Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Purdue University (497)
- University of Nebraska - Lincoln (11)
- City University of New York (CUNY) (9)
- Ursinus College (5)
- Columbia College Chicago (4)
-
- Eastern Illinois University (4)
- Brigham Young University (3)
- Chapman University (3)
- Old Dominion University (3)
- Aga Khan University (2)
- California Polytechnic State University, San Luis Obispo (2)
- Claremont Colleges (2)
- Georgia Southern University (2)
- LSU New Orleans (2)
- Louisiana State University (2)
- Marquette University (2)
- St. John Fisher University (2)
- University of Kentucky (2)
- University of Louisville (2)
- Wofford College (2)
- Andrews University (1)
- California State University, San Bernardino (1)
- Dartmouth College (1)
- Dominican University of California (1)
- Emerson College (1)
- Gettysburg College (1)
- Grand Valley State University (1)
- Hamline University (1)
- Marshall University (1)
- Minnesota State University, Mankato (1)
- Keyword
-
- Comparative literature (106)
- comparative literature (103)
- Cultural studies (43)
- cultural studies (43)
- Comparative cultural studies (41)
-
- comparative cultural studies (39)
- Literary theory (32)
- literary theory (32)
- Culture and history (24)
- Television (24)
- culture and history (24)
- Comparative popular culture (19)
- Gender studies (19)
- comparative popular culture (19)
- Intercultural studies (18)
- intercultural studies (18)
- Comparative humanities (16)
- comparative humanities (16)
- Diasporic, exile, (im)migrant, and ethnic minority writing (15)
- Postcolonial and colonial studies (15)
- diasporic, exile, (im)migrant, and ethnic minority writing (15)
- gender studies (15)
- postcolonial and colonial studies (15)
- Comparison of primary texts across languages and cultures (14)
- Culture theory (14)
- Feminist studies (14)
- Film and literature (14)
- Gender (14)
- comparison of primary texts across languages and cultures (14)
- culture theory (14)
- Publication Year
- Publication
-
- CLCWeb: Comparative Literature and Culture (487)
- CLCWeb Library (10)
- Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy (7)
- Dissertations, Theses, and Capstone Projects (6)
- Cultural Studies Capstone Papers (4)
-
- Theses and Dissertations (4)
- Capstones (2)
- College of Communication Faculty Research and Publications (2)
- College of Graduate Studies: Theses & Dissertations (2)
- Electronic Theses and Dissertations (2)
- Faculty Publications (2)
- Faculty Research & Creative Activity (2)
- Gender Studies Student Scholarship (2)
- LSU New Orleans Theses and Dissertations (2)
- Masters Theses (2)
- Media and Communication Studies Presentations (2)
- Reconstruction: Studies in Contemporary Culture (2)
- 3690: A Journal of First-Year Student Research Writing (1)
- Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía (1)
- All Graduate Theses, Dissertations, and Other Capstone Projects (1)
- Backstage Pass (1)
- CMC Senior Theses (1)
- Celebration (1)
- College of Journalism and Mass Communications: Theses (1)
- Communication Studies (1)
- Communications: Faculty Publications (1)
- Course Work (1)
- Dartmouth College Master’s Theses (1)
- Data and Test Instruments (1)
- Departmental Honors Projects (1)
- Publication Type
- File Type
Articles 61 - 90 of 590
Full-Text Articles in Television
Haunting Pasts, Cancelled Futures: Polish And Argentinian Experiences Of Postdependency, Ewa Kobyłecka-Piwońska
Haunting Pasts, Cancelled Futures: Polish And Argentinian Experiences Of Postdependency, Ewa Kobyłecka-Piwońska
CLCWeb: Comparative Literature and Culture
The aim of this article is to compare Polish and Argentinian experience of democratic transitions of the 1980s and 1990s. Establishing new political and economic orders in both countries did not entail a change in their citizens’ post-dependent mentality. In the first part of the paper, a connection is drawn between Polish and Argentinian collective memories in line with the methodology of transcultural memory studies (Erll, Rothberg). The post-dependent condition is articulated twofold: through the remembrance of the disappearance (of the Jews, the victims of the Argentina’s state terrorism, the indigenous peoples), and through the confusion in grasping the sense …
