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Full-Text Articles in Theatre and Performance Studies

Ethical-Reparative Reconfigurations Of The Literary Today, André Cechinel Mar 2022

Ethical-Reparative Reconfigurations Of The Literary Today, André Cechinel

CLCWeb: Comparative Literature and Culture

This essay aims to debate the evidence of an ethical-reparative function for literature and literary studies today. Therefore, it is divided into two fundamental moments, two argumentative channels that, without a totalizing intention, point out the general perspective of the current, changing, stuation. On the one hand, the literature of the 20th century is presented through the image of a supposed negativity or radical intransitivity, capable of “undoing the work” in its “aesthetics of suppression.” On the other hand, from an introductory debate around some of the places of transitivity envisioned for literature at the beginning of the 21th century, …


“It Is Not All That Bad”—Hitler And Identity-Building In Er Ist Wieder Da (Look Who’S Back), Yuan Xue Mar 2022

“It Is Not All That Bad”—Hitler And Identity-Building In Er Ist Wieder Da (Look Who’S Back), Yuan Xue

CLCWeb: Comparative Literature and Culture

In Germany, multiculturalism and “leading culture” (Leitkultur) are a pair of closely connected but opposite concepts. Multiculturalism has been accused of being the main reason why culture loses its core cohesion. Despite the persistence of calls for a leading culture in Germany in recent years, many scholars argue that the concept is also problematic. A monopolistic leading culture may be hard to realize in an already pluralistic Europe. I argue that the choice between the two reflects the dilemma of the establishment of German cultural identity. Focusing on the German bestseller Er ist wieder da (Look Who’s Back, 2012), this …


The Brazilian System Of Television, Or How To Get A President, Tauan F. Tinti Mar 2022

The Brazilian System Of Television, Or How To Get A President, Tauan F. Tinti

CLCWeb: Comparative Literature and Culture

The purpose of this essay is to draw attention to some perhaps unexpected affinities between a considerably expressive segment of the Brazilian culture industry that for several reasons seems to usually fly under most interpretive radars and a certain regressive frame of mind that is becoming increasingly manifest and now holds both considerable political power and a surprisingly firm grip over a portion of the population whose size is still unclear. The following remarks and associations gesture tentatively at what could be preliminarily defined as a constellation of cultural junk being outlined, its shape against the night sky sometimes resembling …


Introduction: A Return To The Bad Old Times, Fabio Akcelrud Durão, Fernando Urueta Mar 2022

Introduction: A Return To The Bad Old Times, Fabio Akcelrud Durão, Fernando Urueta

CLCWeb: Comparative Literature and Culture

No abstract provided.


Poetic Explorations In Bill F. Ndi’S Worth Their Weight In Thorns: (De)Constructing Hegemonic National Integration And Debating Francophonecentric National Governance., Hassan Mbiydzenyuy Yosimbom Feb 2022

Poetic Explorations In Bill F. Ndi’S Worth Their Weight In Thorns: (De)Constructing Hegemonic National Integration And Debating Francophonecentric National Governance., Hassan Mbiydzenyuy Yosimbom

CLCWeb: Comparative Literature and Culture

This paper explores “hegemonic national integration” and “Francophonecentric national governance” in The Cameroons (TC) poetic scape. The former refers to La République du Cameroun (LRC)-British Southern Cameroons (BSC) or Southern Cameroons (SC) interconnectedness dominated by Francophones. The latter is governance that promotes a Francophone cultural superiority that refuses to see the Cameroonian world through Southern Cameroonians’ eyes. Cameroonians live in a time of enormous fragmenting “Francophonizing” and “Anglophonizing” processes. To flesh this argument out, this paper borrows critical perspectives from Benhabib’s “democratic iterations” and “deliberative democracy” and Rosenau’s “six-governance typology’ as requisites for good governance. It contends that …


Socrates The Degenerate: Irony As Trope Of Decadence, Daniel R. Adler Feb 2022

Socrates The Degenerate: Irony As Trope Of Decadence, Daniel R. Adler

CLCWeb: Comparative Literature and Culture

Decadence is typically associated with a fall from, or an opposition to, ideals of civilization. Western Civilization traditionally traces its roots to the culture of Ancient Greece. While theorists of periodicity from Vico to Nietzsche and Deleuze, to Hayden White and other contemporary scholars, associate decadence with excess, artificiality and over-indulgence, they also recognize that decadence often incorporates pre-civilized, base or “Other” tendencies. Paradoxically, decadence as a degeneration of an original culture’s values can also rejuvenate that culture’s core values through mutation so that a new version of the original culture arises. In literature, degeneration has also been associated with …


