Television Commons^™

Roth's Fiction From Nemesis To Nemesis, Emily Budick

CLCWeb: Comparative Literature and Culture

In her article "Roth's Fiction from Nemesis to Nemesis" Emily Budick discusses Philip Roth's novel Nemesis as the culminating work of a career in which one nemesis or another has afflicted almost all of the author's protagonists. During the bulk of Roth's career, the hero's nemesis was generally, as in the ordinary, literary usage of the term, the protagonist's enemy, whether Judge Wapter in The Ghost Writer or the alter-Roth in The Counterlife. In Nemesis Roth restores the word nemesis to its classical meaning: Nemesis, as the goddess of revenge and cosmic balance. The nemesis in Roth's novel, therefore, …

Elsie: A Screenplay, Eileen M. Spath

Renée Crown University Honors Thesis Projects - All

Elsie is a 57 page, one-hour screenplay. A modern adaptation of a true story, Elsie tells the tale of Elsie Whitman, a young housewife unhappy in her marriage and looking for a way out. When her estranged sister arrives, she finally finds the strength to do the unthinkable.

Our story opens with the arrival of Elsie's sister, Marianne, and the departure of her husband, John. Alone in the house together, the sisters relationship grows complex. Marianne begins to see Peter, a young man with a mysterious past. However, when Elsie is wronged by John, she jumps into bed with Peter. …

How To Be Alice: A Feature-Length Screenplay With Production Package, Alison Joy

Renée Crown University Honors Thesis Projects - All

This Capstone consists of a feature-length dramatic screenplay of 110 pages along with a production package including schedule and budget. The production documents, created using Movie Magic software, detail a shooting schedule of 21 days and a budget of $890,979.

The film centers on a successful magazine editor who loses her job and her fiancé in the same day. Professionally disgraced, financially stunted, and unexpectedly hearbroken, she is forced to take on a “How To” blogging gig to pay the bills while she gets back on her feet. She begrudgingly accepts mentorship from an eccentric older neighbor to help her …

Not Dead At All, Martin Becerra

Electronic Theses and Dissertations

Not Dead At All is a nontraditional thesis, a creative product, the result of a combination of media production and social research. This paper is an attempt to explain the creative and production process behind the creation of an original media content, using the social research as a tool to increase the likeability of our characters and therefore increase the show’s chances of success.

Researching The Avant-Garde: A Book Review Article Of New Work By Bohn And Sell, Blaž Zabel

CLCWeb: Comparative Literature and Culture

No abstract provided.

Subjectivity In 'Attār's Shaykh Of San'Ān Story In The Conference Of The Birds, Claudia Yaghoobi

CLCWeb: Comparative Literature and Culture

In her article "Subjectivity in 'Attār’s Shaykh of San'ān Story in The Conference of the Birds" Claudia Yaghoobi discusses intersections of transgression, law, inclusion and exclusion, self and Other in Farīd al-Dīn 'Attār's (1142?-ca.1220) treatment of religion with regard to Shaykh San'ān and the Christian girl's love story in The Conference of the Birds. San'ān is an ascetic master who has never transgressed any of the Islamic laws until he embarks on a journey from Mecca to Rome after a dream only to fall in love with a Christian girl, convert to Christianity, and begin drinking wine and …

Art And Politics In Latin America: A Book Review Article Of New Work By Van Delden And Grenier, Sánchez, And Cohn, Nicole L. Sparling

CLCWeb: Comparative Literature and Culture

No abstract provided.

Intertextuality In Beckett's And Ağaoğlu's Work, Elmas Şahín

CLCWeb: Comparative Literature and Culture

In her article "Intertextuality in Beckett's and Ağaoğlu's Work" Elmas Şahín discusses Adalet Ağaoğlu's 1973 novel Ölmeye Yatmak (Lying Down to Die) and Samuel Beckett's 1950 Malone Dies in terms of intertextuality. Şahín employs tenets of comparative literature in order to analyze the two texts with regard to form and content and focuses on the on protagonists' worlds. In Şahín's interpretation, Ağaoğlu's protagonist Aysel is narrated in postmodern intertextuality as an individual of our days alienated from society, searching for her self/selves as she cannot succeed in dying. Both Beckett's and Ağaoğlu's protagonists attempt to "escape" from their selves and …

