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Articles 451 - 480 of 562

Full-Text Articles in Theatre and Performance Studies

Oh, The Hypocrisy! Or, A Dramaturgical Analysis Of Moliere's Tartuffe, Amelia Maxfield May 2016

Oh, The Hypocrisy! Or, A Dramaturgical Analysis Of Moliere's Tartuffe, Amelia Maxfield

Theses and Dissertations

In approaching Tartuffe from a dramaturgical standpoint, one must consider the relevancy of the production and how the production team is able to translate the message of an antiquated play to a modem audience. In our case, the solution was to set the play in 1926 Paris instead of the original 1669 Paris. From there, I conducted research on the two periods, discovered the pivotal factors that connected them, and further connected those issues to today’s world. After consulting scholarly articles concerning French history and literature, I compiled a Dramaturgy Casebook that contains information and analyses crucial to understanding the …


Kimmo Hakola's Diamond Street And Loco: A Performance Guide, Erin Elizabeth Vander Wyst May 2016

Kimmo Hakola's Diamond Street And Loco: A Performance Guide, Erin Elizabeth Vander Wyst

UNLV Theses, Dissertations, Professional Papers, and Capstones

Kimmo Hakola (b.1958) has emerged in the past two decades as one of Finland’s leading contemporary composers. His numerous clarinet and bass clarinet works include a clarinet concerto, five chamber works with various instrumentations, a work for solo clarinet, a work for solo bass clarinet, and a work for solo clarinet and pedal bass drum (the clarinetist performs both the clarinet and bass drum parts). While this relatively large output featuring the clarinet family may be a result of Hakola’s personal interests, it may also be the result of a friendship with virtuoso clarinetist Kari Kriikku (b. 1960). This document …


1st Place: "The Art Of Storytelling" Literature Collection, Lauren Cruz Apr 2016

1st Place: "The Art Of Storytelling" Literature Collection, Lauren Cruz

John and Margaret Class Student Book Collection Contest

This is Lauren Cruz's submission essay, annotated bibliography, and annotated wishlist for the 2016 John and Margaret Class Student Book Collection Contest, which won first place.

Lauren is a graduate student at Chapman University in the War and Society program.


Vistas, Volume 31, Spring 2016, Sacred Heart University Apr 2016

Vistas, Volume 31, Spring 2016, Sacred Heart University

Vistas (Horizons)

An interdisciplinary, multi-cultural journal celebrating the creativity of Sacred Heart University during the academic year 2015-2016.

This year's issue of Vistas is titled "Heritage and Beyond."


Volume 08, Meghan Enzinna, Casey Dawn Gailey, Raven Collins, Chiara Enriquez, Amelia Mcconnell, Alexander Morton, Emma Beckett, Leah G. Parr, Briana Adhikusuma, Taylor Embrey, Rowan Davis, Danielle Sisson, Bianca Cherry, Melissa Cacho, Chloe Woodward, Catherine Rollins, Carson Reeher, Landon Cooper, Haley Vasquez, Marlisha Stewart, Eric Whitehead, Sabrina Walker, James Bates Apr 2016

Volume 08, Meghan Enzinna, Casey Dawn Gailey, Raven Collins, Chiara Enriquez, Amelia Mcconnell, Alexander Morton, Emma Beckett, Leah G. Parr, Briana Adhikusuma, Taylor Embrey, Rowan Davis, Danielle Sisson, Bianca Cherry, Melissa Cacho, Chloe Woodward, Catherine Rollins, Carson Reeher, Landon Cooper, Haley Vasquez, Marlisha Stewart, Eric Whitehead, Sabrina Walker, James Bates

Incite: The Journal of Undergraduate Scholarship

Introduction from Interim Dean Dr. Jennifer Apperson

Indigenous Peoples and the Modern Era by Meghan Enzinna

"Who Says": How Selena Gomez and the Scene Attempt to Subvert the Popular Standards of Beauty by Casey Dawn Gailey

Art by Raven Collins

Meltdown on Social Media: Amy's Baking Company Meets Kitchen Nightmares by Nathena Haddrill

