Theatre and Performance Studies Commons^™

Complete Volume (40)

Communication and Theater Association of Minnesota Journal

Complete digitized volume (volume 40) of Communication and Theater Association of Minnesota Journal.

Friends "For Good" - Wicked: A New Musical And The Idealization Of Friendship, Valerie Lynn Schrader

Communication and Theater Association of Minnesota Journal

This rhetorical analysis explores the relationship between the two main characters, Elphaba and G(a)linda, in the musical Wicked through the interpersonal communication lens of friendship. This article focuses on the role that friendship plays in the musical and suggests that friendship is a relationship that can be stronger than romantic relationships. Through the application of Rawlins’ work on friendship to the relationship between Elphaba and G(a)linda, this analysis suggests that friendship is the most prominent relationship in Wicked. Wicked offers an im-portant message to theatre-goers: Friendship is something to be valued and cherished.

Complete Volume (39)

Communication and Theater Association of Minnesota Journal

Complete digitized volume (volume 39) of Communication and Theater Association of Minnesota Journal.

Complete Volume (38)

Communication and Theater Association of Minnesota Journal

Complete digitized volume (volume 38) of Communication and Theater Association of Minnesota Journal.

Complete Volume (37)

Communication and Theater Association of Minnesota Journal

Complete digitized volume (volume 37) of Communication and Theater Association of Minnesota Journal.

Complete Volume (36)

Communication and Theater Association of Minnesota Journal

Complete digitized volume (volume 36) of Communication and Theater Association of Minnesota Journal.

Complete Volume (35)

Communication and Theater Association of Minnesota Journal

Complete digitized volume (volume 35) of Communication and Theater Association of Minnesota Journal.

Complete Volume (34)

Communication and Theater Association of Minnesota Journal

Complete digitized volume (volume 34) of Communication and Theater Association of Minnesota Journal.

Panic At The Drive-In: Affordance, Moral Panic, And Drive-In Theatres, Maria Chatzifilalithis

Laurier Undergraduate Journal of the Arts

No abstract provided.

The Next Time Someone Has Something Bad To Say About Your Work..., Heather Gibson

UCF Forum

A theatre student recently came to my office a little on the glum side. He was an actor in a production that had received a less-than-favorable review and he wasn’t taking it well. He had taken the writer’s words to heart and it was affecting his performance.

Through A Wheat Field; To A Pond, Ian Mikyska

The Goose

Poetry by Ian Mikyska

Let Theatre Take You To A New World — Without Ringing, Glowing Phones, Heather Gibson

UCF Forum

There’s been a lot of talk about patron use of technology in theaters, the most recent story of course being Patti LuPone’s snatching a phone out of a texting audience member’s hands in the middle of a scene during Shows for Days at the Lincoln Center Theater.

The Dory Fleet Of Pacific City: An Annotated Bibliography, Kathleen Spring, Brenda Devore Marshall, Andrea Snyder, Mary Beth Jones, Alicia Schnell, Gabrielle Leif

Dory Project Scholarship and Process Documents

This annotated bibliography has been created as part of the Launching through the Surf: The Dory Fleet of Pacific City project. Kathleen Spring, Brenda DeVore Marshall, Andrea Snyder, Mary Beth Jones, Alicia Schnell, and Gabrielle Leif have contributed to the document. Many of the articles and other documents were found in personal scrapbooks and files. In many cases, the bibliographic information is incomplete. Research is ongoing, and the bibliography will be updated as additional information becomes available.

Where's Your Phone?: If You're Lost Without It, You May Have Nomophobia, Jacob Mccarthy

Colby Magazine

Do you feel anxious when your phone battery is low? Check your messages more often than you'd like? You might be a nomophobe.

Occupy Judaism: Religion, Digital Media, And The Public Sphere, Ayala Fader, Owen Gottlieb

Articles

This article provides an analysis of Occupy Judaism, an explicitly religious expression of Jewish protest, which occurred simultaneously with Occupy Wall Street, the direct-democracy movement of 2011. Occupy Judaism, like Occupy Wall Street, took place both in physical spaces of protest in New York City and digitally, through mobilizing and circulating debate. The article focuses on the words and actions of Daniel Sieradski, the public face and one of the key founders of Occupy Judaism, supplemented by the experiences of others in Occupy Judaism, Occupy Wall Street, and Occupy Faith (a Protestant clergy-led initiative). We investigate what qualified as religion …

"Debate: Millennials Don't Stand A Chance" Devised, Documentary And Immersive Theatre: The Story Of Everymillennial, Sean R. Byrne

Senior Honors Projects, 2010-2019

This thesis aims to discover how communitas can be created through theatrical performances by blurring the line between audience and performer as well as performer and character. The topic of the Millennial generation is used as a thematic element in performance to emphasize the creation of community. A theatrical form will be introduced, called the “Living Biography:” a method of devising based on devising, documentary, and immersive theatre. This form will be shown as one possible option in creating communitas in a performance. While other forms of audience inclusion are frequently used, it will be argued that the “Living Biography” …

The Sentence Continues: Breaking Silences And Becoming Authors Through The Semicolon Project, Brooke E. Covington

Masters Theses, 2010-2019

Through its many digital platforms, The Semicolon Project, a suicide and self-harm prevention initiative, offers its users a creative means of using writing to heal. As its name suggests, the semicolon is an essential mark for this group—grammatically a semicolon represents a place in the sentence that an author could have ended and for the members of this prevention initiative, the semicolon acts in a similar way. By tattooing or drawing a semicolon on the body, the semicolon bearer embody a sense of authorial agency, positioning herself as author and using the semicolon as a representation of her dedication to …

Transcript Conventions And Examples For Audio And Video Stories, Brenda Devore Marshall, Kathleen Spring

Dory Project Scholarship and Process Documents

This document was developed to guide members of the research team as they prepared transcripts of audio and video stories that were collected as part of the Launching through the Surf: The Dory Fleet of Pacific City project. The document includes information on general formatting conventions, stylistic issues, and examples for reference.

