Theatre and Performance Studies Commons^™

Designing An Attraction: A Hans On Approach To Themed Entertainment And Attraction Design, Matthew Estevez

Whittier Scholars Program

My senior project is a combination of my skills that I acquired in Art, Literature, Theatre. The Project uses these skills in oder to create a theme park attraction from the beginning for the final floor plans and rendering. A large portion of the project is the renderings. These rednerins will be made with water color as the primary medium. The purpose of this project is to illustrate how the difference disciplines come together to create an attraction for a theme park. It is also intended to be a hands on approach at creating a theme park attraction. Using the …

Building Utopia: Performance And The Fantasy Of Urban Renewal In Contemporary Toronto, Laura Levin, Kim Solga

Department of English Publications

Toronto markets itself as a city in renewal, a “creative city” of the future full of arts and culture. Alongside the official pitch, a number of street-level underground initiatives reimagine Toronto's utopic future in a different way by means of site-specific performances.

Rules Of Misrule, Meghan Forgione

Honors Scholar Theses

The project seeks to offer an alternative interpretation of sport culture in Renaissance England with respect to theater and football. I seek to show how sport culture, although seemingly threatening to the state, actually reinforces the monarchy due to its ability to provide the people with a controlled social release. The prose explores the function of carnival in sport culture and the way in which the two are manifested in football and theater in the Renaissance.

The Triumphant Tragedy Of King Lear, Erin Lamontage

English Student Scholarship

No abstract provided.

Zombies In Condoland, Laura Levin, Kim Solga

Department of English Publications

No abstract provided.

Volume 02, Joseph A. Mann, Kathryn J. Greenly, Scott E. Jenkins, Andrew E. Puckette, Daniel M. Honey, Jeffery P. Ravenhorst, Jamie Elizabeth Mesrobian, Thomas Scott, Jay Crowell, Sarah Spangenberg, Amy S. Eason, Kenny Wolfe, Liz Hale, Rachel Bouchard, Will Semonco, Carley York, Ryan Higgenbothom, Adrienne Heinbaugh, Melissa Dorton, Madeline Hunter, June Ashmore, Clark Barkley, Jay Haley

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

Mike's Nite: New Jazz for an Old Instrument by Joseph A. Mann

Investigation of the use of Cucumis Sativus for Remediation Of Chromium from Contaminated Environmental Matrices: An Interdisciplinary Instrumental Analysis Project by Kathryn J. Greenly, Scott E. Jenkins, and Andrew E. Puckette

Development of GC-MS and Chemometric Methods for the Analysis of Accelerants in Arson Cases by Scott Jenkins

Building and Measuring Scalable Computing Systems by Daniel M. Honey and Jeffery P. Ravenhorst

Nomini Hall: A Case Study in the Use of Archival Resources as Guides for Excavation at An Archaeological Site by …

Introduction, D. J. Hopkins, Shelley Orr, Kim Solga

Department of English Publications

No abstract provided.

Dress Suits To Hire And The Landscape Of Queer Urbanity, Kim Solga

Department of English Publications

No abstract provided.

Bloudy Tygrisses: Murderous Women In Early Modern English Drama And Popular Literature, Alexandra Hill

Electronic Theses and Dissertations

This thesis examines artistic and literary images of murderous women in popular print published in sixteenth and seventeenth-century England. The construction of murderous women in criminal narratives, published between 1558 and 1625 in pamphlet, ballad, and play form, is examined in the context of contemporary historical records and cultural discourse. Chapter One features a literature review of the topic in recent scholarship. Chapter Two, comprised of two subsections, discusses representations of early modern women in contemporary literature and criminal archives. The subsections in Chapter Two examine early modern treatises, sermons, and essays concerning the nature of women, the roles and …

Male Adolescents Of Divorce: The Relationship With Their Noncustodial Father, Christine L. Kerr

All-Inclusive List of Electronic Theses and Dissertations

Since the divorce rate in the United States began to rise dramatically in the 1970s, researchers have studied the impact of divorce on those involved. The research indicates that children whose parents divorce are more likely than children whose parents remain married to suffer from a lower level of well-being and are at greater risk for a myriad of ills including poorer school performance and increased behavior problems. While few researchers have focused on the impact of divorce on male adolescents specifically, studies of adolescent males in general indicate they are at risk for a variety of problems including poor …

Body Doubles, Babel's Voices: Katie Mitchell's Iphigenia At Aulis And The Theatre Of Sacrifice, Kim Solga

Department of English Publications

What happens to a body when circumstance demands it enact its own forgetting? What reaction in turn does a body in the process of violent self-erasure prompt in its spectators? These and related questions propel my investigation of Katie Mitchell's 2004 National Theatre production of Euripedes' Iphigenia at Aulis. Mitchell's chilling representation of Iphigenia's final moments, during which the young girl speaks with apparently patriotic fervour her willingness to be murdered for her nation's sake, embeds the very loss that such a performance of sacrifice typically elides. The result: two bodies collide on stage before our eyes - the compliant, …

