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2005

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Articles 121 - 150 of 171

Full-Text Articles in Theatre and Performance Studies

Direction Of The Play: The Imaginary Invalid, Dawn Gordon Schoepflin Jan 2005

Direction Of The Play: The Imaginary Invalid, Dawn Gordon Schoepflin

Graduate Student Projects

This project entailed the selection, background research and documentation, casting, direction, and post-production analysis of Richland High School's production of Moliere's The Imaginary Invalid. Documentation includes research and analysis of the play, its music, and an evaluation of the play as a production vehicle for the department of Richland High School.


Direction Of The Play: Rumors, Taunya Lyn Page Jan 2005

Direction Of The Play: Rumors, Taunya Lyn Page

Graduate Student Projects

Rumors was selected for production and directed. The script was analyzed; background research was conducted; the costumes and set were designed and constructed; casting and auditions took place; rehearsals were scheduled and completed. Post-production elements were analyzed and supported the original concept statement. Documentation includes analysis of the script and the production at Mountain Home High School.


How'd They Do That? Tips For Playwrights On Scoring A Debut At Humana, David Wohl Jan 2005

How'd They Do That? Tips For Playwrights On Scoring A Debut At Humana, David Wohl

College of Visual and Performing Arts Faculty Publications

An analysis of the logistics that go into the Humana Festival of New American Plays, produced annually by Actors Theatre of Louisville. The article interviews staff at Actors Theatre as well as playwrights who had work produced during the 2005 Festival.


The Widows Of Ashur, Andrew Vorder Bruegge Jan 2005

The Widows Of Ashur, Andrew Vorder Bruegge

College of Visual and Performing Arts Faculty Publications

An original drama. A veteran arrives at the home of a fallen comrade to meet the family. The veteran takes revenge on the family for the fallen comrade's abuse of her and other soldiers.


2005-2006 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University Jan 2005

2005-2006 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2005-2006 Celebrating the Creative Voice

No abstract provided.


Word Games Press Release, Susan Werner Jan 2005

Word Games Press Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Word Games press release

January 2005


Welcome To The Monkey House Press Release, Susan Werner Jan 2005

Welcome To The Monkey House Press Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Welcome to the Monkey House press release

January 2005


Edgerton Center 2005/06 Season, Edgerton Center For The Performing Arts Jan 2005

Edgerton Center 2005/06 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Program brochure for the Edgerton Center for the Performing Arts 2005/06 season.


Blackfriars Dance Concert (Spring) 2005 Press Release, Susan Werner Jan 2005

Blackfriars Dance Concert (Spring) 2005 Press Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Dance Concert (Spring) 2005 press release

January 2005


Moulinet: An Action Quarterly, Volume 6, Issue 1, Moulinet Staff Jan 2005

Moulinet: An Action Quarterly, Volume 6, Issue 1, Moulinet Staff

Moulinet: An Action Quarterly

No abstract provided.


Embodied Knowing And Effective Communication In The Development Of A Choreography Curriculum, Michele Lynn Jenkins Jan 2005

Embodied Knowing And Effective Communication In The Development Of A Choreography Curriculum, Michele Lynn Jenkins

Theses Digitization Project

Develops a choreography course curriculum to be implemented and evaluated for inclusion in the Chaffey College (a community college in San Bernardino County, California) dance program. Identifies and evaluates four core developmental areas of a well-designed choreography class: (1) communicative skill development through dance composition; (2) group problem-solving creative work; (3) integration of other arts with dance; and, (4) critical evaluation skills.


Vocation, The Arts, And The Christian Liberal Arts, Robert J. Hubbard Jan 2005

Vocation, The Arts, And The Christian Liberal Arts, Robert J. Hubbard

Faculty Tenure Papers

No abstract provided.


Out Of The Looking Glad, Into The Fire Press Release, Susan Werner Jan 2005

Out Of The Looking Glad, Into The Fire Press Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Out of the Looking Glad, Into the Fire press release

January 2005


Oversight : Practice As Research In Australia, Lelia Green Jan 2005

Oversight : Practice As Research In Australia, Lelia Green

Practice as Research in Performance (PARIP) 29 June - 3 July 2005

No abstract provided.


Moulinet: An Action Quarterly, Volume 6, Issue 2, Moulinet Staff Jan 2005

Moulinet: An Action Quarterly, Volume 6, Issue 2, Moulinet Staff

Moulinet: An Action Quarterly

No abstract provided.