Exploring The Margins Of Kotha Culture : Reconstructing A Courtesan’S Life In Neelum Saran Gour’S Requiem In Raga Janki, Chhandita Das, Priyanka Tripathi Feb 2022

Exploring The Margins Of Kotha Culture : Reconstructing A Courtesan’S Life In Neelum Saran Gour’S Requiem In Raga Janki, Chhandita Das, Priyanka Tripathi

CLCWeb: Comparative Literature and Culture

In their article, “Exploring the Margins of Kotha Culture: Reconstructing a Courtesan’s life in Neelum Saran Gour’s Requiem in Raga Janki,” Chhandita Das and Priyanka Tripathi discuss the invisible challenges in life of a famous courtesan Janki Bai Ilahabadi through close analysis of Neelum Saran Gour’s 2018 novel, Requiem in Raga Janki. In this novel, Janki belongs to the infamous kotha but she never fails to seek her subjectivity. This marginal place of Janaki’s belonging will be discussed by appropriating and the theoretical framework of Indian feminist Lata Singh’s (2007) for whom courtesans have been represented as “‘other’ …


Identity Reconfigurations, Memory And Personal History In Norman Manea And Saul Bellow’S ‘Spoken Book’, Simona Antofi, Nicoleta D. Ifrim Feb 2022

Identity Reconfigurations, Memory And Personal History In Norman Manea And Saul Bellow’S ‘Spoken Book’, Simona Antofi, Nicoleta D. Ifrim

CLCWeb: Comparative Literature and Culture

In their paper, “Identity Reconfigurations, Memory and Personal History in Norman Manea and Saul Bellow’s Spoken Book, ”Simona Antofi and Nicoleta Ifrim analyze the book of interviews Settling My Accounts Before I Go Away: A Words & Images Interview, a two-authored mirror-like writing in which two biographical courses and two scriptural identities engage in dialogue. Their aim is to define a double reading effect embedded into the self-oriented narrative: a collective history of the Jewish exile from the communist totalitarian space (Soviet and Romanian) towards the “promised land,” with literary, cultural and political insertions; then, the legitimation of an …


The Body As A Means Of Cultural Awareness And Social Intervention: The Case Of Raymond Duncan And Penelope Sikelianos, Ekaterini Diakoumopoulou Jan 2022

The Body As A Means Of Cultural Awareness And Social Intervention: The Case Of Raymond Duncan And Penelope Sikelianos, Ekaterini Diakoumopoulou

Tête à Tête: Journal of Francophone Studies

Using the example of the Duncan family this article will explore the human body as an object of self-determination, a means of overcoming social boundaries, a field of racist shooting and phobic enforcement, a reference point of public outrage and the complex between sociality and corporality, but also as a tool of political vigilance and social intervention. Does a body dressed in a tunic resist the western way of life? Or is it a stereotypical outpouring of people unable to modernize? Is the body instrumentalized as a means of narrating exoticism? The bodies of the Duncan family members are an …


Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance, Suddhadeep Mukherjee Jan 2022

Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance, Suddhadeep Mukherjee

Tête à Tête: Journal of Francophone Studies

The paper aims to take the scholarship on corporeal feminism and Dalit Studies forward by focusing on the Dalit woman’s body. The body is not treated as an inert surface in this paper but is considered as a transformative medium that can alter its embedded codifications and significations through transgressive performances in the face of systemic and systematized caste violence. In doing so the gendered body not only challenges to rewrite the Dalit epistemology from the vantage of resistance but also initiates a rethinking of Indian feminism. The paper begins with a discursive discussion on the importance of the gender …


Bodies And Expressions: Exploring The Aesthetics Of Disability Performance Art, Jaya Sarkar Jan 2022

Bodies And Expressions: Exploring The Aesthetics Of Disability Performance Art, Jaya Sarkar

Tête à Tête: Journal of Francophone Studies

No abstract provided.


