Television Commons^™

Professor Katherine Mims Crocker: Reflections On The Fall 2020 Semester, Katherine Mims Crocker

Law School Personal Reflections on COVID-19

No abstract provided.

Professor Aaron-Andrew Bruhl: Reflections On The Fall 2020 Semester, Aaron-Andrew P. Bruhl

Law School Personal Reflections on COVID-19

No abstract provided.

Watching Disability: A Discourse Analysis Of Representations Of Disabled Characters In Scripted Television Programs, Wilbur Martin

Dissertations

This dissertation is a discourse analysis of three television series, Speechless, Atypical, and Breaking Bad. A close reading of those series was performed to analyze the representations of disability in those television series and whether those representations enforced classic stereotypes or differed from those classic stereotypes for disabilities. The representations were also analyzed to see if those representations enforced the medical or social model of disability.

All three series had instances of stereotypical representations as well as representations that were not stereotypical. All three series representations identified with the medical and social model of disabilities. Series that …

More Man Than A Horse? Bojack Horseman And Its Subversion Of Sitcom Conventions In Search Of Realism, Bradley Simpson

Pell Scholars and Senior Theses

As the television market diversifies and fragments, TV show creators in the postmodern era have been pushed to subvert the conventions of various genres to stay relevant. This research uses a combination of genre analysis and close content analysis of the Netflix original series BoJack Horseman to identify several conventions of the situation comedy genre that the show subverts. Through an unconventional handling of irony, tone, unique form, and subject matter, BoJack Horseman manages to transcend generic expectations by portraying a dark, realistic worldview. Contrary to the traditional view of the situation comedy as a media oriented towards escapism, BoJack …

An Analysis Of The Role Of Reality Television In The Representation Of Immigrants On Tlc's Show, 90 Day Fiancé., Morohunfolu Jimade Seton

Electronic Theses and Dissertations

A larger number of people reside outside their country of birth today than in any other time in history, and these levels are expected to continue to rise in the future (International Organization for Migration, 2011). The United States is currently the most popular immigrant destination in the world, with more immigrants than any other country. Immigrants statistics indicate that the immigrant population in the United States reached a record of 44.4 million in 2017 (Pew Research Centre, 2019). Correspondingly, the percentage of immigrants who were admitted into the U.S. as spouses of citizens has increased over of the last …

Popular Television’S Health And Safety Message: What Has Changed In The Past Generation?, Heather Ann Leon

Psychology Theses & Dissertations

The assertion that television has an impact on viewers is well-supported in theory and empirical research. Hundreds of researchers have conducted hundreds of studies focused on limited, specific programming content or specific effects to contribute to this evidence. However, far fewer researchers have conducted broad, comprehensive programming content analysis. One exception is a 2005 study from Will et al. examining multiple health and safety behaviors including sexual activity, driving behaviors, intoxicating and unhealthy substance use, and violence depicted in the 1997/1998 primetime television season. Results of their research showed overall that primetime television promoted the perception that the observed health- …

The Cultivation Theory And Reality Television: An Old Theory With A Modern Twist, Jeffrey Weiss

Capstone Showcase

George Gerbner, a Hungarian-born professor of communication, founded the cultivation theory, one of the most popular and regarded theories in the communications world. Developed in the mid 20th century, the theory focus on the long-term effects of television on people. Longer exposure to signs, images and people on television cultivates their perception of reality in the real world. The television became a household staple during this time. Families often spent time together watching programming together, however, it played out different effects for each person. Television's constant visual and auditory stimulation on a person made it easier to cultivate certain messages, …

How Actresses Jessica Chastain, Octavia Spencer And Reese Witherspoon Are Fighting Pay Disparity One Project At A Time, Abbey M. White

Capstones

While working on Steven Spielberg's 2005 miniseries "Into the West," Indigenous-Latina actress Tonantzin Carmelo achieved pay parity with her white male co-stars thanks to a contract clause called "favored nations. Now 15 years later, and in the height of Hollywood's gender parity movement, Hollywood actresses are strategically using the very same clause to chip away at the pay gap. This 7000-word narrative feature explains the historical use of this clause, identifies how actresses are leveraging its power to achieve pay parity on their projects and answers why it's not a one-size-fits-all fix for Hollywood pay inequity.

http://abbeymwhite.com/capstone/how-actresses-like-jennifer-aniston-jessica-chastain-and-lupita-nyongo-are-fighting-pay-disparity-one-project-at-a-time/

