unique element in Blood Wedding.
Castro recounts her directorial process, from pre-production research and …
Mutiny In The Lone Star: Hats, Boots, And Hip-Hop In Texas, Kimi Buser
Mutiny In The Lone Star: Hats, Boots, And Hip-Hop In Texas, Kimi Buser
Whittier Scholars Program
This project includes 8 drafts of Mutiny in the Lone Star: Hats, Boots and Hip-Hop in Texas along with a letter of introduction, data sheet, publicity and DVD of Mutiny and House Music. This project is a one-woman theater piece about the author’s home in Alief, Texas.
Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean
Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean
LSU Doctoral Dissertations
This dissertation examines past cultural influences that have shaped theatre historians' perception of ancient Greek and contemporary Native American performance. It suggests that through a recognition of these influences, which have long tempered the Western narrative of theatre, ancient and Indigenous performance can be reviewed as similar forms of a lived exchange. The study tracks the formation of certain beliefs and assumptions within performance history through Roman, early Christian and Renaissance cultural identities. It notes the misrepresentation of oral and popular theatre within theatrical scholarship through its reliance upon the written remains of the ruling classes and confronts the notion …
Public Sexuality: A Contemporary History Of Gay Images And Identity, Shaun Erwin Sewell
Public Sexuality: A Contemporary History Of Gay Images And Identity, Shaun Erwin Sewell
LSU Doctoral Dissertations
This study is an examination of the public imaging of gay men and lesbians during the latter part of the twentieth and early part of the twenty-first centuries. The study looks at public imaging as it is performed in the service of the political aims of gay people, with an eye towards the kinds of tensions and erasures that occur when one monolithic identity is promoted. Through these examinations, I create a kind of contemporary history of the gay political rights movement. In the study, I examine theoretical approaches to identity from several postmodern theorists and then use these approaches …
Arabian Nights (The Framing Of Sherazade), Alison Daigle '05
Arabian Nights (The Framing Of Sherazade), Alison Daigle '05
Honors Projects
This script is the result of a three-month devising process that took place between January and March of 2005, directed by Alison Daigle and advised by Sara Freeman. The original performances (with the actresses listed above) took place on April 2 and 3, 2005, at the Phoenix Theatre on the campus of Illinois Wesleyan University in Bloomington, Illinois. Activate the player by clicking above.
Aesthetics Of Listening: Creating Spaces Of Learning, Lisa Donovan
Aesthetics Of Listening: Creating Spaces Of Learning, Lisa Donovan
Educational Studies Dissertations
In this study with 9th-12th grade students in an urban Massachusetts school, I consider the question 'How can theater education develop a sense of voice and identity in adolescents?' Students in a drama class engaged in a variety of performance techniques including: interview theater, improvisation, and pantomime while considering the concept of voice/identity development. They then created an interview based script focused on an issue of their choice: the rules of the school and how they were enforced.... Data collection included video-taped class sessions, interviews with the drama classroom teacher, student peer interviews, and a final focus group session six …
An Exploration Of The Roles Of Pleribo, Adraste, And Prince Florilame In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Chaney K. Tullos
An Exploration Of The Roles Of Pleribo, Adraste, And Prince Florilame In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Chaney K. Tullos
LSU Master's Theses
This thesis is constructed from the author’s interpretation of the roles of Pleribo, Adraste, and Prince Florilame in Tony Kushner’s adaptation of Pierre Corneille’s The Illusion, which was presented by LSU Theatre in 2004. This thesis is a written record of the actor’s work on these characters throughout the rehearsal and performance process in the form of a score. It also includes an introduction, character analysis, and a conclusion.
The Roles Of Melibea/Isabelle/Hippolyta In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Michelle Elain Mccoy
The Roles Of Melibea/Isabelle/Hippolyta In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Michelle Elain Mccoy
LSU Master's Theses
The roles of Melibea/Isabelle/Hippolyta in The Illusion, freely adapted by Tony Kushner, was selected as a thesis project in the fall semester of 2004. This thesis is a written record of the actor's work on the character throughout the rehearsal process and performance of the production. It contains four parts: an introduction, a character analysis, a four-column score and an appendix that includes production photos.
The Role Of Calisto/Clindor/Theogenes In Tony Kushner's Adaptation Of The Illusion By Pierre Corneille A Production Thesis In Acting, Preston E. Davis
The Role Of Calisto/Clindor/Theogenes In Tony Kushner's Adaptation Of The Illusion By Pierre Corneille A Production Thesis In Acting, Preston E. Davis
LSU Master's Theses
The role of Calisto/Clindor/Theogenes in Tony Kushner's adaptation of The Illusion by Pierre Corneille was selected as a thesis project in the fall semester, 2004. This thesis is a written record of the actor's interpretation of the character. The thesis includes a Character Analysis, Four Column Score of the Role and Personal notes on the role.