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Articles 1 - 30 of 86
Full-Text Articles in Spanish Literature
La Lengua No Miente, Pero Guarda Secretos: Rigoberta Menchú Y Lecciones De La Memoria Colectiva Desde La Perspectiva Del Feminismo Transnacional, Mildred Ciprian
La Lengua No Miente, Pero Guarda Secretos: Rigoberta Menchú Y Lecciones De La Memoria Colectiva Desde La Perspectiva Del Feminismo Transnacional, Mildred Ciprian
Honors Program: Senior Projects (Public)
Este ensayo explora las lecciones del poder de la memoria colectiva, el poder del testimonio, y el poder de la lengua y los secretos en el testimonio de Rigoberta Menchú, Me llamó Rigoberta Menchú, y así me nació la conciencia (1992). Menchú es una mujer indígena maya que vivió en Guatemala durante el genocidio contra la población indígena. Al estudiar Menchú, uno llega a cuestionar cómo se producen el conocimiento y la verdad, especialmente en el occidente frente al resto del mundo. Las experiencias que cuenta Menchú vienen de memorias colectivas que comparte y cría su comunidad. Este concepto de …
More Than Muses: Digital Archive As Pedagogical Tool, Valerie Hegstrom, Anna-Lisa Halling
More Than Muses: Digital Archive As Pedagogical Tool, Valerie Hegstrom, Anna-Lisa Halling
Feminist Pedagogy
No abstract provided.
Voices In The Borderlands: Reimagining Identity, Cultural Belonging, And Dystopian Spaces In Anzaldúa’S Borderlands And Viramontes’S “The Cariboo Café”, Oralia G. Ramos
Voices In The Borderlands: Reimagining Identity, Cultural Belonging, And Dystopian Spaces In Anzaldúa’S Borderlands And Viramontes’S “The Cariboo Café”, Oralia G. Ramos
Theses and Dissertations
This thesis explores how Gloria Anzaldúa’s Borderlands/La Frontera (1987) and Helena María Viramontes’ short story “The Cariboo Café” (1985) portray marginalized individuals navigating liminal spaces of identity, oppression, and survival. Borderlands/La Frontera and “The Cariboo Café” show how systematic violence and displacement shatter the self, pushing characters to navigate trauma in a dystopian space. Sonya, Macky, the café owner, and the grieving mother represent Anzaldúa’s concepts of borderland subjectivity, betrayal, and spectral haunting.
Sonya and Macky, two undocumented children, represent Anzaldúa’s borderlands subjects and reside in a state of nepantla, an in-between space of cultural dislocation. The café owner …
Mujeres En Movimiento: La Posmigración En Obras Contemporáneas De Hijas De Inmigrantes En España Y Estados Unidos, Olatz Sanchez-Txabarri
Mujeres En Movimiento: La Posmigración En Obras Contemporáneas De Hijas De Inmigrantes En España Y Estados Unidos, Olatz Sanchez-Txabarri
Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–
This dissertation investigates contemporary works of daughters of immigrants in Spain and the United States. Through a postmigration approach, this study delves into the analysis of Ser mujer negra en España (2018), by Desirée Bela-Lobedde, Hija del camino (2019), by Lucía Mbomío, A Cup of Water Under My Bed (2014), by Daisy Hernández, Juliet Takes a Breath (2016), by Gabby Rivera, La hija extranjera (2015), by Najat El Hachmi, Hija de inmigrantes (2022), by Safia El Aaddam, and the documentaries Fruits of Labor (2021), by Emily Cohen Ibáñez and Vida diferida (Life, Deferred) (2017), by Brenda Ávila-Hanna. I …
Pedro Aceves Mfa Thesis, Pedro M. Aceves
Pedro Aceves Mfa Thesis, Pedro M. Aceves
Electronic Theses, Projects, and Dissertations
My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.
