Theatre and Performance Studies Commons^™

Broadway As Global Brand, David Savran

Publications and Research

For people around the world, "Broadway'' means the Broadway musical, the epitome of singing and dancing, glamor and dazzle. Although the Broadway musical is customarily perceived as the most distinctively U.S. theatre form - whose national and municipal identity is embedded in its name - it has circumnavigated the globe countless times. As the globalized cultural economy increasingly facilitates the worldwide circulation of multinational theatrical productions, Broadway-style musicals are being manufactured from Hamburg to Shanghai. They are no longer a specifically U.S. form, but a global brand that freely crosses borders, genres, and styles.

Sibling Affection And Domestic Heterosexuality In Lodovick Carlell’S The Deserving Favorite, Mario Digangi

Publications and Research

Lodowick Carlell’s play The Deserving Favorite (1629) deploys the ideological strategy of using erotic “likeness” to validate marital unions as consensual and erotically compatible. In an era before the normalization of heterosexuality, the play suggests that sexually passionate marital relations earn legitimacy to the degree that they emulate the affectionate relations between women and between siblings. Although eroticized female friendship approaches the ideal of a consensual and sensual partnership, intimate relations between women seem best to thrive in a separatist environment removed from courtly social and economic exchanges, including the marital negotiations crucial to cementing dynastic and political alliances. Brothers …

Ecologies Of The Passions In Early Modern English Tragedies, Roya Biggie

Dissertations, Theses, and Capstone Projects

Ecologies of the Passions recovers a neglected model for understanding early modern relationality, one that turns the seemingly inward experience of emotion outward toward the environment. Drawing on early modern medical texts, I argue that the period’s dramatists imagine bodies as humorally vulnerable to other bodies, both human and nonhuman, within dynamically affective environments. As such, my project illustrates the intimate configurations of human and nonhuman life in early modern tragedies. Building upon recent work in the emerging fields of ecocriticism and affect theory, I argue that the period’s dramatic literature exposes the porous fluidity of the Galenic body—its embeddedness …

Bergson’S Élan Vital As Reflected In Florine Stettheimer’S Orphée Of The Quat-Z-Arts, Michael Neumeister

Dissertations and Theses

No abstract provided.

Vidigal Nights: Big Dreams In A Small Favela, Christina Thornell

Capstones

This 14-minute documentary follows Tatiane and Rafa, two aspiring actors in Rio de Janeiro's favela of Vidigal in Brazil. They are both performing in “Noites de Vidigal” (Nights of Vidigal) a community play about their favela and the challenges it has faced in the last decades. As we follow Tatiane and Rafa while they rehearse and perform, viewers are offered a window into their lives and the world around them.

Tatiane and Rafa aren't just aspiring actors but community members who experience firsthand the joys and hardships of living in a favela.

Vidigal, the favela Tatiane and Rafa live in, …

The Three Year Clock, Sam Roeck

Theses and Dissertations

Roeck: I mean, it’s “a” future. It’s like half what I want to be and half completely not what I want. I didn’t want to create a future that I was entirely excited about because I’m not actually that excited about the future. It looks pretty fucking grim.

Performing El Rap El ʿArabi 2005-2015: Feeling Politics Amid Neoliberal Incursions In Ramallah, Amman, And Beirut, Rayya S. El Zein

Dissertations, Theses, and Capstone Projects

This study is about politics in Arabic rap. Specifically, it is about affective dynamics and material negotiations during rap concerts in three cities in the Levant. I analyze Arab hip hop culture in the context of three different but related histories of cosmopolitan, middle class growth, and gentrification. Using an ethnomusicological framework rooted in participant observation and performance theory, I compare concert conditions, audience behavior, and accessibility of music production in Ramallah, Amman, and Beirut.