Recollection And Social Status, Edward Brennan

Books/Book chapters

Television sets appeared in homes across the world during the 1950s and 1960s. Early audiences were researched in terms of ratings and so on, but the perceptions and experiences of early television viewers went unrecorded. There are no ready-made, bottom–up companion pieces to top–down institutional histories. In the absence of such work, life- story research offers one of our best means of attempting to capture the experiences of early viewers. This chapter offers an argument about the nature of memory. It argues that personal recollection, in memory interviews and other contexts, is practical; that people announce their pasts in a …

Homebound: Sts-M1301 A Study On Television Writing In The Science Fiction Genre, Matthew Crouch

Senior Honors Theses

This project is a scene-by-scene outline of an original television pilot script in the science fiction genre. The outline is based on research conducted in both the television and science fiction fields, providing the project with a firm foundation in television screenwriting structure as well as insights into the characteristics of the science fiction genre. Additional research was carried out on the topic of developing realistic, engaging characters for the screen. This project serves to broaden the writer’s portfolio upon graduation while giving him a chance to study the world of television, which contains numerous differences from the field of …

Brrap Brrap Pew Pew: Representations Of Abortion In Adult Animated Television Comedy, Erika A. Byrnison

Dissertations, Theses, and Capstone Projects

This thesis documents and analyzes representation of abortion in American adult animated comedy, charging that it is under-examined and significant because representation on television in other genres has traditionally been absent or misleading. It covers theories on how pop culture communicates social norms, and posits that greater truthful representation of abortion in popular culture may be effective in reducing prevalent abortion stigma in the U.S. amongst the young by normalizing and more accurately representing the procedure. It reviews why our culture should be concerned about reducing abortion stigma in the U.S. It also identifies the “taboo ratings paradox,” wherein television …

A Matter Of Life And Def: Poetic Knowledge And The Organic Intellectuals In Russell Simmons Presents Def Poetry, Anthony Blacksher

CGU Theses & Dissertations

This dissertation unpacks the poetry, performances, and the production of Def Poetry Jam to explore how a performative art embodied and confronted racial discourses, including stereotypes and also, addressed the racism, patriotism, and imperialist discourses that circulated after 9/11. Def Poetry Jam contributes to the intellectual capacity of spoken word and performance poetry, and poets as intellectuals, where poets produce and disseminate knowledge, ideas, and data, in the form of narratives, that contribute to critical consciousness. The effectiveness of the series lay in the consistent blurring of entertainment, knowledge, anti-capitalism, and capitalism. This research demonstrates how Def Poetry Jam provided …

Suicide Watch: How Netflix Landed On A Cultural Landmine, Shabnaj Chowdhury

Capstones

Following the premiere of the television series “13 Reasons Why” in 2017, Netflix stepped squarely on a cultural landmine, stirring controversy over its graphic depiction of teen suicide.

According to media experts, showing a teenager kill themselves on television was completely unprecedented. Mental health experts say the act has significant consequences for “at risk” audience members, or people who were already experiencing suicidal thoughts before watching the show. It is proven that entertainment, and television specifically, can strongly influence audience behaviors and thoughts.

Suicide is one of the only causes of deaths that’s on the rise in the United States, …

The Uses And Gratifications Of Streaming Live Linear Sports Networks Online, Benjamin Whittle

Dissertations

The streaming of live sports television channels online is changing how sports fans access live sports T.V. content. This new technology is becoming a greater challenge to traditional cable/satellite television services as Americans continue to cancel their cable services for new online streaming options. DirecTV Now, SlingTV, PlayStation Vue, YouTube TV, among others, are offering sports fans access to the most popular live national and regional sports T.V. networks online via live streaming, allowing them to bypass traditional cable. These new services provide subscribers’ access to their favorite channels anywhere and on any mobile, internet connected device.

The purpose of …

La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé

Présence Francophone: Revue internationale de langue et de littérature

This article analyzes the importance of the film industry in West Africa by posing the problem of the closure of cinemas in recent decades in three countries: Senegal, Mali and Burkina Faso. The disappearance of movie theatres jeopardizes reception and drives the use of the Internet and television as broadcasting outlets for movies. This issue occupies little space in film criticism that privileges, according to Claude Forest, the "creative and cultural aspects" and therefore the aesthetics of African film.

