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Articles 901 - 913 of 913
Full-Text Articles in Theatre and Performance Studies
Wie Kann Man Neger Weiβ Waschen?, Hedwig Von Haza-Radlitz
Wie Kann Man Neger Weiβ Waschen?, Hedwig Von Haza-Radlitz
Drama and Film
Prepared for the Sophie site by Professor Cindy Brewer's Winter 2007 German 201 Class : Greg Seppi, Jillian Fritz, Megan Scofield, Rosalie Sharp, Nicholas Estrada, Jamie Elsmore, John Fahey, Ruth Dittli and Jamie Jensen.
Hilde Brandt, Marie Itzerott
Dramatische Werke, Amalie Von Sachsen
Die Fürstenbraut, Amalie Von Sachsen
Die Braut Aus Der Residenz, Amalie Von Sachsen
Der Oheim, Amalie Von Sachsen
Der Familienzwist, Durch Falsche Warnung Und Argwohn, Katharina Die Große, 1729-1796
Der Familienzwist, Durch Falsche Warnung Und Argwohn, Katharina Die Große, 1729-1796
Drama and Film
No abstract provided.
Lausus Und Lydie, Sophie Eleonore Von Kortzfleisch
Lausus Und Lydie, Sophie Eleonore Von Kortzfleisch
Drama and Film
No abstract provided.
Phantastes Chapter 14: Winter's Tale, William Shakespeare
Phantastes Chapter 14: Winter's Tale, William Shakespeare
German Romantic and Other Influences
William Shakespeare (1564-1616), The Winter’s Tale, published in 1623 in the First Folio.
Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher
Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher
German Romantic and Other Influences
John Fletcher (1579-1625) was a contemporary of William Shakespeare and followed him as main playwright for the King’s Men. The Faithful Shepherdess (produced in 1608, probably published in 1609) is also important for Fletcher’s definition of tragicomedy, which highlights the importance of near-death to the genre.
Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur
Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur
German Romantic and Other Influences
Cyril Tourneur (1575-1626) was an English dramatist, a contemporary of Shakespeare; Tourneur was also a soldier and politician. The Revenger’s Tragedy (1607), as its name implies, is a revenge tragedy, and comments on the battle to avenge the destruction by the giants that lead to the brothers’ deaths. Literary critics now believe that the play was written by Thomas Middleton (1580-1627).
Phantastes Chapter 24: The Honest Whore, Thomas Dekker, Thomas Middleton
Phantastes Chapter 24: The Honest Whore, Thomas Dekker, Thomas Middleton
German Romantic and Other Influences
Thomas Dekker (1572-1632) was a dramatist and writer of popular pamphlets describing London life. This line comes from the play The Honest Whore, Part II (1605 or 1606). The Honest Whore, Part I, a collaboration between Dekker and Thomas Middleton, was performed in 1604.
Phantastes Chapter 15: Campaspe, John Lyly
Phantastes Chapter 15: Campaspe, John Lyly
German Romantic and Other Influences
Campaspe, an Elizabethan play by John Lyly (1584). The lines quoted are from Act 3, Scene 4, and they indicate the notion of a Platonic beauty, an ideal beauty that the artist can never capture perfectly