In Chapter One, I elaborate the discursive and theoretical frameworks that have pinned the political valences of Arab youth, Arab artists, and Arab rappers in …

Theatres Of Reality, Fiction, And Temporality: Vegard Vinge And Ida Müller’S Ibsen-Saga (2006 - 2015), Andrew L. Friedman

Dissertations, Theses, and Capstone Projects

This dissertation examines the influence of modernist aesthetics and ideologies on contemporary, European and U.S. experimental theatre. I argue that modernist and contemporary experimental theatres offer competing notions of reality, fiction, and temporality, which I interrogate through Vegard Vinge and Ida Müller’s Ibsen-Saga. I illuminate this tension by reading current modes of performance against the Saga’s productions and work practices, as well as their aesthetic and ideological foundation in three modernist sources: the artificiality of Ibsen’s realism, the utopianism and totality of Richard Wagner’s Gesamtkunstwerk, and the temporal provocations of the historical avant-gardes. I contend that the …

Straddling Feminisms: Post-Wave Pop Politics And Experimental Performance, Jessica Del Vecchio

Dissertations, Theses, and Capstone Projects

“Straddling Feminisms,” is the first academic study of a new movement in feminist theatre. Examining experimental performances from 2008 to today, I argue that this resurgence of explicitly feminist work in New York City represents the rise of what I call “post-wave pop feminism”—an intergenerational politics that engages French feminist philosophy, 1980s U.S. feminist ideologies, queer and trans theory, and Third Wave feminist thought. Unlike performances of previous decades, in which feminist politics arose from a conscious presentation of “gender as a construction,” today’s work embodies a kind of woman-centricity that expands upon the definition of woman—to include queer cohorts …

A Performative Script: Play With(In) Me, Erik Patton

Theses and Dissertations

Patton continues his interest in the body, its relation to material, the notion of abstraction (specifically related to queerness), and the phenomenological with this performative script. Enter the bath first; you must wash your dirty asshole, as you shat only two hours ago. Collect your body in the Silver Pond.

Nature And Notation: Steps Towards A New Dance Ontology, Madelyn Sher

Theses and Dissertations

None

Shakespeare's Blush, Or "The Animal" In Othello, Steven Swarbrick

Publications and Research

This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactual statement (“Were I the Moor, I would not by Iago”) that is most significant about his relation to Othello. From there I consider the overlap between the play’s representations of animality and black skin. Read in the context of Jacques Derrida’s reflections on animals, I consider the deconstructive value of linking …

Disciplines, Institutions—And Desires, Will Stockton, Mario Digangi, Ruth Mazo Karras, Melissa E. Sanchez

Publications and Research

Will Stockton: I would like to begin by asking you to consider the chiasmus under which we gather: “Desiring History and Historicizing Desire.” The chiasmus focuses our attention on the crossing of two terms, each with noun and verb forms their grammatical flexibility indexed, perhaps, to the methodological flexibility of the fields in which most of us work: early modern (here both Renaissance and late-medieval) queer and/or sexuality studies. Talk a bit about the definitions of desir/e/ing and histor/y/icizing, and the relation of these terms to the periodization and thematization of your and our work. Is defining these words more …

Autobiographical Poetry To Plays: Taking Memoir To A Theatrical Level, Ryan P. Tofil

Dissertations, Theses, and Capstone Projects

Pulitzer prize winning playwright John Patrick Shanley wrote, “Theatre is a safe place to do the unsafe things that need to be done.” For my Capstone Project, I have compiled my autobiographical poetry, prose, and performance monologues into a theatrical manuscript to be used as the basis for a play. The final Capstone Project is a manuscript of an anticipated theatrical production based on the grieving process surrounding my brother's suicide, as well as an exploration of my sexuality and the relationships I developed during the years surrounding his death.

The Capstone Project’s theatrical manuscript is also accompanied by a …

Brooklyn College Dramatics Clubs, Brooklyn College

Finding Aids

This collection consists of items that pertain to the Brooklyn College Dramatics Clubs for both the day and evening divisions of the college. There are posters, flyers, scripts, faculty correspondences, newspaper clippings, but, primarily, a wide assortment of programs. The items span almost a half century of dramatic clubs at Brooklyn College, which began when the college was founded, and documents the steady evolution of the theater program from the 1930s through the 1960s.

