Theatre and Performance Studies Commons^™

Ghosts

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1971 performance of Ghosts by Henrik Ibsen.

Ghosts tells the story of widow Mrs. Alving who has built an orphanage in honor of her late husband though he was unfaithful to her. The play shows her navigation of various issues with her son and husband’s illegitimate daughter, attacking conventional morals of the time.

Short Stories From The South

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1971 performance of Short Stories From the South adapted by Allen Goetcheus for Chamber Theatre.

Short Stories From the South features stories and excerpts from the works of Eudora Welty, Flannery O’Conner, and William Faulkner.

The Cherry Orchard

Taylor Theatre Playbills

The playbill for Taylor University’s April 1971 performance of The Cherry Orchard by Anton Chekhov.

The play follows an aristocratic Russian landowner who returns to her family estate (which includes a large and well-known cherry orchard) just before it is auctioned to pay the mortgage.

The Fantasticks

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1971 performance of The Fantasticks with music by Harvey Schmidt and book and lyrics by Tom Jones.

The Fantasticks is an allegorical musical about two scheming neighbor fathers who pretend to feud in order to make their children fall in love.

Much Ado About Nothing

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1970 performance of Much Ado About Nothing by William Shakespeare.

Much Ado About Nothing tells the story of two couples, the feuding Benedick and Beatrice, and the deeply in love Claudio and Hero. Through the use of gossip Benedick and Beatrice are brought together again, and Claudio and Hero, at first separated by malicious lies, are brought together again.

She Stoops To Conquer

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1970 performance of She Stoops to Conquer by Oliver Goldsmith.

She Stoops to Conquer is the story of Kate Hardcastle, a high society woman whom her father is trying to marry to rich Londoner Charles Marlow. When Marlow rejects her in favor of marrying someone less intimidating and of a lower class, she takes on the persona of a maid to woo him.

Amahl And The Night Visitors

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1969 performance of Amal and the Night Visitors by Gian-Carlo Menotti.

Amal and the Night Visitors is an opera about a young crippled boy name Amal who lives with his mother, and special night they are visited by the Magi, who are journeying in search of the Christ child.

Charley's Aunt

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1969 performance of Charley’s Aunt by Brandon Thomas.

Charley’s Aunt is the story of Lord Fancourt Babberley, an undergraduate persuaded by two of his friends, Jack and Charley, to impersonate Charley’s aunt so they can spend time with they beaus. Their plan is complicated when an elderly fortune hunter tries to woo the fake aunt and Charley’s real aunt appears.

The Cocktail Party

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1969 performance of The Cocktail Party by T. S. Elliot.

The Cocktail Party by T. S. Elliot is the story of a separated couple who are brought together by their psychiatrist to a cocktail party so they might be reunited.

This show was performed by the Faculty Readers reader’s theater.

The World Of Carl Sandburg

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1969 performance of The World of Carl Sandburg arranged by Norman Corwin.

The World of Carl Sandburg features selections from the poetry and prose of Carl Sandburg.

The Madwoman Of Chaillot

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1969 performance of The Madwoman of Chaillot by Jean Giraudoux.

The Madwoman of Chaillot is a satire about an eccentric woman who uncovers the plot of a group of businessmen to dig up Paris for oil and sets out to thwart them with the help of other ordinary and peculiar people.

Oklahoma!

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1969 performance of Oklahoma!. Books and lyrics by Oscar Hammerstein II, music by Richard Rogers.

The high-spirited rivalry between the farmers and cowmen of the Western Indian Territory provides the colorful, turn-of-the-century backdrop for Curley and Laurey’s love story. But with these headstrong romantics holding the reins, the road to love is as bumpy as a surrey ride down a dusty road. Despite many hardships, their rocky romance leads to a new life beginning in a brand new state. Rodgers & Hammerstein's first collaboration remains, in many ways, their most innovative, having set …

Taylor University 1969-70 Playbill, Taylor University

Season Announcements

The 1969-1970 Taylor Theatre season announcement.

An Evening Of One-Act Plays

Taylor Theatre Playbills

The playbill for Taylor University’s 1968 student-directed productions, including The American Dream by Edward Albee, The Room by Harold Pinter, and The Bald Soprano by Eugene Ionesco.