History And Identity In Post-Totalitarian Memoir Writing In Romanian, Nicoleta D. Ifrim

CLCWeb: Comparative Literature and Culture

In her article "History and Identity in Post-Totalitarian Memoir Writing in Romanian" Nicoleta D. Ifrim analyzes Virgil Tănase's confessional and ego-graphic writing in his 2011 Leapșa pe murite (Playing Fetch with Death). Tănase's text is about the individual caught in history and re-writes it post-traumatically from a double perspective: that of the collective memory of totalitarianism and the personal thus functioning as a filtering mechanism for the creation of meta-historical identity. For Tănase, the experience of exile and post-exile, as well as the confrontation with the West legitimizes identity dilemmas and the construction of the individual. The book is representative …

Electronic Journals, Prestige, And The Economics Of Academic Journal Publishing, Steven Tötösy De Zepetnek, Joshua Jia

CLCWeb: Comparative Literature and Culture

In their article "Electronic Journals, Prestige, and the Economics of Academic Journal Publishing" Steven Tötösy de Zepetnek and Joshua Jia discuss the current state of the academic journal publishing industry. The current state of the industry is an oligopoly based on a double appropriation model where academics produce work for at no cost only to have publishers earn significant profit margins by selling the work back to academics. Publishers are able to do this given the price inelasticity and weak bargaining power of its main consumer, university libraries. Publishers' ability to increase prices is also supported by what the authors …

Cultural Discourse In Taiwan. Ed. Chin-Chuan Cheng, I-Chun Wang, And Steven Tötösy De Zepetnek., Chin-Chuan Cheng, I-Chun Wang, Steven Tötösy De Zepetnek

CLCWeb Library

The collected volume Cultural Discourse in Taiwan — edited by Chin-Chuan Cheng, I-Chun Wang, and Steven Tötösy de Zepetnek and published by National Sun Yat-sen Uiniversity Press in 2009 — is intended as an addition to scholarship in the field of Taiwan Studies. The articles in the volume are in many aspects comparative and the topics discussed are in the context of literary and culture scholarship. At the same time, the volume is interdisciplinary as the articles cover historical perspectives, analyses of texts by Taiwan authors, and cultural discourse as related to Taiwan consciousness, language, and linguistic issues. Copyright release …

Clcweb Best Practices, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Mapping The World, Culture, And Border-Crossing, Steven Tötösy De Zepetnek, I-Chun Wang

CLCWeb Library

Authors in the collected volume Mapping the World, Culture, and Border-crossing — edited by Steven Tötösy de Zepetnek and I-Chun Wang and published by National Sun Yat-sen University Press in 2010— begin with exploring theoretical premises about the processes and ramifications of cultural crossings to establish a clearly defined theoretical context for the case studies which follow. The case studies range from the creation of identity through patriotic songs in Taiwan under martial law, to nationality and Japanese identity, cultural autonomy in contemporary North America, Asian migration to Latin America, ethnic identity in the writings of Tan, Naipaul, Eliot, and …

On World Literatures, Comparative Literature, And (Comparative) Cultural Studies, Ning Wang

CLCWeb: Comparative Literature and Culture

In his article "On World Literatures, Comparative Literature, and (Comparative) Cultural Studies" Ning Wang argues that cultural studies is characterized by being opposed to (elite) literary studies not only because it points to popular or non-elite literature, but also because it challenges the discipline of comparative literature. On the other hand, (comparative) cultural studies complements literary studies in that it contributes a great deal to the reconstruction of a sort of new comparative literature. Wang illustrates how some of the representative Anglo-American comparatists are now doing cultural criticism while still engaging in comparative literature and they paved the way for …

Interdisciplinary Studies And Comparative Literature In China And The West, Aaron Lee Moore

CLCWeb: Comparative Literature and Culture

In his article "Interdisciplinary Studies and Comparative Literature in China and the West" Aaron Lee Moore addresses the arguments on the part of Chinese and Western scholars against and for the full inclusion of interdisciplinary studies within the discipline of comparative literature. Interdisciplinary studies, in general, have been resisted in Chinese scholarship as it once was in the U.S. and other Western countries. Moore discusses the major Chinese arguments for and against interdisciplinary studies in general and interdisciplinary studies within comparative literature. Moore's main argument is that the study of literature by necessity must always cross disciplinary boundaries and the …