Dancing On My Own: Examining Character Development In Hbo’S Girls, Phoebe Portnoy
Dancing On My Own: Examining Character Development In Hbo’S Girls, Phoebe Portnoy
Honors College Theses
In recent years, the HBO series Girls has experienced a resurgence in viewership and public discourse. Situated within the landscape of postfeminist television, there have been many conversations about how the show represents the privileged, self-involved, and unmotivated behaviors of many millennials. However, there was a lack of research focused on the growth of the lead characters from the series’ beginning to its end. I conducted a textual analysis of Girls, examining the four main characters’ development in career, romance, and female friendship. I examined their goals, emotions, and actions in these categories throughout seven episodes across three seasons …
Cartoon Kinship, Kelsey Bell Quinn
Cartoon Kinship, Kelsey Bell Quinn
Master's Theses
Most people view cartoons as mindless entertainment exclusively for children. They dismiss the genre as if it only contains zany and overzealous characters who deal with simple, predictable challenges, easily resolved by the end of the episode. The negative attitude towards cartoons—or seemingly anything animated—undermines the importance of the lessons and the themes many shows do impart on their viewers, regardless of their age. Shows like Nickelodeon's Avatar: The Last Airbender cover a plethora of complex themes, but due to its status as an animated work, it has been disregarded as a show for children rather than being appreciated as …
State Of Women In The Media: A Look At Kenya, Tanzania, And Uganda - Policy Brief 2025, Hesbon Owilla, Nancy Achieng' Booker, George Nyabuga, Shitemi Khamadi, Alykhan Peermohamed, Clare Mogere, Pauline Muriuki
State Of Women In The Media: A Look At Kenya, Tanzania, And Uganda - Policy Brief 2025, Hesbon Owilla, Nancy Achieng' Booker, George Nyabuga, Shitemi Khamadi, Alykhan Peermohamed, Clare Mogere, Pauline Muriuki
Graduate School of Media and Communications
In 2023, Aga Khan University’s Graduate School of Media and Communications (AKU-GSMC) undertook a study examining the representation of women in East African news media organisations with a focus on the coverage and portrayal of women in prominent newspapers, television, and digital news platforms across Kenya, Uganda, and Tanzania. The study specifically sought to assess gender representation within the media workforce, the distribution of leadership roles and responsibilities in media companies, and the way women are covered and portrayed in the media. Using content analysis, the study reveals that women are frequently underreported in news stories and disproportionately portrayed in …
Prison Sentences: Spaces Of Liberation In Arab Prison Writing, Joseph Farag
Prison Sentences: Spaces Of Liberation In Arab Prison Writing, Joseph Farag
CLCWeb: Comparative Literature and Culture
Spatial and temporal motifs predominate throughout the extensive corpus of Arabic prison writing. However, far from establishing the prison as an exceptional space, and periods of imprisonment as “time outside time,” this paper argues that modern Arabic prison literature tends instead to blur the distinction between “inside” and “outside” prison space and time. In place of a rigid spatial demarcation, dramatically exemplified by images of towering, razor wire-tipped walls, Arabic prison writing consistently seeks to create continuity between the punishment meted out to those within the prison’s walls and the repression endured by those beyond it. Consequently, these texts figuratively …
Punish Yet Cannot Discipline: Two Iraqi Prison Novels, Hanan Jasim Khammas
Punish Yet Cannot Discipline: Two Iraqi Prison Novels, Hanan Jasim Khammas
CLCWeb: Comparative Literature and Culture
Al-Munāḍil (The Militant) (1972) by ʿAzīz al-Sayyid Jāsim, and Iʿjām (Iʿjaam) (2004) by Sinan Antoon are two prison novels about the historical turning points which mark the rise and fall of the Baʿth regime in Iraq. While the first employs imprisonment as a lens through to expose the corruption and injustice exercised by the monarchy against the emergent revolutionary power, the second shows the Baʿthist government applying similar methods of surveillance, and of physical and psychological torture. Reading these texts by al-Sayyid Jāsim, who died in the Baʿth prisons, and by Antoon who wrote Iʿjaam …
