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China And The Politics Of Cross–Cultural Representation In Interwar European Fiction, Carles Prado-Fonts

CLCWeb: Comparative Literature and Culture

In his article "China and the Politics of Cross–Cultural Representation in Interwar European Fiction" Carles Prado-Fonts analyzes Joan Crespi's La ciutat de la por (The City of Fear, 1930) to illustrate the varied representations of China in interwar Europe. In the 1920s and 1930s, a plurality of views on China and the Chinese people became widespread across different parts of Europe, mainly shaped by English, French, and German representations. Contradictory images of China coexisted in literature, thought, and popular culture. Crespi's work exemplifies these contradictions: China appears as both an attainable reality and an unreachable fantasy, two tropes that prevailed …

Political Wishful Thinking Versus The Shape Of Things To Come: Manuel De Pedrolo’S "Mecanoscrit" And “Los Últimos Días” By Àlex And David Pastor, Pere Gallardo Torrano

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Despite almost forty years separating Manuel de Pedrolo’s novel Mecanoscrit del segon orígen (1974, trad. Typescript of the Second Origin) and the brothers Àlex and David Pastor’s film “Los últimos días” (2013, US tit. “The Last Days”), it is not difficult to find several socio-political areas of intersection which converge on a biological issue at the end of both works: the pregnancy of one of the characters at the end of each story.

Yet, such an interpretation would be rather limited as it ignores the socio-political landscape from which each work originated. Published in the aftermath of the first …

Educating Dídac: Mankind’S New Father And The End Of Patriarchy In Manuel De Pedrolo’S "Typescript Of The Second Origin", Sara Martín

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

The post-apocalyptic novel by Catalan writer Manuel de Pedrolo, Typescript of the Second Origin (1974, English 2017) celebrates Alba as humankind’s new mother. Alba’s mission, however, clearly depends on the help of a man willing to father her children, a role for which Pedrolo made an extremely singular choice: whereas Alba is already 14 when Typescript begins, Dídac is just a 9-year-old boy. Because of the exceptional situation (the catastrophic extraterrestrial devastation of Earth), Pedrolo forces Dídac to mature very fast, to the point that he is only 12 when Alba gives birth to their baby. Additionally, Dídac’s mixed-raced genetic …