Theatre and Performance Studies Commons^™

Walking In A Burnt Hole, Sophia Friedman

Student Scholar Symposium Abstracts and Posters

Holocaust stems from the Greek word “burnt hole,” but when the word Holocaust is mentioned today it refers to the rise of Nazi Germany in 1933 until the fall in 1945 (Skloot). More specifically, the Holocaust refers to the 11 million persecutions through concentration camps. The Holocaust is widely studied for various reasons, but the biggest reason is that “’we are seekers of understanding in the territory defined by those events” (Skloot 9). Through written work, such as poetry and plays, the Holocaust is brought to life in a more realistic way.

Through art we are able to connect to …

Theater Education Through The Common Core, Brandon Nease

Student Scholar Symposium Abstracts and Posters

As school budgets have plummeted, one of the extra curriculums that has suffered by losing funding has been the theatre department (wheeler 2007). The common core of education focuses on the four subjects of math, science, English, and history. The subjects are traditionally separated from each other with separate specialized teachers. However, several instructors try to utilize various methods in order to teach individual subjects more effectively. Even though the arts as a separate subject have slowly been cut from school programs around the nation, they have become an integral part of many teacher's curriculum to aid students in understanding …

Devising: Improving A Perceived Glistening Community!, Katie Laner

Student Scholar Symposium Abstracts and Posters

Theatre for social change has long relied on devising methods to create pieces reflecting current cultural and societal issues. Through exercises, games and workshops, theatre for social change devising practices are as distinct and numerous as the many different communities they work with. The leading pioneer, Augusto Boal, created Theatre of the Oppressed, which utilizes many kinds of practices meant to address local issues effecting a group of people who have suffered from repression or whose needs have been invisible from greater society.Since his initial groundbreaking theories and practices, many modern artists and groups have adapted and changed his methods …

The Psychology Of Performance: A Growing Art, Shaina Hammer

Student Scholar Symposium Abstracts and Posters

Somehow, though Chapman University is relatively small, there is a great deal of distance between each of its academic fields; the actors don't know what the music building looks like, the musicians have no idea what the dramatists are up to, and no one has any idea where the dance classes are held. But not only do the students of Chapman University's College of Performing Arts not know one another, they don't understand one another. More than once I have encountered a student with the same self-confidence issue as another. Without a doubt, performance majors have a lot to talk …

“The Modern Performance Art Vs. Traditional Theatre: The Division Between The Contemporary And The Conventional”, Sally Woo

Student Scholar Symposium Abstracts and Posters

Performance art and theatre are both rooted in the same practices and ideas. Performance art is an art form that utilizes the human body as a tool for creating art. It has no boundaries and past performance pieces have proven that the options are limitless. The human body acts as a type of canvas in which the artist manipulates however they wish, whether it is on the body itself or the movement or placement. Theatre does the same thing, using people to tell stories that illuminate real life situations in a scripted and rehearsed manner. However, while theatre has become …

Exploring Unusual Post-Graduate Careers In The Arts, Caroline Hawkins

Student Scholar Symposium Abstracts and Posters

Post-graduation job searching arrives too quickly in most college seniors’ lives, and many of us find ourselves unprepared when the time comes to actually find a career we want to commit to for an extended period of time. To commence this daunting quest, I have decided to explore a few alternative possibilities and options for professions that are related to my passions of theatre and music, but that are a bit more unorthodox, unexpected, and “outside the box.” To aid me in my search, I will communicate with several professional experts in their fields, gaining skilled and experienced opinions. In …

Understanding Theatre And Its Social Implications In A Modern Context, Sara Curtis

Student Scholar Symposium Abstracts and Posters

Theatre has been fighting for a proper place in society since its inception in Ancient Greece. Although the ancient civilizations of the western world adored theatre and incorporated it into their daily lives, in later years it struggled to find acceptance. Theaters and theatre professionals often received blame for the spread of disease and rises in miscreant behavior. This yoyo-like trend between acceptance and ostracism continued throughout the ages as theatre and the encompassing societies evolved and changed. Thusly, the theatre has always been a point of contention and discussion. Even to this day, critics and scholars alike theorize and …

Staging Style: The Deconstruction And Reconstruction Of Theatrical Style, Peyton Ashby

Student Scholar Symposium Abstracts and Posters

Style. The term itself is used in a plethora of mediums and subjects. When speaking of a painter's style, like Monet, it is describing the technique used and own individualized ways of creating his painting. But what does this term mean in Theatre? The first thing that comes to mind is less of a clear definition of what "style" is, but rather what springs to mind are examples of style. Abstract or Realism are all familiar terms when style is mentioned, but there are many others, and just what exactly is style and how does it affect a piece of …

