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Articles 1 - 3 of 3
Full-Text Articles in Other Spanish and Portuguese Language and Literature
La Traducción Política: El Silenciamiento Narrativo Y La Traducción Inglés-Español Bajo Francisco Franco, Avery Austin
La Traducción Política: El Silenciamiento Narrativo Y La Traducción Inglés-Español Bajo Francisco Franco, Avery Austin
World Languages and Cultures Student Papers and Posters
We tend to live under the assumption that translations will always attempt to be faithful to their original texts, blindly believing in the infallibility of the translator. However, in doing so, we ignore how translation can be used to take advantage of the reader – how can one know that a change has occurred in a translated work if they have no knowledge of the text’s original language? This paper studies the power dynamics of translation, and how it can be used as a tool to aid censorship. By focusing on translated literary works under the Franco regime, this work …
Marina Y Cleopatra En El Escenario Teatral, Jon Paul Lawton
Marina Y Cleopatra En El Escenario Teatral, Jon Paul Lawton
World Languages and Cultures Student Papers and Posters
Cleopatra and Doña Marina come from distinct time periods in world history— respectively, the declining Ptolemaic dynasty of Egypt and the age of the Spanish conquest. Literature has been inspired by these historical figures, creating various interpretations of this Egyptian queen and Aztec translator. Fundamentally, these two personalities share similarities: both women fall in love with foreign invaders and harness influence in the political arena of their times. For this, they must rectify their romantic desires with loyalty for their home countries. The plays Todos los gatos son pardos by Carlos Fuentes and Antony and Cleopatra by William Shakespeare reveal …
De Serpiente A Santo: La Cara Maleable Del Diablo En La Literatura Hispana, Crosby Tinucci
De Serpiente A Santo: La Cara Maleable Del Diablo En La Literatura Hispana, Crosby Tinucci
World Languages and Cultures Student Papers and Posters
In biblical literature, the devil serves as an archetype of evil. He appears as a deceptive serpent, a roaring lion and a vanquished dragon. Each one of the great charlatan’s faces serves to add levels of meaning to this complex character. Like biblical authors, Hispanic authors have incorporated this archetype in their own literary works in distinct ways, taking advantage of its complexity and levels of meaning. During the Middle Ages in Spain, Gonzalo de Berceo incorporated the devil as a figure of deception and enmity in Los milagros de Nuestra Señora. Two centuries later, in the Spanish baroque …