Theatre and Performance Studies Commons^™

Direction Of The Play: The Good Doctor, Mark Wavra

Master of Theater Production Graduate Projects

This project entailed background research and documentation, casting, direction, and post-production evaluation of Eastmont High School Drama Club's production of The Good Doctor. The research included herein represents research and analysis of the play, its author and its influences.

2002 Illinois Shakespeare Festival Program, School Of Theatre And Dance

Illinois Shakespeare Festival

25th Season. Theatre at Ewing. A Midsummer Night's Dream by William Shakespeare. Romeo and Juliet by William Shakespeare. The Merchant of Venice by William Shakespeare.

Inside Unlv, Diane Russell, Jason Vaughan, Cate Weeks

Inside UNLV

No abstract provided.

Roberto Cossa Y El Teatro Dominante (1985-1999), Osvaldo Pellettieri

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

El Teatro Porteño Del Año 2000 Y El Teatro Del Futuro, Osvaldo Pellettieri

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

La Dramaturgia De Eduardo Pavlovsky (1990-2000): Nuevas Búsquedas De Fin De Siglo, Ana Laura Lusnich

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

La Dramaturgia Emergente En Buenos Aires, 1990-2000, Alicia Aisemberg, Adriana Libonati

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Las Puestas Que Estilizan El Canon Realista: La Escritura Escénica De Jaime Kogan Y Augusto Fernandes, Laura Mogliani

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

La Puesta En Escena Realista En Los '90, Delfina Fernández Frade

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Prólogo, Ángel Berenguer

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Madres, Marginados Y Otras Víctimas: El Teatro De Griselda Gambaro En El Ocaso Del Siglo, Beatriz Trastoy

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Ricardo Monti: Hacia Un Teatro Epifánico, Mirta Arlt

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Las Textualidades Remanentes Hacia El Fin Del Milenio, Marina Sikora

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

La Producción Teatral En La Década Del '90: De La Euforia Al Desencanto, Armida María Córdoba, Susana Llahí, María De Los Ángeles Sanz

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

La Puesta En Escena Emergente Y Su Futuro, Martín Rodríguez

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Breve Panorama De La Investigación Teatral En Buenos Aires Del '90, Lidia Martínez Landa, Isidro Salzman

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

De Ausencias, Recuerdos Y Redescubrimiento: El Teatro De Agustín Gómez-Arcos, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

“El caso de este escritor español es en gran medida irreparable". Esta sombría afirmación, escrita por el eminente crítico de teatro español Moisés Peréz Coterillo, figuraba en su introducción a la edición de 1991 de la farsa en un acto Interview de Mrs. Muerta Smith por sus fantasmas de Agustín Gómez-Arcos. En efecto, el caso de Gómez-Arcos (Almería, 1933 - París, 1998) representa una paradoja extraordinaria para los observadores del flujo y reflujo de la historia literaria europea. En Francia, donde vivió un exilio voluntario desde 1968, llegó a ser una figura prominente como escritor prolífico y premiado. Fue autor …

The Secret Garden, Otterbein University Theatre And Dance Department

2001-2002 Season

When young Mary Lennox loses her parents to a cholera outbreak in India, she is sent to live with her uncle, hermit Archibald Craven, who lives in an imposing, secluded manor on the British heath. Inside the haunting house upon the hill, Mary finds a reclusive, long-suffering collection of souls. Surrounded by spirits from the past, who both warn and welcome her, determined Mary begins to peel away the layers of sadness that cover the house and the garden, showing us the power that “one small girl” can have when she “wants things to grow.”

https://stageagent.com/shows/musical/1435/the-secret-garden

Commencement Address, Frankie R. Faison '71

Commencement Ceremonies

Frankie R. Faison '71 earned the M.F.A. in theatre from New York University and has performed in theatre, television and films. At IWU, performed in many School of Theatre Arts productions, was an All-State tight end on IWU's football team, played tennis, was active in the Black Student Association and a member of Theta Chi fraternity. Faison received the IWU Minority Alumni Network Award in 1996.

The Royal Family

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2002 performance of The Royal Family by _George S. Kaufman and Edna Ferber

Commedia Del Arte, Tyler Olsen

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.