Volume 33 - Front Matter, Nfa Journal

National Forensic Journal

No abstract provided.

Ua68/17 Wku Dance Program: Creating Thinking Artists, Issue 3, Wku Theatre & Dance

WKU Administration Documents

Newsletter created by and about the dance program.

• New Beginnings
• Summer Intensives
• A Holiday Extravaganza
• Evening of Dance 2015
• Dance Project 2015
• Guest Artists - Cornelius Carter, Karen Williams, Victor Alexander
• Inaside Choreographic Sponsorship Event
• Dance in Italy
• National Dance Education Organization - WKU Student Chapter
• Summer 2015
• Save the Date!

Editors' Note, R. Randolph Richardson, Kathy Brittain Richardson

National Forensic Journal

No abstract provided.

“…And Finally Examining Some Implications”: (Mis)Use Of Evidence In Informative Speaking, Ben Walker, Hilary Rasmussen

National Forensic Journal

In 1983, Bob Frank published his critique of evidence use in Persuasive Speaking at the 1981 NFA championship tournament. While many similar critiques have been done since then, this analysis attempts to update Frank’s critique in the light of modern informative speaking. The authors analyzed the 2011 NFA Informative Speaking final round speeches, examining the use of evidence. This article presents those findings and offers points of discussion for the forensic community.

Older, Wiser, Novice: Nontraditional Students And Collegiate Forensics, Laura Pelletier

National Forensic Journal

There is a growing trend in nontraditional college student enrollments in the United States. Due to the constraints on nontraditional students’ time, they are often unable to spend as much time on campus as traditional students and to fully partake in campus life. Co-curricular activities, such as forensics, can be time consuming activities which may seem like an impossible fit for their already busy schedules. Because there are a growing number of nontraditional students, it is worth researching how much of what we do in the forensic community assumes that our students are only part of a traditional student body. …

Volume 33 - Full Volume, Nfa Journal

National Forensic Journal

No abstract provided.

A Little Help From My Friends: A Relational Health Communication Competence Approach To Social Support For Forensic Educators, Heather J. Carmack, Todd T. Holm

National Forensic Journal

The purpose of this study was to examine factors that impact forensic educators’ perceived social support, including communication competence, job stress, and job burnout. Communicatively competent educators reported higher levels of administrative and family support than forensic educators who did not report high levels of communication competence. Educators who reported high levels of stress and burnout report lower levels of support from supervisors, coworkers, and family compared to educators who reported low levels of stress and burnout. Female coaches reported lower levels of support from supervisors, coworkers, and families, compared to male coaches. Educators with a large coaching staff reported …

When Actors Don’T Walk The Talk: Parasocial Relationships Moderate The Effect Of Actor-Character Incongruence, Riva Tukachinsky

Communication Faculty Articles and Research

The study examines the effect of a narrative that featured an actor playing a counterattitudinal role. Participants read an online magazine interview with a popular comedian and then watched a sitcom in which this actor played a role that was either consistent or inconsistent with his personal views. Parasocial relationships with the actor moderated the effect of actor-character incongruence. Specifically, incongruence was associated with lower support for narrative-related attitudes, but only among viewers with weak parasocial relationships. These results provide evidence of the existence of vicarious cognitive dissonance, wherein witnessing another person’s hypocritical behavior produces attitude change in the observer.

Ua68/17/3 Potter College Of Arts & Letters Theatre & Dance Film/Video/Audio File, Wku Archives

WKU Archives Collection Inventories

Recordings of Theatre & Dance performances.

Ua94/7/2 Student/Alumni Personal Papers Training School Mary Grise, Wku Archives

WKU Archives Collection Inventories

Records created by and about Mary Grise and collected by her during her years at College High. Mary participated in forensics, drama and music festivals hosted by Western Kentucky University and other organizations in Kentucky. She was elected as a delegate to the American Legion's Girl State and went on to represent Kentucky in Washington, D.C. at Girls Nation. The collection includes scrapbooks, correspondence and papers related to all her college activities. Photographs have been removed to UA1C11.69 Mary Grise Photograph Collection.

"Trigger" For Change: Theatre As A Tool For Social Dialogue, Sydoney B. Blackmore

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Trigger for Change: Theatre as a Tool for Social Dialogue was a project consisting of three main parts oriented toward promoting dialogue on the University of Montana campus about sexual assault. The first part was a company-constructed multimedia presentation that quickly introduced the audience to facts, figures, and perspectives regarding sexual assault. The second was a performance of Carmen Aguirre's The Trigger, a stage play about the playwright’s experience before, during, and after her rape, with other characters’ perspectives interjected throughout. The purpose of this performance was to provide an experience for the audience that promoted empathy and critical …

The Psychology Of Performance: A Growing Art, Shaina Hammer

Student Scholar Symposium Abstracts and Posters

Somehow, though Chapman University is relatively small, there is a great deal of distance between each of its academic fields; the actors don't know what the music building looks like, the musicians have no idea what the dramatists are up to, and no one has any idea where the dance classes are held. But not only do the students of Chapman University's College of Performing Arts not know one another, they don't understand one another. More than once I have encountered a student with the same self-confidence issue as another. Without a doubt, performance majors have a lot to talk …