All My Sons

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1968 performance of All My Sons by Arthur Miller.

All My Sons is the story of the Keller family, whose father knowingly sent a batch of defective engine cylinder heads to the military in World War II, and how the discovery of his crime impacts his family and neighbors.

Cry Of Dawn In Dark Babylon

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1968 performance of Cry Dawn in Dark Babylon by P. W. Turner.

From the playbill: “According to the author, this is a play about death, the Resurrection and the Church. It is a true story, based on his own experience as a pastor in an industrial parish in England.”

Performed by the Taylor Religious Drama Company. It was second of three projects developed by the class for the semester.

Arts Festival 1968, Taylor University

Fine Arts Festival

The program of the Fine Arts Festival of Taylor University, April 17-22, 1968.

The Potting Shed

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1967 performance of The Potting Shed by Graham Greene.

The Potting Shed tells the story of a man who returns home to his estranged family as his father is dying. Unsure why he was estranged from his family, he pursues answers his family will not provide. He realizes the answer is found in his blank memory about an event in a potting shed when he was fourteen.

The Rivals

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1967 performance of The Rivals by Richard Brinsley Sheridan.

The Rivals tells the story of young lovers, Lydia Languish and Captain Jack Absolute and the mishaps which happen when Jack’s father tries to arrange a marriage for him and a sequence of gossip and misdelivered letters sets off a clash between Lydia’s suitors.

This show was performed by the Faculty Readers reader’s theater.

The Mikado

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1967 performance of Mikado by W.S. Gilbert and Arthur Sullivan.

The Mikado is the comic opera about the romance between Nanki-Poo, the son of Japan’s Mikado, and Yum-Yum, the ward of the High Executioner of Titipu.

An Evening Of One-Act Plays

Taylor Theatre Playbills

The playbill for Taylor University’s 1966 student-directed productions, including The Shoemaker’s Wife translated by David Thompson, The Starting March by Jerry McNeely .

The Master Builder

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1966 performance of The Master Builder by Henrik Ibsen.

The Master Builder tells the story of Halvard Solness, the master builder in a small Norway town who meets a young woman whom he made advances on early in life and takes into his home.

This show was performed by the Faculty Readers reader’s theater.

The Birds

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1966 performance of The Birds by Aristophanes.

The Birds tells the story of two Athenians who are tired of their life among the gods and people and seek a king who became a bird, that they may form an allegiance with the birds form a city of their own.

The Fantasticks

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1966 performance of The Fantasticks with music by Harvey Schmidt and book and lyrics by Tom Jones.

The Fantasticks is an allegorical musical about two scheming neighbor fathers who pretend to feud in order to make their children fall in love.

1966 Fine Arts Festival, Taylor University

Fine Arts Festival

The program of the Fine Arts Festival of Taylor University, April 20-26, 1966.

1966-67 Playbill University Theatre Presentations, Taylor University

Season Announcements

The 1966-1967 Taylor Theatre season announcement.

An Evening Of One-Act Plays

Taylor Theatre Playbills

The playbill for Taylor University’s 1965 student-directed productions, including The Apollo of Bellac by Jean Giradoux, Long Stay Cut Short by Tennessee Williams, and The Valiant by Holsworthy Hall and Robert Middlemass.

Hedda Gabler

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 1965 performance of Hebba Gabler by Henrik Ibsen.

Hebba Gabler is the story of newlywed Hedda Tesman and her reunion with a former lover and how she manipulates events to secure and create a life for herself with her husband.

The Cave Dwellers

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1964 performance of The Cave Dwellers by William Saroyan.

The Cave Dwellers tells the story of four homeless persons living on the stage of a theater about to be torn down, and how they recount the memories of their better days with joy.

Arsenic And Old Lace

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 1964 performance of Arsenic and Old Lace by Joseph Kesselring.

Arsenic and Old Lace is the story about the Brewsters, an insane homicidal family, and the one sane member, Mortimer Brewster, who must decide whether or not to go through with his promise to marry the woman he loves, Elaine Harper, who lives next door.