Mixed Media May 2, 2002, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The May 2, 2002 issue includes articles on community at RISD, issues in Public Safety and an interview with Director Lucette Dunlop, Student Alliance updates, Carr House changes, additions to the campus Blue Light System, the Illustration show shunning digital artwork, Boston jazz bar Wally's, a recent RISD faculty meeting, a student's visit to the European Honors Program in Rome, a new laptop program in the Graphic Design department, questions to RISD President Roger Mandle from an FAV student, RISD janitor Melvin Bruins, film reviews, interviews with students who attend …

Herstory, Rita Kathryn Roney

Theses and Dissertations - UTB/UTPA

The purpose of this paper is to examine the history of Theatre at the University of Texas - Pan American in the 20th Century, from its inception in the Fall of 1934 through the Summer of 2001. It is written as a series of oral interviews with two women whose tenure at The University of Texas - Pan American covers that period. Mrs. Ruth Owings Blalock founded Theatre at the then Edinburg Junior College in 1934. Dr. Marian F. Monta was hired as her replacement in 1971 and continues to serve as area head of Theatre.

Spring Dance Concert 2002 Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Theatre

Spring Dance Concert 2002 (Blackfriars Dance Concert)

Saturday, April 27, 2002, 8pm

Sunday, April 28, 2002, 2pm

Spring Dance Concert 2002 Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Theatre

Spring Dance Concert 2002 (Blackfriars Dance Concert)

Saturday, April 27, 2002, 8pm

Sunday, April 28, 2002, 2pm

Choreographers: Heidi Henderson, Anna Sokolow, Wendy Oliver, Kathleen Ridlon, Debra Meunier, Danny Buraczeski, Martha Lively, Jack Cole

Dancers: Lindsey Ahern, Courtney Bozigian, Mabel Botelho, Kaitlyn Callery, Allison Charron, Lindsay Deneault, Staci DeNigris, Brianne Flynn, Robyn Forcier, Marisa Lolicata, Natalie Nucifora, Rebecca Askey, Robyn Forcier, Kate Souza, Kristin Gicas, Lisa Portello, Michelle Boucher, Kelly Marra, Melissa Melone, Diana Montalbano, Laurie Plant, Rachel Arthur, Leah Bucknavage, Sarah Firetto, Autumne Montague, Paige Parks, Devan Ahern, Kathleen …

See Jill Paint: An Experiment In Queer Film, Sarah M. Aubry '02

Honors Projects

My film, See Jill Paint, is an exploration of the possibilities for non-oppressive, nonviolent objectification. I started with a strong desire to focus a short movie around the application of colorful paint to nipples and the surrounding areas; as I progressed towards that goal, I questioned how the project might correspond or conflict with the radical gender politics that I value. In sexist objectification, people (mostly women) are perceived as being only visual objects at the expense of their subjectivity. I think it is possible to draw attention to bodies as objects and simultaneously affirm the complexity of the embodied …

Ctrl + Alt + Delete, Otterbein University Theatre And Dance Department

2001-2002 Season

Tech whiz kid Eddie Fisker joins forces with a new technology leader to create what amounts to a billion dollar house of cards. Surrounded by corporations that remember books as “little paper websites” and remind each other of various characters from the Muppets, the two try to survive the shockwaves, real and imagined, that threaten to topple their new product’s success.

https://www.broadwayplaypub.com/the-plays/ctrl-alt-delete/

The Caucasian Chalk Circle Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Theatre

The Caucasian Chalk Circle, by Bertolt Brecht

April 18-21, 2002

Director, David E. Sullivan

Set & Costume Design, David Cabral

Lighting Design, Sean Keating

Original Music, Steve Rougas

Cast: John Roger Charest, Katie Cheely, Eric Jon Hanson, Amy Hayes, Daniel Janeiro, Betsey Jensen, Elizabeth Larsen-Silva, Katie McBrine, Kerry McCormack, Marisa McGrady, Sarah Orr, Stephen Pollak, Michael Propster, Dana Santomenna, Christopher Ursillo, Peter Waugh

The Caucasian Chalk Circle Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Theatre

The Caucasian Chalk Circle, by Bertolt Brecht

Thursday-Saturday, April 18-20, 2002, 8pm

Sunday, April 21, 2002, 2pm

How I Learned To Drive (2002), Paula Vogel

Season 2001-2002

No abstract provided.