The Fight Master, Fall/Winter 2005, Vol. 28 Issue 2, The Society Of American Fight Directors Jan 2005

The Fight Master, Fall/Winter 2005, Vol. 28 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


Reviews: “Performance And Evolution In The Age Of Darwinism,” “Dancing At The Dawn Of Agriculture,” “Dance In Anthropology (2nd Edition),” “Dances Of The Tewa Pueblo Indians (2nd Edition)", Anthony Shay Jan 2005

Reviews: “Performance And Evolution In The Age Of Darwinism,” “Dancing At The Dawn Of Agriculture,” “Dance In Anthropology (2nd Edition),” “Dances Of The Tewa Pueblo Indians (2nd Edition)", Anthony Shay

Pomona Faculty Publications and Research

In order to create a contextual basis for a discussion of these four titles, I connect them through the authors’ uses of anthropological and archaeological methods and theories, and discuss how these have changed through time.


Building An Ethical Architecture: Habitat And The Shape Of Radical Humanism, Kim Solga Jan 2005

Building An Ethical Architecture: Habitat And The Shape Of Radical Humanism, Kim Solga

Department of English Publications

No abstract provided.


Direction Of The Play: A Midsummer Night's Dream, Robert George Hunt Jan 2005

Direction Of The Play: A Midsummer Night's Dream, Robert George Hunt

Master of Theater Production Graduate Projects

This project entailed the selection, background research and documentation, casting, direction, set design, and postproduction analysis of Natrona County High School's production of William Shakespeare's A Midsummer Night's Dream. Documentation includes research and analysis of the play and an evaluation of the play as a production vehicle for the theatre department of Natrona County High School. The analysis also includes a discussion as to the non-traditional directorial vision of this production.


Direction Of The Play: 1984, Jacob Dreiling Jan 2005

Direction Of The Play: 1984, Jacob Dreiling

Graduate Student Projects

This project includes the selection, background research and documentation, casting, direction, and post-production analysis of Rockdale County High School's production of 1984. Documentation included research of the original novel, characters, past productions, and the structure of the play. A discussion as to the directorial vision and analysis in accordance with the Graduate Theatre Arts Program at Central Washington University is also included.


Drama In The Docklands, Mary Moynihan Jan 2005

Drama In The Docklands, Mary Moynihan

Articles

An article by Mary Moynihan in IN2 Magazine, issue number seven, Winter 2005, on Drama in the Docklands, a project run by Smashing Times Theatre Company that promotes access to creativity in the docklands area of Dublin, bringing drama into two primary schools - St Joseph's Primary School, East Wall and City Quay Primary School, City Quay. The article documents the project and the year-end show by children at Samuel Beckett Centre, Trinity College, Dublin.


The Importance Of The Chorus In Blood Wedding, Myrna Julia Castro Rios Jan 2005

The Importance Of The Chorus In Blood Wedding, Myrna Julia Castro Rios

Theses

This Master in Fine Arts thesis, authored by Myrna Julia Castro Rios, explores the significance of the chorus in Federico García Lorca's Blood Wedding, focusing on its role within the play and its relationship to Greek drama traditions. The study delves into Lorca’s biography, his poetic style, and the symbolic imagery that infuses his work, particularly in the depiction of the chorus. Drawing parallels to the chorus of Greek tragedies, the thesis highlights how Lorca adapted its narrative and symbolic functions to create a unique element in Blood Wedding.

Castro recounts her directorial process, from pre-production research and …


Mutiny In The Lone Star: Hats, Boots, And Hip-Hop In Texas, Kimi Buser Jan 2005

Mutiny In The Lone Star: Hats, Boots, And Hip-Hop In Texas, Kimi Buser

Whittier Scholars Program

This project includes 8 drafts of Mutiny in the Lone Star: Hats, Boots and Hip-Hop in Texas along with a letter of introduction, data sheet, publicity and DVD of Mutiny and House Music. This project is a one-woman theater piece about the author’s home in Alief, Texas.


Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean Jan 2005

Recovering Ancient Ritual And The Theatre Of The Apache: A Journey Through The False Consciousness Of Western Theatre History, Marla Kathleen Dean

LSU Doctoral Dissertations

This dissertation examines past cultural influences that have shaped theatre historians' perception of ancient Greek and contemporary Native American performance. It suggests that through a recognition of these influences, which have long tempered the Western narrative of theatre, ancient and Indigenous performance can be reviewed as similar forms of a lived exchange. The study tracks the formation of certain beliefs and assumptions within performance history through Roman, early Christian and Renaissance cultural identities. It notes the misrepresentation of oral and popular theatre within theatrical scholarship through its reliance upon the written remains of the ruling classes and confronts the notion …


Public Sexuality: A Contemporary History Of Gay Images And Identity, Shaun Erwin Sewell Jan 2005

Public Sexuality: A Contemporary History Of Gay Images And Identity, Shaun Erwin Sewell

LSU Doctoral Dissertations

This study is an examination of the public imaging of gay men and lesbians during the latter part of the twentieth and early part of the twenty-first centuries. The study looks at public imaging as it is performed in the service of the political aims of gay people, with an eye towards the kinds of tensions and erasures that occur when one monolithic identity is promoted. Through these examinations, I create a kind of contemporary history of the gay political rights movement. In the study, I examine theoretical approaches to identity from several postmodern theorists and then use these approaches …


Arabian Nights (The Framing Of Sherazade), Alison Daigle '05 Jan 2005

Arabian Nights (The Framing Of Sherazade), Alison Daigle '05

Honors Projects

This script is the result of a three-month devising process that took place between January and March of 2005, directed by Alison Daigle and advised by Sara Freeman. The original performances (with the actresses listed above) took place on April 2 and 3, 2005, at the Phoenix Theatre on the campus of Illinois Wesleyan University in Bloomington, Illinois. Activate the player by clicking above.


Aesthetics Of Listening: Creating Spaces Of Learning, Lisa Donovan Jan 2005

Aesthetics Of Listening: Creating Spaces Of Learning, Lisa Donovan

Educational Studies Dissertations

In this study with 9th-12th grade students in an urban Massachusetts school, I consider the question 'How can theater education develop a sense of voice and identity in adolescents?' Students in a drama class engaged in a variety of performance techniques including: interview theater, improvisation, and pantomime while considering the concept of voice/identity development. They then created an interview based script focused on an issue of their choice: the rules of the school and how they were enforced.... Data collection included video-taped class sessions, interviews with the drama classroom teacher, student peer interviews, and a final focus group session six …


An Exploration Of The Roles Of Pleribo, Adraste, And Prince Florilame In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Chaney K. Tullos Jan 2005

An Exploration Of The Roles Of Pleribo, Adraste, And Prince Florilame In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Chaney K. Tullos

LSU Master's Theses

This thesis is constructed from the author’s interpretation of the roles of Pleribo, Adraste, and Prince Florilame in Tony Kushner’s adaptation of Pierre Corneille’s The Illusion, which was presented by LSU Theatre in 2004. This thesis is a written record of the actor’s work on these characters throughout the rehearsal and performance process in the form of a score. It also includes an introduction, character analysis, and a conclusion.


The Roles Of Melibea/Isabelle/Hippolyta In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Michelle Elain Mccoy Jan 2005

The Roles Of Melibea/Isabelle/Hippolyta In Tony Kushner's Adaptation Of The Illusion: A Production Thesis In Acting, Michelle Elain Mccoy

LSU Master's Theses

The roles of Melibea/Isabelle/Hippolyta in The Illusion, freely adapted by Tony Kushner, was selected as a thesis project in the fall semester of 2004. This thesis is a written record of the actor's work on the character throughout the rehearsal process and performance of the production. It contains four parts: an introduction, a character analysis, a four-column score and an appendix that includes production photos.


The Role Of Calisto/Clindor/Theogenes In Tony Kushner's Adaptation Of The Illusion By Pierre Corneille A Production Thesis In Acting, Preston E. Davis Jan 2005

The Role Of Calisto/Clindor/Theogenes In Tony Kushner's Adaptation Of The Illusion By Pierre Corneille A Production Thesis In Acting, Preston E. Davis

LSU Master's Theses

The role of Calisto/Clindor/Theogenes in Tony Kushner's adaptation of The Illusion by Pierre Corneille was selected as a thesis project in the fall semester, 2004. This thesis is a written record of the actor's interpretation of the character. The thesis includes a Character Analysis, Four Column Score of the Role and Personal notes on the role.