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Carlos Saura Y La Relativización De La Historia Y La Memoria Antes De La Transición, Luis Guadaño
Carlos Saura Y La Relativización De La Historia Y La Memoria Antes De La Transición, Luis Guadaño
World Languages and Cultures Faculty Publications
(First paragraph) La idea principal del presente trabajo es la de intentar darle una nueva perspectiva a tres películas de Saura- El jardín de las delicias (1970), La prima Angélica (1973) y Cría cuervos (1975)- que las pondría en relación con el espíritu de la transición y no solamente con la oposición política al regimen de Franco. La crítica ha analizado estas películas principalmente desde una perspectiva que hace referencia al context histórico-político específico de su aparición dentro de la dictadura de Franco. Así, por ejemplo, se han interpretado como los últimos coletazos críticos al Régimen poco antes de su …
War Memories, Violence And Social Pathology In Saura’S La Caza, Jesús Urda
War Memories, Violence And Social Pathology In Saura’S La Caza, Jesús Urda
Conference Papers
The paper analyses the metaphorical visual and philosophical depiction of Spanish Civil war and its aftermath in Carlos Saura's La Caza.
Encircling Linearity In Carlos Saura's Peppermint Frappé, Linda M. Willem
Encircling Linearity In Carlos Saura's Peppermint Frappé, Linda M. Willem
Scholarship and Professional Work - LAS
Spanish director Carlos Saura is internationally famous for creating films where the past, the present, and the future are fused together and intermixed with reality, fantasy, and dreams. Although this practice is generally recognized by critics as one of Saura's strategies for circumventing the repressive censorship operating during the Franco era, María Delgado points out that Saura's continued reliance on non-linear narratives in his post-Franco work "indicates that his style was determined as much by a desire to interrogate the possibilities of the medium as by censorship" (375). Indeed, in an interview with Antonio Castro, Saura has been quoted as …