This Effeminate Stranger: Dionysus' Gender In Translation And Performance, August Guszkowski Jan 2022

This Effeminate Stranger: Dionysus' Gender In Translation And Performance, August Guszkowski

Independent Student Projects and Publications

This Effeminate Stranger: Dionysus’ Gender in Translation and Performance explores the possible interpretation of the character of Dionysus in Euripides’ Bacchae as genderqueer, specifically nonbinary. The project consists of a translation of the Bacchae from Ancient Greek into English which pays special attention to instances where Dionysus’ character is treated as somewhere between or outside of the traditional male-female gender binary, including placing emphasis on the god’s “effeminate” appearance and ability to influence other people to act across gendered lines. The groundbreaking translation refers to Dionysus with they/them pronouns rather than the traditional he/him and embraces this surprisingly well-evidenced reading …


Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell Jan 2022

Literature, Pandemic, And The Insufficiency Of Survival: Boccaccio’S Decameron And Emily St. John Mandel’S Station Eleven, Anthony P. Russell

Interdisciplinary Journal of Leadership Studies

The question of literature’s utility in relation to the “real world” has been asked since at least the time of Plato. This essay examines an extreme instance of this problem by investigating two works, Giovanni Boccaccio’s Decameron (1349-1353) and Emily St. John Mandel’s Station Eleven (2016), that argue for the value of art in the midst of catastrophe. Boccaccio’s collection of 100 tales, written in the context of the Black Plague, and Mandel’s post-apocalyptic novel about a world devastated by a killer flu, overlap and diverge in instructive ways in making their cases for the important role of literature in …


Crossings Of Heritage, Memory And Archives: A History Of Moroccan Cinema In The Bouanani Archives, Sarah Dornhof Oct 2021

Crossings Of Heritage, Memory And Archives: A History Of Moroccan Cinema In The Bouanani Archives, Sarah Dornhof

Regards

This article interrogates archival forms and practices in relation to remembering the “lost archives” of Moroccan cinematographic history.
It presents the Bouanani Archives — a private, fragmented, and still largely uncatalogued collection located in the Bouanani family apartment in Rabat, comprising a variety of texts, visuals, and objects connected to Morocco’s cinematographic and cultural memory.
The archive is the personal legacy of filmmaker, writer, and artist Ahmed Bouanani (1938–2011), his wife Naïma Saoudi (1947–2012), and their daughter Batoul Bouanani (1969-2003), all of whom worked for Moroccan cinema.
Today, it is preserved and cared for by his daughter Touda Bouanani and …


Towards A Decentered History Of Palestinian Revolutionary Cinema? Case Study Of The Film “Tall El Zaatar” In The Audiovisual Archives Of The Italian Communist Party, Hugo Darroman Oct 2021

Towards A Decentered History Of Palestinian Revolutionary Cinema? Case Study Of The Film “Tall El Zaatar” In The Audiovisual Archives Of The Italian Communist Party, Hugo Darroman

Regards

The film Tall El Zaatar (1977, Abu Ali, Pino, Chamoun, Palestine/Italy), a co-production between the Palestinian Cinema Institute and the Italian Communist Party’s (PCI) audiovisual company, was considered lost for three decades and finally rediscovered in 2011.
Beyond the dramatic stories surrounding this film, Tall El Zaatar reveals the importance of considering the transnational dimension of Palestinian militant cinema.
In this article about Tall El Zaatar, I approach the history of Palestinian revolutionary cinema through the traces left within the archives of an institution with which the Palestinian filmmakers collaborated.
On the basis of a set of interviews and …


Iraqi Cinema Beyond The Screen And The Archives Of Leisure, Pelle Valentin Olsen Oct 2021

Iraqi Cinema Beyond The Screen And The Archives Of Leisure, Pelle Valentin Olsen

Regards

The emergence of new forms of leisure in Iraqi urban landscapes, such as cinemas, nightclubs, and theaters, unleashed debates about the dangers and potentials of leisure.
The result of this process is a vast, albeit scattered, archive of texts that deal with practices and institutions of leisure.
The archive of leisure, as it pertains to cinema, can be located across a variety of texts including memoirs, short stories, student essays, police records, official discourse, medical texts, and works by Iraqi historians.
Given the limited access to Iraqi film and cinema archives, the archive of leisure can offer an important addendum …


Ciné-Archivistes And The Metaleptic Archive Of Lebanese Cinema, Claire Launchbury, Marilyn Matar, Max Silverman Oct 2021

Ciné-Archivistes And The Metaleptic Archive Of Lebanese Cinema, Claire Launchbury, Marilyn Matar, Max Silverman