Aquell Estiu Del 66. L'Actuació De Merce Cunnigham A Sitges, Ara Fa 50 Anys, Antoni Pizà

Publications and Research

El desembarcament a Sitges de la MCDC ara fa cinquanta anys exactes, es considera un punt crucial en la cultura catalana i espanyola tant en art com en música. Carles Santos ha titllat aquella actuació de «traumàtica» pel que va suposar per a la música espanyola. I a més a més, molts estudis erudits recents sobre l’art conceptual, la música electrònica i la dansa experimental consideren l’actuació a Sitges com un dels inicis de tots aquests moviments a l’estat espanyol. Al final, Clive Barnes va acabar per tenir raó: al Departament d’Estat l’havia subvencionat un pintor europeu, almenys la gira …

Geisha On Fire, Beimeng Fu

Capstones

Masae Satouchi is not an average Japanese woman. When she lived in Shiga Prefecture, a country town an hour away from Kyoto, her ex-boyfriends were uncomfortable with her eccentricity. She liked to wear colorful clothes, they didn’t. “I was too colorful to live in Japan,” she says. Japan is, of course, a modern, industrialized nation. The society, however, is famously conservative and does not allow for much unique self-expression. The situation is particularly difficult for Japanese women. Japan ranks 105 out of 136 in global gender gap index. Most women their quit jobs after having their first child.

Silk Wings: The Making Of Noma, Sandra C. Lopez-Monsalve

Capstones

Silk Wings: The Making of Noma is a documentary that follows a group of aerialists, dancers and acrobats as they create an original new show. Conceived and directed by aerialist and choreographer Sara Zepezauer, Noma is a show that explores sight, sound, and movement.

Through beautifully shot performances and intimate interviews, the film follows Sara and her troupe through the path of creation and personal motivations. In this vibrant journey, Sara finds inspiration to cope with her father’s diagnosed carcinoma.

Silk Wings is a story about creativity, perseverance, hope and friendship.

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

Theses and Dissertations

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.

Stargate Theatre Company: Engaging Justice-Involved Youth In Creativity And Growth, Jeffrey A. Butts, Martha Wade Steketee

Publications and Research

This report provides a possible starting point for an evaluation of The Stargate Theater company. The Stargate Theater Company, embedded in the resources, expertise, and artistry of the Manhattan Theatre Club Education Program, recruits its members, 10-15 males, from youth services agencies for a seven-week summer arts program. Members of the program write raw materials which become performable text and perform the work with the help of professional theater artists. The writer-performers work for pay and ultimately perform their own words about their life experiences. The program aims to be a paid job and a work readiness training program, a …

The Mcgowan Trilogy (Plays), Seamus O'Scanlain

Publications and Research

The McGowan Trilogy is a psychological journey of violence, sorrow and love lost. Set in 1980s Ireland after the Brighton Bombing which targeted Margaret Thatcher and her cabinet it follows the exploits of Victor M. McGowan - a new breed of IRA enforcer - in love with puns, guns and the pogo. The Trilogy won awards for Best Actress, Best Director and Best Production in 2014 and played for 20 nights in New York. In 2015 it played in the UK at the Kino-Teatr, An Taibhdhearc, The Town hall Westport and The Town Hall Galway.

The Inconstancy Of Bodies: Yvonne Meier's Works, 1985 ' 2012, Lindsey Ann Drury

Dissertations, Theses, and Capstone Projects

What is ability? And conversely, what is disability? This research on the dancer and choreographer Yvonne Meier theorizes that her more than 30-year career has challenged the oft perceived polarities between function and dysfunction, utility and futility through the physical actions of dance performances. As she developed as a dancer and choreographer, Meier engaged in forms of movement training that pledged to expand her ability by unearthing the hidden causes and effects of actions. And yet, she created works which foregrounded the very gaps in knowledge between acts, their intentions, and effects. The fundamental disability expressed through Meier's works is …

Una Reflexión Sobre La Violencia Y La Construcción De Paz Desde El Teatro Y El Arte, Patricia Tovar

Publications and Research

Este artículo es una invitación a pensar en el arte y el legado de la violencia y la injusticia en la historia de la humanidad y en los esfuerzos trabajados desde diferentes proyectos artísticos en la resolución de conflictos y en la promoción de la paz en el mundo. Se presentan y analizan algunas de esas experiencias y se examina cómo han sido aplicadas por diferentes disciplinas para resolver o avanzar sobre algunos de los problemas que aquejan a la sociedad. Es también importante pensar en el uso del arte, del teatro y de la creatividad como estrategia metodológica y …

Neoliberal Dystopias: Postmodern Aesthetics And A Modern Ethic In Four Pairs Of Plays By Argentine And Irish Playwrights (1990-2003), Noelia Diaz