Hold Fast The Rope Of God: Space, Authority, And Speech In Muslim Prison Narratives, Basit Kareem Iqbal, Walaa Quisay
Hold Fast The Rope Of God: Space, Authority, And Speech In Muslim Prison Narratives, Basit Kareem Iqbal, Walaa Quisay
CLCWeb: Comparative Literature and Culture
Scholarship about Muslims in prison has been overwhelmingly dominated by security studies’ radicalization thesis and by a superficial reading of incarcerated Muslims’ “religious resilience.” Such approaches caricature the force of Islam in prison and indeed in Muslim prison narratives. This essay draws on interviews with survivors of prisons in Egypt, the United Arab Emirates, and Syria in order to develop other terms for analysis. Across our textual and ethnographic engagements, we read for varied permutations of carceral space, formations of religious authority, and an intimate (witnessing) relation between speech and violence. Muslim prison narratives see a broad emphasis on the …
The Networks Of Prison Narrative: Imagining Sociality And Making Narrative In Assad’S Syria, Anne-Marie Mcmanus
The Networks Of Prison Narrative: Imagining Sociality And Making Narrative In Assad’S Syria, Anne-Marie Mcmanus
CLCWeb: Comparative Literature and Culture
This article argues for a new reading of collectivity – in both narrative voice and scenes of shared experience – in works of Syrian prison literature. Although these texts were published and are interpreted as the products of single author figures, the wider narrative field from which they emerge is shaped by numerous collective practices, from the oral and written to the digital. Breaking disciplinary boundaries around prison literature, this article introduces the term “prison narrative” and foregrounds diverse efforts by Syrian writers and former prisoners to imagine alternative formations of national experience and community under the Assad regime (1970-2024). …
Prison As A Living Being: ‘Assad’S Syria’ As A Model For The Imprisonment State, Jaber Baker
Prison As A Living Being: ‘Assad’S Syria’ As A Model For The Imprisonment State, Jaber Baker
CLCWeb: Comparative Literature and Culture
The Syrian Assad regime used prisons as tools of domination. As such, prisons had the power not only of active repression but also as places of detention and disappearance for Syrians. The expansion of political detention in Syria over fifty years transformed prison into a living being in the sense that prison became a part not just of Syrians' political life, but also of their social identity. One can recognize it in voices, attitudes, lifestyles, and even written and oral culture. Syrian cities are full of weapons since a large area of the urban space is inhabited by the buildings …
From Prison To The World: A Comparative Reading Of Naji’S Hirz Mikamkim (Rotten Evidence, 2020) And Abd El-Fattah’S You Have Not Yet Been Defeated (2021), Teresa Pepe
CLCWeb: Comparative Literature and Culture
This article analyses Ahmed Naji’s Hirz Mikamkim (Rotten Evidence) and Alaa Abd el-Fattah’s You Have Not Yet Been Defeated through the lens of ‘prison literature’, that is “literary works produced in, about, or through the experience of political detention” (Taleghani 13). Comparing them to previous forms of prison literature from Egypt, it shows that both books depart from the social-realistic mode that has prevailed throughout the 20th century. Rather they renovate the genre with aesthetic traits drawn from postmodern and digital literature, exemplified by autofictional or anonymous modes of authorship and co-authorship, narrative fragmentation, and bodily exposures. These aesthetic …
Khairy Shalaby’S Novel The City Of The Enslaved: Egyptian Prison Literature With A Russian Twist, Sarali Gintsburg
Khairy Shalaby’S Novel The City Of The Enslaved: Egyptian Prison Literature With A Russian Twist, Sarali Gintsburg
CLCWeb: Comparative Literature and Culture