Regards

The article considers three Lebanese films – Il était une fois, Beyrouth (1995) by Jocelyne Saab, the short Le Liban à travers le cinéma (2003) and the documentary Cinéma de guerre au Liban (2003), both by Hady Zaccak – to explore the archival impulse in their composition.
We suggest that this impulse takes two major forms: the use of a montage of sequences from Lebanese films, or films about Lebanon, and crossovers between narrative thresholds and between fact and fiction.
We draw on Gérard Genette’s version of metalepsis to analyze the nature of these crossovers, and on the notion of …


سيميولوجيا جمالية الفضاء في فيلم: "السنونو لا يموت في القدس" لرضا الباهي, Abdel Salam Shaaban Oct 2021

سيميولوجيا جمالية الفضاء في فيلم: "السنونو لا يموت في القدس" لرضا الباهي, Abdel Salam Shaaban

Regards

In this study, we aim to conduct a perceptual experiment and a semiological reading of the aesthetics of space in the film El Sounounou La Yamoutou Fil Kods by Tunisian director Ridha Behi.
This film, produced in 1994, came as a response to the accusation that Tunisian cinema ignored the Palestinian cause. It also combines three genres of cinematic practice: fiction, documentary, and political.
The film tells the story of the search for a mother who has been lost since 1948. A daily newspaper publishes a recent photo of this mother. The director takes her story as a starting point …


Le Cinéma Maghrébin Entre Traçabilité Coloniale Et Déterminations Nationales, Malika Gueddim Oct 2021

Le Cinéma Maghrébin Entre Traçabilité Coloniale Et Déterminations Nationales, Malika Gueddim

Regards

This article focuses on the beginnings of cinema in the Maghreb countries (Algeria, Morocco, and Tunisia), which suffered the same process of enculturation in favor of the culture of the French occupier.
From the end of the Second World War, the colonial authorities understood the importance of cinema, through fiction or newsreels, and the urgency of creating cinematographic centers: in Morocco in 1944, and in Tunisia in 1946.
Algeria, considered a French department rather than a protectorate, was provided with a cinematographic service by the Algerian governorate in 1947.
Then comes the period of independence, in which directors from these …


Representation Of Terror And Terrorism In Two Arab Films: Paradise Now (2005) By Hany Abu-Assad And Horses Of God (2012) By Nabil Ayouch, Mustapha Hamil Oct 2021

Representation Of Terror And Terrorism In Two Arab Films: Paradise Now (2005) By Hany Abu-Assad And Horses Of God (2012) By Nabil Ayouch, Mustapha Hamil

CLCWeb: Comparative Literature and Culture

Middle Eastern violence and terrorism are not novel subjects in world cinema, especially American cinema. The Arab or Muslim other in these films is always presented as someone who epitomises a culture of violence, directed mostly against innocent civilians. Against the backdrop of Hollywood’s stereotypical representation of Middle-Easterners as advocate of indiscriminate terror and terrorism, Arab filmmakers have turned in recent years to the representation of terror and religious extremism. Paradise Now (Abu Assad 2005) and Horses of God (Ayouch 2012) address the controversial issue of suicide bombing with the same motivation: to examine the choice of suicide bombing within …


Resisting Pacification: Locating Tension In G'Ebinyo Ogbowei's Poetry, Niyi Akingbe, Paul Ayodele Onanuga Oct 2021

Resisting Pacification: Locating Tension In G'Ebinyo Ogbowei's Poetry, Niyi Akingbe, Paul Ayodele Onanuga

CLCWeb: Comparative Literature and Culture

No abstract provided.


Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang Oct 2021

Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang

CLCWeb: Comparative Literature and Culture

The absence of female characters and their voices in William Golding’s Lord of the Flies (1954) has been previously examined. On the surface, this fiction focuses on the struggle and survival of a group of boys who are left alone on a Pacific island against the background of nuclear warfare. The only presence of women in the story seems to be the aunt via a boy’s narration. However, when approaching the fiction through the lens of ecofeminism, we can find a range of feminized entities which are metaphorically embodied in the natural surroundings of the secluded island. The boys’ interactions …


‘Convicted Of Patricide?’: Robert Frost’S Nationalism In The Eyes Of Contemporary Arab-American Women Writers, Eman K. Mukattash Oct 2021

‘Convicted Of Patricide?’: Robert Frost’S Nationalism In The Eyes Of Contemporary Arab-American Women Writers, Eman K. Mukattash

CLCWeb: Comparative Literature and Culture

Given the culturally expansive nature of the American literary tradition of today, the question of the relevance of Robert Frost’s poetry to the poetry of contemporary Arab-American women writers is an issue worth digging into. Writing almost one hundred years ago does not make Frost’s poetry out of date. Frost’s poetry is as relevant to today’s America as it has been to the America of his days. And this can be ascribed to the multiplicity of perspectives he presents in his poetry as he examines crucial questions lying at the core of America’s “grand narrative of national development.” (Westover 2004: …


برهان علوية – اللقاء المتواصل, Haddy Zaccak Sep 2021

برهان علوية – اللقاء المتواصل, Haddy Zaccak

Regards

With the passing of Borhane Alaouié, Lebanese cinema loses one of its most prominent directors and spiritual fathers.