The Line, The Crack, And The Possibility Of Architecture: Figure, Ground, Feminist Performance, Kim Solga

Department of English Publications

How and where do architecture and performance collide? Theatre studies has been, over the course of the last decade, increasingly interested in the relationship between stage and space; that inter- est, however, has primarily been figured by marrying theories of human geography with studies of theatrical performance. “The Line, the Crack, and the Possibility of Architecture” asks what it might mean to explore the spaces of performance through the lens of another plastic art—the art of building—and investigates what the discourses of architecture theory, both classical and (post)modern, might have to say to those of us who study the vicissitudes …

Volume 01, Jessica Fields, Stephanie Neeley, Derek W. Hambright, Mary E. Lehman, Andrew R. Grzankowski, Zachary Johnson, Boone M. Prentice, Ashley M. Swandby, Victoria Morgan, Katie Williamson, Kristine G. Bender, Katelyn N. Romaine, D. Nicole Swann, Jessica Fox, Mike Mcateer, Alex Grabiec, Laura Nodtvedt, Nick Costa, Rachel Wolfe, Zack Dalton

Incite: The Journal of Undergraduate Scholarship

Introduction from Dean Dr. Charles Ross

Three Decades of Digging: Undergraduate Archeology at Longwood by Jessica Fields and Stephanie Neeley

Interactions of Allelopathy and Heat Stress in Plants by Derek W. Hambright and Mary E. Lehman

Inertial Electrostatic Confinement D-D Fusion Device: Construction and Simulation by Andrew R. Grzankowski

Shackled Nim by Zachary Johnson

Development of GC-MS and Chemometric Methods for the Analysis of Accelerants in Arson Cases by Boone M. Prentice

A Comparison of Image Analysis Methods in cDNA Microarrays by Ashley M. Swandby

Perceived Sexual Activity of Short and Long-Term Relationships by Victoria Morgan and Katie Williamson

Elderly …

Vertical City: Staging Urban Discomfort, Kim Solga

Department of English Publications

No abstract provided.

Dressing The Girl/Playing The Boy: Twelfth Night Learns Soccer On The Set Of She's The Man, L Monique Pittman

Faculty Publications

She’s The Man (2006), Andy Fickman’s adaptation of Twelfth Night, pulses with the Title Nine girl power that found cinematic voice and financial reward in Bend It Like Beckham (2002). Creating a pretext for the play’s gender swapping by entering the world of high school soccer, She’s the Man exploits conventions associated with the teen film genre–social group conformity and anxiety, crisis of identity, divorced parents, and ineffectual authority figures. Shakespeare’s cross-dressed heroine Viola becomes Viola Hastings played by Amanda Bynes, for whom this film serves as a star-vehicle showcasing Bynes’s comedic range. In some ways, the film intensifies the …

Blasted’S Hysteria: Rape, Realism, And The Thresholds Of The Visible, Kim Solga

Department of English Publications

A curious blind spot remains in the critical response to Sarah Kane’s Blasted : the rape of Cate by Ian. In a play famous for its onstage violence, why is this rape, one of its pivotal moments of brutality, left unstaged? My article seeks to worry this lacuna by exploring the theoretical and historical dimensions of the ‘‘missing’’ in Kane’s play. I argue that Kane’s representation of Cate’s rape as missing signals both her engagement with the history of rape’s representation – an elusive, evasive history rather than an outrageous, in-yer-face one – as well as a deft understanding of …

The Comedy Of Scholarship: Review Of Hugh Kenner’S Flaubert, Joyce And Beckett: The Stoic Comedians, Katherine Weiss

ETSU Faculty Works

Review of Flaubert, Joyce and Beckett: The Stoic Comedians. by Hugh Kenner

Domain Specific Identity Commitment And Alcohol Use And Problems, Alison Glanville

All-Inclusive List of Electronic Theses and Dissertations

Identity formation is an important developmental task of the college years. Previous research has demonstrated that identity commitment, as defined by James Marcia, is related to decreased substance use and problems. That is, individuals who are identity achieved or foreclosed use substances less frequently and experience fewer substance-related problems than do individuals who are classified in the statuses of identity diffused or moratorium. However, Marcia discussed identity as developing in two domains, the occupational and the ideological (religious beliefs and political ideology). To date, no studies have examined in which domain commitment is associated with a decrease in substance use …

Perpetuality In Print: Musing Nature In Sylvia Plath’S The Bell Jar, Kacey Silvia

Senior Honors Projects

I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another …

Female Agency And Oppression In Caribbean Bacchanalian Culture: Soca, Carnival, And Dancehall, Kevin Frank

Publications and Research

In this essay Kevin Frank discerningly analyzes agency and gender in public sexual performances emanating out of what Paul Gilroy identifies as part of the compensatory politics of the subordinated within Black Atlantic culture, Jamaican dancehall (dancehall reggae/ dancehall queens).