"Quiero Ser Hombre": Grito De Libertad Y Afirmación Feminista En La Obra De Carmen De Burgos Y Julia De Burgos, Lizely M. Lopez Cordero
"Quiero Ser Hombre": Grito De Libertad Y Afirmación Feminista En La Obra De Carmen De Burgos Y Julia De Burgos, Lizely M. Lopez Cordero
Vernacular: New Connections in Language, Literature, & Culture
A las escritoras Carmen de Burgos (España) y Julia de Burgos (Puerto Rico) las separa un mar, las clases sociales y el tiempo. Aunque ambas escritoras comparten un apellido que está lejos de parentesco alguno, el denominador común que las une es la transgresión. Una transgresión definida por su desafío a las normas sociales impuestas a la mujer y por penetrar esos espacios que les eran vedados, mediante su producción literaria y el activismo social y político. Las muestras claras de estos actos de transgresión y subversión quedan reflejadas en la última obra de Carmen de Burgos, Quiero vivir mi …
Avant Et Après : Examen Du Proto-Féminisme À Travers La Résistance Littéraire En France Au Xve Siècle Et Au Mexique Au Xviie Siècle, Madison Coleman
Avant Et Après : Examen Du Proto-Féminisme À Travers La Résistance Littéraire En France Au Xve Siècle Et Au Mexique Au Xviie Siècle, Madison Coleman
World Languages and Cultures Senior Capstones
This essay seeks to understand the implications of a “before” distinction in the feminist canon— i.e., why is there “proto-feminism”, and not just “feminism”? This essay will explore the works of “proto-feminist” writers, Christine de Pizan and Sor Juana Inés de la Cruz, and examine how the feminist themes and issues prevalent throughout their respective works are in response to the respective and collective inequities and injustices they experienced. Their oeuvres provide insight into what advocacy for women and other marginalized peoples looked like outside of the modern understanding of the historical “waves” of feminism. This essay seeks to examine …
Raíces De Esperanza: The Omnipresence Of Female Ancestors As Guides Through Nepantla, Fabiola Sanchez Huidobro
Raíces De Esperanza: The Omnipresence Of Female Ancestors As Guides Through Nepantla, Fabiola Sanchez Huidobro
Dance (MFA) Theses
This thesis investigates the intertwined threads of generational rage and grief experienced by a first-generation individual navigating the emotional and spiritual landscape shaped by their ancestry and migration. Furthermore, this work examines how emotional and spiritual inheritances intersect with the author’s cultural subconscious, facilitating a deeper understanding of the complexities of being caught between two worlds: Mexico, the origin of their roots, and the United States, the land of their birth. Through personal stories and cultural reflections, this piece aims to investigate the profound ways in which matrilineal inheritances help guide the author through the transitional space of Nepantla. Nepantla …
The Rescue Of Wahutedew’Á And The Epistemological Reforestation: An Analysis Of Time In A Terra Dos Mil Povos, By Kaká Werá Jecupé, Ivo Cruz
The Coastal Review
It is estimated that in 1500, the year the Portuguese arrived in America, there was a population of 2,431,000 inhabitants, according to historian John Hemming (1978), who occupied the lands that we now know as Brazil. These peoples had their own culture whose cosmology was destroyed and erased over time by a violent process of colonization. Even though entire groups were decimated, much of their influence is still alive in Brazilian culture. This influence can be found in vocabulary, cuisine, and even religious practices. With the aim of rescuing ancestral narratives and knowledge of various native peoples, Kaká Werá Jecupé …
Light And Darkness For Aesthetic Pleasure: An Exploration Of J.M.G. Le Clézio’S Early Writings And Jun’Ichiro Tanizaki’S In Praise Of Shadows, Kenichiro Otani
Light And Darkness For Aesthetic Pleasure: An Exploration Of J.M.G. Le Clézio’S Early Writings And Jun’Ichiro Tanizaki’S In Praise Of Shadows, Kenichiro Otani
The Coastal Review