Western And Oriental Worlds Of Literature And Modern Greek Literature, Maro Kalantzopoulou

CLCWeb: Comparative Literature and Culture

In her article "Western and Oriental Worlds of Literature and Modern Greek Literature" Maro Kalantzopoulou explores the extent to which modern Greek literature can be seen as linked to Western and Oriental literary cultures. She discusses examples of literary phenomena featuring Western influences, as well as works which are linked in different ways to Southeastern Europe in general, the Ottoman world, and Oriental literary cultures. Kalantzopoulou's claim is that scholarship tends to associate modern Greek literature with Western literary cultures and dismisses non-Western contributions and influences. Kalantzopoulou suggests that by acknowledging the historical situatedness of such assumptions and by examining …

Introduction To New Work About World Literatures, Graciela Boruszko, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.

Interculturality And World Literary System(S), Jola Škulj

CLCWeb: Comparative Literature and Culture

In her article "Interculturality and World Literary System(s)" Jola Škulj proposes a new framework for studying planetary exchanges of literatures, one that subverts the systemic distinction between centers and peripheries. She advocates a model that can yield the analytical conceptualization and hermeneutic understanding of literary phenomena and their historical reality in the complexity of semiotic traces, in actual distinctiveness of formal and textual deposits, and in interconnections of poetological impacts. She argues that literary facts seen in such intricate networks of mutual intertextual phenomenology and reaccentuations attest to their character of permanent mobility, evident instability, and constant inventive reformulation of …

Positive Uncertainty And The Ethos Of Comparative Literature, Brigitte Le Juez

CLCWeb: Comparative Literature and Culture

In her article "Positive Uncertainty and the Ethos of Comparative Literature" Brigitte Le Juez examines the continuous difficulty comparatists have with the lack of definition of the discipline and explores possible new avenues for tackling the problem. Le Juez argues that "uncertainty" recognized as a tenet of comparative literature should not be unheeded, but embraced in order to shift the focus from the idea that comparative objects and methods are the defining elements of the discipline and envisage them as the aims and results of an ethos. Le Juez posits that when "indiscipline" and "serendipity" are added to the notion …

World Literature(S) And Comparative Literature: A Book Review Article Of Books Published In English And German 2011-2013, Elke Sturm-Trigonakis

CLCWeb: Comparative Literature and Culture

No abstract provided.

Introduction To New Work In Comparative Literature In Europe, Lucia Boldrini, Marina Grishakova, Matthew Reynolds

CLCWeb: Comparative Literature and Culture

No abstract provided.

Multilingual Literature, Translation, And Crnjanski's Роман О Лондону (A Novel About London), Biljana Djorić Francuski

CLCWeb: Comparative Literature and Culture

In her article "Multilingual Literature, Translation, and Crnjanski's Роман о Лондону (A Novel about London)" Biljana Djorić Francuski discusses aspects of the translation of multilingual texts. Although xenisms (words in foreign languages) can often be translated and yet preserved as a part of code mixing, it is difficult to transpose what are known as nonce loans. A further obstacle arises when the author of the multilingual text is such an artist of subtle allusion that the dominant language is pervaded with words and phrases transferred from other languages so that they gain meanings which differ from the expected ones. Djorić …

World Literatures In Temporal Perspective, David Damrosch

CLCWeb: Comparative Literature and Culture

In his article "World Literatures in Temporal Perspective" David Damrosch discusses the vexed problem of how to shape a literary history into definable and meaningful periods without simply projecting old Western patterns onto new ages and distant areas of the world. This problem becomes acute when one seeks to create a genuinely global literary history. Damrosch surveys some early periodizations according to patterns of infancy, growth, maturity, and decline, and discusses the often unrealized persistence of biblical and classical models in modern accounts of the literary histories of Egypt, Mesoamerica, and India.