ملخص

.مع رحيل برهان علوية، تخسر السينما اللبنانية أحد أبرز مخرجيها وآبائها الروحيين


Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea Sep 2021

Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea

Dissertations, Theses, and Capstone Projects

This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …


Nicholas Catalano, Phd, Nicholas Catalano Jun 2021

Nicholas Catalano, Phd, Nicholas Catalano

Oral History

From 1964 to 2019, Professor Nicholas Catalano taught literature at Pace and also served as the University Director for Performing Arts. Professor Catalano also founded many popular clubs--the Drama club, Wig and Mask society, Glee club, a football team, as well as a study abroad program in Greece that continues to this day.


Time Decay: Assets, Authoritarianism, And Anxiety About The Future, Jack Davies May 2021

Time Decay: Assets, Authoritarianism, And Anxiety About The Future, Jack Davies

CLCWeb: Comparative Literature and Culture

This article identifies a basic formula in the Freudo-Marxist take on twentieth-century authoritarianism. This is the incommensurability of inherited past development with the pace and demands of industrial social life, damming up a tremendous excess that seeks reactionary outlet. Authoritarianism, here, breeds in the contradiction between the symptoms of the Oedipal drama and the commodity form. The implicit “repressive hypothesis” for sexuality and developmentalist teleology make this theorization of authoritarian formations untenable today. This article, however, identifies moments of promise in this literature, and turns to materials available to these thinkers—specifically interwar psychoanalytic theory on anxiety and economic theory on …


Defending “Western” Values: Reactionary Neoliberalism In The Americas, Gabriela Segura-Ballar May 2021

Defending “Western” Values: Reactionary Neoliberalism In The Americas, Gabriela Segura-Ballar

CLCWeb: Comparative Literature and Culture

Right-wing populism and authoritarianism are on the rise globally after the financial crisis of 2008. This reactionary trend has widely channeled anxieties created by neoliberal insecurities into cultural and nationalistic backlash against the ostensible enemies of “Western” values (e.g., immigrants, racial and sexual minorities, feminists, and leftists). President Jair Bolsonaro’s “Brazil above everything, God above everyone” and President Donald Trump’s “Make America Great Again” are the most conspicuous examples of the resurgence of a populist reactionary right in the Americas. This continental trend promotes ultra-nationalism and more coercive neoliberalization processes combined with a reactionary authoritarianism that celebrates essentialized “Western” values, …


Incipient Fascism: Black Radical Perspectives, Alberto Toscano May 2021

Incipient Fascism: Black Radical Perspectives, Alberto Toscano

CLCWeb: Comparative Literature and Culture

The sordid twilight of the Trump presidency raised the stakes of the debate on fascism. While much of the discussion has been magnetised by the legitimacy of analogies with the 1930s, this article argues that a rich and complex tradition of Black radical critique of right-wing authoritarianism provides a vital resource for thinking through the problem of US fascism beyond analogy – beginning with the DuBoisian insight that a racial fascism forged by chattel slavery and settler-colonialism anticipated the ascendancy of European fascisms. The article homes in on Black radical theories of fascism developed in the wake of the movements …


Neo-Authoritarianism And The Contestation Of White Identification In The Us, Justin Gilmore May 2021

Neo-Authoritarianism And The Contestation Of White Identification In The Us, Justin Gilmore

CLCWeb: Comparative Literature and Culture

Justin Gilmore’s article "Neo-Authoritarianism and the Contestation of White Identification in the US" examines how the political forces around Donald Trump are often interpreted as an external attack on American democracy, and how the dynamism of these attacks is thought to emanate from various sites of white chauvinism. This article argues that such an interpretation is partial. The upsurge associated with “Trumpism” represents a distinctive contestation of an alternative type of white identity, one that has been elemental for a progressive form of neoliberalism. Although the neoliberal construction of white identification is distinctive, and indeed kinder, its material basis rests …