Portuguese Literature Commons^™

Herejías En La Ciudad Global: Legados De Tercermundismo, Asimilación Y Desplazamiento Urbano En Las Narrativas Literarias Contemporáneas Latinx Y Afroportuguesa (2000-2022)., Ricardo Martín Coloma

Dissertations, Theses, and Capstone Projects

Esta tesis examina de manera comparativa dos corpus de novelas contemporáneas que interrogan los múltiples espacios de poder y vulnerabilidad que experimentan las diásporas latinx y africanas que logran movilidad social a través del trabajo en las ciudades globales de Nueva York y Lisboa. Mediante el análisis de autores tan diversos como la mexicano-puertorriqueña Xochitl González, la dominicana Cleyvis Natera, el puertorriqueño-ecuatoriano Ernesto Quiñonez, la angoleña-portuguesa Telma Tvon, la angoleña-portuguesa Djamilia Pereira y el angoleño Kalaf Epalanga, establezco un diálogo entre las narrativas literarias de autores caribeños de la diáspora sobre la ciudad de Nueva York y las diásporas africanas …

Re-Reading Alencar's Iracema Through Saer's Lens, Felicia Trievel

Vernacular: New Connections in Language, Literature, & Culture

Abstract:

The topic of European colonization is one that is discussed frequently throughout Latin American literature in a variety of different manners. Two books that discuss the colonization of different countries in extremely different ways are Iracema (1865) by José de Alencar and El entenado (1983) by Juan José Saer. The former examines the colonization of Brazil by Portuguese colonists, taking away much of the culture of the indigenous people previously inhabiting Brazil. El entenado examines the colonization of Argentina by the Spaniards. When one reads these two novels it is impossible not to compare the two due to the …

The Making And Silencing Of “Axé-Ocracy” In Brazil: Black Women Writers’ Spiritual, Political And Literary Movement In São Paulo, Sarah S. Ohmer

Publications and Research

In this article, I will focus on two influential writers from the south of Brazil, Cristiane Sobral who currently lives in Brasília, from Rio de Janeiro, and Conceição Evaristo who currently lives in Rio de Janeiro state, from Minas Gerais. I got to know them in São Paulo in 2015 at a public event: the “Afroétnica Flink! Sampa Festival of Black Thought, Literature and Culture.” I will include references to some of their younger contemporaries such as Raquel Almeida, Jenyffer Nascimento, and Elizandra Souza, all of whom reside in São Paulo, in order to illustrate the Black Brazilian women writers’ …

Resenhando Autoras Negras: Feministas, Plurais E Diásporicas/ Reviewing Black Authors: Feminists, Plurals, And Diasporic, Sarah S. Ohmer, Alexandra Lima Da Silva

Publications and Research

Este texto realiza um mapeamento de edições de autoras do pensamento feminista negro dos Estados Unidos e a circulação de tais livros no mercado editorial brasileiro. Procura compreender os significados do movimento de publicação de autoras negras no Brasil. O texto conclui que a emergência da autoria de mulheres negras no Brasil é um processo permeado pelas relações desiguais e pela necessidade de enfrentar lógicas heteronormativas, masculinas e eurocentradas. Resenhar obras de mulheres negras evidência um campo fértil, com repertórios plurais e diaspóricos.

This article maps out the various U.S. Black Feminist Thought publications translated into Portuguese and their circulation …

Jenyffer Nascimento’S Epic Poetry Of Black Female Empowerment Jenyffer Nascimento: A Poesia Épica De Empoderamento Da Mulher Negra, Sarah S. Ohmer

Publications and Research

This article presents results of auto-ethnography, literary analysis, and fieldwork research to answer an underlying, perhaps unresolved, concern, relevant to this dossier: how can we produce an ethical dialogue as transnational Black Feminists, among Black Brazilian women, and North American Black women, in an ethical manner, while realizing that one may (not ever) be a part of the “carnival without you in it.” Fertile Earth/ Terra Fertil tells a long overdue epic story to an audience within the poetry: Black women, family members, other times a Black man, Brazil, white women, or “you,” undefined. Joy to pain to chaos, sensuality, …

Afroreggae And Grupo Cultural Afro Reggae: A Study Of The Early Years, Sarah S. Ohmer

Publications and Research

The following study of AfroReggae and Grupo Cultural Afro Reggae (GCAR) calls attention to Brazilian presence and community organizing in the field of Hip Hop studies with a long memory framework: placing AfroReggae and GCAR in a long history of Africana resistance through music in Latin America. !990s GCAR group arises when reggae and Hip Hop music had become new global forms of solidarity among urban marginalized youths worldwide, making use of old and new strategies of social healing (Fernandes 2011). A close look at lyrics from the Hip Hop fusion band and the associated nonprofit organization shape the concepts …

The Art Song Of Edmundo Villani-Côrtes: A Performance Guide Of Selected Works, Irailda Eneli Barros Silva Rodrigues

Theses and Dissertations--Music

The purpose of this study is to present a performance guide for singers on twelve selected songs in Brazilian Portuguese for voice and piano by Brazilian composer, pianist, and arranger Edmundo Villani-Côrtes (b.1930). Since 1949, Villani-Côrtes has been active in the musical scene of Brazil. He has a unique compositional style that seamlessly combines elements of both art music and popular music. Villani-Côrtes’s body of works includes over two hundred compositions for solo instrumental music, orchestral music, choral music, and art song. He has written over sixty songs in Brazilian Portuguese, including the Ciclo Cecília Meireles (1987), winner of the …

The Portuguese Complimentary Infinitive After Nouns And Adjectives, Peter J. Lunardini

Spanish and Portuguese ETDs

The Portuguese usage of the preposition following verbs has been thoroughly studied by Francisco Fernandes in his Dictionàrio de verbos e regimes. However, the preposition required to supplement a noun or an adjective before a complementary infinitive has been virtually excluded from Portuguese dictionaries. It is the purpose of this thesis to present a study, together with examples, of this important phase of Portuguese syntax.

To obtain this information, thirty-one works of nineteen modern Portuguese and Brazilian authors were carefully examined, and the prepositional usage was recorded. The following general conclusions are based upon approximately 4,000 examples collected.