The Persistence Of "Cathay" In World Literature, Eugene Eoyang

CLCWeb: Comparative Literature and Culture

In his article "The Persistence of 'Cathay' in World Literature" Eugene Eoyang argues that China has only recently begun to occupy a place in world literatures as evidenced by the absence of Chinese literature from the early editions of the widely adopted Norton Anthology of World Masterpieces and its token representations in subsequent editions. "Orientalized" images of China still persist partly stemming from the continuing currency of stereotyped images of the Chinese promoted by publishers, by Western Sinologists, and even by expatriate Chinese. A cottage industry has developed which privileges the study of images of China (however distorted and oversimplified) …

Limits To Transculturality: A Book Review Article Of New Work By Kimmich And Schahadat And Juvan, Hrvoje Tutek

CLCWeb: Comparative Literature and Culture

No abstract provided.

Adiga's The White Tiger As World Bank Literature, Abdullah M. Al-Dagamseh

CLCWeb: Comparative Literature and Culture

In his article "Adiga's The White Tiger as World Bank Literature" Abdullah M. Al-Dagamseh reads Aravind Adiga's novel within the context of global neoliberal capitalism, especially as radical neoliberal reforms took root in India in 1991. Al-Dagamseh argues that The White Tiger read as world bank literature provides critiques of the globally hegemonic discourses of success story narratives by exposing the contradictions of different, but overlapping facets of neoliberal ideology. Further, Al-Dagamseh demonstrates that the novel serves to reveal the contradiction between mythical global narratives and the reality and nature of "success" and "development" achieved through violence, crime, and destruction …

African Literatures And Border Issues, Chimdi Maduagwu

CLCWeb: Comparative Literature and Culture

In his article "African Literatures and Border Issues" Chimdi Maduagwu posits that borders or boundaries are constructions which have social and symbolic implications and that they are also relevant in a variety of social processes versus class stratification. Modern Africa is a political construction from European colonialism and what we have today as countries of Africa were closely knit nation states (which colonialists identified as tribes) who had their distinct features. However, the advent of colonialism tore into the original nation state structure based on given ethnic relationships and in its place constructed sovereign states or countries, which only considered …

Comparativist Imagology And The Phenomenon Of Strangeness, Małgorzata Świderska

CLCWeb: Comparative Literature and Culture

In her article "Comparativist Imagology and the Phenomenon of Strangeness" Małgorzata Świderska presents an imagological-hermeneutic conception of the interpretation of national, ethnic, and/or (inter)cultural strangeness in literary works. Świderska develops her concept of comparativist imagology from the work of Paul Ricoeur's concept of multiple étrangeté and from the work of Jean-Marc Moura. Świderska applies her conceptualization of comparativist imagology to Heimito von Doderer's "Divertimento No I" and Das letzte Abenteuer. Ein Ritter-Roman.

Worlding Literatures Between Dialogue And Hegemony, Marko Juvan

CLCWeb: Comparative Literature and Culture

In his article "Worlding Literatures between Dialogue and Hegemony" Marko Juvan claims that during its late capitalist renaissance, the Goethean idea of Weltliteratur is interpreted either in terms of intercultural dialogism or hegemony embodied in the asymmetrical structure of the world literary system. Launching the concept of Weltliteratur during the emergence of the early industrial globalization, Goethe initiated a long-lasting transnational meta-discourse that influenced the development of transnational literary practices. In his aristocratic, cosmopolitan humanism, Goethe expected world literature to open up an equal dialogue between civilizations and languages encouraging cross-national networking of the educated elite. However, his notion of …

Monomedial Hybridization In Contemporary Poetry, Jan Baetens

CLCWeb: Comparative Literature and Culture

In his article "Monomedial Hybridization in Contemporary Poetry" Jan Baetens argues that the debate on hybridization tends to overemphasize the blurring of boundaries between signs and sign types in all possible forms: combination of types within a given work (multimodal "image-texts," comics and photo-novels, sound poetry, etc.), adaptation and remediation of one sign type by another one (filmic adaptations of novels or novelizations of films, for instance), and, more generally, the simultaneous elaboration of works in various media (the phenomenon that Jenkins called "convergence" or trans-media storytelling). While all these hybridizations have become mainstream today, if we take into account …