“We Need This Television Just Like Any Other American Citizen”: The Battle Over Western Tv Boosters, 1952-1961, James C. Foust

School of Media and Communication Faculty Publications

In the wake of the Federal Communication Commission's 1952 Sixth Report and Order, which established plans for a nationwide television system, it became clear that traditional station allocations could not provide service to many isolated mountainous regions. Thus enterprising tinkerers, appliance store operators, and others set up so-called booster stations to broadcast the signals of urban stations into isolated western towns. However, the FCC wanted the boosters shut down, contending that they threatened the overall television allocation plan and could potentially create dangerous interference. Booster operators and viewers who depended on them were able to enlist the help of Western …

Creating A Happy Ending For Socially Relevant Television, John Thomas Cunha

Senior Honors Projects

Television is accessible to millions from the comfort of their own homes and shapes the way we view the world. It has the power to bring people together, but often presents diversity with a strong emphasis on labels. Characters are defined by the one trait that, to the majority of viewers, is unrelatable. This maintains the separation of “us” and “them,” isolating those in the minority. Representation is essential for progress, but it’s more than just including diversity. Instead of dwelling on differences and indulging in stereotypes, characters should all treat each other equally.

The focal TV show of this …

The Psychology Of Marathon Television Viewing: Antecedents And Viewer Involvement, Riva Tukachinsky, Keren Eyal

Communication Faculty Articles and Research

This study focuses on the expanding trend of marathon (“binge”) television viewing. It examines the personality antecedents of such media consumption (attachment style, depression, and self-regulation deficiency) as well as the psychological experiences of marathon viewers relative to the narrative (transportation, enjoyment) and its characters (parasocial relationship, identification). In a two-study design, theoretical models of media use and involvement, on one hand, and models of media addiction, on the other hand, are applied to predict the extent of marathon viewing and to compare it with “traditional” viewing. Results advance understanding of enjoyment and involvement theory and support cognitive theories of …

Memories Of Television In Ireland: Separating Media History From Nation State, Edward Brennan

Articles

This article emerges from a broader project that explores the history of television in Ireland using audience life story interviews. It argues that a dominant narrative persists in the history of television in the Republic of Ireland. Based in institutional sources this narrative is ideologically narrow although it tells a story of cultural liberation. A key example of its ideological limitation lies in the way that Irish people’s experience of British television transmissions has been forgotten. The reason for this lies in historical methods rather than conscious bias. Nevertheless, historical methods themselves can promote limited visons of reality that promote …

The Construction Of Truth In Fiction: An Analysis Of The Faux Footage Genre In Television, Samantha Richards

Scripps Senior Theses

This paper explores the way that “truth” is constructed in a fictional sphere through visual and narrative references. I draw upon Caetlin Benson-Allott’s Paranormal Spectatorship, and Jay David Bolter and Richard Grusin’s Remediation to inform my analysis of these constructions. I look specifically at Roanoke, the sixth season of American Horror Story, to provide examples of the way faux footage horror’s unique use of the subjective shot constructs the spectator as both a witness and an interrogator, and creates an aesthetic language of truth. While being immersed in the story, viewers are simultaneously invited to consider how …

Your Thoughts Projected: Television Comedies, Economic Content, And American Economic Attitudes, 1949-1990, Cody J. Lolos

All Master's Theses

This study analyzes the relationship between American television audiences and television comedies in the latter half of the twentieth century. The driving questions are how did television comedies depict economic content and how was that content related to American audiences' economic perceptions? By analyzing eight television comedy programs, this study asserts that not only did television comedies contain a substantial amount of economic content, including consumption, thrift, employment, and other significant and relevant economic factors, but the economic content found in television comedies accurately reflected Americans' economic attitudes over time. As a result, television comedies' economic content further correlated with …

Pacing Your Fears: Narrative Adaptation In The Age Of Binge Culture, Samantha Richards

Scripps Senior Theses

Entertainment is an ever-changing medium, and television specifically has gone through many technological innovations since its bright beginnings. These innovations have consistently changed the way stories are told. Stylistic shifts in key elements ranging from shot format to the way shows are constructed can be seen especially clearly in horror which does not have the same narrative constraints as many other genres, and therefore more room to experiment. By tracking changes in the narrative formats of serialized and anthology horror shows, I define a new era of television brought about by the prevalence of streaming, and the rise of binge …

Hellbound - The First Season, Stephen Seiber

Honors Projects

A student short concept film developed in order to pitch a television series.