Building upon comparative principles, this semantic reading of Jun’ichirō Tanizaki’s essay In Praise of Shadows and J.M.G. Le Clézio’s early writings illustrates how both the Franco-Mauritian author and the Japanese writer problematize modern Western perception laden with concepts stifling flexible imagination through the mysterious worldview of light/darkness. They also simultaneously express the hope that another way of life leading to liberation is possible. Delving into the spiritual confinement of the subject, they demonstrate how keeping rich creativity within one’s heart can be an escape from a stagnant society. Albeit in very different mediums, Tanizaki and Le Clézio assert that the …
2024 Conference Program, Georgia Southern University
2024 Conference Program, Georgia Southern University
South East Coastal Conference on Languages & Literatures (SECCLL)
2024 Conference Program
Learning Chinese Vocabulary: Understanding Students' Perspectives, Austin Gasiecki, Zuotang Zhang
Learning Chinese Vocabulary: Understanding Students' Perspectives, Austin Gasiecki, Zuotang Zhang
The Coastal Review
This study used a survey to investigate self-study and university-enrolled Chinese learners’ habits in studying Chinese vocabulary in order to determine what study methods influence a.) learners’ confidence in learning Chinese vocabulary and b.) what aspects of Chinese vocabulary they consider easy or difficult. We were particularly interested in seeing what the data had to say about students’ attitudes towards characters and the written language, given that the field of Chinese language pedagogy is known for a stronger focus on the written language as opposed to the spoken language. We found that aspects of Chinese vocabulary associated with the spoken …
Between Pain And Glory: Memory Disputes Of The Brazilian Dictatorship In Retrato Calado And O Que É Isso, Companheiro?, Angela R. Mooney
Between Pain And Glory: Memory Disputes Of The Brazilian Dictatorship In Retrato Calado And O Que É Isso, Companheiro?, Angela R. Mooney
The Coastal Review
This article analyzes Luiz Roberto Salinas Fortes’ Retrato calado (Silent Portrait) published in 1988, considering the theoretical discussions on testimonio's epistemology—addressing the challenge of narrating trauma and the risk of stylization. It compares Fortes' memoir with Fernando Gabeira's O que é isso, companheiro? (What's This, Comrade?) from 1979, examining diverse approaches to capturing historical trauma through literature and its impact on collective memory about Brazilian Dictatorship (1964-1985).
Horror Stories: Oblivious Women In Luis Puenzo’S La Historia Oficial (1985) And Santiago Mitre’S Argentina 1985 (2022), Stephanie R. Orozco
Horror Stories: Oblivious Women In Luis Puenzo’S La Historia Oficial (1985) And Santiago Mitre’S Argentina 1985 (2022), Stephanie R. Orozco
The Coastal Review
Adriana Cavarero's conceptualization of Medusa serves as a potent metaphor for the subtle redirection of violence of oblivious women who ignored the brutalization of pregnant victims during Argentina’s military dictatorship (1976-83). In Luis Puenzo’s La historia oficial (1985) and Santiago Mitre’s Argentina 1985 (2022), skillfully unveil the ghastly practice of torturing pregnant women, unraveling the vulnerability of both mothers and their infants, evoking a sense of disgust and repugnance that is eventually shared by oblivious women. Beyond mere storytelling, these films challenge prevailing power dynamics and discourses, shedding light on the complicit ignorance of elite women during an era marked …
Global Communities: The Potential Of Street Art And The Public Space, Elena Picech
Global Communities: The Potential Of Street Art And The Public Space, Elena Picech
The Coastal Review
This paper highlights the significance of physical proximity and the potentiality of socio-spatial situations as tools to enrich study abroad programs. Particular attention is given to street art and the public space. While, studying on-site can be somewhat uncomfortable, it can potentially prompt unique reflections, enhance student’s learning and encourage introspection. Being on-site provides the opportunity to come into contact and to connect with the physical objects and their environment. It enables a multisensory and immersive embodied experience. Leveraging art for communicative educational activities can facilitate a participatory experience, promote critical thinking and enhance cultural understanding.
Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane
Decolonizing French: Afrophonics In Ken Bugul’S Aller Et Retour (2013), Hapsatou Wane
The Coastal Review
This article explores the innovative language strategies employed by Senegalese writer Ken Bugul in her novel Aller et retour to construct a dynamic and interconnected linguistic landscape that challenges fixed language boundaries. Ken Bugul's "langue fabriquée" combines elements of French, Wolof, and English, reflecting a transglocal dimension that embodies the essence of afrophonics—a poetics of resistance that empowers local cultures in a globalized context. Through a detailed analysis of Ken Bugul's linguistic choices, including the use of quotation marks, footnotes, and arbitrary transcription, the study reveals how she creates a language that defies categorization and decolonizes French without resorting to …
De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe
De Médée À La Sorcière : Reconstruction D’Un Mythe Par Michelet, Caroline Strobbe
The Coastal Review
In La Sorcière, Jules Michelet uses the strength and the myth of the Medea character, which had already fascinated Corneille. In the second part of his work, Michelet creates nominative witches after authentic texts. In the first part, he creates an allegoric witch on the Medea model: the Woman, a victim of arbitrariness, injustice and repression, rises up against her oppressors, figuring the march of Humanity towards Enlightenment and Liberty. The analogies between the Witch and Medea are therefore numerous and necessary, since they help to render the defense of the oppressed against the oppressor. Would the somber Medea, …
Sexualidad, Afectos Y Sociedad: Las No Monogamias Consensuadas (Nmc) En La Literatura Y El Cine Español, Sandra Nava Nieto
Sexualidad, Afectos Y Sociedad: Las No Monogamias Consensuadas (Nmc) En La Literatura Y El Cine Español, Sandra Nava Nieto
Theses and Dissertations--Hispanic Studies
Cuando pensamos en las relaciones sexo-afectivas que podemos tener en la sociedad occidental, el sistema monógamo es la opción estándar. La amatonormatividad, el patriarcado y la monogamia son un potente trío que se retroalimentan en cuanto a la promoción de la discriminación de la mujer y de los afectos no heteronormativos. El sistema monógamo sigue vigente, no solo mediante legalizaciones, sino mediante refuerzos sociales de las normas de género. Las relaciones no monógamas consensuadas (NMC), un grupo heterogéneo de relaciones sexo-afectivas fura de la monogamia, pueden ser un punto de inflexión para cambiar los roles de género y desestructurar la …
Mujeres En Crisis: Posturas Divergentes Frente Al Neoliberalismo, Silvia Encinas Caballero
Mujeres En Crisis: Posturas Divergentes Frente Al Neoliberalismo, Silvia Encinas Caballero
Theses and Dissertations--Hispanic Studies
Popular belief has always attributed women an innate capacity to overcome periods of crisis, whether these are provoked by an economic debacle or by a natural disaster. My dissertation explores the representation of women in Spanish narrative and film from the beginning of the global economic crisis in 2008 up to the recession caused by the Covid- 19 pandemic in 2020. I study how specific cultural production can serve to perpetuate models of patriarchal domination or to provide alternative representations of women as independent, resilient individuals in times of economic crisis.