What’S Cookin’ Good Lookin’: The Rise And Phenomena Of The Female Foodie Performer Through Social Media, Alison Weiss

Student Scholar Symposium Abstracts and Posters

Once seen in black and white terms as human sustenance or luxury, eating has become not only a hobby, but an obsession. Whereas chefs and cooks were previously regarded as average, behind-the-scenes workers, they have now stepped out from the kitchen and into the spotlight, becoming celebrated public idols – and performers. With images tailored to different demographics right down to their clothing and hairstyles, chefs and cooks no longer merely prepare food: they put on a show. The foodie phenomena has been pioneered by females, largely in part to the parallel-running infatuation with health, fitness, and food trends that …

Stage Management Jobs And Qualifications, Sarah Stavich

Student Scholar Symposium Abstracts and Posters

As a theatre technology major with an emphasis in Stage Management I am interested in pursuing a carrier as a Stage Manager. However, I do not have a set company, place, or even type of production I would like to work for.

In this paper I will explore the qualifications and skills needed to be a professional Stage Manager for different types of productions. I will provide information about Stage Managers working on cruise ships, touring productions, music concerts, traditional theatrical productions, and non-traditional productions. I will research the certifications that are required and recommended for these positions, the experience …

Dreams Of A Motley Graduation Cap: A Proposal For Stand-Up Comedy In Higher Education, David Patterson

Student Scholar Symposium Abstracts and Posters

It is said that the most valuable tool an education at a liberal arts university is how it produces well rounded people with a better understanding of themselves and the world around them. To produce people not only aware of current issues, but with the toolbelt needed to assess them and shed new light. If this is true, then I propose that the goals of liberal arts university are synonymous with the goals of a comedian.

In this thesis, I mean to draw ties to the world of stand up comedy and within the world of liberal arts academia. I …

The Rape Of Blanche: An Examination Of Critical Analysis & Sexist Overtones, Audrey Thayer

Student Scholar Symposium Abstracts and Posters

The first people to ever listen to the words of A Streetcar Named Desire were two women, Margo Jones and Joanna Albus. Tennessee Williams read them an uncompleted first draft of the play. Margo Jones was “supportive of the play but urged him to rewrite it and to soften Blanche's hysteria. He listened, and ignored her” (Rader 199). The very first people who were privy to the violent, sensual, chaotic world of Blanche and Stanley were two women who found fault in Stella's character. They saw her hysteria, no doubt an unbecoming trait, as “far out,” or perhaps unbelievable. Much …

Kinetic Sculpture In Theatre And Live Entertainment, Francesca Muscolo

Student Scholar Symposium Abstracts and Posters

Technology dominates contemporary “theatre,” but the theatre is often the last industry to see innovations. Instead, the technical field operates on leftovers from entertainment, visual art, or industrial settings. The technological differences between these areas begin to blur; the differences lay only in their execution and intention. Some companies such as Cirque du Soliel, Diavolo, and Chunky Move blend technology and performance until the two become indivisible. This technology is being developed in an effort to lessen boundaries and create new opportunities that could not otherwise happen onstage.

Through this thesis I will develop a basic understanding of the machinery …

Mind+Body: An Ethnodrama About Adolescent And Young Adult Oncology, Jake Russell Thompson

Student Scholar Symposium Abstracts and Posters

The first thing many people think of as a “cancer patient” tends to be an elderly person, or perhaps a child too young to understand what’s happening — pink ribbons and fundraising walks, weak and feeble bodies too sick and delicate to function. These notions of a “quintessential cancer patient” are both limiting in their scope of what the disease actually is, and isolating to younger people going through it. For people who don’t fit this predetermined idea of the psychological, physical, and emotional development of a cancer patient (specifically, the seventeen to thirty-five age range), isolation becomes another side …

Birth By Sleep: An Immersive Adventure Through Wonderland, Edd Bass

Student Scholar Symposium Abstracts and Posters

When Lewis Carroll wrote down Alice’s Adventure in Wonderland he never expected it to become a worldwide sensation. His work has gained a following as psychoanalysis has allowed people to dive deeper into Alice’s dream world. Many books and movies based on the Alice books have been released, such as Sucker Punch. On a seemingly unrelated topic, a company called Punchdrunk has created an immersive theatre piece known as Sleep No More in which the audience runs around a “hotel” following different actors and trying to unveil the story unfolding. Immersive Theatre allows for the audience to be swallowed up …

Lighting Design Proposal For Tom Stoppard's "Rosencratz And Guildenstern Are Dead", Nikolai Eiteneer