Art by Chiara Enriquez

Design by Amelia Mcconnell

Worth More Than a Thousand Words: A Visual Rhetorical Discussion of Virtual Reality by Examining "Clouds Over Sidra" by Alexander Morton

Design by Emma Beckett

The Sonata: An Analysis of Piano Sonata No. 14 in C Minor, K. …


Mastering Macbeth, Shelby Gilliam, Dominique Rider, Rick Jones Mar 2016

Mastering Macbeth, Shelby Gilliam, Dominique Rider, Rick Jones

Undergraduate Research Conference

The Tragedy of Macbeth is widely acknowledged as one of the theatre’s greatest tragedies. The play opens to the end of a massive battle in which Macbeth has just defeated the former Thane who sought to overthrow the king. Macbeth is given a prophecy by three witches, who promise that he will be king. To ensure the infallibility of the prophecy, Lady Macbeth plots the King’s murder and Macbeth does the deed. The Macbeths are crowned and are henceforth miserable, haunted by their guilt. The play is about a number of things such as political ambition, murder, love, and fate.


The Use Of Naturalism In Tennessee Williams’ The Night Of The Iguana, Brittany Tennis, Inga Meier Mar 2016

The Use Of Naturalism In Tennessee Williams’ The Night Of The Iguana, Brittany Tennis, Inga Meier

Undergraduate Research Conference

This project examines the connections among setting, themes, and character development in The Night of the Iguana and explores the transformative potential contained within and revealed by these connections.


Led Lighting For The Arabian Nights, Brittany Tennis, Skyler Moore, Travis Wilson, Brian Steele Mar 2016

Led Lighting For The Arabian Nights, Brittany Tennis, Skyler Moore, Travis Wilson, Brian Steele

Undergraduate Research Conference

No abstract provided.


Lara Salmon, Thesis Statement, Lara Salmon Mar 2016

Lara Salmon, Thesis Statement, Lara Salmon

CGU MFA Theses

My art brings together materials and ideas inspired by personal experience that do not usually exist side by side. My body is the primary mechanism with which I make work, incidentally making me the subject matter of the work. I use my physical self as an instrument to coalesce and transform other materiality. Through live performance and photographic installations I create tension and balance between crude biology and bright, polished formalism. This body of work focuses on Millennial Feminism and the Middle East.


Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives Mar 2016

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.


Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives Mar 2016

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.


Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives Mar 2016

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.


Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives Mar 2016

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.


Arts Integration: Establishing Teacher Candidates' Self-Efficacy When Engaging With The Arts, Michael J. Vetere Iii Feb 2016

Arts Integration: Establishing Teacher Candidates' Self-Efficacy When Engaging With The Arts, Michael J. Vetere Iii

Theses and Dissertations

Many teacher candidates who enter teacher education programs have received altered curricula that addressed the new common core of reading, writing, and mathematics (Beveridge 2010). This new common core curriculum neglects the importance of arts education. These students who have not been exposed to arts education, are reluctant to engage in the arts and fully participate in an arts education course as part of their teacher preparation (Hallam, Gupta, & Lee, 2008). These teacher candidates exhibit a low level of arts engagement and arts teaching self-efficacy and are therefore less confident with engaging and teaching the arts (Garvis, 2009). The …


Introduction To “A Forum On Directing And Choreography: Sources By Leading Women", Ann M. Shanahan, Ann Fliotsos Jan 2016

Introduction To “A Forum On Directing And Choreography: Sources By Leading Women", Ann M. Shanahan, Ann Fliotsos

Department of Fine & Performing Arts: Faculty Publications and Other Works

An introduction to “A Forum on Directing and Choreography: Sources by Leading Women" written by co-editors, Anne Fliotsos and Ann M. Shanahan.


Introduction To “Sustaining Black Theatre,” By Harvey Young, Ann M. Shanahan, Ann Fliotsos Jan 2016

Introduction To “Sustaining Black Theatre,” By Harvey Young, Ann M. Shanahan, Ann Fliotsos

Department of Fine & Performing Arts: Faculty Publications and Other Works

An introduction to Harvey Young's article, "Sustaining Black Theater" written by co-editors, Ann Fliotsos and Ann Shanahan.