I analyze four novels and three films in which …
“Thinking Across Bodies”: Percepción Woolfiana Y Giro Material En La Cuentística De Rodoreda, Roig, Alós Y Riera, Ana Álvarez Guillén
“Thinking Across Bodies”: Percepción Woolfiana Y Giro Material En La Cuentística De Rodoreda, Roig, Alós Y Riera, Ana Álvarez Guillén
Theses and Dissertations--Hispanic Studies
Conventional understandings of perception have long undergirded traditional readings of Modernist texts in adopting a predominantly subject-centered perspective that separates subject from object in a vertical and hierarchical relationship. I argue that a consideration of Virginia Woolf’s short stories in dialogue with four generations of twentieth-century Catalan women writers who followed her work closely suggests an entirely different epistemological framework of perception in which subject and object are fluidly and horizontally organized. Mercè Rodoreda, Concha Alós, Montserrat Roig and Carme Riera establish a horizontal fictional dialogue that constitutes a return to matter that decenters the subject, resulting in an alternative …
La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez
La Radical Imperfección Del Mundo: El Crimen Perfecto De Jean Baudrillard Y El Crimen Ferpecto De Alex De La Iglesia, Maria A. Gomez
The Coastal Review
Le parfait crime (1995) by Jean Baudrillard and Crimen ferpecto (2004) by the Basque director Alex de la Iglesia are two works that not only have in common almost identical titles. They both reflect on how in consumer societies, an imperfect real world is substituted for an illusory hyperreality in which the distinction between subject and object has disappeared. While Baudrillard explains how the denial of a transcendent reality in contemporary society is “a perfect crime” that destroys the real, Alex de la Iglesia uses black humor and a mix of genres (mainly grotesque comedy and thriller) to show the …
Metaphors Of Spanish Culture In Flamenco, Gender Roles And Gender Issues: Modern Metaphors To Understand Some Traditional Female Flamenco Movements And Steps, Chita Espino-Bravo Ph.D.
Metaphors Of Spanish Culture In Flamenco, Gender Roles And Gender Issues: Modern Metaphors To Understand Some Traditional Female Flamenco Movements And Steps, Chita Espino-Bravo Ph.D.
Modern Languages Faculty Publications
The art of Flamenco dance teaches Spanish culture through the dance steps and the metaphors they communicate. Some metaphors from the past are hard to understand, especially when referring to women’s role and social status, as women of the 21st century in Spain have democratic rights women from past centuries did not have. Expressing some of those metaphors through the movements of flamenco is very hard, unless you understand the patriarchal society of then. I will analyze some metaphors flamenco teachers use to explain concepts and gender roles from the past that are hard to understand by younger generations who …
Spa321. Búsquedas De La Igualdad: Feminismo Y Abolicionismo En Los Siglos Xviii Y Xix (Sílabo Y Materiales De Lectura), Juan Jesús Payán
Spa321. Búsquedas De La Igualdad: Feminismo Y Abolicionismo En Los Siglos Xviii Y Xix (Sílabo Y Materiales De Lectura), Juan Jesús Payán
Open Educational Resources
SPA321 - 3 hours, 3 credits. Readings from representative works of the eighteenth and nineteenth centuries.
El curso está dedicado al examen de la situación de la mujer en la sociedad patriarcal y el compromiso abolicionista durante los siglos XVIII y XIX. Tras una contextualización sumaria sobre los problemas que subyacen a la naturalización acrítica del canon y la periodización hegemónica, debatiremos sobre los estigmas que pesaron sobre las mujeres que querían dedicarse a la literatura; discutiremos el perdurable impacto que tuvo el modelo de domesticidad del “ángel del hogar” y finalmente analizaremos la contradictoria posición ideológica encarnada en el …
Historical Memory And Feminist Consciousness In Almudena Grandes’ Episodios De Una Guerra Interminable, Alba Fernández-Fernández
Historical Memory And Feminist Consciousness In Almudena Grandes’ Episodios De Una Guerra Interminable, Alba Fernández-Fernández
Dissertations
General Francisco Franco’s brutal dictatorship (1939-1975) was one of the darkest periods in Spain’s recent history. During this dictatorial regime, political detractors were mercilessly persecuted, tortured and massacred. In 1975, Franco died leaving the legacy of nearly four decades of repression and over 150,000 victims on his back. Spain then cautiously headed into a process of democratization, with fear and horror still etched on the country’s memory. While politicians promised a smooth transition to democracy, their insistence to look ahead meant Spaniards were asked to neglect the country’s painful past. No legal action was taken against those responsible for mass …
Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho
Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho
The Coastal Review
This article investigates the way in which Cuban literature reflected on indigenous people during the early half of the nineteenth century and uses the symbol of the Amerindians to demonstrate a moral disjuncture between them and the colonizer. In this article, I call attention to the way Cuban independentists and Spanish nationalists used this figure to support their views and thus created a split in the Cuban creole imagination. I start by pointing out that these appropriations started at the end of the 18th century when historian José Martín Félix de Arrate, and poets such as Miguel González and Manuel …
La “Border Culture” Del Personaje Mexicoamericano En El Sureste De Estados Unidos En Los Cuentos De Lorraine López Y Mijito Doesn’T Live Here Anymore De Jaime Martínez, Jaime Chavez
The Coastal Review
This paper explores the concepts of "Border Culture" and "Borderlands" by Gloria Anzaldúa in Soy la Avon Lady and Other Stories, Homicide Survivors Picnic and Other Stories, by Lorraine López and the novel Mijito Doesn’t Live Here Anymore by Jaime Martínez. The paper argues that the Mexican American character in the southeast of the United States lives in the "Borderlands" and practices a "Border Culture" because they don't follow the traditional stereotypical role of the Mexican American character within the literary canon of both the dominant culture and Chicana/o literature.
