Spanish Literature Commons^™

La Ciudad Como Espacio De La Marginalidad: Un Acercamiento Crítico A Un Oso Rojo, Mariana Pensa

South East Coastal Conference on Languages & Literatures (SECCLL)

Nos proponemos realizar un análisis del film argentino Un oso rojo (2002, dirigido por Israel Adrián Caetano). Un punto de entrada para el análisis nos remite al concepto mismo de lo que es una ciudad, tal como Lewis Mumford lo expone en su canónico artículo “What is a city?”. Si la ciudad se constituye, al decir de Mumford, en espacio simbólico de “unidad colectiva”, en donde los hombres realizan sus actividades mas “útiles”, las preguntas a las que nos llevan estos conceptos serán ¿cuál es el estatuto de una ciudad recorrida por la violencia? ¿Cómo el espacio refiere y significa …

Seccll Conference Program 2018, Georgia Southern University

South East Coastal Conference on Languages & Literatures (SECCLL)

Conference Program

The Construction Of A Transatlantic Subject: Family And Nation In "Sola" By María José De Chopitea, Valeriya F. Fritz

The Coastal Review

This article explores the articulation of exile identity in the novel Sola by María José de Chopitea published in Mexico in 1954. Until now, critics have approached this text as lacking ideological argument. I propose an alternative reading of the novel as an ideologically charged narrative that articulates the nation beyond state borders and in terms of a transatlantic bond between Mexico and the Spanish Republic. Sola creates space in the nation for Catalan female writers who were previously excluded due to both their gender and their status as political exiles and cultural minorities.

Cruzando Fronteras De Género(S): La Dislocación Del "Bildungsroman" Y La Construcción Política Del Sujeto, Silvia Roig

The Coastal Review

This study shows that Aurora Bertrana’s novels subvert the traditional Bildungsroman and uses the techniques of the Novel of Female Development with (auto) biographical characteristics. The core of my analysis is in the friction, the disruption and the confrontation between the subject and the social system represented by the family, the school and the community. Bertrana’s novels underline that men, similarly to women, are under a strong pressure to adopt a specific role according to heterosexual norms. Bertrana’s work demonstrate that women writers, like men, can introduce social, cultural and political innovations and experiment with a new literature genre.

La Reconstrucción De La Identidad Dañada: Formación Y El Sujeto Femenino Como Agente Moral En "Habíamos Ganado La Guerra" (2008) De Esther Tusquets, Agustin Martinez-Samos

The Coastal Review

I analyze female coming-of-age's subjectivity foundations in Habíamos ganado la guerra (2008) by Esther Tusquets. She discusses socializing during girlhood looking into adulthood under the civil uneasiness of post-Civil War Spain. Her voice remodels her conflicting identity and her cultural imbalance through a “female counter-narrative.”

Her memories becomes a problem solving mechanism for her anxiety and self-doubts derivative from conflicts between her maturity process and the established manual for female behavior of General Franco’s Spain. She reclaims her true subjectivity and moral agency with the written word. Therefore, fictional memoir equates to a valuable remodeling of the female subject.

Manuel Altolaguirre: Between Exile And Spain, Will Derusha

The Coastal Review

The exile of Manuel Altolaguirre, poet of the Generation of ‘27, touches on Spanish and Latin American literature and culture. The article examines the attitudes and beliefs of the avant-garde from the dictatorship of Primo de Rivera and the Second Republic through the Spanish Civil War and into exile. Using Altolaguirre’s experiences in Cuba and Mexico, the article discusses exile literature and the dislocations of Spanish refugees struggling to make a living on the fly and feeling further isolated and forgotten in the upheavals of the Second World War.