Student Scholar Symposium Abstracts and Posters

Tom Stoppard’s tragicomedy, Rosencrantz and Guildenstern are Dead (1964), earned the early popularity and the world-wide reputation that such a work deserved, booting Tom Stoppard into the limelight as an up-and-coming young writer. The play itself verges on an absurdist style, but due to the realistic nature of the title characters, the audience members find themselves sympathizing with their plight and lack of knowledge though any theatre goer acquainted with the works of Shakespeare, and Hamlet in particular, will know the final outcome of the play. For those not endowed with such knowledge, however, Stoppard gave the end away. Rosencrantz …

The Dream Of The Theatre Is Alive In Portland: The Potential Of A New Company To Succeed, Amaya Santamaria

Student Scholar Symposium Abstracts and Posters

According to the 2013 census there are approximately 609,456 people living in Portland, Oregon. There is no demographic data tabulated for 2013, however a look at the 2010 statistics can help paint a picture of Portland and its racial and educational make up. That year, 76.1% of people identified as “white alone.” The African American population constituted 6.3% and the Hispanic 9.4%. While it is true that, typically, Caucasian audiences make up the majority of theatre attendees, perhaps more telling are the statistics regarding education. In Portland, 43.1% of people hold a bachelor’s degree or higher, compared to the 29.2% …

Cognitive Neurosciene And Its Applications To Contemporary Acting Theory, Ryan Stiffelman

Student Scholar Symposium Abstracts and Posters

I personally believe that anyone can be a performer so long as they have the determination, dedication, and refuse to take no for an answer. There are all kinds of training out there designed to help turn hopeful wannabes into the “stars” that we know them as, however, not every “star” we see has had this kind of training. We often hear of young actors like Jennifer Lawrence hailed for their “natural talent”. Does this mean there’s some kind of birth-right, a specific natural inclination or ability that makes someone a potentially great actor from the start? I will refer …

The Psychology Of Competitive Dance: A Study Of The Motivations For Adolescent Involvement, Samantha Sobash

e-Research: A Journal of Undergraduate Work

"Competition is a social process that is so pervasive in Western civilization that no one can escape it" (Robson 2004). Dance training for most people begins at an early age, and thus the art form akin to sports introduces youth to competition. The booming dance competition industry has only enhanced the competitive aspect of the art form. Currently there are upwards of 200 local, regional, and national competitions held annually with participants as young as four years old. Is competition innate or are we introducing it as part of youth development in the Western world? Youth are increasingly pushed by …

Sleep Patterns In Collegiate Dancers, Beth Nicks, Jacque Price

e-Research: A Journal of Undergraduate Work

As college dance majors, the investigators have witnessed firsthand the effects that sleep and the lack thereof can have on the performance quality of University level dancing. It has been shown that lack of sleep can compromise nearly every physiological process such as memory, coordination, metabolism, and new learning (Wozny 2008). Studies on disruptions of the human circadian rhythms have shown that athletes involved in endeavors where sleep is restricted or totally deprived have severe consequences on behavior and performance. (Edwards 2007). However, the environment of college dance programs is different than athletics due to there being no off season. …

Presentation Of The Journal P-E-R-F-O-R-M-A-N-C-E, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

"I am very happy and proud to present the first issue of the journal p-e-r-f-o-r-m-a-n-c-e. This journal, I dreamed it a few years ago. I wanted to create a journal in France that deals with the field of performance studies and the performing arts, that is international and multilingual, with at least French and English as languages, and the desire to extend it progressively to other languages. I also wanted a journal that makes the bridge between artists and researchers, in which artists and researchers could participate, each with their own way of expressing themselves and speaking about their work. …

Presentation Of The Issue On The Artist Researcher, Ludivine Allegue, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

Ivan Magrin-Chagnolleau : Ludivine, I am delighted to start the adventure of the journal p-e-r-f-o-r-m-a-n-c-e with an issue co-edited with you on one hand, and on the theme of the artist researcher on the other hand. Can you tell me why this theme of the artist researcher is so important to you?

Ludivine Allegue: I had the opportunity to work on the Practice as Research in Performance project in UK. This was a fascinating phase in my research: finally the essential role of artistic practice was taken into consideration in the Art research context, with the avowed aim of …

In Praise Of The Artist Researcher, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

I will start by defining the terms artist, researcher and artist researcher and then give some examples of artist researchers: Leonardo da Vinci, Constantin Stanislavski, Bertolt Brecht and Lee Strasberg. Finally, I will address the issue of artist researcher from my own perspective, as an actor and director in particular. I will thus demonstrate the benefits of linking the practice of art with a more theoretical research of this practice, and how these two aspects – art and research – are mutually reinforcing and help creativity to flourish.