Ciudad, Movimiento Y Transformación: "23 Segundos" En Dos Tiempos, Mariana Pensa
Ciudad, Movimiento Y Transformación: "23 Segundos" En Dos Tiempos, Mariana Pensa
South East Coastal Conference on Languages & Literatures (SECCLL)
En este trabajo se realiza una lectura del film uruguayo 23 Segundos (2014, dirigido por Dimitry Rudakov). Un punto de entrada al mismo nos remite a los conceptos de acción/inacción, desde donde la intriga toma cuerpo y comienza a formarse. A partir de esto, se focaliza en el personaje principal de Emiliano, y en su recorrido por Montevideo, recorrido que se transforma a lo largo de la película en una forma de adquisición de conocimiento sobre sí mismo y los demás. Esto lo lleva ultimamente a un cambio de vida, a la superación de la alienación y la rutina. Es …
2021 Seccll Conference Program, Seccll Conference
2021 Seccll Conference Program, Seccll Conference
South East Coastal Conference on Languages & Literatures (SECCLL)
Conference program for the 2021 SECCLL.
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Desde El Fuego Que En Mí Arde: Performance, Literatura Y Cine Afro-Latinoamericano Producidos Por Mujeres Afrodescendientes En Perú, Cuba Y Brasil (1960–2000), Elena Ekatherina Chavez Goycochea
Dissertations, Theses, and Capstone Projects
This dissertation examines different films, literary, and performance art pieces created by contemporary afro-descendant women from Peru, Cuba, and Brazil after the sixties with emphasis on the most relevant works of Conceição Evaristo, Sara Gómez, Victoria Santa Cruz, and Lucía Charún-Illescas. I focus my research on the crucial role these artists played in the cultural identity formation of Latin America when inserting ‘race’ as a category of socio-political analysis and cultural production. How did their films, performances, and texts challenge national narratives and imaginaries after 1960? Although in the sixties, women improved their civil rights in different countries, the ‘mujer …
Repensando La Discapacidad En España Y Latinoamérica: La Producción Cultural Hispánica De Autores/As Con Diversidad Funcional En Los Siglos Xx Y Xxi, Montserrat Fuente-Camacho
Repensando La Discapacidad En España Y Latinoamérica: La Producción Cultural Hispánica De Autores/As Con Diversidad Funcional En Los Siglos Xx Y Xxi, Montserrat Fuente-Camacho
Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research
Esta tesis se centra en el análisis de la producción cultural hispánica contemporánea de autores/as con diversidad funcional para investigar cómo se representan a sí mismos en sus obras y qué medios utilizan cuando cuestionan el discurso capacitista que los margina. Además, se comparan las semejanzas y diferencias que existen entre dichas representaciones y se señala cuál es su valor temático y estético. Mediante el análisis de la interconexión de la diversidad funcional con múltiples categorías como género, sexualidad, raza, edad y clase social, exploro varios tipos de obras –documental, poesía, diario, novela gráfica y ficción juvenil– creadas por un …