Theatre and Performance Studies Commons^™

Les Larmes Des Saint Pierre Script, Marie-Jeanne Laurendeau

Marie-Jeanne Laurendeau

November, 1924, Les Larmes des Saint Pierre [The Tears of Saint Peter] script with notation in French.

Ua12/2/1 Normal Heights, Vol. 3, No. 6, Western Kentucky University

WKU Administration Documents

Newsletter and course catalog, this issue promotes the Training School.

The Voice Of The Phi Sigma -- 1919 -- Vol. 40, No. 01, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.

The Voice Of The Phi Sigma -- 1917 -- Vol. 39, No. 01, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.

The Voice Of The Phi Sigma -- 1915 --, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.

The Purple, June 1898

The Purple

The Purple is a student publication offering news of the month, editorials, poetry, college news and alumni news. This issue contains the following:

• The B.J.F.- Its Dawn
• A Token of Sentiment Reciprocated
• The Lawyer
• The Gallant Mac's and O's
• Honorary Members of the B.J.F.
• Invito A Venire In Sorrento
• B.J.F. of War Days
• Popular Fallacies About Lawyers
• Yellowmania
• Purple Patches
• To My T.D.
• The College Man and Life's Problems
• To Keats
• Early Dramatic Clubs
• "The Dramatic" of the Sixties
• To T.J.S.
• The Actor and the Orator
• The Philomathic
• League of the Sacred Heart
• B.V.M. Sodality
• Pyramid of Caius Cestius
• Our …

The Voice Of The Phi Sigma -- 1886 -- Volume 08, No. 06, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.

The Voice Of The Phi Sigma -- 1885 -- Volume 07, No. 01, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.

The Voice Of The Phi Sigma -- 1883 -- Volume 05, No. 04, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact [email protected] for more information and to view the collection.

Carte-De-Visite, Full Portrait Of Mr. & Mrs. "General Tom Thumb" In Their Wedding Costume, 1863, By Matthew Brady., Matthew B. Brady, E. & H.T. Anthony

Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection

Charles Sherwood Stratton (whose stage name was "General Tom Thumb" in P.T. Barnum's productions) is pictured with his wife Lavinia Stratton (maiden name: Warren). Stratton and Warren were married on February 10, 1863. Verso of CDV includes mimeographed inscriptions by the couple.

An Arrow Against Profane And Promiscuous Dancing Drawn Out Of The Quiver Of The Scriptures, Increase Mather

Electronic Texts in American Studies

When a dancing master arrived in Boston in 1685 and offered lessons and classes for both sexes during times normally reserved for church meetings, the Puritan ministers went to court to suppress the practice. Increase Mather (1639-1723) took the leading part, writing and publishing this tract, which compiles arguments and precedents for the prohibition of “Gynecandrical Dancing, [i.e.] Mixt or Promiscuous Dancing, viz. of Men and Women … together.” These justifications were certainly shared with the court, which found the dancing master guilty, fined him £100, and allowed him to skip town.

Mather’s tract on dancing is an overwhelming compendium …

Phantastes Chapter 14: Winter's Tale, William Shakespeare

German Romantic and Other Influences

William Shakespeare (1564-1616), The Winter’s Tale, published in 1623 in the First Folio.

Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher

German Romantic and Other Influences

John Fletcher (1579-1625) was a contemporary of William Shakespeare and followed him as main playwright for the King’s Men. The Faithful Shepherdess (produced in 1608, probably published in 1609) is also important for Fletcher’s definition of tragicomedy, which highlights the importance of near-death to the genre.

Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur

German Romantic and Other Influences

Cyril Tourneur (1575-1626) was an English dramatist, a contemporary of Shakespeare; Tourneur was also a soldier and politician. The Revenger’s Tragedy (1607), as its name implies, is a revenge tragedy, and comments on the battle to avenge the destruction by the giants that lead to the brothers’ deaths. Literary critics now believe that the play was written by Thomas Middleton (1580-1627).

Phantastes Chapter 24: The Honest Whore, Thomas Dekker, Thomas Middleton

German Romantic and Other Influences

Thomas Dekker (1572-1632) was a dramatist and writer of popular pamphlets describing London life. This line comes from the play The Honest Whore, Part II (1605 or 1606). The Honest Whore, Part I, a collaboration between Dekker and Thomas Middleton, was performed in 1604.

Phantastes Chapter 15: Campaspe, John Lyly

German Romantic and Other Influences

Campaspe, an Elizabethan play by John Lyly (1584). The lines quoted are from Act 3, Scene 4, and they indicate the notion of a Platonic beauty, an ideal beauty that the artist can never capture perfectly