Although the interconnectedness of Russian and Arabic literatures has been demonstrated by Soviet/Russian and, to a limited extent, Western Arabists, this research remains limited to a few names. However, the role that the Russian/Soviet literary tradition had in shaping contemporary genres of Arabic literature is complex and diverse. This is, for instance, the case with prison literature—Russian/Soviet literature has a long tradition of turning to the topic of imprisonment. It was Dostoyevsky, who turned to the genre of katorzhnaya proza (prison literature) and popularized it. Later, Tolstoy, Chekhov, and Gorky dedicated a number of their influential literary works to further …
Terrorists, Spies, And Diplomatic Crises: The Birth Of Morocco’S Multimedia Prison Literature, Brahim El Guabli
Terrorists, Spies, And Diplomatic Crises: The Birth Of Morocco’S Multimedia Prison Literature, Brahim El Guabli
CLCWeb: Comparative Literature and Culture
This article captures the literary shift that accompanied the transformation of the nature of political imprisonment in Morocco in the last twenty years. Focusing on the new victims of state violence, who fall within two categories: prisoners accused of terrorism and those accused of heinous sexual crimes, this article argues that the emergence of these new criminal profiles has led to the establishment of a transnational “Multimedia Prison Literature” (MPL). Drawing on the cases of Ali Arras, a Belgian-Moroccan whom Spain delivered to Morocco for terrorist charges, and Mohamed Hajib, a German-Moroccan citizen whom Germany extradited to his country of …
The Absurdity Of Liberation In Moroccan Prison Narratives, Hakima Choukri
The Absurdity Of Liberation In Moroccan Prison Narratives, Hakima Choukri
CLCWeb: Comparative Literature and Culture
Moroccan prison narratives have been credited with major political and social changes, yet their existential value is equally worth acknowledging. The prison narratives of Aziz Binebine, Mohamed Raiss, Malika Oufkir, and Fatna El Bouih, to mention but a few, are fraught with existentialist patterns that are uncovered upon reading them comparatively. One pattern that persists through these narratives is the absurdity of liberation. Borrowing Camus’ concept of the absurd, this article highlights the absurdity of the post-prison chapter for being nothing more than an extension of the prison episode that makes the impossibility of freedom acutely felt. The absurdity of …
Captivity, Resistance And Political Consciousness In Walid Daqqa’S Prison Literature, Ashjan Ajour
Captivity, Resistance And Political Consciousness In Walid Daqqa’S Prison Literature, Ashjan Ajour
CLCWeb: Comparative Literature and Culture
This article examines the prison literature of the Palestinian intellectual Walid Daqqa who has been serving a life sentence for resistance since 1986 in Israeli prisons. From the depth of his experience he writes about his conceptualization of captivity, colonial violence, the resistance of the Palestinian political prisoners in the Israeli prison system and the construction of Palestinian national imagination in his book Consciousness Molded: or The Re-Identification of Palestinian Torture (2010) Published in Arabic and his first young adults novel The Story of the Oil’s Secret (Ḥikayat Sir al-Zeit) published in 2018 in Arabic. Daqqa has become …
Palestinian Prisoners: Smuggling Freedom, Writing From Captivity, Basil Farraj
Palestinian Prisoners: Smuggling Freedom, Writing From Captivity, Basil Farraj
CLCWeb: Comparative Literature and Culture
This article discusses writings by Palestinian political prisoners and the broader body of prison literature situating them as practices of ‘smuggling freedom’ from Israel’s carceral regime, shedding light onto their political and social meaning. Through discussing writings by prisoners, the article points to a long history through which Palestinian prisoners confronted the Israeli regime’s torture and violent practices, and its broader project of eliminating the political nature of captivity. The article argues that prisoners’ writings reveal much about the dynamics of carceral power and violence, and the logic behind the confrontation practices used by prisoners in Palestine and beyond. These …
New Approaches To Mena Prison Literatures After 2011, Anne-Marie Mcmanus
New Approaches To Mena Prison Literatures After 2011, Anne-Marie Mcmanus
CLCWeb: Comparative Literature and Culture
No abstract provided.