The Naïve Ingénue, The Plucky Everyman's Hero, And The Ingénue Gone Awry: The Satirical Deconstruction Of Theatrical Character Tropes In Urinetown: The Musical, Victoria Montecillo Jan 2016

The Naïve Ingénue, The Plucky Everyman's Hero, And The Ingénue Gone Awry: The Satirical Deconstruction Of Theatrical Character Tropes In Urinetown: The Musical, Victoria Montecillo

Scripps Senior Theses

This thesis looks to explore Urinetown: The Musical through a critical and theoretical framework, analyzing the show's presentation and deconstruction of theatrical character tropes through musical satire. Using the theories of theatre theorists such as Bertolt Brecht, Peter Brook, and Augusto Boal, this thesis discusses the use of theatre as a device for political and social commentary. Additionally, this thesis focuses more specifically on the show's character of Penelope Pennywise as a new kind of character in the theatre: an "ingénue gone awry," within the context of approaching a performance of the character in a performance of the musical.


Choreographic Space, Kelsey Sheaffer Jan 2016

Choreographic Space, Kelsey Sheaffer

Theses and Dissertations

This thesis, Choreographic Space, and accompanying exhibit is an arrangement of contemporary work being done in the cross-over between movement, drawing, sound and architecture. The thesis develops a lineage of choreographic thinking through a fissure in the classification of a dance as necessarily the body in motion. Through the link of the “choreographic object,” Choreographic Space asks how an interdisciplinary exploration of the principles of movement can reveal novel ways to think about the body in space.


Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse Dec 2015

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

Theses and Dissertations

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.


Panic At The Drive-In: Affordance, Moral Panic, And Drive-In Theatres, Maria Chatzifilalithis Nov 2015

Panic At The Drive-In: Affordance, Moral Panic, And Drive-In Theatres, Maria Chatzifilalithis

Laurier Undergraduate Journal of the Arts

No abstract provided.


Vikram Hemanathan, Linda J. Hanes Oct 2015

Vikram Hemanathan, Linda J. Hanes

International Alumni

When Vikram Hemanathan came to Western Michigan University in 2006, he initially planned for an engineer’s life of logic and analytics, but a lifelong love of the theater became his greater calling.


Sarah Mills, Linda J. Hanes Oct 2015

Sarah Mills, Linda J. Hanes

Study Abroad Alumni

Orphanages in Panama are overflowing with kids wishing they had homes and a loving family, and often there’s an unmet need for a creative outlet for these atrisk children. One WMU student spent her summer to help rectify that situation through teaching orphaned children about expression through movement.


Choosing The Right Steps: Management Decisions Of Dance Businesses, Jessica B. Rosina Apr 2015

Choosing The Right Steps: Management Decisions Of Dance Businesses, Jessica B. Rosina

Business and Economics Honors Papers

Fundamental dance researchers have found that dancers have some of the lowest Human Capital returns. Today, the average dancer has a median pay of $15.87. Only six percent of public schools offer dance as a part of their curriculum. This situation poses a threat to the transmission of culture in our country and will have negative impacts. Children receive little to no dance education in public schooling, leaving private dance education organizations as the only option left. Using a sample of 100 privately owned studios in the tristate area, business decisions will be analyzed to uncover the impact on enrollment.


Fingerpaint: A Drama In Two Acts, Audrey A. Moore Apr 2015

Fingerpaint: A Drama In Two Acts, Audrey A. Moore

Senior Honors Theses

This thesis is a creative original work taking the form on a two-act drama entitled Fingerpaint. It follows the story of a twenty-two year old artist named Sandy and her older brother, John, who want to paint a city mural as a memorial for their uncle. The primary theme revolves around the idea of finding beauty in tension. This theme is developed as Sandy, an idealist, is forced to deal with difficult situations that will ultimately change the way she approaches life and art.


Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden Apr 2015

Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden

Butler Journal of Undergraduate Research

How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …


Horizons, Volume 30, Spring 2015, Sacred Heart University Apr 2015

Horizons, Volume 30, Spring 2015, Sacred Heart University

Vistas (Horizons)

An interdisciplinary, multi-cultural journal celebrating the creativity of Sacred Heart University during the academic year 2014-2015.

This year’s issue of Horizons is titled “Limbo: A Collection of Liminal Spaces.” Life is one gigantic stage of transitions where we are in perpetual states of limbo, or luminality, a threshold between our previous selves and the new selves we are in the process of defining.


Volume 07, Rachel C. Lombardi, Ben Osterhout, Lindsay Graybill, Rebecca E. Dey, Skyler T. Carpenter, Emma Beckett, Jason Ware, Mollie Andrews, James Bates, Landon Cooper, Tiffani Jeffries, Maria Wheaton, Dallas Price, Laura Kahler, Sarah Charlton, Anna Bultrowicz, Emily Spittle, Erin Godwin, Eamon Brokenbrough Apr 2015

Volume 07, Rachel C. Lombardi, Ben Osterhout, Lindsay Graybill, Rebecca E. Dey, Skyler T. Carpenter, Emma Beckett, Jason Ware, Mollie Andrews, James Bates, Landon Cooper, Tiffani Jeffries, Maria Wheaton, Dallas Price, Laura Kahler, Sarah Charlton, Anna Bultrowicz, Emily Spittle, Erin Godwin, Eamon Brokenbrough

Incite: The Journal of Undergraduate Scholarship

Introduction from Interim Dean Dr. Jennifer Apperson

Spatial Analysis of Potential Risk Factors Associated with Addition of Atlantic Coast Pipeline Through Virginia by Rachel C. Lombardi

"Delicate Matters with No Speaking," "Hope and Nothing," "Mono Duality" by Ben Osterhout

"Connect" Graphic Design Senior Project by Lindsay Graybill

Phenolic Acids in Brassicaceae Plants: Ovipositional Stimulants or Deterrents for Cabbage White Butterfly, Pieris Rapae? by Rebecca E. Dey And Skyler T. Carpenter

"Abecedarian Cards" by Emma Beckett, Jason Ware, And Mollie Andrews

Helvetica: A Type Specimen Book by James Bates, Landon Cooper, Tiffani Jeffries, And Maria Wheaton

“Things Left Behind” by Dallas …


Laundry And Bourbon, Tanner O'Neal Jan 2015

Laundry And Bourbon, Tanner O'Neal

SFA School of Theatre

This production was directed by Tanner O'Neal


Exploring The Relationship Between Text And Dance: Seeking Music In Spoken Word, Anastasia Ellis Jan 2015

Exploring The Relationship Between Text And Dance: Seeking Music In Spoken Word, Anastasia Ellis

Undergraduate Honors Thesis Collection

I assert that dance exists as more than a worthwhile ,inventive ,and ever-advancing art form; it also thrives as a language. The language of dance cannot say everything on its own, for body language is limited to the interpretive. Yet, speech carries limitations as well. Spoken language houses the potential for dishonesty and fails to encompass all that we notably call thought, seeing as the human mind can think in pictures and invent concepts that present themselves without labels. The two languages therefore have the opportunity to complete each other-an opportunity that I, as a dancer and choreographer, fully believe …


Blarney In St. Louie: Performing Irishness At The Louisiana Purchase Exposition, 1904, Cassandra L. White Jan 2015

Blarney In St. Louie: Performing Irishness At The Louisiana Purchase Exposition, 1904, Cassandra L. White

All Master's Theses

The dynamics of power between the privileged and those who must be subordinate to them was glaringly apparent at the 1904 Louisiana Purchase Exposition in St. Louis. While natives from many countries were displayed in ethnographic villages, the Irish were represented in the Irish Industrial Exposition concession on the Pike. A group of ninety performers came from Ireland to show their skills this concession; among these were a troupe of actors from Dublin. The Dublin troupe was engaged to perform AE’s Deirdre, but left before they had been at the exposition for a month because they felt that the Irish …