Ships That Do Not Sail: Antinauticalism, Antitheatricalism, And Irrationality In Stephen Gosson, Kent Lehnhof

English Faculty Articles and Research

Stephen Gosson's similes, particularly in 1579's The Schoole of Abuse, commend affective restraint, value stasis over motion, and idealize immobility. Combined with his Platonic mistrust of emotion and his dislike of stage plays for the emotional response they provoke, his criticisms can be seen to express a desire to slow cultural change and social mobility. The effect of this in The Schoole of Abuse is that it deprives objects and agents of their essential identify by removing the action that best defines them, implying that to become our best selves, we must give up the very qualities that define us.

The Tallest Tree In The Forest, Jocelyn Buckner

Theatre Faculty Articles and Research

"Playwright and actor Daniel Beaty’s solo performance as Paul Robeson in The Tallest Tree in the Forest, commissioned by Tectonic Theater Project and coproduced by La Jolla Playhouse and Kansas City Repertory Theatre, was a tour-de-force biographical tribute."

Spectacles Of Reform: Theater And Activism In Nineteenth-Century America By Amy E. Hughes (Review), Jocelyn Buckner

Theatre Faculty Articles and Research

In Spectacles of Reform Amy Hughes advocates for “spectacle as methodology” (4), a means of interpreting spectacle in nineteenth-century melodrama, as well as a wide variety of other media, that rehearses and reforms concepts of citizenship and identity related to race, class, gender, and morality. Through this lens, Hughes seeks to answer the questions “where and how do activist spectacles appear before and beyond the theatrical encounter?” and “why is spectacle kept alive through reinvention, revision, and repetition long after the drama is over?” (5). Hughes traces her theory of the spectacular instant through three popular sensation themes of the …

Relation And Responsibility: A Levinasian Reading Of King Lear, Kent Lehnhof

English Faculty Articles and Research

Emmanuel Levinas’s ideas about intersubjectivity can change our reading of Shakespeare by putting philosophical pressure on Shakespeare’s dramatization of human relatedness in The Tragedy of King Lear (1607–8). Even though Levinas does not discuss Lear at length in any of his published work, this difficult philosopher and this difficult play have much to say to one another. Levinas can be fruitfully brought to bear on Shakespeare’s great tragedy, generating fresh and productive ideas about its most pivotal moments, its most perplexing questions, and its most popular interpretations. In addition, Levinas can provide a useful frame for discussing the nature of …

Trunk Coordination In Dancers And Non-Dancers, Danielle N. Jarvis, Jo Armour Smith, Kornelia Kulig

Physical Therapy Faculty Articles and Research

Variability, or how a task changes across trials, may reveal differences between athletes of differing skill levels. The purpose of this study was to examine trunk and lower extremity (LE) single joint kinematic variability and inter-segmental coordination variability in dancers and non-dancers during bipedal vertical dance jumps (sautés). Twenty healthy females, ten with no formal dance training and ten professional dancers, performed 20 consecutive sautés. Single joint kinematic variability was assessed using mean standard deviation of angular displacement, and inter-segmental coordination variability was assessed using angular deviation of the coupling angle between segments. Within the context of the standard error …

Acting, Integrity, And Gender In Coriolanus, Kent Lehnhof

English Faculty Articles and Research

Shakespeare's Coriolanus... anticipates and corroborates modern-day analyses emphasizing the sociopolitical dimensions and determinants of antitheatrical discourse. In the present essay, I would like to shift my focus from questions of class/status to questions of sex/gender, endeavoring to trace the links between Coriolanus’s antiperformative zeal and his ultra-masculine identity. For though it is true that Coriolanus opposes the dissimulation of others on political grounds (i.e., it creates social confusion), what causes him to reject play-acting in his own person is the sexualized fear that it will unman him (i.e., turn him into a squeaking virgin or crying boy). In this manner, …

Suzan-Lori Parks: Essays On The Plays And Other Works Edited By Philip C. Kolin (Review), Jocelyn Buckner

Theatre Faculty Articles and Research

The anthology Suzan-Lori Parks: Essays on the Plays and Other Works offers new perspectives to the growing body of scholarship about Parks’s artistic achievements. The text features a contextualizing preface and twelve new essays about her plays, novel, and screenplays. It also contains two new interviews, one with Parks herself and another with her longtime friend and collaborator, director Liz Diamond, as well as a timeline featuring major productions of her works from her first play reading in 1984, to projects anticipated for future production on stage and screen. While Parks’s works, and works on Parks are widely anthologized in …