Recasting Gender Roles: A Study Of Indian Television Commercials (2011– 2020), Himika Akram, Alicia Mason
Recasting Gender Roles: A Study Of Indian Television Commercials (2011– 2020), Himika Akram, Alicia Mason
Faculty Submissions
On media, television commercials (TVCs) play a significant role in shaping societal perceptions of gender roles. This study examines gender depictions in Indian TVCs, focusing on key dimensions such as gender ratio in primary characters, voiceovers, settings (home, outdoor, workplace), and product categories. A content analysis of 120 TVCs from Indian brands (2011–2020) was conducted, with coding performed by the researcher. Findings reveal that men were primary characters in 54.6% of the advertisements, while women featured in 45.4%. Male voiceovers dominated at 70.1%, compared to 29.9% for females. Women were portrayed in home settings in 66.7% of TVCs, while men …
A Monstrous [Un]-Becoming: Defining The Final Boy, Rhys Crumpton
A Monstrous [Un]-Becoming: Defining The Final Boy, Rhys Crumpton
College of Graduate Studies: Theses & Dissertations
Through an exploration of horror theory, monster theory, queer theory, and disabilities studies, this thesis defines a 21st century archetype within the serial horror narrative, known as “the Final Boy.” This character is a manifestation of a queer, often neurodivergent man in peril at the hands of a monstrous society. This harmful socionormativity is narratively represented by a monster wearing the face of a man, one whom the Final Boy must subdue and overcome if he wishes to survive. The seven tenets found in this project highlight the fluctuating morality the Final Boy is forced to engage in per the …
“A ‘Normal’ Life”: Red Dwarf, Temporality, And The Neuroqueer Absurd, Gretchen B. Graf
“A ‘Normal’ Life”: Red Dwarf, Temporality, And The Neuroqueer Absurd, Gretchen B. Graf
Electronic Theses & Dissertations (2024 - present)
The science fiction series Red Dwarf, beginning in 1988 and broadcasting sporadically over the past nearly four decades, takes place more than three million years in the future where human beings have gone extinct. All, that is, except one; the show’s central character, Dave Lister, is the last known living human being in the universe, outliving humanity by remaining in stasis during a radiation leak that killed the rest of the crew of the titular mining ship. Besides Lister, the narrative also focuses on the nonhuman beings that keep him company. Besides residing in the genre of science fiction, …
Gender, Age, Class And Racial Stereotypes, And Power Relations In Television Ads: 2011-13 Vs 2021-22, Thomas D. Clark, Julie Stewart
Gender, Age, Class And Racial Stereotypes, And Power Relations In Television Ads: 2011-13 Vs 2021-22, Thomas D. Clark, Julie Stewart
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy
This article demonstrates how faculty and DEI experts can use resources included in this paper to highlight how a range of stereotypes are created and reinforced in television ads, and it identifies several topics for future analysis. To understand how depictions of gender, class, age, and race intersect in 8 television ads featuring the relationship between the race of individuals depicted in romantic and platonic relationships this article examines 4 pairs of commercials from 2011-2013 and 2021-2022. Drawing on concepts of intercategorical complexity, it describes product, setting, characters and relationships to help gain a deeper understanding of how various stereotypes …
“I Am A Conversation”: Media Literacy, Queer Pedagogy, And Steven Universe In College Curriculum, Misty Thomas
“I Am A Conversation”: Media Literacy, Queer Pedagogy, And Steven Universe In College Curriculum, Misty Thomas
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy
The recent cartoon show on Cartoon Network Steven Universe allows for the blending of both queer theory and media literacies to create a pedagogical space for students to investigate and analyze not only queerness, but also normative and non-normative identities. This show creates characters as well as relationships that both break with and subvert what would be considered traditional masculine and feminine identities. Additionally, Steven Universe also creates a space where sexuality and transgender bodies are represented. This paper demonstrates both the presence of queerness within the show and the pedagogical implications for using this piece of media within a …
Amc’S Infamous Criminal Partnerships: Suppressing The Female Antihero, Melissa Vosen Callens
Amc’S Infamous Criminal Partnerships: Suppressing The Female Antihero, Melissa Vosen Callens
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy
This paper explores the limited number of female antiheroes in AMC’s critically acclaimed drama series. Using a feminist lens, the author argues that audiences have failed to embrace female characters on AMC as antiheroes, particularly when they are in romantic relationships with male antiheroes, for three primary reasons. First, female characters often challenge binary thinking, and thus, gender role stereotypes. Rather than exhibiting passive, yet nurturing characteristics, characteristics often associated with femininity and motherhood, female characters within the dataset frequently challenge their partners and exert their dominance. Second, writers often fail to fully develop female characters. The absence of their …
Bad Girls: Agency, Revenge, And Redemption In Contemporary Drama, Courtney Watson
Bad Girls: Agency, Revenge, And Redemption In Contemporary Drama, Courtney Watson
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy
Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change.
