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Articles 1 - 3 of 3
Full-Text Articles in Other Spanish and Portuguese Language and Literature
Food And Memory In Literature: A Folkloric Approach, Pola Schiavone
Food And Memory In Literature: A Folkloric Approach, Pola Schiavone
Dublin Gastronomy Symposium
This paper analyzes food as a memory device in the novel Doña Flor y sus dos maridos by the Brazilian author Jorge Amado. Set in San Salvador du Bahía in northern Brazil, the novel follows Doña Flor after her husband Vadinho dies. Food and drink – considered here as folkloric forms – play a central role not only in her exploration of memories of her husband but also in the broader bahiana society with its mix of different ethnicities (African, indigenous, European). Drawing on Felix Coluccio’s and Dan Ben-Amos notions of folklore and literature and Arjun Appadurai’s exploration of the …
Baroque Glances At Society: The Appropriation Of Decoupage, The Long Take And Depth Of Field Photography In The Early Films By J.A. Bardem., Jesús Urda
Conference Papers
Bardem is often described as a Spanish Neorealist, as a director who followed closely the cinema of Italian directors like Fellini, Pietro Germi, Visconti and of course the early Antonioni. Except for Cómicos (1954), inspired by the reading of Joseph L. Mankievicz’s All About Eve (1950) all the films he made during the 1950s are inspired by an Italian source: Death of a Cyclist (1955) was inspired by Antonioni’s Cronnica di un Amore/Story of a Love Affair (1951); Calle Mayor (1956), shares similarities in plot and concept with Fellini’s I Vitelloni (1953); La Venganza (1957) with Pietro Germi’s Il Camino …
War Memories, Violence And Social Pathology In Saura’S La Caza, Jesús Urda
War Memories, Violence And Social Pathology In Saura’S La Caza, Jesús Urda
Conference Papers
The paper analyses the metaphorical visual and philosophical depiction of Spanish Civil war and its aftermath in Carlos Saura's La Caza.