“We Are Going Live In 3, 2, 1...”: Examining Liveness Amidst Streaming Technology, Jessica Jeanne Johnson

Student Scholar Symposium Abstracts and Posters

The products of the theatre, film, and television industries are becoming increasingly homogenized. The modes of entertainment which feature a live audience experience (film and theatre) have seen a gradual decrease in ticket sales to these experiences, while simultaneously there has been a rapidly increasing number of subscriptions to streaming services providing access to productions from all three mediums (film, theatre, television). This fact represents the public’s divergence from the idea of traditional “liveness.” Many scholars believe that liveness has the ability to manifest itself in many mediatized forms (such as in 3D, surround sound, etc.), and while this is …

Things We Dare Not See: Media Revisions Of Incestuous Relationships, Mattheus M. Oliveira

Dissertations, Theses, and Capstone Projects

Nowadays we can see a steadily growing acceptance of queer relationships in our films and novels, whether they are romance films or violent war movies. What we don’t get to see are examples of incestuous relationships that are consensual and harmless. For example, when Luke and Leia accidentally share some romantic feelings in Star Wars, that bond is suppressed. We don’t get an acknowledgment of a brother and sister’s emotional support in the movie adaptation of V.C Andrews’ Flowers in the Attic. This erasure stems from a long history of cultural and legal censorship of incest that only discusses …

Narratives Of Miami In Dexter And Burn Notice, Myles Mcnutt

Communication & Theatre Arts Faculty Publications

In popular discourse around television, a series’ relationship with place is often marked through the suggestion its setting is “like a character in the show”, but this article argues against adopting this as a framework for analyzing television’s relationship with space and place. It articulates the relationship between this discourse of “spatial capital” and hierarchies of cultural capital within the television industry, limiting the types of series that are deemed to warrant closer investigation regarding issues of space and place and lacking nuanced engagement with place’s relationship with television narrative in particular. After breaking down the logic under which these …

Identity And Scene: Alterity And Authenticity In Taxicab Confessions, Steven W. Schoen

Faculty Publications

This essay examines the visual rhetoric of HBOs reality TV program Taxicab Confessions, New York, New York (2005). Drawing on Burke’s rhetorical understanding of scene and Straw’s approach to scene as a category for the analysis of urban culture, I argue that the taxicab interior and nighttime street images of New York City structure a scene of indeterminacy, intimacy, and “reality,” thus framing the passengers’ self-presentations within a context of “authenticity.” The program’s visual structure locates passengers simultaneously outside of and within social norms and reinforces hegemonic notions of race, gender, and sexuality. Passengers are situated within a scene that …

"If You Want To Be The Man, You've Got To Beat The Man": Masculinity And The Rise Of Professional Wrestling In The 1990'S, Marc Ouellette

English Faculty Publications

This paper traces the relationship between the shifting representations of masculinity in professional wrestling programs of the 1990s and the contemporaneous shifts in conceptions of masculinity, examining the ways each of these shifts impacted the other. Most important among these was a growing sense that the biggest enemy in wrestling and in day-to-day life is one’s boss. Moreover, the corporate corruption theme continues to underscore the WWE’s on-screen and off-screen coverage, well into the second decade of the twenty-first century. Thus, the paper provides a template for considering a widely consumed popular cultural form in ways that challenge the determinism …

Distant Electric Vision: Cultural Representations Of Television From “Edison’S Telephonoscope” To The Electronic Screen, Ivy Roberts

Theses and Dissertations

Do inventions that exist only on paper have less credibility than functional technologies? How has the meaning and significance of audiovisual media and technology changed over time? This dissertation examines historiography and methodology for media history, arguing for an interdisciplinary approach. It addresses methodological issues in media history—media in transition, media archaeology, and film history—through an examination of television’s speculative era. It tackles moving-image history through an historical investigation of Victorian and Machine age “television”.

Because the concept and terminology of “television” changed dramatically during this period, I use the phrases “distant electric vision” and “seeing by electricity,” to define …

No Girls Allowed: Television Boys’ Clubs As Resistance To Feminism, Pamela Hill Nettleton Phd

College of Communication Faculty Research and Publications

This article analyzes the male-only spaces present in four television series, FX’s The Shield, Nip/Tuck , Rescue Me, and ABC’s Boston Legal, which each include a gendered territory as a recurring feature. I argue that these homosocially segregated environments enforce boundaries against women and shelter intense bromance relationships that foreclose romantic relationships of any kind, acting as physical incarnations of troubling retrograde sexual politics and ideologies. I also assert that the “boys’ clubs” in which these narratives take place, enabled and empowered by the aesthetic dimensions of architecture and design, help establish workplace patriarchy as commonplace, reasonable, and …