Dickens's Hamlet Burlesque, Daniel Pollack-Pelzner

Faculty Publications

Daniel Pollack-Pelzner considers what an interlude in Great Expectations involving a spectacularly bad production of Hamlet can do for Hamlet. Specifically, Pollack-Pelzner looks at what Dickens's rendering of Mr. Wopsle's travesty reveals about Hamlet's openness to an audience's derisive laughter. Wopsle’s production may be a travesty, but Dickens’s narrative of that production is a burlesque, with Hamlet as much its target as Wopsle.

Exploding Bombs: Masculinity And War Trauma In Sam Shepard’S Drama, Katherine Weiss

ETSU Faculty Works

This paper examines violence and masculinity in Sam Shepard's work as a symptom of war trauma, apparent in his characterization of several of his male characters as war veterans and the violent language accompanying his other characters. War becomes a cultural disease infesting and destroying the family on Shepard's stage.

A Tragic Farce: Revolutionary Women In Elizabeth Inchbald’S The Massacre And European Drama, Wendy Nielsen

Department of English Faculty Scholarship and Creative Works

This essay examines Elizabeth Inchbald’s treatment of French Revolutionary women and relationship to European drama in order to appreciate the implications of tragic writing for British women playwrights. Focusing on Inchbald’s connections to French culture and English theater in late 1792 and early 1793 elucidates the self‐censoring and generic conventions of her only tragedy, The Massacre. Events in France like the September Massacres unsettled Burkean notions of femininity and raised the possibility of female violence. This mixing of traditional gender characteristics resembles discourse about Inchbald’s dramas as neither tragic, comic, nor tragicomic. The genre of tragic farce describes Inchbald’s revisions …

Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies

WKU Administration Documents

Booklet reviewing events at Women & Kids Learning Together Summer Camp.

Rape’S Metatheatrical Return: Rehearsing Sexual Violence Among The Early Moderns, Kim Solga

Department of English Publications

What happens when theatre crosses the line, risks danger in the real? This paper explores the pernicious theatricalization of sexual violence in early modern England, its trouble-making uptake in Shakespeare's Titus Andronicus, and Julie Taymor's contemporary response in her 1999 film version of the play. Along the way the article probes a handful of questions about theatre's social efficacy: what are the consequences of understanding theatre as a potentially malevolent form of public art and expression? How do we account for those moments when theatre poses genuine risk? And, more importantly, how do we build a response to, an ethics …

Incest And Empire In The Faerie Queene, Kent Lehnhof

English Faculty Articles and Research

"When considered in the context of Elizabeth's effort to silence all discussion of incest, Edmund Spenser's courtly epic aiming to cultivate favor with the monarch looks like a disastrous miscalculation, for incest appears throughout The Faerie Queene. Indeed, incest sits at the center (both literally and figuratively) of the Book of Chastity, the very book wherein Spenser encourages Elizabeth 'in mirrours more then one her selfe to see.' In the present essay, I investigate the apparently illogical and impolitic prominence afforded to incest in book three of The Faerie Queene, ultimately arguing that the imperialist logic underpinning the epic is …

Ascending Into Ecstasy: Sex And Religion In Three Albee Plays, Carolyn M. Rodkey

All-Inclusive List of Electronic Theses and Dissertations

This study is an investigation of American playwright, Edward Albee, and how he uses the themes of sex and religion to develop the plots and characters in three of his major works. Foremost, this analysis is devoted to the exploration of Albee's 1964 drama, Tiny Alice; however, this work also contains two secondary studies of Three Tall Women and The Play about the Baby. "The Origins of the Themes" presents biographical information relevant to the study of sex and religion. Albee's religious skepticism and spiritual self-discoveryalong with his volatile relationship with his mother brought on, in part, by his homosexuality-are …

Building An Ethical Architecture: Habitat And The Shape Of Radical Humanism, Kim Solga

Department of English Publications

No abstract provided.

Stages Of Evil: Occultism In Western Theater And Drama, Robert Lima

Studies in Romance Languages Series

“The evil that men do” has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. In Stages of Evil, Robert Lima explores the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. By examining examples of alchemy, astronomy, demonology, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo in prominent plays, Stages of Evil explores American and European perceptions of occultism from medieval times to the modern age.

Unshap'd Monsters: Political Farce On The London Stage, 1717-1737, Melissa Ann Bloom

Dissertations, Theses, and Capstone Projects

This dissertation reexamines the role of John Gay's and Henry Fielding's anti-government satirical farces during the politically contentious 1720s and 1730s in London. Although their plays were and still are considered, variously, burlesques, entertainments, farces, and satires, I call them satirical farce for two reasons. First, contemporaries used the term farce as much to signify political and social stances as dramatic type or function. Those political and social stances are the central focus of this dissertation. Second, I see in this collection of plays—Gay's Three Hours After Marriage (1717) and The Beggar's Opera (1728), Fielding's The Author's Farce (1730), The …