A Gendered Perspective On Policing Violence In Happy Valley And Fargo, T. Allen Culpepper
A Gendered Perspective On Policing Violence In Happy Valley And Fargo, T. Allen Culpepper
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy
Portrayal of a police officer determined to fight crime and execute justice in a harsh, isolated environment has become a television and film subgenre, often featuring women facing gender-related challenges. The issues raised in Sally Wainwright’s British television series Happy Valley, can be made more accessible, particularly to American undergraduate students, via its commonalities with the Coen brothers film Fargo. In both, a tough but compassionate policewoman pursues the more sociopathic of a pair of criminals involved in a botched kidnapping attempt instigated by an inept businessman, taking on the case for personal and professional honor, and as …
Girls, Guns, And Zombies: Five Dimensions Of Teaching And Learning In The Walking Dead, Anthony Neely
Girls, Guns, And Zombies: Five Dimensions Of Teaching And Learning In The Walking Dead, Anthony Neely
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy
Rooted in sociocultural theory, this article utilizes a conceptual framework derived from Alexander, Schallert, and Reynolds’ four topographical dimensions of learning: who of learning, what of learning, where of learning, and when of learning. Situated learning (Lave and Wenger) is presented as a fifth dimension to address how learning occurs in communities of practice absent of formal schooling. Content analysis (Elo and Kyngass) is used to analyze a teaching and learning event from an episode of The Walking Dead based on the five topographical dimensions of learning listed above. Findings provide insights for pedagogical application for …
Science Fiction, Eng 2420, Syllabus And Course Outline, Jason W. Ellis
Science Fiction, Eng 2420, Syllabus And Course Outline, Jason W. Ellis
Open Educational Resources
This Science Fiction, ENG2420 syllabus and course outline was written for an online, asynchronous class taught in the Department of English at the New York City College of Technology, CUNY. It was designed to compliment the OER Yet Another Science Fiction Textbook (YASFT) and have a Zero Textbook Cost (ZTC) approach with readings and viewings found primarily through the Internet Archive. The course follows a historical approach to the science fiction genre covering the Origins of Science Fiction, Mary Shelley’s Frankenstein, Proto-SF, Pulp SF, SF Film Serials, Golden Age SF, SF Film Through the 1950s, New Wave …
Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang
Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Engaging China: Beckett’S Debt To Pound, Giles, And Laloy, Lidan Lin
Engaging China: Beckett’S Debt To Pound, Giles, And Laloy, Lidan Lin
CLCWeb: Comparative Literature and Culture
In her article "Engaging China: Beckett’s Debt to Pound, Giles, and Laloy," Lidan Lin examines Ezra Pound’s influence on Samuel Beckett. In their dealings with China, Pound and Beckett are both indebted to such sinologists and cultural transmitters as Ernest Fenollosa, H. A. Giles, Louis Laloy, and Laurence Binyon who introduced Chinese culture, literature, and arts to the Western world through translation and their writings about China. Lin situates the Pound-Beckett connection in the broad cultural context of the early 20th century. She argues that while modernism’s turn to China as a cultural paradigm was collectively brought about by …
Translation As Creative Writing: Rewriting The Chinese Maze Murders In Contemporary China, Xiaoquan Raphael Zhang
Translation As Creative Writing: Rewriting The Chinese Maze Murders In Contemporary China, Xiaoquan Raphael Zhang
CLCWeb: Comparative Literature and Culture
In his article “Translation as Creative Writing: Rewriting The Chinese Maze Murders in Contemporary China,” Xiaoquan Raphael Zhang examines four groups of selected writings centered on one of Robert van Gulik’s more well-known Judge Dee novels, The Chinese Maze Murders (written first in English but not published until 1956). Different from most publications on van Gulik and his novels, Zhang examines the impact of censorship and self-censorship on the writing, rewriting, and (re)adapting, “literal” and “liberal/free” translation of the Judge Dee stories traveling between Chinese and English, between China and the West, for Chinese and non-Chinese audiences. Focus is given …
Exotic Construction Of An Ancient Oriental Sappho: On Rexroth’S Creative Translation Of Li Ch’Ing-Chao’S Ci-Poems And Its Influences, Yuqun Fu
CLCWeb: Comparative Literature and Culture
In her article “Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences,” Yuqun Fu discusses Li Ch’ing-Chao’s Ci-poems and her identity as a woman intellect in the patriarchal and feudal Song Dynasty of China. Due to Kenneth Rexroth’s feminist perspective and Sappho complex as well as his own pursuit to excel in the hipster stylistics of the newly prospering Beat writers, Rexroth turns to the Eastern women poets to fuel his own cause, especially in his idiosyncratic way of interpreting and translating Li Ch’ing-Chao. His translation focuses on gender identity and …