Dissertations, Theses, and Capstone Projects

This project is an exploration of eight plays, four from Argentina, four from Ireland, comprehending the period between 1990 and 2003. Both countries share a strong tradition of national theatre that, from its beginnings, was closely intertwined with the development of the nation state. Theatre functions in Argentina and Ireland as a medium through which representations of what it means to be Irish or Argentine have been explored, questioned, and contested. It is the aim of this project to examine how the apparently non-political and ahistorical theater of the playwrights I will examine is indeed a response to a contextualized …

"Beyond Chingones And Chingados: Performing Masculinities In Contemporary Mexican Theatre", Zaida Godoy Navarro

Dissertations, Theses, and Capstone Projects

The present investigation focuses on how masculinities are conformed and represented in the plays of two generations of Mexican playwrights, the New Dramatists of Mexico and the younger Sixth Generation in an attempt to reflect upon recent conceptualizations of gender as well as contemporary changes in society mainly due to globalization and the impact of feminism and gay movements. The limited literature focused on Mexican masculinities has overlooked the importance of theatre as a privileged and productive setting for the study of gender. Another common factor in studies dedicated to the representation of Mexican men in literature is the focus …

The Finales Of Robert Shumann's Piano Sonatas And Fantasie, Emiko Sato

Dissertations, Theses, and Capstone Projects

This dissertation sets out to examine the finales of Robert Schumann's Piano Sonatas (opp. 11, 14, 22 [original finale]), and Fantasie (op. 17), with an especial focus on their form, which can be broadly categorized as parallel form. The introduction examines historical criticisms of Schumann's large-scale works, pointing out some of the idiosyncratic features found in Schumann's finales. Each chapter will present a comprehensive analysis of one of the finales. I make use of color diagrams in the formal analyses, which expeditiously and efficiently elucidate the repeating patterns of thematic and transitional materials; they also visually reflect the actual …

Economies Of Touring In American Theatre Culture, 1835-1861, Nicole Berkin

Dissertations, Theses, and Capstone Projects

Employing methods from print and material culture studies, this dissertation explores the economic, social, and cultural dynamics of theatrical touring during a period, 1835-1861, when the ultimate symbols of anxiety over rising industrialization, migration, and urbanization--con artists and prostitutes or "confidence men and painted women"- were associated with both theatre and transportation. I argue that touring was central to the spread of theatre culture and is therefore critical to understanding U.S. popular culture. This project examines how geographic movements, as well as the circulation of extra-theatrical materials like newspapers and photographs, were instrumental not only for performers who attempted to …

Robot Saints, Christopher B. Swift

Publications and Research

In the Middle Ages, articulating religious figures like wooden Deposition crucifixes and ambulatory saints were tools for devotion, techno-mythological objects that distilled the wonders of engineering and holiness. Robots are gestures toward immortality, created in the face of the undeniable fact and experience of the ongoing decay of our fleshy bodies. Both like and unlike human beings, robots and androids occupy a nebulous perceptual realm between life and death, animation and inanimation. Masahiro Mori called this in-between space the “uncanny valley.” In this essay I argue that unlike a modern person apprehending an android (the uncanny human-like object that resides …

Early Ballet In The United States: The Importance Of Florence Rogge, Choreographer, E. Laura Hausmann

Dissertations, Theses, and Capstone Projects

Radio City Music Hall, the first building completed in the complex known as Rockefeller City, premiered its inaugural performance on December 27, 1932. The initial vision of John D. Rockefeller, Jr. was to build the Hall into a center that showcased the accomplishments of American innovation through advanced engineering, art, and culture. The Hall represented newness. During the worst years of the Great Depression, newness represented optimism and hope for a better economic future for the country.

An integral component included in all stage shows at the Music Hall was the Radio City Music Hall Ballet Company. Florence Rogge, the …

Secrets Of A Toy-Box: A Study Of Claude Debussy's La Boîte À Joujoux, Mirna Lekic

Dissertations, Theses, and Capstone Projects

The influence of Claude Debussy's inventive musical language can be traced through to the most modern classical repertoire. Yet of the composer's three ballets, which provided the counterweight to the Russian dominance of Parisian ballet culture in the early 1900s, only Jeux has received substantial scholarly attention. The following document is a monograph on La Boîte à joujoux (1913), Debussy's innovative ballet for children or marionettes. It offers an exploration of the work's broader significance and contextualizes it both within Debussy's oeuvre and in a broader historical realm. Included is a survey of the ballet's performance history, as well as …