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Full-Text Articles in Spanish Literature

El Forastero Y El Culto: H.P. Lovecraft In The Work Of Mariana Enríquez, Griffin Carty Jun 2026

El Forastero Y El Culto: H.P. Lovecraft In The Work Of Mariana Enríquez, Griffin Carty

Intersecciones Hispánicas: Revista de Cultura, Literatura y Lingüística

Este artículo examina dos cuentos de Mariana Enríquez: “Bajo el agua negra” y “Las cosas que perdimos en el fuego”, y sus conexiones a dos cuentos de H.P. Lovecraft: “Shadow over Innsmouth” y “The Thing on the Doorstep”. Este ensayo argumenta que Enríquez usa los tropos lovecraftianos deliberadamente para expresar sus ansiedades modernas sobre el extractivismo, clasismo, y violencia del género, en contraste directa de las ansiedades de Lovecraft sobre la integración racial y el miedo del Otro étnico, económico, y femenino. La primera comparación es la del horror del género de “Las cosas que perdimos en el fuego”, que …


Artistic Resistance Under Dictatorships In Spain And Argentina Through The Lens Of Communication Theory, Adrian Self May 2024

Artistic Resistance Under Dictatorships In Spain And Argentina Through The Lens Of Communication Theory, Adrian Self

Student Scholar Symposium Abstracts and Posters

Under dictatorships in Spain and Argentina, artists used their mediums to criticize the actions of the Catholic church and oppressive conditions enforced by the government, using allegories, metaphors, and symbolism in their art. While many artists tried to create works that fell within authoritarian guidelines, others intentionally created cinema and literature criticizing the Argentine and Spanish governments, values, and practices, knowing the works would be banned. This investigation uses examples of cinema and literature created and published deliberately to be prohibited or censored under the regimen of Francisco Franco from 1939-1975 in Spain or the last civil-military dictatorship from 1976-1983 …


Horror Stories: Oblivious Women In Luis Puenzo’S La Historia Oficial (1985) And Santiago Mitre’S Argentina 1985 (2022), Stephanie R. Orozco Jan 2024

Horror Stories: Oblivious Women In Luis Puenzo’S La Historia Oficial (1985) And Santiago Mitre’S Argentina 1985 (2022), Stephanie R. Orozco

The Coastal Review

Adriana Cavarero's conceptualization of Medusa serves as a potent metaphor for the subtle redirection of violence of oblivious women who ignored the brutalization of pregnant victims during Argentina’s military dictatorship (1976-83). In Luis Puenzo’s La historia oficial (1985) and Santiago Mitre’s Argentina 1985 (2022), skillfully unveil the ghastly practice of torturing pregnant women, unraveling the vulnerability of both mothers and their infants, evoking a sense of disgust and repugnance that is eventually shared by oblivious women. Beyond mere storytelling, these films challenge prevailing power dynamics and discourses, shedding light on the complicit ignorance of elite women during an era marked …


Posthumanism And The Representation Of Power Dynamics In Hispanic Graphic Novels, Savannah Campbell May 2019

Posthumanism And The Representation Of Power Dynamics In Hispanic Graphic Novels, Savannah Campbell

Honors Projects

My focus in this research has been to use graphic novels, a literary medium that is often marginalized in both academic and cultural circles, to examine how posthumanism, specifically from the viewpoint of Spanish and Argentinian creators, allows readers to explore and critique various power dynamics.


Marginalidad Y Subversión En Tres Novelas De Juan Filloy De La Década De 1930, Sonia M. Tejada Feb 2018

Marginalidad Y Subversión En Tres Novelas De Juan Filloy De La Década De 1930, Sonia M. Tejada

Dissertations, Theses, and Capstone Projects

This dissertation focuses on the concepts of marginality and subversion in three novels written by Juan Filloy in the 1930s: ¡Estafen! (1932), Op Oloop (1934) and Caterva (1937). I study these novels in the context of the avant-garde movement of the 1920s and 1930s. I analyze the transformation that the concepts of marginality and subversion undergo when they are explored within the context of the avant-garde aesthetics, instead of that of social realism. I contrast Filloy’s approach to these themes with those of the novelists of the preceding decades. More importantly, I compare and contrast Filloy’s novels to Roberto Arlt’s …


El Militarismo En La Granada De Rodolfo Walsh, Eleonora Bertranou Jul 2011

El Militarismo En La Granada De Rodolfo Walsh, Eleonora Bertranou

Hispanic Studies Faculty Publications

"Rodolfo Walsh escribió sus dos únicas obras de teatro, La granada y La batalla, en 1965, cuando ya se reconocía como un intelectual de izquierda, bajo la influencia de su experiencia cubana, pero aún reticente a creer que para los países latinoamericanos era posible dar comienzo a un proyecto evolucionario liderado por grupos armados. En la tematización de las Fuerzas Armadas, Walsh llama la atención sobre el militarismo de los países latinoamericanos y usa la sátira para agudizar su crítica a tal fenómeno. En La granada, reconoce el rol de la institución militar bajo un nuevo orden mundial y ridiculiza …